Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening: Voice of Art – Migration is Beautiful with Favianna Rodriguez, Project Brave with WK Interact,We Will Know When We Are Home with Creepy, and Innerfields: DIY in Berlin.
BSA Special Feature:
Voice of Art – Migration is Beautiful
“Art has the power to shape our laws, change society, and to speak truth to power, “ says Favianna Rodriguez in this new documentary that quickly traces the relationship between immigration law and greed and what is effectively a new system of slavery. In an upbeat way. HOW does she do it?
WK Interact: Project Brave
“A way of giving back to the city,” is how Street Artist WK Interact talks about the inception and development of “Project Brave” – an incredible distillation of the chaos of the events in New York on September 11, 2001.
Kyle Hughes-Odgers: “We Will Know When We Are Home”
A visually rich video showing the Street Artist Creepy as he wanders Port Hedlund Australia through fields and weathered abandoned industrial carcasses in search of surfaces.
Innerfields: DIY in Berlin
Started as a graffiti crew, Innerfields continued to perfect their craft and apply it to commercial work very successfully. But they still love the street.
This week we saw pumpkins piled at the corner deli, the Yanks pushing on toward the series, Streisand returning at 70 to sing again in Brooklyn, that Rasta MC goin’ hard over his stack of speakers outside the barbershop on a sunny cool day, Christopher Columbus as a giant sculpture in somebody’s living room, and we can confirm that underground art parties are now moving to Bed Stuy, bypassing Bushwick. Stranger things will undoubtedly keep happening because Halloween is on Wednesday this year; pretty much guaranteeing a solid week of sexy horror on the street because people won’t know when to party, and you’re going to see at least 3 mock boxing fights between two guys dressed up as Obama and Romney with gloves because the Presidential election is 11/6. The actual 2nd match-up of the candidates is this Tuesday in Long Island to debate. Are the Yankees playing that night?
So here’s our weekly interview with the street, an eclectic trip that takes us to Brooklyn, Paris, Baltimore, and Russia with Cern, Overunder, Philippe HÉRARD, Lili Luciole, Concrete Jungle, Hot Tea, Love Child, Dain, Sorta, and Cynthia von Buhler. We start of with this faux neighborhood painted by Concrete Jungle on a building in Vladivostok.
Climbing up on a roof during the sultry city summer can be liberating, and it turns out to be a prime place for painting too. Away from the cacophony of the sweaty streets, the breeze up here is a little cooler and stronger and aside from the occasional potted tomato plant or sun-tanning waitress, you are on your own. You may not own any personal real estate, but right now this is all yours, this sweeping urban vista of grand, glassy, grimy, gawdy, and gutted.
For years graffiti writers and Street Artists have sought these undiscovered spots as a kind of refuge, an urban backyard for hanging out and going big, often collaboratively. You could say that rooftop spots even have a certain lore, a place to tell stories about and revel in. In a hard-knock nasty city that sometimes seems to swallow people whole, on this rooftop with a view you can do a huge piece and feel like you are holding it all down. Not to mention the bragging rights you can claim for hitting a high profile location that grabs eyeballs and raises the stakes. As for the city dweller, the work, as ever, is subjectively reviled, ignored, or celebrated. No one can truthfully deny its affect on the character of the cityscape.
Here are some choice roof shots by photographer Jaime Rojo across New York, LA, Chicago, and Boston to give you a birds eye view of some art from on high.
The US officially remembers service members who died in wars today. War touches every aspect of our daily lives whether through loss or gain, impacting our individual and group psyche, economy, memory, liberty, history. Street Artists sometimes grapple with war and related themes in their work for everyone who passes to see. Here are a few examples.
“my collection, that’s me –
my childhood, my friends, my heroes, my role models, what i enjoy, what moves me. pictures from my journey: ‘at home i’m a tourist’” (Selim Varol)
From 26 May to 16 September 2012, me Collectors Room Berlin will be presenting the collection of Selim Varol. The exhibition will thus mark a return to an essential leitmotif of the foundation: the theme of collecting and the passion of the collector. The 39-year-old collector from Düsseldorf with Turkish roots has been collecting toys since his childhood and owns one of the largest collections of figurines in Europe, numbering some 15,000 pieces. A further focus of his collection lies in works by artists who trace their origins back to street art and ‘Pop Surrealism’. One characteristic shared by all the works in this collection is the close link between art and the everyday, as well as their often playful and humorous or subversive character.
