All posts tagged: Wes21

BSA Curates at 3rd Artmossphere in Moscow 2018: Open Call For Artists

May 19, 2018 Artists

BSA founders Steven P. Harrington and Jaime Rojo are part of the Curatorial Team for the 2018 Artmossphere Biennale and today BSA is pleased to announce the “Open Call” for artists to apply.

The Street Wave Art Biennale, Artmossphere. Open Call for artists.

Paulo Ito at work on his installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

Artmossphere is the only Russian biennale that focuses primarily on Street Art and its corollary practices, with the first two launching in 2014 and 2016. You may remember the full coverage BSA had in 2016 at the Moscow Manege;

60 Artists at a Moscow Street Art Biennale: “Artmossphere 2016”

Among the artists participating on previous editions of Artmossphere have been people like The London Police, Brad Downey, Claudio Ethos, Agostino Iocurci Miss Van, L’Atlas, Sickboy, Jaz, Nespoon, Martha Cooper, Remi Rough, Alexey Luka, Remed, Li Hill, Jessie and Katey, Moneyless, El Tono, and many others – but clearly you can see that the quality and diversity in practices and backgrounds is well represented here.

L’Atlas at work on his installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

For the 2018 edition of the biennale we will be curating the program along with some of our respected peers internationally in this field and collectively we are asking artists to consider what it means to be “Offline”. So much of graffiti and Street Art’s roots extend back to a practice of making work for a largely local audience that is limited to geography.

Today much work in public space is conceived of, at least in part, for its ability to traverse to audiences on social media, blogs, video, and all manner of digital platforms. As we constantly are flooded with online Street Art, is it possible to be ‘Offline”?

Sepe at work on his painting for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

The 2018 main exhibition will take place in the Excise Storehouse of Winzavod Centre for Contemporary Art in Moscow from August 30th to October 17th. Additional special exhibitions will be held in the Red and White Halls, as well as in the art cluster outdoor territory.

The open call is open to Russian and international artists and applications with projects exploring this year’s theme will be reviewed by an international jury consisting of Steven P. Harrington and Jaime Rojo, co-founders of BrooklynStreetArt.com and curators at Urban Nation Museum of Urban Contemporary Art (UN), Peter Ernst Coolen, curator of the Amsterdam Street Art Museum, Cedar Lewisohn, curator of the Street Art project in Tate Modern, Ethel Seno, researcher of street art and curator, Anna Dimitrova, curator of Adda Gallery, Paris and MTN Gallery, Barcelona, and Nikolay Palazhchenko, the founder of the Winzavod Centre for Contemporary Art in Moscow.

To take part in the biennale, Artmossphere artists should submit their portfolio and their project application for the biennale before June 18th, 2018. All the projects should be made exclusively for the biennale. Click here for all details.

Wes21 at work on his installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

Katie and Jesse at work on their installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

Pink Power at work on her installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

M-City at work on his installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

Krzysztof “Proembrion” Syruc at work on his painting for the 2nd edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

#ARTMOSSPHERE #BKSTREETART

Tell It to The Judge ; Graffiti Artists Win in 5 Pointz Case

February 13, 2018 Artists

In a ruling that many graffiti and Street Artists interpret as a validation of their artwork and which may spawn further legal claims by artists in the future, Brooklyn Judge Frederic Block, a United States Federal Judge for the Eastern District of New York, awarded $6.7 million in damages to a group of 21 artists in the high profile case of the former graffiti holy place in Queens called 5 Pointz.

Under the leadership of artist and organizer Jonathan “Meres One” Cohen, also a plantiff, the award is in response to a suit that cried foul on the overnight destruction of multiple artworks on building walls without consultation or notification of the artists.

5Pointz. Queens. (photo © Jaime Rojo)

Citing provisions of the 1990 Visual Artists Rights Act that grants artists certain “moral” rights, the artists claimed that their artworks on the 5 Pointz compound that was owned by real estate developer Jerry Wykoff were protected and should be afforded certain rights and considerations.

Arts and intellectual property lawyers and judges will now be examining the implications of the ruling and citing it as an example in arguments about art created on walls legally and possibly those created illegally as well. In a city that prides itself as being a birthplace of graffiti and Street Art, many artists and wall owners must ask themselves if there will need to be an additional layer of agreement before an aerosol can is held aloft.

