All posts tagged: Urban Nation Museum For Urban Contemporary Art

BSA HOT LIST 2024: Books For Your Gift Giving

BSA HOT LIST 2024: Books For Your Gift Giving

As the year comes to a close, we are pleased to present our 14th curated list of books—a reflection of our ongoing commitment to building a world-class library in Berlin. As co-founders of the Martha Cooper Library, our mission is to develop and maintain one of the most comprehensive collections dedicated to art books, photography archives, urban culture studies, street art monographs, graffiti history, and public art anthologies. These works serve as a vital resource for researchers, practitioners, and enthusiasts who engage deeply with these fields.

Looking ahead to 2025, we are thrilled to announce the inaugural Martha Cooper Scholarship, which will launch next year in collaboration with Urban Nation Museum, the Martha Cooper Library, and Martha herself. This scholarship will support outstanding achievements in photography, underscoring her and our dedication to fostering new generations of talent and scholarship in visual culture.

Numerous publications explore street art, graffiti, and related practices each year, adding valuable perspectives and insights to the field. While our focus for this year’s list includes some recent releases, we’ve also highlighted significant works from previous years that help us put today in a better context. We invite your suggestions for books you’d like to see featured or added to the Martha Cooper Library collection and featured here. Your recommendations are invaluable as we continue to expand and diversify our offerings.

Below is our selected shortlist – books that make meaningful additions to any library and thoughtful gifts for family, friends, or even yourself. We hope you enjoy them as much as we have.


Bartek Świątecki / Stare Kawkowo


Bartek Świątecki / Stare Kawkowo 2023 / Printed in Poland © 2023 Bartek Świątecki

From BSA:

Bartek Świątecki, aka Penner, has a style that is a confidently defined blend of bold colors, geometric shapes, and abstract forms harmoniously intertwined. It’s a graphical minimalism that speaks volumes, with straight lines and pure colors forming complex, geometrical clusters. This unique visual language demonstrates his mastery of blending traditional graffiti with modern abstraction and reflects a deep engagement with high art and youth culture. His murals and canvas works, often large-scale, are known for their dynamic and vibrant nature, inviting viewers into a world where street art and fine art converge.

Bartek Świątecki: “The light vibrates under our eyelids”


Books In The MCL: Golden Boy as Anthony Cool: by Herbert Kohl and James Hinton


From BSA:

Herbert Kohl and James Hinton’s “Golden Boy as Anthony Cool,” published in 1972, is a seminal work in the study of urban graffiti and street culture. Not only an academic exploration; it’s a journey into the heart of graffiti as a form of personal expression, rebellion, and cultural identity. Kohl’s insightful essays paired with Hinton’s evocative photographs provide a window into the lives of young people in the urban landscapes of New York City and Los Angeles as they simultaneously boil, wane and flourish in the late 60s and early 70s. These vibrant and vibrating communities are chronicled, whether affluent suburbs or struggling neighborhoods, each appears to brim with stories cryptically told through tags and murals on walls and doors.

“Golden Boy as Anthony Cool. Herbert Khol and James Hinton. 1972. MCL Library, Urban Nation Berlin.

Text Steven P. Harrington and Jaime Rojo Photos by Sebastian Kläbsch


Books In The MCL: The Self-Titled “NeSpoon” by NeSpoon.


From BSA:

NeSpoon,” a monograph on the work of the Polish artist, provides a comprehensive examination of her unique integration of lace patterns into urban and natural landscapes. The book, limited to 111 copies, each spanning over 420 pages, showcases the artist’s extensive portfolio and delves into the anthropology, cultural, and historical significance underlying her chosen medium.

“Why lace? It just came to me. Lace chose me, not the other way around. I’ve never liked lace. Before I started working with it, I thought lace was something old-fashioned, from a grandmother’s dusty apartment. Today it seems to me that each lace harbors harmony, balance and a sense of natural order. Isn’t that just what we are all searching for instinctively?”~ NeSpoon

NeSpoon” by NeSpoon. 2024. MCL Library, Urban Nation Berlin.

Text: Steven P. Harrington and Jaime Rojo, Photos: Sebastian Kläbsch

Books In The MCL: Tokyo Tattoo 1970. Martha Cooper. Stockholm, Dokument Press.


From BSA:

In “Tokyo Tattoo 1970,” photographer Martha Cooper, well-known for her definitive work on New York City’s graffiti scene, applies her ethnographic skills to document traditional Japanese tattooing. This book provides a clear and respectful portrayal of a secretive and highly specialized art form, preserved in black-and-white film photography. Through Cooper’s lens, readers gain access to the traditional techniques and cultural narratives embedded in Japanese tattoo art, offering insights into an art form that was largely inaccessible during the early 1970s.

Books In The MCL: Tokyo Tattoo 1970. Martha Cooper

Text: Steven P. Harrington and Jaime Rojo Fotos: Sebastian Kläbsch


Books In The MCL: Performing Feminism in the Hip Hop Diaspora. Jessica Nydia Pabón-Colón.


Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora. Jessica Nydia Pabón-Colón. 2018. New York. New York University Press.

From BSA:

Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora” by Jessica Nydia Pabón-Colón provides an insightful look into the world of women graffiti artists, challenging the perception that graffiti is a male-dominated subculture. This book highlights the contributions of over 100 women graffiti artists from 23 countries, showcasing how they navigate, challenge, and redefine the graffiti landscape.