The world of toys, most of which are produced in Asia, is a world full of plastic and vinyl. The figurines are detailed miniature sculptures that have variously emerged from the imaginations of contemporary urban artists and designers, or from politics and current events (Andy Warhol, Fidel Castro, Hitler), the dream factory of the film industry (Batman, Superman, Rambo and many others) or comics and manga. Many works in this collection are well-known due to their presence in public spaces. Shepard Fairey helped create a groundswell for Barack Obama with his iconic ‘HOPE’ poster during the United States presidential race in 2008. And JR, the current TED Prize winner, attracted international attention in 2008 with his film ‘28 millimètres: Women Are Heroes’ in the favelas of Rio de Janeiro, where he mounted giant images of female residents on the façades of houses in order to raise awareness about their life stories and give these women a voice. The New York artist KAWS (Brian Donnelly) is another artist who has exerted a major influence on Selim Varol’s collection, with Varol’s first acquisition of his work in 1999. KAWS first made a name for himself in 1998 with his alienated images on bus stops, phone boxes and billboards (for instance the ‘Christy Turlington Calvin Klein Ad Disruption’). He is represented in this
exhibition with more than 160 works. The exhibition includes a total of 3,000 works by more than 200 artists & designers from over 20 countries.
Plans are under way to enable artists involved in the exhibition to paint or paste designated facades in the area around the venue.
The exhibition will be accompanied by an extensive catalogue of the collection that will include a text by Jeffrey Deitch.
Events:
Saturdays, 3 p.m.: Public guided tour
01.06.2012, 6.30 p.m.: Expert talk with Selim Varol
September: Reading with Autonama & Participation in “Internationales Literaturfestival Berlin”
Children’s Programme: For schools and kindergartens (upon agreement); scavenger hunt (anytime)
Pop-Up Shop: In collaboration with Toykio, a selection of designer toys and exclusive editions will also be on offer in our shop.
Prior registration is required for all events. Programme details are available on our website: www.me-berlin.com
List of artists:
123Klan, Rita Ackermann, Adam5100, Chiho Aoshima, Giorgio Armani, Suki Bamboo, Banksy, Garry Baseman, Bäst, Beast Brothers, Beejoir, Andrew Bell, Biff, Bigfoot one, Tim Biskup, Blek le Rat, Blu, Bob Dob, Bountyhunter, Randy Bowen, Brin Berliner, Bshit, Buffmonster, Milton Burkhart, Thomas Campbell, Case, James Cauty, Mori Chack, Henry Chalfant, Chip Kidd, David Choe, Luke Chueh, Coarse, Martha Cooper, Harmony Corine, Matias Corral, Robert Crumb, Dalek, Date Farmers, Dehara, Delta, Devilrobots, Dface, DJ Shadow, Dolce & Gabbana, Dolk, Doma Dr.Romanelli, Dran, Dust, Tristan Eaton, Eelus, Ben Eine, El Mac, Ron English, F.C .Ware, Fafi, Faile, Shepard Fairey, Ferg, Jeremy Fish, Florian Flatau, Sam Flores, Flying Fortress, Pete Fowler, Glen E. Friedman, Friends with you, Phil Frost, Daniel & Geo Fuchs, Hiroshi Fujiwara, Futura, Rene Gagnon, John Galliano, Jean Paul Gaultier, Huck Gee, Os Gemeos, Doze Green, Sadi Güran, Eric Haze, Evan Hecox, Herakut, Jean-Louis Dumas Hermes, Jamie Hewlett, Damien Hirst, David Horvath, David Horvath & Sun-Min Kim, Marc Jacobs, Todd James, Jamungo, James Jarvis, Oliver Jeffers, JR, Nathan Jurevicius, Alex Katz, Rei Kawakubo, Audrey Kawasaki, KAWS, Peter Kennard, Josh Keyes, K-Guy, Margaret Kilgallen, Dave Kinsey, Jeff Koons, Frank Kozik, Charles Kraft, Curtis Kulig, Kurt Vonneggut & Joe Petro III, Christian Lacroix, Lady Aiko, Karl Lagerfeld, Helmut Lang, Michael Lau, Joe Ledbetter, Karin Lehmann, Matt Leines, Michael Leon, Paul Leung, Anthony Lister, Livingroom Johnston, London