5Pointz. Queens. (photo © Jaime Rojo)

For today the plaintiffs will celebrate the win and derive a sense of validation for their works at the compound that hosted an organic evolution of works by local, national, and international graffiti and Street Artist for nearly two decades under tacit or explicit agreement with the owner.

“I am happy to see my art form recognized as true art,” says Mr. Cohen in an article from Hyperallergic today, and ultimately that is the message that the graffiti writers and Street Artists will take from the story. Others will argue that this is gentrification issue of developers profiting from and then dismissing the artists who bring attractive buyers to a neighborhood. Now that a dollar value has been attached, a certain audience will also begin to again consider the intrinsic value of those artworks in the streets that they dismissed as pure vandalism with little other merit.

5Pointz. Queens. (photo © Jaime Rojo)

Of the nearly 1,000 comments posted yesterday on our initial Facebook post about the decision, it is evident that many people still see this kind of art primarily as illegal vandalism and opine that a ruling like this is only adding credibility to criminal behavior. In that argument it is helpful to remember that these artists all had permission to paint.

Undoubtedly additional legacies of the ruling will play out in coming months and years. For the moment, it looks like the artists won this time, which is a seeming rarity during a time when technology has created a nearly unmitigated “Wild West” landscape of rights and responsibilities when it comes to aesthetic expression.

5Pointz. Meres. (photo © Jaime Rojo)

Onur . Semor . Wes21 . Kkade . 5Pointz, Queens. (photo © Jaime Rojo)

Esteban Del Valle. 5Pointz. Queens. (photo © Jaime Rojo)

Zeso . Meres. 5Pointz. Queens. (photo © Jaime Rojo)

5Pointz. Queens. (photo © Jaime Rojo)

Kram. 5Pointz. Queens. (photo © Jaime Rojo)

5Pointz. Queens. (photo © Jaime Rojo)

Lister Off His Plane, Fairey on a Train: Berlin Readies for Urban Nation (UN) Opening this Weekend : BSA Dispatch 2

September 12, 2017 Artists

Lister’s plane is on the tarmac and Olek is dragging a shopping cart full of art materials past the Vietnamese restaurant on Zietanstrasse and a block away two ladies in very high heeled boots and short shorts are meandering back and forth under the elevated train line. It’s a sunny fall day in this still skanky sometimes lustrous neighborhood of Berlin – a bit of gravel and leather mixed in with your Marilyn Minter sweet cocktail.

Shepard Fairey Subway Train in Berlin for Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

The Berlin-Schöneberg neighborhood is fresh off the International leather and fetish weekend & street fair at Fuggerstraße and you may still see the occasional mustachioed man wearing a dog collar and leash, or perhaps a leather mask that simply looks like a dog head – walking up the street on his way to brunch, perhaps.

Ah well, this is what gives birth to Urban Nation: the marginalized, the rebels, the counter cultural innovators, the forward thinkers and outright kinkers. Just made that word up.

Brazils’ Zezao courtesy Instagrafite’s Marcello and Marina at work on a new collage of mostly found objects and materials. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Today we got a look at Bordalo’s giant garbage sculptures of Berlin bears being prepared in a rented studio space south of the Ringbahn and in a warehouse standing in the middle of on a parking lot full of Mercedes Benz’s. For people like us, that parking lot was like stumbling into a field of diamond’s, all class.

For Germans a Mercedes is as common as a slab of fried schnitzel or a bubble tag by 1Up so Bjorn was bombing through the lot in his little car expertly until we reached the roll-up gate on the garage. Also inside is Yok & Sheryo’s special interactive walk-in installation that will go on the “Museum Miele/Museum Mile” with about 25 other brand new sculptures and installations this weekend.

Cryptk. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Overhead on the elevated bright yellow rumbling trains you can see whole cars with new skins by Shepard Fairey, How Nosm, and Faust announcing “Unstoppable”, the name of the opening exhibition at Urban Nation that we’ve curated with a team.

Riding the U1 train over to Prinzenstraße we caught the new murals by Ron English, Cryptic and an ONUR/Wes 21 collabo. Heading over to Urban Spree to talk to printer/publisher/curator/gallerist Pascal Feucher in the tattered reverie and aerosol compound we also spoke with Street Artist Tavar Zawacki. The California born Berlin-based artist tells us he has undergone a “Metamorphosis” creatively and has large canvasses in the gallery to prove it.

