All posts tagged: Winston Tseng

BSA Images Of The Week: 05.14.23

BSA Images Of The Week: 05.14.23

Welcome friends! Shout out to Joey, owner of the Village Works bookstore, whose new location opens this weekend on St Marks Place in Manhattan. Friday night the river of people flooded the banks in this pantheon to New York culture, history, and stylish bravado – and special guests Homesick were in the house to welcome the hundreds of excited streetwise Gen Z’ers to flip through and ponder these curious paper things that you cannot scroll through or zoom in with your fingers, but which are strangely satisfying and enriching non-the-less. If anyone wonders if Covid decimated New York, you have to witness the throngs of people walking, running, riding through a beery haze on the weekend at St. Marks, to know that this city is in full effect, bro.

We say ‘bro’ in the hood way, not the privileged apathetic way – although both are intermingling in the LES right about now with Brooks Brothers boys in camel suits huffing up the sidewalk while a muscled spandexed guy with a six-foot set of wings on his back weaves through the street. It’s not that NY is so liberal, it’s that we really don’t care what your look like or who you’re doing it with – let’s have fun and hang out.

The pumping music from the bars in this neighborhood reflects this moment, of course, with two Mexican pop hits blasting out to the streets in many locations – Grupo Frontera x Bad Bunny’s hit “Un x100to” and Peso Pluma’s “Ella Baila Solo.” A fusion of corridos, banda, urban music, trap, and reggaeton? Porque no? The popularity reflects the influence Latino culture has had on the youth this spring while old white men are busy militarizing the southern border and treating regular people like criminals for seeking a better life.

Here’s our weekly interview with the street, this week featuring: Dan Witz, Adam Fujita, Adam Fu, Winston Tseng, SacSix, Little Ricky, Roachi, Alicho Art, Chupa, Huetek, A Visual Bliss, Riisa Boogie, Ideal, Rezones, WEKUP, KIRSE, SMOR, Italo Causa, Georgia Violet, Jenna Leigh, and Never Satisfied.

Adam Fu (photo © Jaime Rojo)
Adam Fu (photo © Jaime Rojo)
Adam Fu (photo © Jaime Rojo)
Look a new rare Dan Witz in the wild!!!! (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Never Satisfied (photo © Jaime Rojo)
Never Satisfied (photo © Jaime Rojo)
Winston Tseng (photo © Jaime Rojo)
Winston Tseng (photo © Jaime Rojo)
SacSix (photo © Jaime Rojo)
Trace (photo © Jaime Rojo)
CHUPA (photo © Jaime Rojo)
Memorial Wall. Detail. (photo © Jaime Rojo)
Memorial Wall. Detail. (photo © Jaime Rojo)
Memorial Wall. Detail. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
ROACHI (photo © Jaime Rojo)
HUETEK (photo © Jaime Rojo)
Jenna Leigh . A visual Bliss. (photo © Jaime Rojo)
HUETEK (photo © Jaime Rojo)
Little Ricky (photo © Jaime Rojo)
Calicho Art . Georgia Violet. (photo © Jaime Rojo)
Italo Causa (photo © Jaime Rojo)
Riiisa Boogie. Rezones. (photo © Jaime Rojo)
KURSE. SMOR. IDEAL. (photo © Jaime Rojo)
WEKUP (photo © Jaime Rojo)
Untitled. Spring 2023. NYC. (photo © Jaime Rojo)
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Earth Day 2023

Earth Day 2023

As we think of springtime in the Northern Hemisphere and Earth Day, we gaze upon Epic Uno’s iconic Skull & Flower series with favor. He presents the visual with humor, making it accessible – even if there are many interpretations of his intentions.

We’ve selected this most recent work in collaboration with The L.I.S.A. Project NYC to lead this year’s edition of Earth Day. What better way to speak about the perilous state of our planet than a flower with a skull at its center!

The cycle of life and death is endlessly reflected in the natural world. While this witty illustration may not have been intended to, we think he’s talking about the net negative effect we have had on the Earth’s environment.

Following is a recent selection of street artworks that address the climate, our role in protecting the natural world, and how frequently we fail. Here’s to our Mother Earth, with respect.