Police, Robert Longo, Lunartik, MAD*L, Herman Makkink, Mantis, Martin Margiela, Marok, Mars 1, Ben Mathis, Barry Mcgee, Lucy McLauchlan, Bill Mcmullen, Dennis Mcnett, Tara McPherson, Alexander McQueen, Eugenio Merino, Mexxer, Anthony Micallef, Donny Miller, Miss Bugs, Miss Van, Mist, Brendan Monroe, Polly Morgan, Mr. Clement, Takashi Murakami, Scott Musgrowe, Muttpop, Yositomo Nara, Caleb Neelon, Nigo, Tim Noble & Sue Webster, Steve Olsen, Katsushiro Otomo, Tony Oursler, Jose Parla, Paul Insect, Marion Peck, Perks & Mini, Stefano Pilati, Ricky Powell, Miuccia Prada, Rob Pruit, Pure Evil, Pushead, Oliver Räke, Jamie Reid, Retna, Terry Richardson, Rocketworld, Jermaine Rogers, Rolitoboy, Ryca, Mark Ryden, Saber, Erick Scarecrow, Todd Schorr, Semper Fi, Since, Jason Siu, Sket-one, Skewville, Skullphone, Hedi Slimane, PaulSmith, Hajime Sorayama, Jeff Soto, Space Invader, Spanky, SPQR, SSUR, Jeff Staple, Stash, Static, Tyler Stout, Stefan Strumbel, Suckadelic, Superdeux, Judith Supine, Swoon, Tado, Gary Taxali, Osamu Tezuka, Tilt, Tokidoki, Touma, Tim Tsui, Nasan Tur, Unkl, Urban Medium, Usugrow, Valentino, Gee Vaucher, Mark Dean Veca, Donatella Versace, Viktor & Rolf, Amanda Visell, Nick Walker, Vivienne Westwood, Dondi White, Kehinde Wiley, WK interact, Jim Woodring, Word to Mother, Bubi Au Yeung, Zevs
Sometimes on the street you get an inkling of the future. It could be an overheard excerpt from a cell-phone conversation about a club show the night before, or the color and texture of woman’s blouse as it flutters around her while she reads on a park bench, or the sight of the 3rd food truck this week selling spicy meatballs. Something tells you that you just got a glimpse of the future. And while it doesn’t completely reveal itself in it’s fullness, you can see a nascent potential, a storyline developing that may go far beyond it’s current self. Sometimes when you see a Kosbe sticker on a paper box, it feels that way too. In fact, each time you see one of his pieces on the street, it grabs you from above the fray. Yet it seems like he’s been under the radar. He may not stay there much longer.
In the ebb and the flow of the Street Art conversation in New York, you keep seeing Kosbe’s wacky characters popping up in doorways and paper boxes. They aren’t tossed off little marker drawings done while watching TV – they’re intense petite character studies. Packed into one slapped on sticker is a lot of cacophonic kineticism; near crazed city characters with primitive wild eyes staring or blinkered, with tight jaws and teeth squarely gritted. The folk faces and forms are framed by an ardent prose, non-sequitors of angst and inside jokes. “What’s the guy saying?” you could ask. And why is he yelling? “Is he okay, is he mocking me? It’s the bundled rage and cryptic cleverness of the court jester. Layers of reapplied color and repeated lines trap multiple actions on one non-static figure. This is not simple tagging, it’s a stationary tornado.
Street Artist Kosbe has put in two good decades of practice, and has learned some lessons the hard way. He’s been hitting up New York for a half decade but he comes from a long graffiti history as a kid in his native Chicago. Now a practicing artist readying a solo gallery show for fall, he grew up in a very young single-parent home where his mom created a small studio for the boy in the back of their apartment. “My mom was really supportive of me as an artist. When I was a kid she gave me this little back room that she allowed me to use like a painting studio. So I was always grabbing stuff off the street and bringing it in there, painting it. I was very secretive with my stuff. A lot of people would come over and see my stuff and they were like, ‘Dude, I didn’t know that you painted’. I was very protective of it.”
