Billi Kid, Chris RWK, Darkclouds, JMR, Jordan Seiler, Justin Emerson, Veng RWK, Philip Lumbang, Keely, JustinK, Royce Bannon, Shai Dahan, Temple7e
Fat Kat in Brooklyn (QRST) (photo CJ)
Happy Birthday Freddie Mercury September 5th!
Jonathan See Lim (The 2nd from the series Sprayed N Stone) (NohJ Coley) (photo Jaime Rojo)
Jonathan See Lim (Detail) (NohJColey) (photo Jaime Rojo)
Jonathan See Lim (Detail) (NohJColey) (photo Jaime Rojo)
Manhattan is turning into a Mall. There I’ve said it.
In the 80’s when I first got to NYC my best friend guided me through the canyons of Manhattan lamenting the pace of change, the cultural cornerstones gone, the new soul-lessness that was going up in new buildings and neighborhoods. I said, “Get over it, are you kidding? This place is amazing!”
Now the pace of “progress” that has turned every small and mid-sized city in America into an interchangeable power strip of Olive Gardens, Radio Shacks, and OfficeMaxes has gradually infiltrated the culturally vibrant and wacky island. But it isn’t only Manhattan, it’s true in almost every neighborhood in the city – In fact, the chains are shackling most of our culture to a homogenized dullness that preys on low-paid workers elsewhere and creates low-paid workers here. How many Mom-and-Pop stores have been wiped out by the undercutting prices and special tax considerations that Big Box stores have?
Ask James and Karla Murray.
They started taking pictures of New York’s Mom-and-Pop stores a decade ago when they were out shooting graffiti. By definition, a Mom-and-Pop is a family-owned and usually family-run business with roots in it’s community, providing needed goods or services and jobs and wealth to it’s small ecosystem. The Murrays noticed that they were disappearing, rapidly. It alarmed them and they published a book featuring those businesses call “Store Front: The Disappearing Face of New York”, featuring 250 images of these Mom and Pops.
A new show, open to the public this Saturday, features images from that book blown up almost to their original size in a “streetscape” and installed on a gorgeous rooftop. The twist with this show of storefronts is it also includes the work of 28 artists all over it, thanks to the curating skills of Billi Kid, street artist and entrepreneur. We went to the opening of the event (read here) and then we had the pleasure of interviewing the authors and the curator of the show to get more of the backstory:
Ticky/Underwater Pirates, and Celso with guests (photo Jaime Rojo)
Royce Bannon monster takes a bite (photo Jaime Rojo)
Birds on a ledge by Cern (photo Jaime Rojo)
David Cooper and Ralph’s (photo Jaime Rojo)
Shiro and her buddy by her piece (photo Jaime Rojo)
Zoltron took the signs to a new street (photo Jaime Rojo)
Brooklyn Street Art: Work and logistics aside, it looks like you had fun putting this one together!
Billi Kid: OK, scratch everything I said so far! Hell yeah!!! It was all about having fun! Seeing how much pleasure each artist had working and looking over each other’s shoulder was my finest moment in bringing MOM & POPism to life. At the end of the day, we ALL have to enjoy what we do, because it shows.
Here’s a piece by videographer Greg DeLiso:
MOM & POPism include Blanco, Buildmore, Cake, Celso, Cern, Chris (RWK), Crome, Cycle, David Cooper, Destroy & Rebuild, Enamel Kingdom, Goldenstash, Infinity, Kngee, Lady Pink, Matt Siren, Morgan Thomas, Peru Ana Ana Peru, Plasma Slugs, Royce Bannon, Shai R. Dahan, Shiro, The Dude Company, Tikcy, Under Water Pirates, Veng (RWK), Zoltron and Billi Kid.
MOM & POPism will be open to public on Saturday, August 15th from noon to 4 p.m. Additional exhibition viewings are available by appointment throughout August.
Previous projects that combined the talents of James and Karla and Billi:
An article James and Karla wrote about Billi in Peel Magazine
The room Billi did at Artbreak Hotel with James and Karla
Underground Overground with Billi, James and Karla and Cern
See an exhibition of photos from the book at the Clic Gallery now through September 27, 2009
Tuesday night the summer air was heavy and thick, after an “ozone alert” day in New York drove most sensible people inside corner delis to slide open the icecream case and stare at popsicles for a few minutes, cooling off in the process. Thankfully there is always the roof!
