BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
Our challenge in the new world may not to fly, but to be grounded.
Felipe Pantone: Transformable Systems at Joshua Liner Gallery. Manhattan, NYC (photo © Jaime Rojo)
Felipe Pantone may see the dangers of the modern age, as he contemplates the over saturation of images and messages – traditional symbols and systems neatly sliced away from their original meanings and histories. It is a world of movement and alienation and dislocation coursing with eye candy and violence. For his current show at Joshua Liner he looks to the kinetic art of the recent past (Victor Vasarely, Carlos Cruz-Diez) and pays homage while setting it alight in the ideal promise of a digital future.
Felipe Pantone: Transformable Systems at Joshua Liner Gallery. Manhattan, NYC (photo © Jaime Rojo)
The graffiti writer, Street Artist, mural painter, kinetic sculptor and multi-media fine artist is brave facing the future; embracing his own 90s childhood full of earlier digital fantasies, now transforming the geometry, waffling the levels and oscillating the transparencies and streaming the patterns. Are these laboratories or galleries. Is this a time, or is this timeless.
“In a powerful dynamic, Pantone extends on the walls with its futuristic style with psychedelic accents that evokes Italian Futurism,” says the show description from the gallery. “There are also abstract and stroboscopic touches that articulate black and white geometric shapes that he combines with bright metallic colors, not unlike the Mire, a visual that appears on the television when there is no show.”
Felipe Pantone: Transformable Systems at Joshua Liner Gallery. Manhattan, NYC (photo © Jaime Rojo)
Felipe Pantone: Transformable Systems at Joshua Liner Gallery. Manhattan, NYC (photo © Jaime Rojo)
Felipe Pantone: Transformable Systems at Joshua Liner Gallery. Manhattan, NYC (photo © Jaime Rojo)
Felipe Pantone: Transformable Systems at Joshua Liner Gallery. Manhattan, NYC (photo © Jaime Rojo)
Felipe Pantone: Transformable Systems is currently on view at Joshua Liner Gallery in Manhattan until October 13th
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