Ron English. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Deconstructing his arrow shape, he is now free to experiment with overlapping any number of geometric shapes; deconstructing and manipulating his own self-imposed roolz. On our way out of the compound we ran into Louis Masai up a ladder creating one of his signature quilted endangered species. We were sort of running by so all we can say is it looked like a fish of some sort.

Lunch with Christian Omodeo at an Italian restaurant means the food will be good, because he is an actual Italian and won’t brook any suggestions of inauthenticity. That is one charming quality of the academic/curator/writer, in addition to his astute and acute knowledge of rare graffiti/Street Art books that qualifies him to be assisting the museum to organize and conceptualize future plans for the Martha Cooper Library.

Wes21 . Onur. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Just a portion of the collection of ephemera will be on display for the Saturday’s opening night in the not-yet-completed library space, but you’ll be impressed by the promise of what is to come.

Zines, posters, even framed T-shirts from the collection of the famed photographer will cover the walls in addition to a portion of the thousands of books that constitute the beginning of an important collection which, when finished, will be unrivaled and provide invaluable opportunities to research by scholars of all levels.

Yok . Sheryo. Process shot. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bordalo II. Process shot. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

David De La Mano. Process shot. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Process shot. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Icelandic Murals, Northern Lights, “Wall Poetry 2016” in Reykjavik

October 4, 2016 Artists

The concept album was born in the Stoned Age when TV was black and white, back when disaffected teens had to trudge for blocks and blocks outside on the sidewalk to the record store and carry their rock and roll home on large heavy vinyl platters called albums, sometimes double albums.

In the snow. Barefoot.

Heather Mclean collaborated on her wall with Minor Victories and the song “A Hundred Ropes”. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Rewarded for their hard work and sacrifice, these pioneering music fans opened those two record concept albums and used the big flat surface to pick the seeds out from their marijuana stash and roll a reefer.

Then they dropped the needle, turned up the dial, and lied on their back on their single beds surrounded by the two speaker stereophonic sound that gently vibrated their black-light posters on the wall, reading the song lyrics and metaphorically taking a wild and magical trip inside the cover art of the album.

Heather Mclean. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

“We paint the music you love to hear,” says Yasha Young in Reykavik, Iceland, as she imagines the thousands of music fans who will inundate this city in a few weeks for “Iceland Airwaves”.

For the second year Urban Nation, the Berlin-based arts organization working primarily within the Urban Contemporary Art scene, brings the musicians a powerful visual partner called “Wall Poetry”.

Heather Mclean. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

By pairing one musician/group with one visual artist/group, Young, the director of UN, wants to re-create the concept album where the eyes have a newly created entryway into the music. Of course its only one interpretation but countless stories can be evoked from this intercultural exchange.

It’s the second year for the program, and we are very lucky to have these exclusive shots from Nikka Kramer of some of the first walls going up in advance of the festival, which this year features over 200 bands. Check out the stunning atmospheric images featuring northern lights; a poetry of their own.

Heather Mclean. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Strøk collaborated on his wall with MAMMÚT and the song “I Pray For Air In The Water”. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Strøk. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Phlegm collaborated on his wall with MÚM The Band. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Phlegm. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Phlegm. Detail. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Lora Zombie. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Lora Zombie was inspired by the songs of L.A. based band War Paint for her wall. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Lora Zombie. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Herakut collaborated on their wall with Kronos Quartet. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Herakut. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

INO. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Don John. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Don John collaborated on his wall with Swedish musician Silvana Imam’s “Naturkraft”. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Don John. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Wes21 and Onur. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Wes21 and Onur collaborated on their wall with the Icelandic band Of Monsters and Men. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

DotDotDot publicly collaborated on his wall with all the volunteers, locals, strangers and passers by using the word “perfection” as officially described on Google/dictionary. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

DotDotDot. Wall Poetry/Iceland Airwaves 2016. Reykjavik, Iceland. (photo © Nika Kramer)

Wall Poetry/Iceland Airwaves 2016 artists in no particular order: Don John, Onur, Wes21, Ino, Heather Mclean, Herakut, Lora Zombie,Phlegm and Strok. Reykjavik, Iceland. (photo © Nika Kramer)

Wall Poetry/Iceland Airwaves is presented in partnership between Urban Nation Museum For Urban Contemporary Art (UN Berlin) and Iceland Airwaves. For for about Wall Poetry read here.