From the streets of New York to the alleys of São Paulo, Pabón-Colón explores the lives and works of these women, presenting graffiti as a space for the performance of feminism. The book examines how these artists build communities, reshape the traditionally masculine spaces of hip hop, and create networks that lead to the formation of all-girl graffiti crews and painting sessions. This aspect is particularly useful in understanding how digital platforms have broadened the reach and impact of women graffiti artists, facilitating connections and collaborations worldwide.

Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora. Jessica Nydia Pabón-Colón.
2018

Text: Steven P. Harrington & Jaime Rojo Fotos: Sebastian Kläbsch


ESCIF / “The Foundations of Harmony and Invention”


FROM BSA:

It would be challenging to extricate Escif’s work from the city and its daily routines. The city, with its cacophonous soundtrack created by its inhabitants’ constant movement and the fluidity of their industry and agency, remains central to the artist’s focus and relevance.

For Escif, the city is not just a muse but the bedrock of his artistic inspiration, a canvas, and an outlet for addressing its contradictions and inequalities. In his work, the city is not an abstract subject but a perpetual, tangible, and knowable presence, manifested in myriad encounters, journeys, dreams, observations, and experiences, later reassigned onto paper, canvas, or concrete.

Escif’s Urban Manifesto: Art, Activism, and the Everyday / “The Foundations of Harmony and Invention”


BSA HOT LIST 2023: Books For Your Gift Giving

BSA HOT LIST 2022: Books For Your Gift Giving

BSA HOT LIST 2021: Books For Your Gift Giving

BSA HOT LIST: Books For Your Gift Giving 2020

BSA HOT LIST: Books For Your Gift Giving 2019

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Love Letters to the City: Street Art as Protest, Dialogue, Tribute at UN Berlin.

Love Letters to the City: Street Art as Protest, Dialogue, Tribute at UN Berlin.

Urban Nation’s Love Letters to the City, curated by Michelle Houston, is both an exhibition and a fulsome, sophisticated incantation. It invites audiences to confront the layered realities of urban life through the interpretation of its anonymous visual rebels, graffiti writers, and street artists and a generous representation of activists.

The show embraces the chaotic energy of unsanctioned art in the streets while seeking to decode its deeper meanings. It moves beyond the aesthetic to probe the social and political forces that shape these messages, sometimes manifestos. With themes ranging from urbanization and gentrification to environmental degradation and social inequality, Houston challenges visitors to imagine and reimagine the role of art in public spaces and consider its potential to transform the everyday into something with weight and impact.

Lady Pink. Love Letters to the City. Urban Nation Museum. Berlin, Germany. (photo © Jaime Rojo)

“Painting in public spaces is inherently political,” Houston says, emphasizing the power of public art to reflect and react to the environment in which it exists. This exhibition showcases that power, exploring how artists navigate and reinterpret public spaces to create works that are as much about dialogue as they are about visual impact. The concept of “love letters” broadens here to encompass affection, critique, sarcasm, and hope—as multifaceted as the modern city.

One of the exhibition’s defining features is its indoor and outdoor elements integration. Lady Pink’s monumental mural on Urban Nation’s façade is a vivid testament to her approximately fifty-year legacy of painting on city walls and the interconnected histories of New York and Berlin. Her work, swirling with trains and iconic tags, serves as a personal love letter and a broader commentary on the universal city—a place of movement, reinvention, and resilience. Inside, installations like Moses & Taps’ suspended parcel truck and Rocco and His Brothers’ reconstructed graffiti writers’ benches disrupt the museum space with some of the raw energy of the street, blurring the lines between the institution and the public sphere.

Lady Pink. Love Letters to the City. Urban Nation Museum. Berlin, Germany. (photo © Jaime Rojo)

The show also delves into Berlin’s complex history with walls and paint, with artifacts from the Stiftung Berliner Mauer prompting viewers to consider the dualities of oppression and liberation that define the city’s narrative.

“What is it about the glorification of a symbol of oppression by painting one side, and how was that commercialized?” Houston asks, pushing audiences to think critically about how art interacts with history and commodification. These questions resonate deeply in a city where the walls bear witness to decades of struggle and transformation.

Lady Pink. Love Letters to the City. Urban Nation Museum. Berlin, Germany. (photo © Jaime Rojo)

The exhibition combines an impressive roster of artists, from early pioneers like Blek le Rat and Shepard Fairey to contemporary innovators like Bordalo II and Jazoo Yang. Each work offers a distinct perspective on the urban experience, whether through critiques of environmental decay, explorations of social identity, or celebrations of urban resilience. Houston’s curation creates space for these voices to intersect, offering unity and tension as the exhibition’s themes unfold.

At its heart, Love Letters to the City is a call to reconsider how we interact daily with the designed/built/neglected/destroyed human-made environment. It asks us to see the city as a backdrop and an active participant in our lives—a canvas where personal and collective histories collide.

As Houston asserts, “Paint in public space has a different potency in the city than anywhere else.” That potency lies in its immediacy, ability to provoke, offend, and inspire, and capacity to reflect urban life’s complexities. Through this exhibition, Urban Nation affirms the enduring relevance of this kind of public art and its power to illuminate the cities we call home.