Epic Uno for The L.I.S.A. Project NYC. (photo © Jaime Rojo)
Winston Tseng’s current campaign taking over bus shelter’s ad spaces in NYC includes a critique of the toxic materials some fast food companies employ in their food delivery packaging. The tagline in this illustration reads: “Burger King packaging leaches toxic PFAS ‘forever chemicals’.” (photo © Jaime Rojo)
TheEnviromentExcuse.org – Not sure who funds WildAid, but posting anyway. Beware of corporate climate-washing, by the way. Sometimes they have ulterior motives, and PR firms propagate positive narratives for nefarious ends. Not saying that this is necessarily the case here, but one has to ask, “Where does the money come from to advertise initiatives like this?” (photo © Jaime Rojo)
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BSA Images Of The Week: 11.27.22

BSA Images Of The Week: 11.27.22

Welcome to BSA Images of the Week!

Hope you had a moment or two to be thankful this Thursday with family, friends, or your cat. New York days are ever shorter, and people are officially entered into the Holiday Vortex. Mariah Carey tirelessly lipsynched her jingle at the Macy’s Thanksgiving Day Parade, the tree (and some of the crowd) is going to be lit at Rockefeller Center Wednesday, a community center in Queens is getting ready for its Channuka Experience, HOSTOS in the Bronx has its annual Kwaanza Celebration Thursday, The Burrito Bar in Staten Island is getting ready for its Drag Brunch Bingo: Christmas ExDRAGvaganza, and Marlene at your corner beauty shop is running a deal on holiday marble nail manicures – which are the dope nails to have right now. “If you’re a fly gal, then get your nails done. Get a pedicure, get your hair did.”

Here’s our weekly interview with the street, this week featuring: Winston Tseng, Mike Makatron, Maker, MFK, Ollin, Slue, KEZ5, Big Ash, D30, 2Much, and Sekt.

Mike Makatron (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Sluto (photo © Jaime Rojo)
MFK (photo © Jaime Rojo)
Tribute to KEZ5 (photo © Jaime Rojo)
Ollin (photo © Jaime Rojo)
Current Mood: Turkey Tryptophan Haze. Unidentified artist (photo © Jaime Rojo)
Save The Duck. This is really an ad…but we’d like to help save all ducks and the whole planet. Why not? BTW, here’s a list of the ten most endangered species. (photo © Jaime Rojo)
Why does this feel like someone was caught in the middle of a job? CNONE ABYS ANGE MAYDO (photo © Jaime Rojo)
Big Ash (photo © Jaime Rojo)
People who inspire other people for good always deserve the spotlight. (photo © Jaime Rojo)
D30 (photo © Jaime Rojo)
D30 (photo © Jaime Rojo)
Maker (photo © Jaime Rojo)
Sekt (photo © Jaime Rojo)
Winston Tseng with a splash. (photo © Jaime Rojo)
This is 2Much (photo © Jaime Rojo)
Untitled. Fall 2022. NY (photo © Jaime Rojo)
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BSA Images Of The Week: 04.17.22

BSA Images Of The Week: 04.17.22

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Welcome to BSA Images of the Week.

Happy Easter! Sameach Pesach! Ramadan Mubarak! It’s a rare year when all three of these holidays are happening at the same time. It’s a religious trifecta that you can see playing out on the streets of New York. What a rich tapestry we wrap ourselves with in this beautiful city.

Here’s our weekly interview with the street, this week featuring: Rambo, Winston Tseng, JJ Veronis, Bastard Bot, Sam Durant, Paoli Pivi, Curb Your Ego, Guerra Paint, and WASP.

Winston Tseng’s advertisement takeovers can be easily confused with real ads sometimes (photo © Jaime Rojo)
Paola Pivi. “You know who I am“. A bronze replica of the Statue of Liberty with cartoon mask. The High Line Park, NYC. (photo © Jaime Rojo)
JJ Veronis (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
WASP (photo © Jaime Rojo)
Bastard Bot (photo © Jaime Rojo)
Rambo (photo © Jaime Rojo)
NJP (photo © Jaime Rojo)
Curb Your Ego / Guerra Paint (photo © Jaime Rojo)
Posters for the new Jean-Michel Basquiat exhibition currently on view in NYC. Click HERE for more details. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Sam Durant. Untitled (drone). Large-scale fiberglass sculpture. High Line Park, NYC. (photo © Jaime Rojo)
Elle (photo © Jaime Rojo)
Breaking the chains. Unidentified artist (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Untitled. Little Island. Hudson River, NYC. (photo © Jaime Rojo)
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BSA Images Of The Week: 01.09.22

BSA Images Of The Week: 01.09.22

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Welcome the first BSA Images of the Week of 2022! How are you feeling? You’re looking great!

