All posts tagged: Vinny Cornelli
C215: Show Pics of “Community Service”
Stencil Street Artist Hits Both Floors of Parisian Gallery
Last minute touches at “Community Service”. (photo © Roswitha Guillemin courtesy the gallery)
Last Friday C215 played host at Galerie Itinerrance as he debuted many new pieces across various surfaces using the stencil technique he is known for. His addition of color variations over the last year or so has opened a door into more possibilities for dimension and emotion in his portraits. Fans of the monochromatic style he established his name with were pleased to see the black/grey/white stencils also continue to capture his interest.
C215 Photo Courtesy Galerie Itinerrance
C215 Photo Courtesy Galerie Itinerrance
C215 Photo Courtesy Galerie Itinerrance
C215 Photo Courtesy Galerie Itinerrance
C215 Photo Courtesy Galerie Itinerrance
C215 Photo Courtesy Galerie Itinerrance
C215 Photo Courtesy Galerie Itinerrance
C215 Photo Courtesy Galerie Itinerrance
The show is accompanying the release of a book of the same name “Community Service”, featuring photography by 12 artists behind the camera, an interview with Steven P. Harrington of Brooklyn Street Art (who also wrote the introduction), and a preface by Marc and Sara Schiller with Thierry Froger. More on the book and show HERE.
C215 and “Community Service”
New Show and Book Recognize the Impact of the Global Street Stencil Artist
In a very short time C215 has become an important phenomenon in street art around the world. BSA has been among the crowd who have been moved by the feelings that arise with a sudden encounter of his work on the street. What gives his stencil work resonance is the light that emanates from within the people he selects from whatever neighborhood he is in. Paolo M., a photographer who goes by the moniker Unusual Image and is featured in the new collection, remarks on C215’s people, “I think that there is a kind of sense of humanity that illuminates them.” It’s an uncanny ability to summon the spirit of a subject through his deft cutting of stencils, but it’s what he does with regularity.
Further distinguishing the work is the level of detail in these hand-cut pieces, incrementally setting a new standard for stencils and portraiture. Says VitoStreet, another featured photographer who has shot numerous of the pieces in the street, “The most amazing things such as feathers, fur, beard, hair are reproduced brilliantly.” Collectively the steady development of the body of work is blurring the line between fine art and street art.
C215 by photographer RomanyWG
This Friday in Paris C215 is debuting a new show of studio work on both floors of Galerie Itinerrance.
(US), Jaime Rojo (US), Lois Stavsky (US), Jessica Stewart (IT), Vinny Cornelli (US),
Elodie Wilhem (CHE), Lionel Belluteau (FR), Unusualimage (GBR), Gregory J. Smith
(BR).
Marc & Sara Schiller from Wooster Collective and Thierry Froger, collector.
Pics from OPENING of “Make It Fit”, the Various & Gould/Specter show at Brooklynite
Text and photos from BSA contributor, Vincent Cornelli.
It was a pretty impressive scene at the Specter, Various & Gould opening at the Brooklynite Gallery on Saturday night. And yea, Saturday night. Why does everyone throw these parties on a Thursday evening, when you can do it on the weekend and make it a real night?
I must admit, being forced to ride an over-crowded local A train from Harlem to Utica Station doesn’t really put you in the best of moods. But, while approaching the gallery, I couldn’t help but get a little re-charged as the music got louder and more distinct. It was a cool scene to walk into a nearly empty storefront, surrounded in quality artwork, knowing that even more people were packed in and celebrating in back somewhere.
In this case it was a backyard decorated by the artists, with DJ’s spinning, Red Stripes flowing, and a performance from a musician like Jeff Kessel, a one man looping machine.
And it’s always cool running into the likes of Luna Park, Celso, Veng (RWK), Carlito Brigante, and the rest.
No doubt everyone enjoyed the art, the artists, the tunes and the event.
Read an interview with Various & Gould and see more pics from the show setup HERE.
Damning MUST SEE Video: Serious Allegations Against Brooklynite >> Mistreatment of Various & Gould
Inside the studio with Specter.
“The Gentrification Series”: Specter
Vinny Goes to Hamburg: Street Art from Germany’s Largest Port
Vinny Cornelli is becoming a regular on BSA because with his photography he peels back some of the street art hype and looks at the innards of the gritty culture that engenders it. A departure from documentation, his eye captures something more.