Lady Pink. Love Letters to the City. Urban Nation Museum. Berlin, Germany. (photo © Jaime Rojo)

Participating artists:

2501, Banksy, Blek le Rat, Bordalo II, Carlos Mare aka Mare139, Chop ’em Down Films, Crash, Dan Witz, Daze, Drew. Lab_One, Elfo, Evol, HA Schult, HOGRE, Isaac Zavale, James Reka, Jaune, Jazoo Yang, Joel Daniel Phillips, Johannnes Mundinger, Jordan Seiler, Kenny Scharf, Lady Pink, Liviu Bulea, Martha Cooper, Matthew Grabelsky, MILLO, Moses & Taps, Nika Kramer, Octavi Serra, Owen Dippie, OX, PAINTING DHAKA Project, Mr. Paradox Paradise, Rocco and his brothers, Sebas Velasco, Shepard Fairey, Stephanie Buer, Stiftung Berliner Mauer, Stipan Tadić, Susanna Jerger, Tats Cru, THE WA, Vhils, and Zhang Dali.

Rocco and his brothers. Love Letters to the City. Urban Nation Museum. Berlin, Germany. (photo © Jaime Rojo)
Rocco and his brothers. Love Letters to the City. Urban Nation Museum. Berlin, Germany. (photo © Jaime Rojo)
Kenny Scharf. Owen Dippie. Tats Cru. Daze. Crash. Love Letters to the City. Urban Nation Museum. Berlin, Germany. (photo © Jaime Rojo)
Moses & Taps. Love Letters to the City. Urban Nation Museum. Berlin, Germany. (photo © Jaime Rojo)
Moses & Taps. Love Letters to the City. Urban Nation Museum. Berlin, Germany. (photo © Jaime Rojo)
Moses & Taps. Love Letters to the City. Urban Nation Museum. Berlin, Germany. (photo © Jaime Rojo)
Martha Cooper. Berlin Wall. Love Letters to the City. Urban Nation Museum. Berlin, Germany. (photo © Jaime Rojo)
Hogre & Rocco and his Brothers. Love Letters to the City. Urban Nation Museum. Berlin, Germany. (photo © Jaime Rojo)
The WA & ELFO. Love Letters to the City. Urban Nation Museum. Berlin, Germany. (photo © Jaime Rojo)
Video credits: Commissioned by Stiftung Berliner Leben. Shot by Alexander Lichtner & Ilja Braun. Post-production, additional footage, graphics, and a final version by Michelle Nimpsch for YAP Studio/YES, AND… productions GmbH & Co. KG

LOVE LETTERS TO THE CITY

September 14, 2024 – May 30, 2027. For a schedule of events, hours of operation, directions, and more details click HERE

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Books in the MCL: Jessica Nydia Pabón-Colón. “Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora”

Books in the MCL: Jessica Nydia Pabón-Colón. “Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora”

Text: Steven P. Harrington & Jaime Rojo

Reprinted from the original review.

Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora. Jessica Nydia Pabón-Colón.
2018

Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora” by Jessica Nydia Pabón-Colón provides an insightful look into the world of women graffiti artists, challenging the perception that graffiti is a male-dominated subculture. This book highlights the contributions of over 100 women graffiti artists from 23 countries, showcasing how they navigate, challenge, and redefine the graffiti landscape.

From the streets of New York to the alleys of São Paulo, Pabón-Colón explores the lives and works of these women, presenting graffiti as a space for the performance of feminism. The book examines how these artists build communities, reshape the traditionally masculine spaces of hip hop, and create networks that lead to the formation of all-girl graffiti crews and painting sessions. This aspect is particularly useful in understanding how digital platforms have broadened the reach and impact of women graffiti artists, facilitating connections and collaborations worldwide.

MARTHA COOPER LIBRARY: BOOK RECOMMENDATION⁠

📖 | Title: Graffitti Grrlz: Performing Feminism in the Hip Hop Diaspora
📚 | NYU Press; 1st edition (June 22, 2018)
🖋 | Authors: Jessica Nydia Pabón-Colón
💬 | Language: English

CLICK URBAN NATION BERLIN TO CONTINUE READING

Text: Steven P. Harrington & Jaime Rojo Fotos: Sebastian Kläbsch

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Books In The MCL: Tokyo Tattoo 1970. Martha Cooper

Books In The MCL: Tokyo Tattoo 1970. Martha Cooper

Book review by Steven P. Harrington & Jaime Rojo/Brooklyn Street Art. Martha Cooper Library

Martha Cooper. Tokyo Tattoo 1970. 2012.

In “Tokyo Tattoo 1970,” photographer Martha Cooper, well-known for her definitive work on New York City’s graffiti scene, applies her ethnographic skills to document traditional Japanese tattooing. This book provides a clear and respectful portrayal of a secretive and highly specialized art form, preserved in black-and-white film photography. Through Cooper’s lens, readers gain access to the traditional techniques and cultural narratives embedded in Japanese tattoo art, offering insights into an art form that was largely inaccessible during the early 1970s.

CLICK URBAN NATION BERLIN TO CONTINUE READING.

Text: Steven P. Harrington and Jaime Rojo Fotos: Sebastian Kläbsch

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Books In The MCL: The Self-Titled “NeSpoon”

Books In The MCL: The Self-Titled “NeSpoon”

Book Review by Steven P. Harrington & Jaime Rojo / Brooklyn Street Art for the Martha Cooper Library at Urban Nation Museum, Berlin, Germany.