The street art parade marches on, perhaps ever clearer in its intent to reflect the mood, the zeitgeist, the intellectual meanderings of the artist class. In the process of demystifying the graffiti and street art scene over the few decades, we’ve long realized that there always will be surprises, no matter how much of the scene you have decoded. That’s what keeps it FREEEESSSSSSSSHHHH!

This week, as the snow is falling in dirty old NYC and as people are rescinding into their homes for another de facto Covid “lockdown”, we discover that artists are hard at work getting out their message, their id, their frustrations, their aspirations, their wit.

May this adventure never end, and may this trail never go cold.

So here’s our weekly interview with the street, this week featuring Adam Fujita, Anderson Bluu, Dorothy Gale, Ernesto Maranje, ERRE, Ethan Minsker, Fake Banksy, Gold Loxe, Ill Surge, J. Cole, Johann Art, Marka 27, Miss 17, NEST, Praxis VGZ, Salami Doggy, and Winsten Tseng .

Winston Tseng (photo © Jaime Rojo)
Adam Fujita “So Many Beautiful Hearts All In One City” Ain’t that the truth! (photo © Jaime Rojo)
Nest (photo © Jaime Rojo)
Virgil Abloh memorial in Wynwood, Miami by Ill Surge. (photo © Jaime Rojo)
Virgil Abloh memorial in Wynwood, Miami by Johann Art. (photo © Jaime Rojo)
Miss 17 (photo © Jaime Rojo)
Gold Loxe as Frida (photo © Jaime Rojo)
Gold Loxe (photo © Jaime Rojo)
Dorothy Gale Has A Posse in Wynwood, Miami. (photo © Jaime Rojo)
Anderson Bluu honors rap legends and hip-hop icons from the 2010s to today. Kendrick Lamar, Drake, J. Cole, and Nicki Minaj. (photo © Jaime Rojo)
#boxtruck (photo © Jaime Rojo)
Erre & Praxis (photo © Jaime Rojo)
Marka_27 (photo © Jaime Rojo)
Ethan Minsker (photo © Jaime Rojo)
Ernesto Maranje in Wynwood Miami for The Bushwick Collective. (photo © Jaime Rojo)
Salami Doggy (photo © Jaime Rojo)
#fakebanksy spotted in the NYC subway. Or is it? (photo © Jaime Rojo)
#fakebanksy spotted in the NYC subway. This illegal vendor in the subway is selling exact copies of Banky’s artwork – that was originally placed illegally on someone else’s property. Please, no photos. (photo © Jaime Rojo)
Untitled. Manhattan, NYC. January 2022. (photo © Jaime Rojo)
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Photos Of BSA 2021: #9: GoFunding School Supplies

Photos Of BSA 2021: #9: GoFunding School Supplies

We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family for your support in 2021. We have selected some of our favorite shots from the year by our Editor of Photography, Jaime Rojo, and are sharing a new one every day to celebrate all our good times together, our hope for the future, and our love for the street.


New York Street Artist Winston Tseng cleverly pokes his finger in your eye during these days when more tepid artists stick to cute and cuddly. He has been expanding the vocabulary of the street to slickly lampoon systemic hypocrisies; employing the visual language of corporate advertising, illuminating the now common practice of manipulating populations, not just consumers.

With a brightly flat illustration style similar to friendly public service announcements, Tseng’s subtle sarcasm has the power to trigger personal threats and paranoid claims from aggrieved passersby on the street and various knee-jerk commenters on social media during this polarized period in the U.S.

In a typical poster by the street artist we see a semi-official looking public-service ad. It proposes a private, charity-funded solution to a social responsibility that once was paid by taxes – children’s education.

Now Bob and Barbie from right wing media opine that teachers are blood-suckers and public education is akin to a  socialist plot.  Meanwhile last years CARES Act fund went to the “wealthiest corporations and individuals”.