That hasn’t changed. He still likes to use found materials as canvasses, as he shows us around his small studio hidden in a warehouse in New York. “I’m always using things that I find in the streets. Like this is an old grading book from 1919,” he says as he pulls out a tattered tome with pages ripped out. “It has all these people’s signatures. I found this outside a high school in Brooklyn. It’s really cool. So that’s what I’ve been using for my drawings.”
Tough times at home got him in trouble at school and with the police as a youth. Describing himself as hard headed, he talks about running away as a young teen to San Francisco for a while in the early 90s, where he spent a lot of time on the street admiring a new kind of character-based and tattoo influenced graffiti on the street by people like Twist (Barry McGee), Mike Giant, and Reminisce. “I went out and there were these Reminisce horses everywhere and they were great because you were going down the street and you would see this horse like galloping down the street. This stuff really blew me away. So I think the same time this stuff was going on there, over here in NY you had like Cost and Revs posting bills and doing rollers. And back then there wasn’t the internet.”
Years later here in this fluorescent lit studio filled with his drawings, paintings, books, ‘zines, assorted ephemera, a desk, and a loveseat, his excited retelling of stories reveals how much those childhood escapades running Chicago streets and exploring San Francisco formed his view of Street Art and prepared him for moving to New York eventually in the 2000s. A self-schooled student of graffiti, fine art, and street art, Kosbe can recount names of writers and crews, timelines, styles; drawing etymologies and stylistic connections and talking about migrations. With much fanfare he’ll also tell you the stories about the famed Chicago “buff” – a citywide anti graffiti campaign in the mid-late 1990s that he says whitewashed the city’s history.
But now he’s an artist on his own, and his practice is daily. “Now I’ve learned more that the only way, as an artist, that you can kind of grow and come up with new ideas is you gotta keep giving them away. So that’s why street art is kind of funny. I have friends who are painters that have become painters because of me. They are like ‘Dude, I was totally influenced by your drawings’ and stuff like that.” But the practice of Street Artists putting fully formed works out on the street still confuses some of his peers, “They say ‘Dude you give all your art away’ – you know, they don’t understand the concept.”
His new work on the street and in this studio now bends toward abstract expressionism and his years of comic book reading enlivens that rawness with a furtively bombastic character-driven personality. Almost every piece he does has some sort of commentary- a sort of helpful therapeutic narrative to explain what the character is thinking or feeling at the moment. “I like being bad for the sake of being bad”, “Tupac!”, “deathy”, “not good”, “astro zombie”,”power to the people”,“Kosbe don’t cry”.
Kosbe also credits the street as his formative and evolutionary art instructor. “When I took an oil painting class, my teacher was like, ‘Dude you already know how to paint. How did you learn this?’ and I was like, ‘graffiti.’ ” Even though graffiti still attracts him and captures his imagination, Street Art and fine art have occupied his efforts lately and the combined synthesis of a lifetime studying art on the street and plenty of experimentation is coming together very strongly aesthetically. Combine that individual vision with the maturity that hits a person in their 30s and you may think that you are seeing a sudden glimpse of the future.
Brooklyn Street Art:I want to talk about you and your art and your influences. What are these characters? Where did they come from? Kosbe: I don’t know. I’ve been drawing since I was real young. It’s always something that comes naturally. I don’t do any sketches, I don’t plan anything out. I just – for me it’s more a guttural, more natural thing. It’s good and bad.
Brooklyn Street Art:What’s the bad part? Kosbe: The bad part is that I don’t focus on it, you know? I just have been doing it so long and I really enjoy it.
Brooklyn Street Art:Is your experience kind of like a faucet that you turn on and it all comes flowing out and then you decide, “Okay I better turn it off”? Kosbe: Exactly, right. So the thing with me is, I try to also look for other outlets. So I’m really into other things. Like I like music, photography, writing, all that stuff. But that stuff doesn’t come as naturally to me like this does. But it’s a great outlet for me and I feel really kind of lucky to have something like that – to be able to express myself in that form and manner. It’s helped me out tremendously to kind of learn how to communicate with people. Every year I realize new things – like this is how I communicate with people. Is it bad? Is it bad that I think that this is the only way I think that I can talk to people? Maybe I’ve gotta learn how to become better with talking with people verbally or something.