NeSpoon,” a monograph on the work of the Polish artist, provides a comprehensive examination of her unique integration of lace patterns into urban and natural landscapes. The book, limited to 111 copies, each spanning over 420 pages, showcases the artist’s extensive portfolio and delves into the anthropology, cultural, and historical significance underlying her chosen medium.

“Why lace? It just came to me. Lace chose me, not the other way around. I’ve never liked lace. Before I started working with it, I thought lace was something old-fashioned, from a grandmother’s dusty apartment. Today it seems to me that each lace harbors harmony, balance and a sense of natural order. Isn’t that just what we are all searching for instinctively?”

~ NeSpoon

NeSpoon revitalizes the traditional craft of lace-making, tracing its roots back to the mid-sixteenth century in Venice and Flanders. This blend of past and present is a recurring theme in her art, as she applies centuries-old designs to contemporary settings. Beyond aesthetic enhancement, her projects aim to instill harmony and natural order—qualities she believes are inherent in lace patterns. CLICK URBAN NATION BERLIN TO CONTINUE READING.

Text: Steven P. Harrington and Jaime Rojo, Photos: Sebastian Kläbsch

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Innerfields’ New Berlin Mural: A Tribute to Sanctuary, Solidarity, and Remembrance

Innerfields’ New Berlin Mural: A Tribute to Sanctuary, Solidarity, and Remembrance

The newest mural by Innerfields marks a powerful addition to Berlin’s urban cityscape, installed as part of the ONE WALL initiative by Urban Nation. This Berlin-based street art duo, Holger Weißflog and Jakob Tory Bardou, has created a moving tribute to Dorothee and Harald Poelchau, who bravely sheltered those persecuted during the Nazi era. The mural, located on the façade of a Gewobag building in Charlottenburg-Nord, draws on Innerfields’ signature photorealistic style with a blend of surrealist and symbolic elements, visually narrating a story of courage, protection, and human resilience.

Innerfields. ONE WALL Project. Urban Nation Museum Berlin/Stiftung Berliner Leben. Charlottenburg-Nord, Berlin. (photo © Ludger Paffrath/Stiftung Berliner Leben)

Central to the mural are the intertwined hands of Dorothee and Harald, symbolizing the physical and emotional sanctuary they offered to those in need. Dorothee holds a light, a gesture conveying warmth and hope amid adversity, while a menorah placed nearby serves as a poignant reminder of the Holocaust. Lines weave through these elements, subtly representing the network of resistance that the Poelchaus supported, embodying a collective strength defying oppression.

Innerfields. ONE WALL Project. Urban Nation Museum Berlin/Stiftung Berliner Leben. Charlottenburg-Nord, Berlin. (photo © Ludger Paffrath/Stiftung Berliner Leben)

Originally a trio with artist Veit Tempich, Innerfields has painted murals worldwide, from Berlin, Hamburg, and Cologne to Aalborg, Prague, and Hong Kong. Known for tackling themes of human interaction, technology, and environmental consciousness, Innerfields employs a unique fusion of realism, surrealism, and abstraction; theirs is a unique reflection on society’s dynamics. Their work has appeared at prestigious events like Out in the Open in Aalborg and the Wall Street Festival in Prague, as well as in galleries like ATM Gallery in Berlin and 30works Gallery in Cologne.

Here, we see how Innerfields brings historical remembrance into the present, creating a public artwork and a newly living memorial. The project involved students from the Anna Freud School, who engaged with the mural’s themes, enhancing their understanding of resistance and actively participating in Berlin’s evolving culture of remembrance. The mural, initially surprising to some in the community with its bright pink primer, it now appears to resonate deeply with locals, fostering a sense of shared history and identity. It is just the latest showing Innerfields’ commitment to creating meaningful public art that honors the past and inspires the future.

Innerfields. ONE WALL Project. Urban Nation Museum Berlin/Stiftung Berliner Leben. Charlottenburg-Nord, Berlin. (photo © Ludger Paffrath/Stiftung Berliner Leben)
Innerfields. ONE WALL Project. Urban Nation Museum Berlin/Stiftung Berliner Leben. Charlottenburg-Nord, Berlin. (photo © Ludger Paffrath/Stiftung Berliner Leben)
Innerfields. ONE WALL Project. Urban Nation Museum Berlin/Stiftung Berliner Leben. Charlottenburg-Nord, Berlin. (photo © Ludger Paffrath/Stiftung Berliner Leben)
Innerfields. ONE WALL Project. Urban Nation Museum Berlin/Stiftung Berliner Leben. Charlottenburg-Nord, Berlin. (photo © Ludger Paffrath/Stiftung Berliner Leben)
Innerfields. ONE WALL Project. Urban Nation Museum Berlin/Stiftung Berliner Leben. Charlottenburg-Nord, Berlin. (photo © Ludger Paffrath/Stiftung Berliner Leben)
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Bülow Street Festival & Community Murals During  Urban Nation Museum Opening in Berlin

Bülow Street Festival & Community Murals During Urban Nation Museum Opening in Berlin

Berlin is teeming with artists of all kinds—not just street artists and graffiti writers—from around the world. For decades, the city has been a natural magnet for creatives. In conjunction with the new exhibition Love Letters to the City, Urban Nation brought around 20 artists to the streets surrounding the museum. The diverse techniques and styles showcased here reflect the incredible talent in the city—a convergence of dreams, aspirations, and life paths intersecting in this urban landscape. Below is a selection of walls and images we captured during the UN celebrations.

