BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening :
1. One Minute of Dance Per Day : Nadia Vadori-Gauthier
2. Nina Chanel Abney Talks About New Work with Pace Prints
3. Color Trips – Austria
BSA Special Feature: One Minute of Dance Per Day : Nadia Vadori-Gauthier
“And lost be the day to us in which a measure hath not been danced.”
~ from Nietzsche’s Thus Spake Zarathustra
Every day since the shootings of artists and journalists at the Charlie Hebdo offices on January 14, 2015, dancer Nadia Vadori-Gauthier has made sure to dance for a minute or more. It sounds like a good idea.
“Without editing or effects, in the place and state of mind I find myself that day, with no special technique, staging, clothing, or makeup, nothing but what is there,” she says on her website.
“I dance inside or outside, in public or private places, alone or with others, strangers or people I know, sometimes friends.
I dance as protesters demonstrate, to effect a living poetry, to act through sensitivity against the violence of certain aspects of the world.
This is the solution I found: an action to my own measure, a concrete, repeated action that may redraw lines, disrupt the design, shake up the norms.”
Here she is in Paris on Esperance Street in front of a mural by Street Artist Seth.
Nina Chanel Abney Talks About New Work with Pace Prints
Opening last night at Pace Prints, artists Nina Chanel Abney talks about her work, her colors, characters, content, and the experience of making her first body of prints. She says she’s hooked, and with the large-scale unique prints she creates in the printshop with a great team, you can see why.
Color Trips – Austria
First of all, how did all of this beauty occur this summer and why don’t we live in Austria? Secondly, how is it possible that a town is so small that the train literally has one car? And how does it have big graffiti burners on it? This is the most clean, wild, classic graffiti porn with a good beat that we’ve seen in a while.
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