Brooklyn Street Art:You don’t seem to have great difficulty communicating verbally. But I’m interested in understanding a little more about how you think of this work and this practice as communication. Kosbe: There is definitely a lot of emotional stuff in my work, you know,
Brooklyn Street Art:There is! Despair, anger …– you use a lot of descriptive words, verbal narratives throughout – whether it’s a sticker or a wheat paste. Kosbe: Yeah it’s whatever is always popping into my head and so there are a lot of things that are on my mind and hopefully this is a good way to have an outlet for it. I’m trying to not be so negative anymore. And some people are like “Man, it’s so dark”. You know I use a lot of bright colors now, which has been phenomenal. That has really changed my work. Here you can see some of my earlier stuff and it’s really brown, dark. Actually this is beginning where I started experimenting with more color. And then as I got to New York, more and more color started getting into my stuff.
When you do graffiti you learn the fundamentals of color theory, you know. You learn what works.
Brooklyn Street Art:You know WK Interact talks about New York being a violent city Kosbe: I love that guy! You know when I first moved to New York he had that little shop on the Lower East Side and you’d walk in and it was like a locker, a desk, and some Japanese kids standing around. And it would be like, “What is this? Is this a store? Is this a studio?”
Brooklyn Street Art:What made me think of him was I was interested in how you describe the city because WK has said that when he makes work on the street, if it is violent in nature and people walk by it, they sometimes give him the thumbs up! And it runs longer. But if he were to paint a pink bunny it would get crossed out because New Yorkers don’t really respond to positive cheerful stuff. Kosbe: Oh yeah, and New York has definitely had a profound impression on me in that sense because my work before I got here still had that weird dark edge but it was a little cutesy-er. But like as time has progressed I just think I have kind of matured a bit more, becoming more of an adult and my stuff is getting more serious. But with me everything’s gotta be fun. I think it’s supposed to be fun.
Miami is basically “South Brooklyn” starting right about now, minus the bagels, the B62 bus, and the compulsive habit of cutting you off mid-sentence. Artists, galleries, fans, party girls and boys, djs, – they all head south the first few days of December for the big fair and all the little ones.
It already seems a little quieter here because Fountain took the weirdos, Wynwood Walls took the Soho softshoes, and The Underbelly collected the hardcore characters just long enough to sign a book and scarf some pizza before looking for a tunnel somewhere. Art Basel is a feast and the draw of Street Art and graffiti continues apace this year, with entrants from all the strata looking for a wall, and maybe a party, and a honey to go skinny dip with.
We picked a few Street Art related gems here that you might want to hit, but even if you show up in Miami this week with no plans, you’ll easily find some trouble to get into, we trust. Do your best.
After a full year underground, The Underbelly Project is coming to Miami during Art Basel. A pop up gallery, the show will feature original artwork from many of the 103 international artists who participated in the hidden subway project in New York. The exhibition will feature a video piece of multiple installations happening simultaneously, as well as new pieces by many of the artists. Additionally a book signing of the first volume to come out about the project, published by Rizzoli, will take place on December 2nd. Artists participating in the signing include: Dabs & Myla, Rone, Gaia, Lister, Eric Haze, Joe Iurato, Adam Feibleman, Know Hope, Jeff Stark, Jason Eppink, Jim and Tina Darling, The London Police, Dan Witz, Specter, Surge and other surprise artists.
Included in the show are street, graffiti and fine artists alike. The full line-up includes: Faile, Dabs & Myla, TrustoCorp, Aiko, Rone, Revok, Ron English, Jeff Soto, Mark Jenkins, Anthony Lister, Logan Hicks, Lucy McLauchlan, M-City, Kid Zoom, Eric Haze, Saber, Meggs, Jim & Tina Darling, The London Police, Sheone, Skewville, Jeff Stark, Jordan Seiler, Jason Eppink and I AM, Dan Witz, Specter, Ripo, MoMo, Remi/Rough, Stormie Mills, Swoon, Know Hope, Skullphone, L’Atlas, Roa, Surge, Gaia, Michael De Feo, Joe Iurato, Love Me, Adam 5100, and Chris Stain.