Bülow Streetart Jam / Floating Walls

Denis Dendi. Detail. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Denis Dendi. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Denis Dendi. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Dr. Molrok. Detail. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Dr. Molrok. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Fabifa. Detail. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Tape artist Fabifa at work. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Fabifa. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo). Fabifa (Instagram: @tape_fabifa) – Specializes in tape art, using colored adhesive tape to create large-scale, temporary murals.
Jakob Der Bruder. Detail. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Jakob Der Bruder. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo) Jakob der Bruder (Instagram: @jakobderbruder) – A Berlin-based muralist, Jakob der Bruder often focuses on figurative and symbolic art, using a mix of illustration style techniques to look at social and personal themes.
Mina. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Iss.Ue. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Modern deconstruction of the letterform at its finest. Iss.Ue. Detail. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Iss.Ue. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo) ISS.UE (Instagram: @_iss.ue) – A graffiti artist known for intricate line work skillz and surrealist compositions.
Rene Meyer. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Rene Meyer. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Rene Meyer. Detail. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Rene Meyer. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo) René Meyer (rmyr) (Instagram: @rmyr.stencils) – A stencil artist from Germany, René Meyer’s work is defined by sharp, detailed designs focusing on urban life, often aiming to flip perceptions of modern society in the post industrial age.
ZEBU. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
ZEBU. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo) ZEBU (Instagram: @z_e_b_u) – ZEBU is a Berlin-based duo known for playful, minimalist graphic illustrations. They often work with bold, flat colors and create characters that interact with the surrounding environment, infusing humor and light-heartedness into urban spaces.

Bülow Streetart Jam / Community Murals

Felix Lies. Detail. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Felix Lies. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo). Felix Lies (Instagram: @felix.michael.lies) – Felix Lies is a Berlin-based muralist whose work often features clean, minimalist lines and geometric patterns. His figures interact with architecture and geometric forms, using space to reflect on interaction and movement.
WESR. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo) WESR (Instagram: @wesr_art) – Originally from Lima, Peru, WESR (Danny Figueroa) blends street art with Andean symbolism and iconography. Vibrant colors, cultural identity, and themes of migration come in for examination.
Pablo Ientile. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Pablo Ientile. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo) Pablo Ientile (Instagram: @pablo.ientile) – An artist from Argentina now based in Berlin, Pablo Ientile’s work blends humor with social commentary, often using bold graphics and exaggerated figures to present themes of urban life and human relationships.
Rommy Gonzalez. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Nerea Ferrer. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Nerea Ferrer. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Snyder. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo) Snyder (Instagram: @snyder_berlin) – Snyder is a Berlin-based street artist who creates large, bold murals often featuring animals and nature. Environmental issues and the natural world are introduced via psychedelia.
CAZ L. Detail. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
CAZ L. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo) CAZ.L (Instagram: @caz.l) His art is rooted in raw, urban aesthetics, and the intersection of contemporary street culture and whatever is on his mind.
Kasia Dudziak. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo). Kasia Dudziak (Instagram: @dudziakovska) – Hailing from Poland, Kasia Dudziak is known for her vibrant murals that often depict surrealist scenes, blending nature with abstract human figures. Ceramics, travelling, food, philosophy – its all in the mix between humanity and the natural world.
Jazoo Yang. Detail. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo). Jazoo Yang (Instagram: @jazooyang_art) – Based in Berlin but originally from South Korea, Jazoo Yang’s work explores the themes of urban decay and memory – also described as ‘She often distorts public spaces to profound ends.”
Jazoo Yang. Detail. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Wanitapagihari. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Wanitapagihari. Detail. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo). Wanitapagihari (Instagram: @wanitapagihari) Megawati Triadiani, also known as wanitapagihari, is an artist originally from Indonesia and currently residing in Berlin. They use a combination of line art and bold color blocks and look at themes of identity, migration, and connection.
Wanitapagihari. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Kristina Popov. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo) Kristina Popov (Instagram: @kristina__popov) – Originally from Serbia, Kristina Popov’s art centers on abstract figures and surrealist landscapes. Themes appear to explore personal identity, movement, and transformation.
Kristina Popov. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)
Kristina Popov. Bülow Street Festival. Urban Nation Berlin. (photo © Jaime Rojo)

URBAN NATION MUSEUM’S EXHIBITION “LOVE LETTERS TO THE CITY” is currently on view. The Community Murals are also on view and free to the public. For schedules and further details click HERE

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Lady Pink Paints Berlin Facade as ‘Love Letters to the City’ Opens at Urban Nation

Lady Pink Paints Berlin Facade as ‘Love Letters to the City’ Opens at Urban Nation

Join BSA this week in Berlin as we celebrate the opening of “Love Letters to the City,” the new exhibition at Urban Nation Museum. We’ll also be tooling around the city and sharing whatever catches our eye.


Love Letters to the City is a homage to the city, the idea of the universal city,” curator Michelle Houston reflects while seated at a picnic table outside a Thai restaurant in Berlin’s Schöneberg neighborhood. As final installations are taking place in Urban Nation, Houston’s gazes upward at the new mural on its façade being painted by OG train writer Lady Pink on a cherry picker at the museum. This mural is part of Houston’s upcoming show, “Love Letters to the City.”