Billi Kid led a cadre of 28 street and graffiti artists up the stairs above Gawker’s plush and well-appointed offices to host an unusual show called “Mom and Popism”. It was officially a press preview but there were about 150 people, cocktails, fancy snacks, a DJ, and even a few high-class prostitutes, but they came in with us.
Aside from the impressive list of participants, what makes this show remarkable is the use of Jim and Karla Murray’s photographs of New York “mom and pop” storefronts, blown up to nearly their original size, then carefully appointed with work of the artists in such an integrated way that it’s as if they brought the sidewalk up to the 4th floor.
One of the street artists, Royce Bannon, was on hand at the preview to talk about his experience;
BSA: How was it putting your piece up on a photograph of a storefront?
Royce: Uh, it was interesting. It was alright, it was fun, it was cool. I was in and out really fast.
BSA: Where you concerned that it wouldn’t really look like the street?
Royce: Actually I was concerned about what material they were going to use because I didn’t know what kind of paint to bring. I like Jim and Karla’s photography anyway so I would have done whatever they wanted.
BSA: Does this particular monster have a name?
Royce: Penny, because she’s got penny eyes. Like remember on PeeWee Herman, remember the Penny?
The night breeze was a relief, Jim and Karla were gamely signing copies of their book “Storefront: The Disappearing Face of New York”, artists were signing and creating pieces in each other’s copy of the book, and there was a fair amount of posing. The guests standing in front the storefronts created more than one or two double-takes because you could easily be transported to the streetscape without realizing they were photographs.
There will be a public showing of the installation on the 15th and we’ll be talking to Jim and Karla and Billi the Kid in upcoming posts, but first here’s a quick slideshow of behind-the-scenes makeing of the show from Mr. Kidd.
Artists featured are: Blanco, Buildmore, Cake, Celso, Cern, Chris (RWK), Crome, Cycle, David Cooper, Destroy & Rebuild, Enamel Kingdom, Goldenstash, Infinity, Kngee, Lady Pink, Matt Siren, Moran Thomas, Peru Ana Ana Peru, Plasma Slugs, Royce Bannon, Shai R. Dahan, Shiro, The Dude Company, Tikcy, Under Water Pirates, Veng (RWK), Zoltron, Billi Kid
Store Front: The Disappearing Face of New York,
in unique collaboration with many of today’s hottest graffiti and street artists.
August 15, 2009
12 noon to 4 pm
210 Elizabeth Street, 4th Floor
Store Front: The Disappearing Face of New York is a breathtaking visual guide to New York City’s cultural heritage, with special emphasis on the historic streets and ethnic shops that have defined its many neighborhoods. Meticulously photographed, its powerful images of time-worn institutions will be printed at close to life-size scale and installed on the Gawker Media roof, becoming canvases on which select graffiti and street artists are invited to leave their indelible marks. The result will be a unique impression of a New York City that seems to be fading with each passing day. Our cultural and economic landscape will be called into question, the role of art, particularly graffiti and street art, will be subject to reinterpretation.
Curated by Billi Kid, MOM & POPism brings together graffiti and street artists to create new artworks on top of the Murray’s photographs. The collaborating graffiti and street artists represent some of the most notable artists in the street art community and the media at large. These include Blanco, Buildmore, Cake, Celso, Cern, Chris (RWK), Crome, Cycle, David Cooper, Destroy & Rebuild, Enamel Kingdom, Goldenstash, Infinity, Kngee, Lady Pink, Matt Siren, Morgan Thomas, Peru Ana Ana Peru, Plasma Slugs, Royce Bannon, Shai R. Dahan, Shiro, The Dude Company, Tikcy, Under Water Pirates, Veng (RWK), Zoltron and Billi Kid.
MOM & POPism will be open to public on Saturday, August 15th from noon to 4 p.m. Additional exhibition viewings are available by appointment throughout August.
A true street art Opening in Brooklyn, with shutters open wide and many doorways to contemplate.
A collection of 30 artists on the street art scene are contributing to the vision of the adoorable Luna Park and her co-curator Billi Kid. Ms. Park, a well-travelled street art photographer who calls Brooklyn home, is among a very select group of intrepid souls cris-crossing the borough by any means possible to get the right shot.
Well regarded and always smartly outfitted, Ms. Park and Mr. Kid have added a bit of poetry to the street art oeuvre by decorating the departure, edifying the entrance, festooning the frontage, and gilding the gateway!
Image by Luna Park featuring a Celso in the doorway.