THE UNDERBELLY SHOW 29 November – Press Preview 5pm/ Private View 7pm 30 November – Collector’s Preview 7pm 1 December – Secret Wars US vs. UK 6pm 2 December – General Opening 5pm and Artist Book Signing 6pm
The show will take place in the heart of Wynwood at 78NW 25th Street
SCOPE
Jonathan Levine Gallery At Scope with WK Interact, Aakash Nihilani, Olek, and Jason DeCaires Taylor
“Placing a focus on public art for this program, the gallery will present a series of works that highlight a diverse range of distinct styles, cultural perspectives and unconventional mediums. Each of the four artists selected represent fresh directions in creating work in public space through their innovative vision and inventive use of materials. Photography documenting their interventional imagery, sculpture, and performances convey the transformative effect their work has on its surrounding
White Walls will be hosting four booths at SCOPE, situated in the center of Miami’s Wynwood Gallery Arts District, featuring a MTN Colors Group show with APEX, Neon, Estria, Vogue, Blek le Rat, HUSH, Kofie and Chor Boogie, a White Walls Group show with Casey Gray, Ben Eine and Greg Gossel, and solo shows for both ABOVE and ROA. APEX, Eine, Kofie, ABOVE, ROA and Chor Boogie will also be painting at the Kohn compound on 24th street.
For a full listing of exhibitors and events click here SCOPE
Wynwood Walls
Wynwood Walls is premiering 7 new Street Art murals and 16 new pieces at Wynwood Doors and walls outside.
Debuting in tandem with the new murals and installations during Art Basel this year on Tuesday, November 29, 2011, the “Shop at the Walls” the first Wynwood Walls Pop Up gallery space that will offer artworks and the new Wynwood Walls book.The book has interview with Street Artists and photography by Martha Cooper.
Artists include Retna, The Date Farmers, How and Nosm, Gaia (USA), Saner and Sego (Mexico), Liqen (Spain), Neuzz (Mexico), Nunca (Brazil), Vhils (Portugal), Interesni Kazki (Ukraine), Faile (USA) and b. (Greece). Kenny Scharf is expected to augment his existing wall, and remaining work from the last two years from Nunca, Shepard Fairey, Aiko, Ryan McGinness, Stelios Faitakis and avaf will be on display.
Walls Outside the Wynwood Walls, encompassing key locations outside of the actual art park itself and in the surrounding neighborhood, will be created by Friends With You (USA), avaf (Brazil and France), Nunca, and Interesni Kazki (Ukraine); joining works previously completed by Swoon and Barry McGee.
Location:
Wynwood Walls and the Pop Up Shop are located at NW Second Avenue – between Joey’s Italian Café on 25th Street and the art-filled Wynwood Kitchen & Bar on 26th Street – and are open to the public free of charge.
HERE COMES THE NEIGHBORHOOD: WYNWOOD (Video)
Fountain Art Fair
“Our preferred punk rock lopsided Anti-Fair.” —Brooklyn Street Art
This year Fountain Miami’s signature on-site street art installation is curated by Samson Contompasis, director of Albany’s The Marketplace, and will feature over 150 feet of work Street Artists including Sharktoof, Chris Stain, Olek, Hugh Leeman, Chor Boogie, OverUnder, White Cocoa, Army of One, Clown Soldier, Joe Iurato, CAKE, Tip-Toe, Elle, Ian Ross, Know Hope, Depoe, and Zero Cents.
Brooklyn’s own Mighty Tanaka Gallery is showing at Fountain Participating artists include: Adam Void, Alexandra Pacula, Alice Mizrachi, ChrisRWK, Ellen Stagg, Gigi Chen, Hellbent, Hiroshi Kumagai, JMR, John Breiner, Max Greis, Mike Schreiber, Robbie Busch, Skewville, TooFly, URnewyork, VengRWK & Miguel Ovalle
December 1–4, 2011 2505 North Miami Avenue (at the corner of 25th St) | Miami, FL 33137 General Hours: 12pm–7pm daily Tickets: $10 daily / $15 weekend pass. All tickets sold at door.
Primary Projects
A new exhibit debuting during Art Basel Miami Beach 2011
Thursday, December 1
Opening Reception
7:00 to 10:00 p.m.