It’s so much worse than we ever imagined it would get.

In real life, school teachers are humiliated into publicly participating on their knees in a literal money-grab as entertainment during the half time show at a hockey game – so they can purchase school supplies.

That kind of sorry spectacle makes this GoFundMe parody appear as a perfectly civilized solution.

Winston Tseng and Miyok. Bowery, Manhattan, NY. (photo © Jaime Rojo)
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“Back To School” Posters from Winston Tseng Thrill and Irk on the Street

“Back To School” Posters from Winston Tseng Thrill and Irk on the Street

Yo! It’s back to school, fool! We got this!

We’ve been through this before, right? – throngs of new excited students marching and plodding back to classrooms as fall approaches full of expectations. And yet, the adults in the room are scrambling to figure out how.

With 90% of families desperate for in-school learning and most kids too young to have vaccine shots, there are still debates about whether masks and social distancing are enough to keep everyone safe. Add to this the periodic closures because some classmates test positive and the rest have to go into quarantine- while parents and grandparents and all kinds of caretakers scramble for childcare and keeping their jobs if they have one. Stir in a toxic politicization of those who are sure this is a political conspiracy of some sort deviously designed to deny personal freedom, and suddenly an auspicious new school year feels like a stove gas leak filling your home with fumes.

Winston Tseng (photo © jaime Rojo)

You can always rely on street artist Winston Tseng to light a match at the right time. His bright flat graphics are on target: easily read and evidently easily misinterpreted. Familiar images and shapes sometimes require decoding – and he is happy to lead you to the hot spots in our current societal debates. This new fake poster is popping up around New York City this week; making some laugh, and making others breathe fire.

Well, at least we are still breathing!  

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BSA Images Of The Week: 08.29.21

BSA Images Of The Week: 08.29.21

Welcome to BSA Images of the Week!

A new hurricane, a new school year, a new variant, a new governor, a new fall of Saigon, and a new anti-vaccination song from rock guitar god Eric Clapton, who doesn’t want you to put suspect chemicals into your body. Presumably, cocaine is still okay, however, if you want to get down, down on the ground.

The summer storms keep coming, and yet somehow so does the incredible show of creativity on our streets; the celebration of murals and graffiti burners and painters and sculptors and characters and opinions and cogitations. However hot and steamy and hard New York can be sometimes, it also is positively ebullient and inspiring. We know our many differences are our greater asset, our combined aspirations a stunning new possibility.

Here’s our weekly interview with the street, this week featuring A. Smith, Captain Eyeliner, China, Cody James, CP Won, David Puck, Gabriel Specter, Huetek, Iquene, Jason Naylor, Jitr!, Amanda Valdes, Lorenzo Masnah, M.R.S.N., Not Your Muse, Peachee Blue, Sara Lynne Leo, Sasha Velour, Say No Sleep, Tyler Ives, and Winston Tseng.

CP Won (photo @ Jaime Rojo)
Say No Sleep (photo @ Jaime Rojo)
Say No Sleep (photo @ Jaime Rojo)
Say No Sleep (photo @ Jaime Rojo)
Winston Tseng (photo @ Jaime Rojo)
Sara Lynne-Leo in collaboration with Tyler Ives. “Remedial Purge” (photo @ Jaime Rojo)
Captain Eyeliner (photo @ Jaime Rojo)
A Smith (photo @ Jaime Rojo)
Specter (photo @ Jaime Rojo)
Huetek. Detail. Work in progress for The Bushwick Collective 10th Anniversary edition. (photo @ Jaime Rojo)
Cody James. Work in progress for The Bushwick Collective 10th Anniversary edition. (photo @ Jaime Rojo)
Jason Naylor. Work in progress for The Bushwick Collective 10th Anniversary edition. (photo @ Jaime Rojo)
China (photo @ Jaime Rojo)
Jitr! (photo @ Jaime Rojo)
David Puck (photo @ Jaime Rojo)
Iquena (photo @ Jaime Rojo)
Not Your Muse (photo @ Jaime Rojo)
Peachee Blue (photo @ Jaime Rojo)
Amanda Valdes (photo @ Jaime Rojo)
Masnah (photo @ Jaime Rojo)
M.R.S.N. (photo @ Jaime Rojo)
Unidentified artists (photo @ Jaime Rojo)
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BSA Images Of The Week: 08.15.21

BSA Images Of The Week: 08.15.21

Welcome to BSA Images of the Week!