Cake from “The Great Outdoors” (photo Luna Park)
The Dude Company for “The Great Outdoors” (photo Luna Park)
Feral for “The Great Outdoors” (photo Luna Park)
THE GREAT OUT DOORS
MAY 2 – 29, 2009
Art Break Gallery
195 Grand Street, 2nd Floor, Brooklyn, NY 11211
Thursday through Sunday, 1-7 pm.
Opening Reception Saturday May 2, 6-10 pm
At the opening Saturday you’ll also get to see a projection show of Luna Park’s photography, specifically images of doors on Brooklyn streets and elsewhere.
have been working hard and probably playing a little too, and the group show they have engineered is a quick primer on what street art is looking like at the moment in Brooklyn, and elsewhere. The show inaugurates a hallowed creative space for artists in Soho and christens it with a new name, The Combine, at 112 Greene Street in Soho.
See more about the show and our interview with Royce here.
“We have to work like our future depends on it, because it does” – Barack Obama
A Monstrous Welcome to a New Era for 112 Greene Street (Royce Bannon)
Long before Soho became a jewel encrusted haven for high-end couture, over-priced “foodie” groceries, hi-jacking delis, and exclusive password private clubs, the wild-eyed artists were the only people interested in the abandoned buildings south of Houston, and north of Canal. In the decade of the 1970’s, during a financial crisis when a Republican president told our bankrupt city to “drop dead”, that he would veto any bailout for a cash-strapped NYC economy, Soho was a largely abandoned carcass of warehouses and lifeless factories. As is so often the case, it was the perfect playground for the innovative talents of artists and art students needing cheap raw space to create and coalesce and eventually re-start the engine of cultural growth. Like the Williamsburg/Greenpoint/Bushwick neighborhoods in Brooklyn today, Soho in Manhattan was a pounding heart in a hurting city that was drained by an energy crisis, sapped by a costly possibly illegal war on foreign soil, and duped by the ponzi-schemes of corporate titan opportunists at home.
112 Greene Street in Soho was the original home of 112 Workshop, a raw space open between 1970 and 1980, offering exhibition space for installation and performance for the new generation of conceptual artists who emerged from the radicalized minds and cultural upheavals of the previous decade.
With artists having complete control to curate their shows, the space put on challenging and inspirational work of hundreds of people. During the life of this laboratory it produced a list of influential performers and artists that helped shape the cultural cityscape over next 30 years, including names like Vito Acconci, Laurie Anderson, Joseph Beuys, Louis Bourgois, Chuck Close, Spalding Gray, Phillip Glass, Fran Lebowitz, Jeffrey Lew (co-founder), Gordon Matta Clarke (co-founder), Richard Mock, Richard Serra, William Wegman.
A spirit of collaboration and lively exploration returns to this space on March 26 when street artists well known in North Brooklyn today clear out the moribund basement space at 112 Greene and electrify the walls with a new era of youthful big ideas – and with thanks to those who came before in this hallowed space.
Royce Bannon, core member of the collective ELC (Endless Love Crew), is curating an audacious and boundless graphic cavalcade of street art styles to christen the historic space that honors the creative spirit. While ELC has a rotating roster that sometimes totals as many as 9 artists with a variety of styles, the currently active members of the ELC for this project will be Abe Lincoln Jr., Anera, El Celso, infinity, and Royce Bannon. With everyone working collaboratively, the “Work to Do” show pays homage to the new president and embraces a new reality that artists and creatives in the city are feeling right now.
The 112 Greene Street space is christened The Combine with this inaugural show. Steve Loeb and John Robie are creating The Combine to provide a new environment for the exhibition of art; an alternative to the traditional gallery opening and exhibition, transforming static work into multi-media, performance oriented events.
Detail from Kosbe at “Work to Do” (photo Steven P. Harrington)
On a recent sunny Saturday, with Soho sidewalks anxiously trampled with tourists dragging shopping bags out of Prada, Dean & Deluca, and the Apple store, Royce and Chris from Robots Will Kill are laboring below street level on work for the new show. Descending the stairway you hear the blasting remixed hip-hop jams, see the spray-painted names along the walls claiming space for pieces; Ad Deville of Skewville and U.L.M. have staked their real estate, as has Cake and the Smart Crew. Others have already created pieces on their wall allotment; a 7 foot tall Mochni from Veng on the landing, a chaotic collage from Kosbe as you hit the floor, a manic back wall collaboration with Deekers, infinity, and Celso.