Artmossphere Dispatch 2 : Li-Hill, M-City, and Invisible Walls

August 30, 2016 Artists

This week BSA is in Moscow with you and Urban Nation for Artmossphere 2016, the 2nd Street Art Biennale, a group exposition introducing 26 Russian and 42 foreign artists who were shaped by street art in some way. Also present are international curators, museums and galleries who have significantly intersected with urban art in recent years.

Startlingly similar in theme to the multidisciplinary exhibit about borders and boundaries curated by Raphael Schacter this spring in St. Petersburg, Artmossphere has asked artists to think about and address the “invisible walls” in contemporary life and societies.

Li-Hill. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

The themes are understandable of course, and perplexing to us all as walls are falling down rapidly while the foundations of new ones are taking shape. Catalyzed perhaps by the concept/practice of so-called “globalization” – where capital flows easily and humans are restricted – we are all examining the walls that are directing our lives.

Artist Li-Hill says his piece “Guns, Germs, and Steel” directly relates to the divisions between civilizations due to a completely uneven playing field perpetuated through generations. Inspired by the 1997 trans-disciplinary non-fiction book by Jared Diamond, Li-Hill says he combines it with pieces by the Russian sculptural group called “The Horse Tamers”. Together the forms represents mankind’s “ability to harness power of the natural world and to be able to manipulate it for its advantage.”

Wes21. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

“The horse is one of the largest signifiers and is a catalyst for advancement in society because it has been for military use, for agriculture, for transportation,” he says.

“It was the most versatile of the animals and the most powerful.” Here he painted a mirror image, balanced over a potential microbial disaster symbol, and he and the team are building a mirrored floor to “give it this kind of infinite emblem status.”

Pink Power. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

With 60+ artists working simultaneously throughout this massive hall, walls are the imperative for displaying art, supporting it, dividing it. Many are being built in this exhibition hall as we speak. These are the visible ones. With so many players and countries represented here, one can only imagine that there are a number of invisible walls present as well.

Afloat in the middle of some of these walled areas M-City from Poland is choosing to be more direct thematically in his three dimensional installation of plywood, plaster, aerosol and bucket paint, and machine blown insulation.

M.City. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

“It is an anti-war piece,” he says, and he speaks about the walls between nations and sense that it is a losing battle of dominance that ensures everyone will be victim.”

“It’s kind of a monster who destroys arms,” he says of the lording figure who crushing tanks below. “He is destroying the tanks – but at the same time he is also a destroyer. So it’s a big circle. Nothing positive can come out of this. There is always someone bigger.” M-City tells us that the piece is inspired by the political situations in Europe today and the world at large.

Remi Rough work in progress. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

For our part, we’re impressed by how quickly these walls are going up and the relative calm that the teams of artists and installers are working under, even as the deadline of the opening of this years’ Artmossphere draws perilously close.

See you tomorrow!

L’Atlas. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

Krzysztof “Proembrion” Syruc. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

Johannes Mundinger. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

Galo. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

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“The Art Of The Mural: Volume 01” Captures a Moment

May 10, 2016 Artists

Murals hold their own place onstage in public space today for a variety of reasons that we discuss regularly on BSA. From grassroots and public, to private and corporate, we have watched the genre professionalize as Street Art festivals and other initiatives are often coupling artists with brands and are selling canvasses through the organizers galleries. Today we have the first of a promised four-part book series by Art Whino gallerist and organizer of the Richmond Mural Project in Virginia, Shane Pomajambo, that features many artists he has worked with in the brand new “The Art of the Mural”.

Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Featuring more than fifty current graffiti/Street Artists, the survey pays special attention to the show-stopping eye candy that commands attention for these nomadic painters who are developing their craft before an ever larger and more appreciative international audience.

Culture critic and curator Carlo McCormick, who writes the introduction to the Schiffer published hardcover, notes that this mural renaissance is quite unlike the US government funded New Deal era mural programs that produced “hundreds of thousands of murals for schools, hospitals, post offices, housing projects, and various government facilities”. And he’s right, these are emanating from a different place entirely.

Antony Lister. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

The world-traveling media-soaked artists, of which this collection is subset, have had vastly more exposure to corporations and branding perhaps than, say, arts institutions, and a sophisticated self-handling is often on display with artists ever more savvy in their choices of style and content.