Here we are, precisely on the 50th anniversary of Nixon’s shocking removal of the dollar from the gold standard. Seems like everything is going well with fiat currency and the banking system, right?

Ah, never mind, there’s gold in these here streets.

Here’s our weekly interview with the street, this week featuring 4sakn, Adrian Wilson, Against Dgrams, Billy Barnacles, Captain Eyeliner, Corn Queen, De Grupo, DLove, Eye Sticker, Goblin, Mister Alek, Moka, More Less Eveything, Plannedalism, Sara Lynne Leo, Stikman, Sule, The Art of Will Power, Trace1, Werd Smoker, and Winston Tseng .

Goblin (photo © Jaime Rojo)
Midnight Cowboy’s Jon Voight and Dustin Hoffman. Goblin (photo © Jaime Rojo)
The beloved Biz Markie, who passed in July. The Art of Will Power (photo © Jaime Rojo)
Biz Markie gets his wings. The Art of Will Power (photo © Jaime Rojo)
Sule Cant Cook (photo © Jaime Rojo)
De Grupo (photo © Jaime Rojo)
Corn Queen (photo © Jaime Rojo)
Corn Queen (photo © Jaime Rojo)
Corn Queen (photo © Jaime Rojo)
Moka (photo © Jaime Rojo)
Against Dgrams. Mister Alek. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Adrian Wilson in collaboration with The LISA Project NYC. (photo © Jaime Rojo)
Billy Barnacles (photo © Jaime Rojo)
Sara Lynne-Leo (photo © Jaime Rojo)
4sakn CBS. Trace1. (photo © Jaime Rojo)
More Less Everything (photo © Jaime Rojo)
Winston Tseng (photo © Jaime Rojo)
Winston Tseng (photo © Jaime Rojo)
Werd Smoker (photo © Jaime Rojo)
Collaboration between Eye Sticker & Billy Barnacles. (photo © Jaime Rojo)
Collaboration between Eye Sticker & Billy Barnacles. (photo © Jaime Rojo)
Stikman (photo © Jaime Rojo)
DLove (photo © Jaime Rojo)
Captain Eyeliner (photo © Jaime Rojo)
Captain Eyeliner. Some rascal edited the text by adding and subtracting letters. The original text read: “Oh no I look incredible”. (photo © Jaime Rojo)
Untitled. Still life with Queen Anne Lace & Sunflowers. Summer 2021. (photo © Jaime Rojo)
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Winston Tseng: Money Fixes Everything

Winston Tseng: Money Fixes Everything

On a recent sunny May day, we followed street artist Winston Tseng to document his new series of posters installed on three locations in Manhattan. The series is titled “Money Fixes Everything.”

Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)

The flat and colorful 2-D illustration style of street artist/graphic artist Winston Tseng doesn’t scream social inequity and cultural insanity the way other graphic styles may. The graphic language is the 2-D, flat, icon-based vernacular familiar to phones and applications, a neutral and familiar reduction to precisely convey the visual elements necessary to infer more is there. Brilliantly pared and exacting in composition, a close look allows the viewer to unpack Tseng’s specific brand of critique – perhaps causing you to crack a smile, or roll your eyes, shake your head.

Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)

New York street artists have tackled social, political, religious, class, and structural systems of inequity in waves during street art’s newer rise to consciousness. Rather than using messages as a blunt instrument for screeds, you now see the subtle nature of messaging in Tseng’s work. Skilled in the unspoken and the finespun art of steering consumer pathways toward the adoption of products or services, Tseng uses these images on the street to evoke other concepts.

Tseng delivers in the common street form of wildposting, employing the familiar poster form as a vehicle on the street, piqued passersby’s interest with his razor-sharp perspective that digs into more complex themes. His own sense of activism is not necessarily vicious, but when he plucks the proper internal chord, he can produce a virulently strong reaction. He tells us that he savors every inflection.

Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)

Here, his new campaign parallels nicely with the unprecedented pumping of trillions of fictional dollars into the economy to prevent (some would say ‘exacerbate’) a potential domino-style collapse at this moment in history. He maintains that we need to examine this default response to many problems by simply throwing money at them. Tseng may be hinting that he doesn’t think this solution will work.

Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)

Winston Tseng spoke with Brooklyn Street Art about his approach, the context he is creating within, and what market he is smartly selling his ideas to.

Brooklyn Street Art: Do you have a name for this campaign?
Winston Tseng: The name for the series is “Money Fixes Everything.” That’s obviously a sarcastic comment.

BSA: Well, sometimes sarcasm helps.
WT: True, that’s true.

BSA: Can you talk about where you draw inspiration from? Current events? You obviously follow the news and media landscape…
WT: Absolutely. I think I consume the news and the Internet the way many people do these days. I feel like it’s hard to turn away and hard to tune it out.

Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)

BSA: As you are watching current events and something catches your eye or ear, do you immediately make a concept of how that will look? What is the process?
WT: I would say that I wish that it came to me quickly. Sometimes it does, but a lot of times it doesn’t. A lot of times, I feel like it comes in two parts. There is one part about essentially the topic that I want to capture, and ultimately I want the work to reflect the times that we are in. The other part is “how do I say it in a certain way, through my style, which is corporate advertising as a medium”- How do I say it in a way that gets the idea across in a manner that I like to express it in, which is toeing the line between being really blatant and be more subtle?

BSA: It looks like you try to strike a balance with humor in your work. I don’t know if that is intentional or it’s you, not knowing that you are funny.
WT: I think I try to use humor; I don’t think I’m doing it in the funniest way because it is a bit of dark humor. I think the medium I use is a good way of getting peoples’ attention, getting them to tune in to the work I’m putting out there. I think humor is something that people are pretty receptive to. 

Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)

BSA: It is interesting that you use corporate advertising as a model. At the same time, one could see it as a kind of political cartoon, although different perhaps from a typical New Yorker cartoon, for example. It appears as if you are trying to get the point across while poking a finger at the media and corporations. It is like three stones are being thrown at the same time.


WT: I think you’re right. For me, corporate advertising is really just a medium that helps get the message across. One because we are inundated with it, and because of that familiarity, unfortunately, we aren’t paying attention to it. Still, it is a way I can reach peoples’ attention. That said, the media isn’t really the message or part of the point. The corporation is definitely not always a target. More so, it’s just a way to register in people’s brains what the message might be. For example, in this latest series where I use “GoFundMe,” but it’s not a shot against “GoFundMe” really at all. I think what they are doing enables a lot of people to get help. It’s kind of weird that it is a for-profit company. But other than that, it’s more just about using “GoFundMe” as a quick way for people to put it together.

BSA: At other times, you really do go after, for example, the health industry and the banks.
WT: True.

Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)

BSA: Corporations aren’t necessarily evil, but capitalism appears to have run amok. It looks like it has forgotten that it doesn’t have to be only for the few, but can be for everybody. For the new series, you were talking about people having enough food or money to buy it, people having enough money to buy insurance, people being able to be who they are on the street without being afraid of the reaction to the color of their skin or their country of origin or their ethnic background. There are so many topics right now that are just boiling, and it is rather overwhelming. Can you sleep at night?


WT: I think you hit it on the head, which is that this series allowed me to check a lot of boxes at once and to touch on a lot of subjects that have different causes and different route reasons why they exist in our society, and I guess the commentary that I am making and this one is that our solution right now is one of throwing money at it. It’s not really going to solve those problems systemically. This was a case, to your point, where I had a bunch of ideas of subjects that I wanted to address, and as it turned out, I could get them all done with one concept that checked off six subjects.

Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)

BSA: Also, you found a spot on a large wall where you could put 18 posters at once, mimicking what we see on the subway, where they plaster one entire subway car with the same ad campaign. In that way, you were taking a page from the advertising companies. 


WT: Absolutely. I think it has been proven that repetition get messages  
across and, in this case, I think that if I put these posters one at a time on their own, a person might not get the full picture of what I’m trying to convey. It was important for this series to have a lot of posters together. The use of repetition is important because these are things that we constantly see in our society again and again. We see mass shootings; we see hate crimes; we see police brutality; we see people who are having financial problems. So the idea of the repetition is there also to support how it is occurring in our society.