Lady Pink. Detail. WIP. Urban Nation Museum Berlin. Love Letters To The City. (photo © Jaime Rojo)

 “I think paint in public spaces has a different potency in the city than anywhere else,” Houston explains, discussing the exhibition’s outdoor and indoor installations. She highlights the various ways Urban Nation is presenting the evolution of graffiti and street art, noting its role in urbanization, gentrification, and even social conditioning. “It does much more than just present pretty images.”

The museum’s exhibition features a diverse array of works, including full-scale three-dimensional installations and sculptures. A significant portion of the pieces are borrowed from the museum’s permanent collection, while others are newly commissioned from both national and international artists.

Lady Pink paints the Urban Nation Museum Berlin facade for the new exhibition Love Letters To The City. (photo © Jaime Rojo)

Currently, Lady Pink, born Sandra Fabara in 1964 in Ecuador, is working on her mural two stories above the bustling street. Her piece, an illustrative and fantastical love letter of her own, features a swirling train reminiscent of the NYC subway trains she became famous for painting in the early 1980s. Her work includes improvisational tags of other iconic figures from that era. In Berlin, where graffiti and street art have transformed entire neighborhoods and established it a magnet for creativity in the public space, her mural is a testament to the city’s rich artistic history.

For Houston, the mural is just one example of “the ingenious ways that artists hack and appropriate public space.”

Lady Pink paints the Urban Nation Museum Berlin facade for the new exhibition Love Letters To The City. (photo © Jaime Rojo)
Lady Pink paints the Urban Nation Museum Berlin facade for the new exhibition Love Letters To The City. (photo © Jaime Rojo)
Lady Pink paints the Urban Nation Museum Berlin facade for the new exhibition Love Letters To The City. (photo © Jaime Rojo)
Lady Pink paints the Urban Nation Museum Berlin facade for the new exhibition Love Letters To The City. (photo © Jaime Rojo)
Lady Pink. Detail. WIP. Urban Nation Museum Berlin. Love Letters To The City. (photo © Jaime Rojo)
Lady Pink. Detail. WIP. Urban Nation Museum Berlin. Love Letters To The City. (photo © Jaime Rojo)
Lady Pink. Detail. WIP. Urban Nation Museum Berlin. Love Letters To The City. (photo © Jaime Rojo)
Lady Pink. Detail. WIP. Urban Nation Museum Berlin. Love Letters To The City. (photo © Jaime Rojo)
Lady Pink. Detail. WIP. Urban Nation Museum Berlin. Love Letters To The City. (photo © Jaime Rojo)

LOVE LETTERS TO THE CITY AT URBAN NATION MUSEUM BERLIN OPENS TOMORROW FRIDAY SEPTEMBER 13. CLICK HERE FOR SCHEDULES AND EVENTS DETAILS.

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Berlin’s URBAN NATION Museum Celebrates New Exhibition with Lady Pink and Bülow Street Festival

Berlin’s URBAN NATION Museum Celebrates New Exhibition with Lady Pink and Bülow Street Festival

Urban Nation Museum in Berlin invites New York legend Lady Pink to paint the museum façade to open the new exhibition, “Love Letters to the City.”


Opening at the URBAN NATION Museum on Friday, September 13, 2024, this multi-factorial and dynamic showcase, curated by Michelle Houston, celebrates the city’s essence through the eyes of over fifty international and Berlin-based street artists.

Keeping the focus local, the festivities with the Bülow Streetart Jam start Monday, September 9, with the Bülow Street Festival leading up to the grand exhibition launch. Hosted by the Berliner Leben Foundation and Gewobag, the community-centered event will invite participants from all over to be part of the art-making. The day after the exhibition opening, there will also be a Fresh A.I.R. Open House on September 14; where artists will offer a behind-the-scenes look at their current projects.

“Love Letters to the City” invites you to consider how art transforms and reflects urban spaces, our adoption of and reaction to them, and, ultimately, how they become part of the definition of a city. The new exhibition aims to spark critical conversations about urbanization, gentrification, and social issues. Among the extensive offerings are powerful works that challenge our perspectives and possibly inspire change within our shared human-built environments.

Come to Berlin to celebrate with BSA and UN as we explore the profound impact of street art on our cityscapes.

Exhibition Opening: September 13, 2024, 7–11 pm
URBAN NATION Museum, Bülowstraße 7, 10783 Berlin

Participating artists: 2501, Aniruddh Mehta, Banksy, Blek le Rat, Bordalo II, Carlos Mare aka Mare139, Chop ’em Down Films, Crash, Dan Witz, Daze, Drew.Lab_One, Elfo, Evol, HA Schult, HOGRE, Isaac Zavale, James Reka, Jaune, Jazoo Yang, Joel Daniel Phillips, Johannnes Mundinger, Jordan Seiler, Kenny Scharf, Lady Pink, Liviu Bulea, Martha Cooper, Matthew Grabelsky, MILLO, Moses & Taps, Nika Kramer, Octavi Serra, Owen Dippie, OX, PAINTING DHAKA Project, Paradox, Rocco and his brothers, Sebas Velasco, Shepard Fairey, Stephanie Buer, Stiftung Berliner Mauer, Stipan Tadić, Susanna Jerger, Tats Cru, THE WA, Vhils and Zhang Dali.