A complete history of 112 Workshop
Royce sits at his makeshift table of plywood and saw-horses, pouring over a large book about 112 Workshop, marking its’ pages with post-its, and eyeballing every available inch of the entire basement space, thinking about how to fill it, and with whom. His phone keeps ringing, but he’s concentrating on the long rectangular room. He’s loving this moment, and proud of the work his friends have put into the space. Chris from RWK climbs a ladder to lay-in the first wash of color that will build the backing of… perhaps a robot?
Did you hear the new one about Octomom? (Royce Bannon, Dain, and AVOID Pi) (photo Steven P. Harrington)
The mottled concrete floor is marked with blue tape where a stage will be built for Afrika Bambaataa and Soulsonic Force on opening night, and the backdrop wall is already claimed by an undulating AVOID Pi tentacle, some Dain wheatpasted portraits that well up with fluorescent tears, and some smart-aleck monsters from Mr. Bannon himself, and a space remains for Abe Lincoln Jr.. Walk past a stack of plywood into a makeshift rectangular “gallery” room where many 3’ x 8’ foamcore canvasses lean – soon to showcase Deekers, infinity, Celso, and Royce pieces and hung in the windows of a music store further north of here.
Brooklyn Street Art: So who decided to put on this show?
Royce Bannon: Steven Loeb (composer, arranger, producer) and John Robie (composer, musician and record producer). They both have really extensive resumes in the music industry that go back to the 70’s – have worked with so many great musicians and artists that have impacted most of us – Kurtis Blow, Public Enemy, James Brown, LL Cool J… and a lot more. This is their space, and they’ve given me full control to make this show rock.
This is how we do it (Chris from Robots Will Kill) (photo Steven P. Harrington)
Waiting for the Smart Crew (Cake) (photo Steven P. Harrington)
Brooklyn Street Art: Have you had to tell people “no” since this roster started filling up?
Royce Bannon: Yes, (laughs) I’ve been telling people “no” a lot, and that’s really hard. What I’ve been telling them is to hold on, and once everybody paints, there will be other smaller or tight spots where they can do “fill-ins’, cause some people like those smaller spots too.
Brooklyn Street Art: Looking at this giant space, you are giving people a lot of real estate; these spaces look like 8’ by 8’ chunks of wall. That’s pretty generous.
Royce Bannon: Yeah definitely, why not? The spaces are claimed, and we’ve got lots more space to do, and about a third of it is done already.
Brooklyn Street Art: Are people excited to be in the show?
Royce Bannon: Yeah, very excited, I think it’s gonna be like a madhouse in here. It’s about 4,000 square feet floorspace.
This place is Smokin’ ! (detail from Kosbe) (photo Steven P. Harrington)
Brooklyn Street Art: You have been working long hours to accommodate all these artists?
Royce Bannon: Yeah, since mid-January I’ve been here like 12 hour days, sometimes late at night. First we had to clean up the space, figure out what materials we wanted to keep. We’re using everything they had left here and re-purposing it, cause “why not”. Better than throwing it away. Like my monsters are cut out of some bookshelves (laughs). They’ve been supplying us with whatever tools we need, gave us a bunch of paint. So with extras, like ladders and tools, I just go to them and we can get to work. They are really supportive of us, plus they’re collectors.
Brooklyn Street Art: So some of the artwork is going to be on sale?
Royce Bannon: Yes, I think some of the people are going to actually put their artwork on top of their pieces. We’re going to make a little gallery (gesturing to a 10’x 14’ room) – I think some people are going to put their stuff in there. We’re going to cover the floor, I think, in fake grass… brighten the space up a little bit. But we still got a lot of work to do.
Curated by Luna Park and Billi Kid
featuring a slide show by Luna Park
May 2-29, 2009
opening: may 2nd, 6-10pm
Artbreak Gallery
195 Grand Street in Williamsburg
Royce Bannon and a diverse team of talented street artist/graff writers are taking the challenge seriously: Revive the artists’ space in Soho that boasts a proud history and restore it to the constructive, collaborative, democratic roots of a real artists’ community; one that will have a mission of giving back, as well as re-establishing a laboratory for discovery.
These are times for bold actions of hope, and all hands are on deck for a show opening this month called “Work to Do” at 112 Greene Street in Soho, a place that first flourished in the years before the Reagan Revolution.
Read the Brooklyn Street Art Post for this event here
A Monstrous Welcome to a New Era for 112 Greene Street (Royce Bannon)
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