RETNA, Jessy NITE, Stormie MILLS, Evan ROBARTS, Lena SCHMIDT, Luis PINTO, Andrew SCHOULTZ, Karen STAROSTA-GILINSKI, Kenton PARKER, TM SISTERS, Samantha SALZINGER, Emmette MOORE, Anthony LISTER, Charles KRAFFT, Tatiana SUAREZ, Edouard NARDON, Andrew NIGON, Johnny ROBLES and Lawrence GIPE.
Primary Projects
4141 NE Second Avenue
Suite 104
Miami, FL 33137
Living Walls is working with with Primary Flight, one of the original graffiti and Street Art mural projects, to create 3 new murals in the Wynwood District.
Happy Halloween to all you good boys and ghouls lurking behind heavy closed doors with frogs in your pockets and bats in your hair. Do you dare venture out this All Hallows Eve? What will you see tonight in the cold black air?
“What beckoning ghost along the moonlight shade
Invites my steps, and points to yonder glade?”
We know that BSA fans dig Halloween more than many holidays. Almost more than your birthday, but not quite, but almost. From his year round collecting of images, here’s a monstrous 39 photo essay from photographer Jaime Rojo of werewolves and vixens and frankenfreaks and zombies and ghosts just for you today.
Veteran New York Street Artist WK Interact has been depicting the rush and clamor and violence of the streets of New York since the 80s. With stark black and white imagery that captures and distorts the action layered with precise mechanical renderings and computerized symbology, WK creates a portrait of the kinetic chaos of the life on the street and delivers it back.
His new project installed in Brooklyn on 9/9/11 commemorates the events marked citywide 2 days later, when WK watched our streets convulse. With 10 years distance, the memory is just as close as ever for some, including firefighters who plunged themselves into the disaster instead of running from it. While WK is highly gifted verbally, he is most powerful when he uses his Street Art to talk about the impact of that day and pays tribute here to those firefighters while looking at the disaster. “Project Brave” is not his work in solitary – WK did this in partnership with the Yonkers Fire Department and the support of the Fire Commissioner Anthony Pagano and his Deputy Chief William Fitzpatrick and other firefighters in the city.
The huge installation expanse alludes to the overwhelming nature of the events and gives viewers the opportunity to contemplate the loss of firefighters and the people they left. Without musty museum stilted pomp, this modern depiction casts the events in a contemporary context fitting for the times; one more example of the contribution that Street Art can make to the culture and life of the city.
HuffPost Arts and The Museum of Contemporary Art, Los Angeles (MOCA) hosted a presentation and panel discussion presented by Brooklyn Street Art founders Steven P. Harrington and Jaime Rojo this past Saturday at the Ahmanson Auditorium with 150 guests. Five days after the closing of the record breaking “Art in the Streets” show at LA MOCA, which was seen by over 200,000 visitors, BSA charted some new ground going forward in the ever evolving graffiti and street art movement.
The panelists, who included HuffPost Arts Editor Kimberly Brooks and Street Art phenom Shepard Fairey, watched a presentation by Harrington and Rojo about a new storytelling direction that artists are bringing to the streets of New York and other cities around the world. With examples of relative newcomers not seen by many in the audience, they pointed to precursors from the last 40 years to this storytelling practice and questioned how its sudden growth may be evolving what we have been calling “Street Art” for the last decade.
After a conversation with panelists Brooks, Fairey, Marsea Goldberg, Ken Harman, and Ethel Seno that covered topics like the paucity of females in the street art scene, the influence of the Internet on “getting up”, and the significance of personal engagement in the work of many of today’s new street artists, Harrington and Rojo opened the discussion up the auditorium. Here topics ranged from LA’s evolving approach to Street Art to include public and permanent art, the influence of money on street artists, and how a show like “Art in the Streets” effectively influences the next generations’ perception of street art.
The packed event was interesting enough to bring many audience members down to the stage after the show to continue the conversation and meet the panelists and LA MOCA Director Jeffrey Deitch, who took great interest in the presentation, talked with a number of people before taking off. Fairey, with his wife Amanda at his side and a healing black eye from his recent trip to Copenhagen (see his account for HuffPost Arts here) gamely took on questions from many and posed for pictures after the event and at the reception which HuffPost hosted afterward.