FOR COMPLETE DETAILS AND SCHEDULE CLICK HERE

Jazoo Young. BÜLOW STREETART JAM. Urban Nation Musuem Berlin. (photo © Young-moon Ha)

BÜLOW STREETART JAM
September 9 to 14, 2024
Bülowstraße around the URBAN NATION Museum

The week before the grand opening of the exhibition LOVE LETTERS TO THE CITY creative people from all over the world will paint new Community Walls and create Floating Murals. Among the highlights is the new museum façade of the URBAN NATION by Lady Pink, a tribute to the city. The artist Jazoo Yang invites you to become part of a unique community wall, where you can put your fingerprint on a wall at Bülowstr. 95 and leave a colorful trace. Join in on September 14, 2024, 12-6 pm.

FOR COMPLETE LIST OF PARTICIPATING ARTISTS AND SCHEDULE CLICK HERE

BÜLOW STREET FESTIVAL
September 13 to 15, 2024
Zietenstraße, 10783 Berlin, at the URBAN NATION Museum

In conjunction with the opening of the LOVE LETTERS TO THE CITY exhibition at the URBAN NATION Museum and the Berlin Democracy Day month of action, we are focusing on diversity and creative exchange in our city. The Bülow Street Festival brings together social and artistic projects committed to an open and inclusive society. It offers an opportunity to discover art and culture together and be inspired by the city’s creative energy. The weekend attracts visitors with artistic workshops, temporary floating murals, rousing music, exciting performances, delicious street food and more. Come celebrate with BSA as we will be in Berlin all week – come Celebrate with us!

FOR MORE DETAILS CLICK HERE

BÜLOW STREET FESTIVAL. Urban Nation Musuem Berlin. (photo © Nika Kramer)
OPEN HOUSE. FRESH A.I.R. #9. Urban Nation Musuem Berlin. (photo courtesy of Urban Nation Museum)

OPEN HOUSE at Fresh A.I.R. #9
September 14, 2024, 4-8 pm
Bülowstr. 7, 10783 Berlin

Fresh A.I.R.’s OPEN HOUSE offers an exclusive look behind the scenes and the unique opportunity to talk to artists and peer over their shoulders. Come by on September 14 between 4 and 8 p.m.

FOR MORE DETAILS AND SCHEDULE CLICK HERE

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Books in the MCL: ROA Codex

Books in the MCL: ROA Codex

As founding members of the Martha Cooper Library at the Urban Nation Museum in Berlin, Brooklyn Street Art (BSA) proudly showcases a monthly feature from the MCL collection, illuminating the extensive and diverse treasures we’re assembling for both researchers and enthusiasts of graffiti, street art, urban art, and its numerous offshoots. Below, we present one of our latest selections.


Text Steven P. Harrington and Jaime Rojo Photos by Sebastian Kläbsch

ROA Codex,” a comprehensive exploration of the enigmatic Belgian street artist ROA, compiled by Ann Van Hulle with notable contributions from Lucy Lippard and Johan Braeckman and others, offers an unfiltered window into a decade of work that defies conventional artistic boundaries. ROA’s journey, beginning in the industrial landscapes of Belgium, extends to global outdoor canvases, where his art disrupts the mundane, evoking a primal connection to the natural world.

In this monograph, ROA’s artistry is portrayed as large-scale murals and an ongoing dialogue between our baffling constructed human existence and the animal kingdom. His work, often emerging from unexpected urban and rural backdrops, confronts the viewer with the familiar yet unknown. This juxtaposition of animals and architecture, depicted in stark monochrome, resonates with an uncanny sense of the creatures within and around us, often forgotten in our contemporary lifestyles.” Click URBAN NATION BERLIN to continue reading.

“ROA CODEX” Books in the MCL. Urban Nation Museum Berlin. (photo © Sebastian Kläbsch)
“ROA CODEX” Books in the MCL. Urban Nation Museum Berlin. (photo © Sebastian Kläbsch)
“ROA CODEX” Books in the MCL. Urban Nation Museum Berlin. (photo © Sebastian Kläbsch)
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Books In The MCL: Golden Boy as Anthony Cool: by Herbert Kohl and James Hinton

Books In The MCL: Golden Boy as Anthony Cool: by Herbert Kohl and James Hinton

As founding members of the Martha Cooper Library at the Urban Nation Museum in Berlin, Brooklyn Street Art (BSA) proudly showcases a monthly feature from the MCL collection, illuminating the extensive and diverse treasures we’re assembling for both researchers and enthusiasts of graffiti, street art, urban art, and its numerous offshoots. Below, we present one of our latest selections.


Text Steven P. Harrington and Jaime Rojo Photos by Sebastian Kläbsch

Herbert Kohl and James Hinton, Golden Boy as Anthony Cool. 1972.

Herbert Kohl and James Hinton’s “Golden Boy as Anthony Cool,” published in 1972, is a seminal work in the study of urban graffiti and street culture. Not only an academic exploration; it’s a journey into the heart of graffiti as a form of personal expression, rebellion, and cultural identity. Kohl’s insightful essays paired with Hinton’s evocative photographs provide a window into the lives of young people in the urban landscapes of New York City and Los Angeles as they simultaneously boil, wane and flourish in the late 60s and early 70s. These vibrant and vibrating communities are chronicled, whether affluent suburbs or struggling neighborhoods, each appears to brim with stories cryptically told through tags and murals on walls and doors.