For this photo essay, Vinny shows and tells us about his trip last week to Hamburg, Germany’s second largest city after Berlin- and opens our eyes to their approach to aesthetic expressions of the spirit on the street.
from Vinny Cornelli
Last weekend I was able to visit my girlfriend, Lena, on her home turf of Hamburg, Germany. I concede (for some of the obvious reasons) that the trip was incredible, warm and homey. Even outside of those reasons, I was also so very excited by the colors and comforts I felt from a city that seems to gush as a result of the public street and graffiti art that the population either endorses or passively permits.
Hamburg is home to the likes of Flying Fortress and Funk25 and many other street artists. The city also fosters the existence of squats such as the Gaengeviertel; a small community of flats, studios and galleries that keeps it’s doors, beers and art open and available to it’s public. Like many people, these are some of the ideals that I subscribe to and appreciate.
Because I was in the good company of Lena, light snowfall, and the art surrounding us, I had the fortunate opportunity of a guided walking tour through many streets, nooks, and playgrounds. It was quite nice.
One interesting/odd observation I noted was that much of the street art was placed well above the mass marketed posters of albums, concerts, and movies hitting your local Hamburg establishment. In a way, it gave me the feeling that everyday, commonplace (and I think boring) life is placed at eye-level. Yes, this is what’s sometimes seen in NYC and other hotbeds of public art…but some of it just doesn’t fit.
I visited C215 this summer, and he spoke at great lengths of the importance of where he’s placing his stencils – otherwise, it becomes irrelevant. I feel that the wheat pastes and stencils in Hamburg tend to suffer as a result. Placement seems sporadic when viewed with other works sharing the same wall.
On the other hand, it seemed that the graffiti artists were better leveraging the walls and spaces they occupy and their work also seemed very well organized.
I thoroughly enjoyed capturing these photos and the inspiration they foster. I have already booked my tickets to return in April, so I look forward to sharing the city of Hamburg’s movement into the spring.
Exquisitely Crumbling Contruction Walls
Photographer Vinny Cornelli talks about an entertaining foray into decay he took last week. It’s a cool way to look at something with new eyes.
by Vinny Cornelli
So this collection of images is about walled-off construction zones and the art that can be fostered on these temporary spaces.
When you think about it, even in this tough economy, people are still in the middle of construction projects that are walled-off by these fake plywood walls. Why not sanction these walls as public, and allow our community to color them up? They’re ugly as sin otherwise. Well, unless some crappy company illegally pastes posters of the newest Tom Cruise movie. I say forget that. Why can’t we all just have some fun, be comfortable in it’s legality, and voice our colorful contributions to the neighborhood we belong?
Fresh Pictures of “Fresh Geezers”, Vinny Cornelli shoots the London Police, Galo
Last Thursday Factory Fresh Gallery hosted “Fresh Geezers”, a new show by The London Police and Galo. In a departure from his regular street art job, photographer Vinny Cornelli takes Brooklyn Street Art to the opening with these shots.
See More of Vinny Cornelli’s photography HERE.
text by Brooklyn Street Art
Alex Emmert- Miami Schmiami! – Brooklyn is the Schnit! Go to Mighty Tanaka!
You may have thought that the giant sucking noise you heard was all the street art being pulled down to Miami this week (or Miss California’s video tape turned up to 12).
Have NO Fear – Mighty Tanaka is Here!
Brooklyn’s Street Art Scene is so gargantuan that we can afford to let Half the Borough go to Art Basel this week and we still have enough amazingly clever artists to OPEN A BRAND NEW GALLERY TONIGHT – which will be packed thank you very much.
Mighty Tanaka Gallery, a labor of love turned a reality with the vision of Alex Emmart, who has been toiling behind the scenes for a couple of years to build a rather strong and fairly eclectic collection of art and artists – many of them fresh out the gate.
Alex also confesses to creating this new gallery in the neighborhood of Dumbo partially to force himself to get off his couch and go to work instead of running his nascent biz out of his apartment. He’s been painting a newly built gallery space in the Brooklyn neighborhood by the water between the Brooklyn and Manhattan Bridges and nearly all his clothes are covered with white paint and his brain has fried, but tonight’s the opening and he is ready.