A greater percentage are now entering into private collections, galleries, and museums thanks to unprecedented platforms for huge exposure on the Internet, and their public works are adding rich character and dialogue to our neighborhoods and public spaces.

Curiot. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

With academia, art critics, and auction houses all grappling with the rightful place of these artists in contemporary art and society at large it will be instructive to know the history and their lineage, content, context, and patronage. One has to agree when McCormick says that all of these “are helpful for us to consider in looking at and understanding the artists’ walls of today.”

This collection of talent is strong, with many of the mid-large names that are at play in this generation of painters whom are primarily born in the 1970s and 80s. In their work is a cultural appreciation for modern graffiti history as they now channel it along with formal training, art history, advertising, and a multitude of media. With few exceptions, it’s a tight list of artists, the images are riveting (though uncredited to their photographers), and the brief introductions by Pomajambo contain just enough biographical information and artist’ quotes to ground the story and give it context.

“As with everything I do,” says the Queens, New York native Pomajambo, “I always question and observe, and as we reach critical mass with murals I felt compelled to create this project and capture a moment in time.”

Evoca 1. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Fintan Magee. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Miss Van. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

MOMO. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Onur & Wes 21. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Telmo & Miel. Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

Tone (Robert Proch). Shane Pomajambo The Art of The Mural Volume 01 Foreword by Carlo McCormick. Schiffer Publishing. 2016

All photos of the spreads by Jaime Rojo

The Art of The Mural: Contemporary International Urban Art. Volume 01 by Shaen Pomajambo. Schiffer Publishing. Atglen, PA. USA.

Participating Artists
Amose, Arraiano, Augustine Kofie, Axel Void, Bezt (Etam Crew), Chazme 718, Chor boogie, Clog Two, Curiot, Cyrcle, DALeast, Decertor, Dface, ETNIK, Faith47, Fintan Magee, Hense, INTI, Jade, Jaz, JR, Kenor, Lister, Logan Hicks, Low Bros, Meggs, Miss Van, Momo, Mr Thoms, Muro, Natalia Rak, Nosego, Onur, Pener, Reka, Robert “Tone” Proch,Ron English, Rone, Sainer (Etam Crew), SATONE, SEACREATIVE, Sepe, Smithone, Sten Lex, Stormie Mills, Telmo Miel, Tristan Eaton, TWOONE HIROYASU, Vhils, Wes21 and Zed 1

$WALL\THERAPY 2015 : Surrealism and The Fantastic$

WALL\THERAPY 2015 : Surrealism and The Fantastic

July 29, 2015 Artists

Surreal is the way the world is portrayed across all of our devices today.

It may be the shrinking staff and budgets of newsrooms who are veering ever closer to the sensational or simply the yellow journalism and the PR-planted hyperbole that is rushing to fill the vacuum, but the presentation of our own world is becoming outlandish.

Orwell could have seen this time when war is described as a peace effort, oligarchy is called democracy, and Reality TV is anything but. Combined with rapid technological developments that produce outcomes previously only imagined, we may feel like our grip on the genuine is definitely loosening somewhat.

So fitting it is that a mid-sized US city hosts a mural festival celebrating the surreal and the fantastic in 2015.

Brittany Williams. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

We don’t know for sure if it was our current funhouse mirror atmosphere that drove the Wall\Therapy festival in Rochester, NY to choose this years’ themes. It may simply be a way of organizing artists whose work reflects these notions back to us and to illuminate one specific growing trend in street culture and murals.

Surely Magritte, Dali, and Ernst would be very pleased by the uptick of modern surrealists and practitioners of the bizarre, fantastical, and dream-like in galleries, in the public sphere, and throughout popular culture in recent years.

Brittany Williams. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

In partnership and as a cultural exchange with Berlin’s Urban Nation (UN) this year, Wall\Therapy 2015 curated this selection of international and local street artists who bring doorways and mirrors for you to step through.

We were glad to be there in person this year and relieved to see that this largely homespun venture continues to be strong and community-minded despite the very hard work that it requires to pull it off. In the face of a rapidly commercializing Street Art festival scene, not only is the grassroots rather refreshing, it is a bit surreal.

Without doubt it is fantastic.

