BSA Images Of The Week: 06.09.24

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Welcome to BSA Images of the Week!

When surveying the current crop of street art here and in other cities around the world, we wonder where the political will has gone – the one that seemed much more confrontational and conflicted in earlier years of the modern movement. The once fiery, in-your-face spirit seems to have mellowed and become pleasant and pleasing. One theory that pops up regularly when surmising why there is a lack of conviction in street messaging, even as wars break out and the wealth gap widens everywhere you look, is that there is no such thing as anonymity as there once was. Privacy has almost completely been allowed by the citizenry to be eroded.

With a default Digital ID following your every movement and transaction, the means for someone to triangulate a particular data point are so sophisticated that if you speak out or actually challenge the status quo, you will probably be traced. Hell, any Twitter storm can produce an army of motivated detective volunteers to doxx someone who has offended social media “norms,” and we use that term loosely.

Your 13-year-old nephew Lucas can easily unearth someone’s personal details without breaking a sweat, and he doesn’t even have a laptop. 20 years ago, a graffiti or street artist could assume some modicum of anonymity, but in practice, the current crop uses the streets as a marketing extension of their Instagram account, an expression of their online personas, studiously and clearly spraying @ tags and websites on their street pieces to make sure you can find them.

So if you are pissed off at the system, you probably think twice before you put it on the streets these days unless it is a screed sprayed with a fire extinguisher that is largely untraceable – or something like that. In the case of whoever sprayed “Rishi Sunak is a Rat-Faced C*nt” on a wall, you may even inspire a punk ditty.* For many right now, activism is not even the point.

Here is our weekly interview with the street, this week featuring David Puck, Shok1, Epic Uno, Par, Kitsune Jolene, Smug One, Trasher, V. Ballentine, Inker, P.T., King57, FUP One, and Cope Doz.

V. Ballentine (photo © Jaime Rojo)
V. Ballentine (photo © Jaime Rojo)
David Puck (photo © Jaime Rojo)
Epic Uno (photo © Jaime Rojo)
SHOK1. Hit The North Festival. Belfast, Northern Ireland. (photo © Jaime Rojo)
Dog with tags. (photo © Jaime Rojo)
INKER. AGAIN JACK. (photo © Jaime Rojo)
Smug One. Hit The North Festival. Belfast, Northern Ireland. (photo © Jaime Rojo)
Smug One. Hit The North Festival. Belfast, Northern Ireland. (photo © Jaime Rojo)
Smug One. Hit The North Festival. Belfast, Northern Ireland. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
P.T. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
KING 57 (photo © Jaime Rojo)
Kitsune. Hit The North Festival. Belfast, Northern Ireland. (photo © Jaime Rojo)
PAR (photo © Jaime Rojo)
Trasher (photo © Jaime Rojo)
Unknown photographer. *This raw scrawled sentiment, appearing in a few places now as sort of campaign perhaps, could even inspire the punk-style anthem linked here. Or the other way around. See reference in essay above.
FUP ONE (photo © Jaime Rojo)
COPE DOS (photo © Jaime Rojo)
Untitled. Williamsburg Bridge. Brooklyn, NY. June 2024. (photo © Jaime Rojo)

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