BSA: So in the last few years since we first followed you on this ongoing project doing an installation like this, you have received some “cease and desist letters”?


WT: Yes, I have gotten a few “cease and desist“ from the companies that run these advertising spaces. They haven’t come directly from corporations.

Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)

BSA: Also, you have received some attention in other media. You received a write-up recently in Juxtapoz magazine, I believe. And so are you satisfied? I know your work is never done until it’s done. Have you gotten a level of satisfaction so that you can continue to do it? Have you become a little despondent and like “this is not working” or “this is not working”? Is your goal to do it for yourself, do it for others? Is your goal to change the world one person at a time. What is your goal?


WT: First and foremost, it’s mainly for me. I get either personal satisfaction or stress relief out of it. It’s a creative outlet. I think it is always encouraging. I always appreciate any sort of coverage or people sharing or commenting on social media. Ultimately what I’m trying to do is capture the times we are in to reflect our society. It is hard to know if I am doing that correctly or achieving that goal – so all of these other things are giving small confirmations along the way.

BSA: So they have asked you to stop using their furniture on the street to put your art? 


WT: I haven’t responded. I don’t know that it warranted a response. I know what they want, and I’m not responding.

I think I won’t really know until later on when we can all look back and say, “this was what it was like back then. This is something that was happening. This is crazy; this is fucked up.” So I am definitely as motivated as ever before to keep doing this. To what end? I think it’s just the general idea that, if I can just capture this time at this moment, maybe in the future there will be some benefit. Not personally, not for me, as a society.

Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)

BSA: Do you get hate mail?
Winston: Yes.

BSA: Does it bother you?
WT: I think it varies depending on how serious it seems. I think it’s on a case-by-case basis.

BSA: Do you respond on social media?
WT: No, I don’t. I don’t really engage. I don’t feel like it is an effective end to that. 

BSA: We were first with you when you were doing this series, and there was one poster that generated many controversies, and I was surprised that it was the one that had a sports reference in it.
WT: I don’t think that was the most controversial of those ones.

BSA: Which one was it?
WT: It was the woman holding the Bible.

Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)

BSA: Let’s talk about it because it was a comment on Boston sports fans from our social media commenters, which seemed meant as a joke.


WT: That one, in my opinion, was what is the “lowest hanging fruit” and the least provocative. Again, I am trying to reflect the times or the sentiment or peoples’ attitudes. That’s not necessarily my personal opinion about sports, but it is a prevalent opinion that exists out there, especially in New York City, where there’s a rivalry with Boston sports. So that is not something that I created. I think the fact that it struck a nerve in either one of those cities among sports fans just kind of confirmed the concept behind it.

Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)

BSA: I thought it was funny the people who are into sports were so upset when they were other topics that were, in my opinion, more important – or at least ones that should be discussed more and in-depth. Those topics were kind of ignored because these fanboys were defending their teams. But it is interesting how passionate people get with those issues. Many people are interested in pulverizing you rather than debating issues. Many people who are there with personal attacks on social media are not there to debate the issue and to learn something about it, and come to a middle ground. They are there just to destroy you because they don’t want you talking about it.


WT: Yes, absolutely. I think that is the state of social media and the interactions between people who essentially don’t know each other in real life.

Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)
Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)
Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)
Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)
Winston Tseng. Money Fixes Everything. Manhattan, NYC. (photo © Jaime Rojo)
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BSA Images Of The Week: 05.23.21

BSA Images Of The Week: 05.23.21

Welcome to BSA Images of the Week, where we are keeping our minds expanded and eyes wide open as the transformation of society and its fabric is happening right before us. We’re living in a bubble, or on one – an everything bubble at the end of a boomer age that will pop. Institutions compromised, media compromised, social net torn, leaders purchased and adrift. Late spring romanticism buoys us, as does the removal of masks out doors and sometimes inside them. New York is back, but its not sure.

And Jerome Powell finally announced that the dollar is in the gallows – or will rather be once he has successfully inflated to its ultimate death. No, we have no advice – No one is listening anyway.


So here’s our weekly interview with the street, this time featuring: Aaron Hauck, Bastard Bot, Goog, Matt Siren, Mel, Mort Art, Neckface, Royce Bannon, Sac Sic, Samantha French, Stay Busy, Stikman, TNAW, and Winston Tseng.