Brittany Williams. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

Jeff Soto . Maxx242. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

Classic graffiti style from NYC’s Daze has always contained elements of surreality. In his three walls he sampled even more styles.”So I used a lot of influences – photo-realistic, almost cubist, there is some lettering, window panes as metaphor. I was also thinking about fabric and the way it folds, and it turned into water,” he says. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

Daze. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

Vexta. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

Vexta: I’ve been doing a lot of collage as my source material – birds, abstract plant shapes, and the galaxy painted over.
BSA: She’s like an earth mother, or universal mother
Vexta: She is every woman.

Vexta. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

Andreas Englund’s mural features his superhero vexed by a stone in his boot. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

Andreas Englund. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

NeverCrew’s Christian Rebecchi and Pablo Togni created a whale inside an ice whale. “We usually work with themes about the balance between humans and nature,” says Togni, “In this situation we wanted to do a piece about the balance between the elements.” Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

NeverCrew. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

Handiedan. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

“She is sort of a goddess of East meets West,” says Amsterdam’s Handiedan. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

Nate Hodge. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

Onur . Wes21. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

A highly detailed original sketch that is culled from photographs and their own staging of a model in boots, Onur and Wes21 spent many long hours into a few nights to complete their wall.
Onur: It is more of a scene than a classical mural. The wall is perfect for something like this.
BSA: So it is nature taking a bite out of its aggressor
Onur: Yes, kind of. That’s not bad. We have a sign that says beware of beaver crossing. The animals are a metaphor for something else and we are always looking for stuff like this when we are on the streets.

Onur . Wes21. Wall Therapy 2015. Rochester, NY (photo © Jason Wilder Courtesy of WallTherapy)

Li-Hill. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

Matt Roberts . Joe Guy. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

“We knew we had a week and we thought ‘what can we accomplish?’” says Rochester local Matt Roberts on a break from his wall with Joe Guy Allard. “I do monsters all the time and Joe does those robots. It’s a big old fight scene. I mean, who doesn’t want destruction, some mahem? I grew up on Godzilla movies and Ultraman, stuff like that. Just a lot of B-horror. I’m really into it. The new Godzilla movie is like my Crème Brulee.”

Matt Roberts . Joe Guy. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

Eder Muniz. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

Eder Muniz. (CLICK ON IMAGE TO ENLARGE) Wall Therapy 2015. Rochester, NY (photo © @MarkDeffPhoto Courtesy of Wall Therapy)

Our deep gratitude to the Wall\Therapy Family; Ian Wilson and Erich Lehman for their invitation to participate at this edition, and to Yasha Young, director of Urban Nation and this year’s co-curator. To the artists for sharing their talent with us in such a public and generous way. To all of the volunteers including Jason Barber and Maureen Malone for their sincere dedication and attention to detail and to the production team for making certain we all had what we needed and for making our job far easier. To the photographers for sharing their work with us throughout the process. To Jonathan Binstock, Director of the Memorial Art Gallery at The University of Rochester for hosting our BSA Film Friday Live event and to Meg Colombo and Mike Besaw at MAG for helping us with everything we asked for and then more. To the city of Rochester.

Click HERE to learn more about WALL THERAPY

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This article is also published on The Huffington Post

Wall/Therapy 2015 Day 4

July 23, 2015 Artists

“Love is Sacrifice” says the calligraphic script on the new wall by Jeff Soto and Maxx242. The two words rarely appear one without the other, as any sentient being will tell you.

Maxx242 . Jeff Soto. Wall Therapy 2015. (photo © Courtesy Wall Therapy)

As with most artistic endeavors there are sacrifices to be made here as well, but the outgoing inquisitive nature of Rochester people are buoying the spirits as community members continue to visit the murals-in-progress and engage with artists and the various volunteers who keep the show going.

Li-hill kept working into the night, as did Onur and Wes21 on their mural. Li thinks he can complete it within the day – he’s a fast and expressive worker so we’re guessing he’s right. Onur and Wes21’s dynamic image will be strangely realistic, dare we say surrealistic, depicting a scene of nature’s retaliation against our domination – and their pace is perhaps more steady and deliberate.

Maxx242. Process shot. Wall Therapy 2015. (photo © Jason Wilder/Courtesy Wall Therapy)

Another outer-worldly battle is taking place between monsters and robots in the blockbuster piece by Rochester-based artists Joe Guy Allard and Matthew Robers, while also-local Brittany Williams is knocking out her first-ever mural, a portrayal of a woman blossoming in heart and mind on the streets of Rochacha.