Brooklyn Street Art Co-founders Jaime Rojo and Steven P. Harrington converse with esteemed panelists at “Street Art Stories”, hosted by HuffPost Arts and LA MOCA.
MONICA ROACHE, JESSICA YOUN, CHRIS RICHMOND, DAVID BRADSHAW, JEFFREY DEITCH, LYN WINTER, PATRICK IACONIS, TANYA PATSAOURUS, TRAVIS KORTE, MELINDA BROCKA, TINA SOIKKELI, EUTH, ANDREW
HOSNER, CARLOS GONZALEZ, KIMBERLY BROOKS, MARSEA GOLDBERG, KEN HARMAN,SHEPARD FAIREY, ETHEL SENO, THE MOCA MUSEUM STAFF AND SECURITY,
THE HUFFINGTON POST, THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES (MOCA), BROOKLYNSTREETART.COM, HI-FRUCTOSE, JUXTAPOZ,
IMAGES IN PRESENTATION BY JAIME ROJO WITH ADDITIONAL PHOTOS BY MARTHA COOPER, REVS PHOTO BY BECKI FULLER, and FAUXREEL PHOTOS BY DAN BERGERON
This week Revok was in town and hit up a wall with Tats Cru; a new mural entitled “The Quiet Before the Storm”, providing the Lower East of Manhattan with some much need color. We also re-visited a couple of BSA favorites like the Shepard Fairey’s piece on the Cooper Square Hotel and a few WK Interacts scattered around LES. It’s great to see and photograph these pieces when imbued with February’s cold gray and blue light.
And now our weekly interview with the street, this week including Bio, BG183, GS, How & Nosm, Invader, Revok, Shark Toof, Shepard Fairey, Spazmat, Tats Cru, TMNK and WK Interact. Update. Thank you RJ at Vandalog for sending out the tweet abut the Mel Kadel (on the no loitering sign) sticker and helping our readers with the artist’s name.
We’re very grateful for a wildly prolific year of Street Art as it continued to explode all over New York (and a lot of other places too). For one full year we’ve been granted the gift of seeing art on the streets and countless moments of inspiration. Whether you are rich or poor in your pocket, the creative spirit on the street in New York makes you rich in your heart and mind.
To the New York City artists that make this city a lot more alive every day we say thank you.
To the artists from all over world that passed through we say thank you.
To our colleagues and peers for their support and enthusiasm we say thank you.
To the gallery owners and curators for providing the artists a place to show their stuff and for providing all of us a safe place to gather, talk, share art, laugh, enjoy great music and free booze we say thank you.
To our project collaborators for sharing your talents and insights and opinions and for keeping the flame alive we say thank you.
And finally to our friends, readers and fans; Our hearts go out to you for lighting the way and for cheering us on. Thank you.
Each Sunday we featured Images of the Week, and we painfully narrowed that field to about 100 pieces in this quick video. It’s not an encyclopedia, it’s collage of our own. We remember the moment of discovery, the mood, the light and the day when we photographed them. For us it’s inspiration in this whacked out city that is always on the move.
The following artists are featured in the video and are listed here in alphabetical order:
Aakash Nihalani,Bansky, Barry McGee, Bask ,Bast, Beau, MBW, Bishop ,Boxi, Cake, The Dude Company, Chris RWK, Chris Stain, Dain, Dan Witz ,Dolk ,El Mac, El Sol 25, Elbow Toe, Faile, Feral, Overunder, Gaia, General Howe, Hellbent, Hush, Imminent Disaster, Jeff Aerosol, Jeff Soto, JMR ,Judith Supine ,K-Guy ,Labrona, Lister, Lucy McLauchlan, Ludo, Armsrock, MCity, Miso, Momo, Nick Walker, Nina Pandolfo, NohjColey, Nosm, Ariz, How, Tats Cru, Os Gemeos, Futura, Pisa 73, Poster Boy, QRST, Remi Rough, Stormie Mills, Retna, Roa, Ron English, Sever, She 155, Shepard Fairey ,Specter, Sten & Lex, Samson, Surge I, Sweet Toof, Swoon, Tes One, Tip Toe, Tristan Eaton, Trusto Corp, Typo, Various and Gould, Veng RWK, ECB, White Cocoa, Wing, WK Interact, Yote.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
