April showers only slightly dampened the mood in Bushwick Brooklyn

at two openings Friday night. AdHoc featured 4 fine artists from outside New York in their various gallery spaces, while Eastern District devoted their room entirely to the first solo show of Posterboy that drew an excited inquisitive crowd.

Ekundayo & Joshua Clay shared the front gallery, where their complimentary illustration styles and sordid-themed murals easily took over and called the space home.

Hawaiin born L.A. native Ekundayo’s contorted curmugeons and malformed miscreants sang a song of sixpence, saliva, and silly – in a well formed cast of characters that could be called a family (but you may want to pack a crucifix in your picnic basket on reunion day). In fact one looks kind of like my Aunt Marge.

Lookout, Cannonball! (Ekundayo courtesy AdHoc Art) (photo Steven P. Harrington)

A well regarded talent in the current post-pop L.A. scene, Joshua Clay, easily opens the door to dark dens of iniquity with playful flair.

Whisky and wayward women are a sure way to run afoul of the church. One of the murals in the gallery (Joshua Clay courtesy AdHoc Art) (photo Steven P. Harrington)

Elisabeth Timpone held down the alcove with her own mini-show called “Tails of the North”. The collection of finely inked animals and creatures read like shaker drawings, but closer my dear pretty, come closer, and see friendship, fear, and feral savagery.

Elizabeth Timpone courtesy of AdHoc Gallery (photo Steven P. Harrington)

Elizabeth Timpone courtesy of AdHoc Gallery (photo Steven P. Harrington)

To curvaceously round out the show with 60’s pop poster colors and buxom babes was TheDirtyFabulous. A sort of cherry on top, you might say.

Peter Max, the Grateful Dead, & Juggs Magazine all Come Together Over Me (TheDirtyFabulous courtesy Ad Hoc Art) (photo Steven P. Harrington)

And just steps away, the subway slicing superhero/s stirred the minions of inquisitive fans into Eastern District Gallery for Posterboy‘s first solo show.

Adbusters all (courtesy Eastern District) (photo Steven P. Harrington)

The show consisted of two very large expanses of billboard grade vinyl stretched along facing long walls and loosely affixed pieces creating a new story with the same material.

From the vinal were cut familiar shapes from Picasso paintings and a troubled-looking Obama under the lettered banner “Hype?”. Tongues wagged about meanings, motives, and make-believe, as gallery goers read into the wall pieces and donated $5 for a sticker stencilled with “Posterboy ?”.

Don’t Believe It (Posterboy courtesy Eastern District) (photo Steven P. Harrington)

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