Brittany Williams. Process shot. Wall Therapy 2015. (photo © Jenn Poggi/Courtesy Wall Therapy)

Regardless of how late they stay working, nobody really wants to skip dinner at The Yards, the collaborative arts space where most artists check in as a home base and where they actually get to hang out instead of being spread out. Friday night the party starts a little earlier so hopefully they’ll be able to break from the painting and come out to the BSA Film Friday at 5 pm on University of Rochester campus with us.

By then we’ll probably see Vexta’s vibrant, colorful textures have and blinkering diamond field fully anchor her masked woman, but no one is yet predicting what the Brazilian Eder Muniz will do on his arrival – but most predict is will be colorful, surreal, and fantastic.

Never Crew. Process shot. Wall Therapy 2015. (photo © Jenn Poggi/Courtesy Wall Therapy)

Wes21. Process shot. Wall Therapy 2015. (photo © @MarkDeffPhoto/Courtesy Wall Therapy)

Onur and Wes21 burning that midnight oil. Process shot. Wall Therapy 2015. (photo © Jenn Poggi/Courtesy Wall Therapy)

Onur . Wes21. Taking the long view to get some perspective of the wall in progress. Wall Therapy 2015. (photo © Jason Wilder/Courtesy Wall Therapy)

Andreas Englund. Process shot of a superhuman not unlike the artist. Wall Therapy 2015. (photo © Jenn Poggi/Courtesy Wall Therapy)

For wall locations, schedule of events and further details about Wall Therapy 2015 Rochester click HERE

$Wall\Therapy 2015 Day 3$

Wall\Therapy 2015 Day 3

July 22, 2015 Artists

In Rochester the weather has been warm but workable, as evidenced by the progress that all the artists have been making. You don’t have a long summer in this city of Kodak so we happily have images to share from a dedicated crew of photographers who are catching all the action while the sun is still blasting and slowly baking the artists.

You’ll see that the Jeff Soto and Maxx242 is nearing completion, Daze is already making plans for a production wall with FUA crew around the corner and Andreas Englund has a number of inquiries from local passersby while he’s painting his first mural here. We’re thinking it will be something rather superhuman.

For wall locations, schedule of events and further details about Wall Therapy 2015 Rochester click HERE

$Wall\Therapy 2015 Begins in Rochester, NY$

Wall\Therapy 2015 Begins in Rochester, NY

July 20, 2015 Artists

Rochester’s Wall\Therapy mural festival began in earnest this weekend with a fine art show at 1975 Gallery and arriving artists beginning to prime their walls and sketch the outlines of the works they’ll be giving to this city in the northwestern part of New York state.

It’s 4th year as Wall\Therapy, this grassroots funded initiative has the unique role of being an art festival that also raises awareness of a medical aid program: assisting people in developing countries to have access to hi-tech diagnostic imaging and doctors. By raising funds to set up teleradiology services within these communities and working with a network of volunteer radiologists around the world, people can get x-rayed where no previous opportunity existed.

Begun by Brooklyn native Dr. Ian Wilson, he and associated organizations make a connection between philanthropy for the arts and medical care – with the help of an ardent local core of volunteers who hold fundraisers throughout the year and do community outreach to organize and make this event happen.

This year partnering with Berlin’s Urban Nation (UN) Director Yasha Young, Wall\Therapy is beginning a cultural exchange program by hosting a selection of international artists specifically selected by her to participate.

BSA will be bringing you regular updates and at the end of the week will be bringing an entertaining LIVE version of BSA Film Friday to the University of Rochester at MAG auditorium. Stay tuned!

$Handiedan Sets a Pinup Tone for Wall\Therapy 2015 in Rochester$

Handiedan Sets a Pinup Tone for Wall\Therapy 2015 in Rochester

July 9, 2015 Artists

Rochester, New York is the home of the Wall\Therapy festival and BSA is partnering with the team and Urban Nation (UN) to bring you coverage of the grass-roots mural festival for 2015. It will begin in a few weeks but the Amsterdam-based Handiedan got into town early due to being in New York for her show with Jonathan Levine Gallery.

Her curvaceous pin-up girls and orientally adorned femme fatales from noir films and rockabilly imaginations intricately layered with patterns and designs from currency – sometimes it is all about getting that paper.

