BROOKLYN STREET ART LOVES YOU MORE EVERY DAYCool dude Know Hope from Tel Aviv is in town and was was out last night at an approved spot by the Chelsea Hotel and the “Empty No Longer” gallery putting up a new piece. Thanks to Chris Stain for catching a couple pics for us.
- The preliminary blocking by Know Hope (photo Chris Stain)
His character, showing up in singles and multiples throughout his work is always going through different stages, stumbling around, observing, breaking, healing, peering inward.
- Know Hope reaching into his heart as time goes by. (photo Chris Stain)
Tall, thin, and uncomfortable, the gangly character interacts with his world awkwardly, looking for answers we’re not sure he’s found yet. Sometimes a copy of him helps him to heal or props up and supports him as he stumbles and limps through scenes of sadness and even horror.
In almost every case, the character’s heart figures prominently as something to be referenced, to be taken care of.
- Someone else fills in the empty space (Know Hope) (photo Steven P. Harrington)
- 3-Dimensional figure knitting a sweater of tears at Ad Hoc Gallery (Know Hope) (photo Steven P. Harrington)
238
138
45
Other Articles You May Like from BSA:
New Book by Patrick Verel Attempts to Untangle the Graffiti Mural Discussion In Graffiti Murals: Exploring The Impacts Of Street Art, a methodical study of graffiti and murals in Manhattan, Brooklyn,...
Welcome to BSA Images of the Week! To BSA's Muslim brothers and sisters, we hope your Ramadan has been fulfilling as it draws to a close this Tuesday. Amid the spiritual calm, Friday's earthq...
Enigm. New Surrealism. BSMT Space. London, UK. (photo courtesy of BSMT) We’ve been seeing an uptick - perhaps you have too - in the surrealist inspired works on the street over the past couple of y...
Stylistically diverse artists are gathered loosely around a dispersed list of goals – and the results are a variety of public works that hope to challenge communities in Bristol, England, with pertine...
The nascent voyage of ‘Nuart Journal’ comes slowly into view as a softly bound Street Art/graffiti cultural preservation document; its glossy cover is purple for issue Number 2, like a thick royal-co...