As a crucial part of street art history, “Golden Boy as Anthony Cool” is an essential resource for anyone interested in the roots of modern graffiti culture. Its compelling blend of vivid imagery and profound analysis not only makes it an invaluable addition to any collector’s library but also a portal to the dynamic world of urban street art. Simple and unassuming, the book is testament to graffiti’s evolution, offering a deeper appreciation for the art form and the voices that shape it.

GO TO MCL AT URBAN NATION MUSEUM BERLIN TO CONTINUE READING.

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The Martha Cooper Scholarship: Call For Applicants

The Martha Cooper Scholarship: Call For Applicants

We’re excited to introduce the inaugural Martha Cooper Scholarship (MCS), celebrating Martha Cooper’s legacy in capturing human cultures through photography. This scholarship presents a unique chance for photographers from Africa or Latin America to engage in an eleven-month artistic journey in Berlin.

As founding members of the Martha Cooper Library, we will select an individual who embodies her spirit, vision, and legacy alongside Martha and a panel of experts in art, academia, and photography and the Urban Nation Museum. This is not just a scholarship in her name; it’s an opportunity to contribute to a global dialogue and to represent the Urban Nation Museum and the Fresh Air program. The Fresh Air theme is “I AM FLUX: The Freedom of Being and the Possibilities of Becoming,” reflecting on human transformation and social issues.

If your artistry and vision resonate with these themes, this could be your path to making an impactful statement in documentary photography. Apply for this transformative opportunity to join us in continuing Martha’s story.

______________________________________________

Martha Cooper at Urban Nation Museum (photo ©Steven P. Harrington)

From the scholarship website and application:

The Martha Cooper Scholarship (MCS) offers a unique opportunity for an individual from Africa or Latin America to dedicate themselves for eleven months to an artistic project through the medium of photography. With the newly announced MCS, the Foundation Berliner Leben acknowledges the importance of documentary photography and purposefully offers a production scholarship for professional photographers who use their photography in an effort to promote a positive impact on the world. The scholarship is based on the annual topic of Fresh A.I.R., the scholarship program of Stiftung Berliner Leben, which addresses social and political developments that affect us in the present, and
highlights the diversity of human experience and perception of the world.

__________

The chosen photographer will be invited to live and work in one of our Fresh A.I.R. residencies in Berlin Schöneberg.

The current call is for the 10th class starting in January 2025 and ending in December 2025.

___________

Thematic Call:
“I AM FLUX: The Freedom of Being and the Possibilities of Becoming”

Art can convey the relevance and complexity of themes of our time in unexpected ways.
Under the title “I AM FLUX: The Freedom of Being and the Possibilities of Becoming,« the 10th class
deals with the inexhaustible capacity for development and transformation of human beings and their
perspectives on themselves.


We encourage artists to critically examine selected socially relevant thematic complexes and apply with projects that contribute to raising awareness about the call’s contents and enriching ongoing discourses.

Within the framework of »I AM FLUX,« three thematic fields of action, namely »HORIZONS OF
BEING,« »WHISPERS OF EXISTENCE,« and »BEYOND LIMITS,« are being introduced. Project ideas
will be supported in which at least one of the three thematic focuses finds expression in the artistic works.


1. “HORIZONS OF BEING”
In the first thematic field of action, “HORIZONS OF BEING,” artists and cultural practitioners are invited
to investigate the multi-layered and dynamic nature of gender identity. Through artistic expressions, the
focus is primarily on embodiments, practices, and self-perceptions of people who do not identify with the gender assigned to them at birth.

Funding will be provided for:
• Projects that address the diversity and manifestation of gender identity and/or the development
and shaping of gender possibilities, realities, perceptions, and representations.
• Projects that identify and critically artistically reflect upon the current heteronormative hierarchical
structure of gender, both in its institutional and everyday routine forms.
• Projects that promote a broader conception of gender.


2. “WHISPERS OF EXISTENCE”
The second thematic field of action, »WHISPERS OF EXISTENCE,« is intended to emphasize the
metaphysical dimension of art. The imagination is intended to be challenged and expanded in diverse ways through artistic expression.

Funding will be provided for:
• Projects that place art as a metaphysical activity at the center, addressing and reflecting upon ontological questions.
• Projects that artistically process a transgression of the experiential reality of the natural self.


3. “BEYOND LIMITS”
The third field of action, »BEYOND LIMITS,« serves as a platform supporting the exploration of various
approaches through which art and creativity, in conjunction with other influences, endeavor to redefine
the boundaries of the human in new ways.
Funding will be provided for:
• Projects that aim to experimentally expand human potential or those centered around (self-)creation
within the imaginative space of natural or technological (further) development.
• Projects that examine ‘Creative Artificial Intelligence’ and the fundamentally changing possibilities of
artistic expression resulting from applying the latest technologies.
• Projects that delve into historical forms of surpassing bodily boundaries and explore the visions, opportunities, consequences, and dangers associated with them.


Application for a scholarship in 2025
Application deadline: Sunday, 21 April 2024
Applications are only accepted via Email: FreshAIR-office@stiftung-berliner-leben.de
For a successful application, please include the following documents:
• Curriculum vitae
• Project outline/description
• Budget plan


You can find further information about Fresh A.I.R. at

https://urban-nation.com/artist-in-residence-scholarships/

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