In this case the paper in use is covering the facade of a beautiful brick building dating back to 1890 that was originally a church and later became a machine shop and home to the Rochester Community Players theater group for a half century or so. After a fire a few years back the building has sat vacant for a while. At least, that is what most people from the area can remember.

Here Handiedan’s specially treated custom designed paperwork brings added dimension while stunningly emulating the template shape and color palette. In many ways it is bringing the building back to life – perhaps in anticipation of its new use as another playhouse to open at the end of the summer.

Wall\Therapy 2015 has released its line up of artists curated in collaboration with Yasha Young, director of Urban Nation (UN) Berlin. This years theme of surrealism and the fantastic is off to a rather spectacular start obviously and in addition to bringing you daily updates BSA will be in the house on Friday July 24th for a special live edition of BSA Film Friday at the Memorial Art Gallery at the University of Rochester. We are really looking forward to meeting you in person.

Artists included for this years Wall\Therapy include: Andreas Englund, Onur, Wes21, Never Crew, Vexta, Li Hill, Handiedan, Daze, Jeff Soto, Maxx242, Eder Muniz, Brittany Williams, Matthew Roberts and Joe Guy Allard.

To learn more about Wall Therapy and more details, schedules, program and dates click HERE

Looking at 5Pointz Now, Extolling a Graffiti Holy Place

June 26, 2013 Artists

While famed LA/Chicago/Detroit graffiti artists Revok and Pose are in town getting up on the Houston Street wall this week and many members of the MSK crew were in Bushwick doing tributes to Nekst over the weekend, New Yorkers have had the opportunity to talk with a lot of visiting friends who are in town in advance of the Revok/Pose dual show at Jonathan Levine this Saturday. As graffiti culture continues to assert its place in modern art history even while expanding and redefining itself on the street and in homes, galleries, and museums along a storied continuum, we are reminded again about the foundational role that graffiti has played in our aesthetic, helping to define urban culture and at least partially fueling the evolution of what we call a Street Art scene today.

As with most subcultures in a capitalist society, there are a fair amount of commercial influences swimming around and through the graffiti world too, the products and motifs employed to sell them somehow simplifying graffitis complex nature and diluting its emotional resonance for many. This is the water we’re all swimming in, however, and you could drown trying to fight it. Despite commercial pressures and their mutations, it is evident that the graffiti style is alive and well and building upon itself in new ways. For some, graffiti is analogous to the early punk scene for some others it could be inextricably tied to hip hop. But as it continues to morph into multiple subgenres it still seems perfectly clear that it is born from a scream, a helluva celebratory and defiant yell ; very individual, often powerful, it is tied to an agonizing drive to be heard and to be seen, to capture by hand something that is channeling by its own volition through your mind and from your gut. Probably. That incisive wisdom from BSA and $2.50 will get you a ride on the subway.

BSA will never be versed enough to speak authoritatively about graffiti culture, nor do we pretend to – it is so vast and storied and sort of outside our wheelhouse. But seeing all this graff action this week brings our minds to a place like 5Pointz in Long Island City, Queens. Begun as Phun Factory and eventually changing its name, this 200,000 sf factory building cannot be overestimated in its impact visually over two decades as well as for the community service it has provided for many artists, young and older, to practice, experiment, and even hit a level of mastery of their craft. We won’t call it a Mecca, as we’ve been schooled that some of our brothers and sisters think that’s disrespectful – So we’ll just call it a Holy Place for many here and around the world. An ever evolving canvas viewable from the street and passing trains, many a tourist has made the pilgrimage to check it out; a touchstone for the true New York, and perhaps one that is disappearing.

As the fevered pitch of cries from fans and community for the preservation of 5 Pointz runs up against the dual realities of a crumbling infrastructure and an increasingly desirable location for real estate development, we all reluctantly cede that the writing is probably on the wall (pardon the pun). Absent a deep-pocketed philanthropist who wants to preserve it (Jay-Z?) or a groundswell of citizenry demanding public seizing of private property (torches and pitchforks anyone?), you have to know that this can’t last forever despite what many see as its importance and relevance to this culture, history, and this time. But really, just take a look around this spot. If you are here now, or are planning to come soon, you know that 5Pointz has the power of a beacon for many; a living thriving vessel for the creative spirit to be expressed in myriad ways, many personal. All hail 5Pointz and those who have made it successful all these years.

Here is a small collection of more recent images of 5Pointz.

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