Royce Bannon and Mat Siren. (photo © Jaime Rojo)
Stikman and an unidentified artist above. (photo © Jaime Rojo)
Stikman (photo © Jaime Rojo)
Winston Tseng (photo © Jaime Rojo)

These two images are part of Winston’s new series, we’ll talk about this new series later on BSA.

Winston Tseng (photo © Jaime Rojo)
Goog (photo © Jaime Rojo)
Mort Art (photo © Jaime Rojo)
Sac Six (photo © Jaime Rojo)
TNAW (photo © Jaime Rojo)
Stay Busy! (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Bastard Bot (photo © Jaime Rojo)
Neck Face (photo © Jaime Rojo)
MEL for East Village Walls. (photo © Jaime Rojo)
Aaron Hauck and Samantha French for O+ Festival. (photo © Jaime Rojo)
This spot previously had a Banksy inspired “Stop Asian Hate” mural. The mural has now morphed into this. We aren’t sure if Adrian Wilson, the artist who made the original mural has anything to do with this new concept. (photo © Jaime Rojo)
Saver (photo © Jaime Rojo)
Untiled. Trees. (photo © Jaime Rojo)
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BSA Images Of The Week: 04.11.21

BSA Images Of The Week: 04.11.21

This week we received a note from a friend in the graff/street art community urging us to encourage street and graffiti artists to create artwork on the streets that beseeches GenZ to get the Covid-19 vaccine.

They needn’t worry.

Graffiti and street artists have continued to respond to the COVID mask and vaccine issues as much as they did with the rejection of Trump and everything that came with him. During the last few years, they also have strongly responded to the BLM movement, to the topic of police brutality, to structural inequality in our economy, to last fall’s election, to indigenous people’s rights, to Asian hate, LGBTQ rights, to drug use, to anxiety, to depression, to love, to hope, to our effect on the Earth’s environment, and many social/political issues. Not always high-minded, Street artists also like pop culture icons, cute animals, and emulating successful artists who came before them and whom they admire.

It’s all part of the gig.

When we hit the streets in the pursuit of arts, we never know what we’ll find and where we’ll find it. This week we were surprised by a certain uptick in the number of sculptures on the streets. The artists used different materials, from ceramic to resin, metal, cement, and techniques associated with papier-mâché. The sculptures were mostly affixed to traffic signposts but sometimes were placed on street construction barriers. We are always happy to see sculptures on the streets as they bring back the days when sanctioned murals were definitely not the norm, and illegal street art ruled the streets in myriad small formats.

So here’s our weekly interview with the street, this time featuring: A Cool 55, AJ Maldo, Billy Barnacles, Chris Protas, City Kitty, CRKSHNK, JJ Veronis, Mataruda, Miyok Madness, Mint & Serf, Mort Art, Mr. Triple Double, Patrick Picou Harrington, Phetus, Raddington Falls, Sibot, Spy33, Turtle Caps, Winston Tseng.

Oh Sailor boy! Seibot (photo © Jaime Rojo)
Raddington Falls (photo © Jaime Rojo)
Raddington Falls (photo © Jaime Rojo)
Mort Art (photo © Jaime Rojo)
Mint & Serf (photo © Jaime Rojo)
Spy33 (photo © Jaime Rojo)
Chris Protas (photo © Jaime Rojo)
Winston Tseng (photo © Jaime Rojo)
JJ Veronis. Mr. Triple Double (photo © Jaime Rojo)
A portrait of Mr. Beyonce AKA Jay-Z by an unidentified artist. (photo © Jaime Rojo)
CRKSHNK (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
AJ Maldo (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
City Kitty and Turtle Caps (photo © Jaime Rojo)
Billy Barnacles (photo © Jaime Rojo)
A Cool 55 (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Miyok Madness. Rose time is almost here peeps!! (photo © Jaime Rojo)
Phetus (photo © Jaime Rojo)
Mataruda in Kingston, NY. (photo © Jaime Rojo)
“Hey baby give me a kiss” JJ Veronis (photo © Jaime Rojo)
Patrick Picou in Albany, NY. (photo © Jaime Rojo)
Untitled. Manhattan, NY. April 2021. (photo © Jaime Rojo)
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