The inaugural show “Hybridism” gives a nod to oft-expressed opinion these days that the walls between street art and fine art are continually dissolving – as fine art hits the streets and street art hits the living room over your couch.
Emmart brings to the game an education in museum studies, the experience of curating a handful of shows that explore the street-graff-fine art continuum, and a solid dedication to building relationships based on respect.
This too, may be a glimpse of the future of the art world where gallerists treat people fairly and are respected because of it. Just ask any of the nextgen Millenial artists he is working with.
At this auspicious opening, a statement of hope amidst an economy gone ape-crazy, Emmart takes the moment to share the credit on his Facebook page; “Mighty Tanaka studio is one of the finest and most exciting spaces I know of due to the hard work of committed individuals. A VERY BIG thanks to Garrett Wohnrade, Caleb James, Adri Cowan, Mari Keeler, Heidi Alasuvanto, Insuh Yoon, John Michaels, the Mighty Tanaka featured artists and everyone else who has supported Tanaka during this transition. You all inspire me.”
Mighty Tanaka Gallery/Headquarters:
68 Jay St.
Suite 416
Brooklyn, NY. 11206
Phone #: 718.596.8781
Subway: F train to York St.
Mighty Tanaka Presents: “Hybridism” – NEW GALLERY
Mighty Tanaka Presents: Hybridism: Where Raw Meets Refined
Premier Exhibition in New DUMBO Gallery Space presents an array of mediums, techniques
New York, NY – November 24, 2009 – Mighty Tanaka (http://www.mightytanaka.com) is proud to announce Hybridism, the premier show within its new DUMBO project/gallery space, opening with a reception on December 3, 2009 through January 7, 2010. There’s a growing creative movement that we’ve dubbedHybridism: a blend of both street art and fine art – a hybrid – as the raw meets the refined. It is the juxtaposition of genres, which both compliments and conflicts; the balance between these otherwise artistic opposites. Hybridism, the show, captures a collection of both twisted fine art and underground street art in a span of mediums: vivid photography, collage, and rich oil & acrylic paintings on everything from canvas to found wood.
From classic oil paintings of alcohol-blurred nightlife, a squirrel riding a two-headed goat, and a trippy diorama of the industrialization age, to street-style satanic mummies, tribal paintings on book covers, and graffiti-influenced silkscreens on newspapers – Hybridism displays the atypical and the urban within one space.
“I always look to accentuate the idea of hybridism, and of pairing opposites together; this will be common thread in all of my shows, despite their varied themes,” says Mighty Tanaka owner and curator, Alex Emmart. “My goal? To bring this burgeoning and exciting artistic movement to the next level.”
Featured artists include: Adam Miller, Alexandra Pacula, Alexis Trice, AVOID pi, Bruno Perillo, Destroy and Rebuild, Don Pablo Pedro, FARO, Hellbent, Infinity, JMR, John Breiner, Josh McCutchen, Katie Decker, KOSBE, Lionel Guzman, Mari Keeler, Miss Marlo Marquise, Max Greis, Mike Schreiber, Peter Halasz, Reginald Pean, Robbie Busch, Royce Bannon, Skewville, Vinny Cornelli.
Mighty Tanaka’s Hybridism opening reception coincides with DUMBO’s Culture 411 First Thursday Gallery Walk on Thursday, December 3, 2009, from 5:30PM-8:30PM at Mighty Tanaka Studio on 68 Jay Street, Suite 416, Brooklyn, NY 11201.
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About Mighty Tanaka
Mighty Tanaka (http://www.mightytanaka.com) is Alex Emmart and Caleb James: an independent curatorial organization dedicated to the advancement and integrity of the urban arts. Through the utilization of skilled curating and various media techniques, we strive to create a stable foundation for artists operating within the urban environment. Mighty Tanaka is driven by urban inspiration and is clearing the way for this emerging art movement to expand beyond the city walls and into our personal lives. Our mission is to provide a myriad of curated and production services.
Contact
Mighty Tanaka Studio
68 Jay St., Suite 416
Brooklyn, NY 11201
Hours: M-F 12PM to 7PM, weekends by appointment only
Office: 718.596.8781
For questions, info or interviews, please contact Alex Emmart at alex@mightytanaka.com or (718) 596-8781.