Magda Cwik. “Children and Fish should be heard”. Urban Forms Foundation. Łódź, Poland. 2019. (photo courtesy of the artist)
No spray paint was used here by artist Magda C in this new mural for the day of the International Climate Strike, though the paint does illuminate in the daytime and shine at night, she tells us.
Magda Cwik. “Children and Fish should be heard”. Urban Forms Foundation. Łódź, Poland. 2019. (photo courtesy of the artist)
Painted in conjunction with the decade running Urban Forms Foundation here in Łódź, Poland in the Teofilów neighborhood, draws inspiration from the city’s famous textile traditions and the traditional patterns that persevere in public consciousness. The artist says that she is also interested in drawing viewers of this surrealist illustration style graphic to an emerging civic concept called “Conscious Consumption” as pertains to our daily choices in food and, well, everything.
Embedding symbols and icons that refer to recycling, renewable energy sources, reduction of CO2, the mural “relates to the current condition of our planet, as well as its uncertain future,” she says.
Magda Cwik. “Children and Fish should be heard”. Urban Forms Foundation. Łódź, Poland. 2019. (photo courtesy of the artist)Magda Cwik. “Children and Fish should be heard”. Urban Forms Foundation. Łódź, Poland. 2019. (photo courtesy of the artist)Magda Cwik. “Children and Fish should be heard”. Urban Forms Foundation. Łódź, Poland. 2019. (photo courtesy of the artist)Magda Cwik. “Children and Fish should be heard”. Urban Forms Foundation. Łódź, Poland. 2019. (photo courtesy of the artist)Magda Cwik. “Children and Fish should be heard”. Urban Forms Foundation. Łódź, Poland. 2019. (photo courtesy of the artist)Magda Cwik. “Children and Fish should be heard”. Urban Forms Foundation. Łódź, Poland. 2019. (photo courtesy of the artist)
Entitled “Black Hole Sun”, the lyrics of the Soundgarden song were stuck in the mind of the artist since Cornell passed in May.
The monochrome layout of text appears on a wall for Urban Forms Foundation in Łódź, Poland and the artist says it is meant to evoke the stillness of the universe, a giant object appearing static because of its vast dimensions.
“The human-size mural is a freestyle painting,” Opiemme tells us, “and its composition is based on the repetitive rhythm of the elements in the white boxes. These elements, when viewed from left to right, produce the illusion of a slowly growing movement of the subject, similar as it is to the perceived movement in single film frames or slow motion footage.”
“In my eyes, indisposed
In disguises no one knows
Hides the face, lies the snake
The sun in my disgrace
Boiling heat, summer stench
‘Neath the black the sky looks dead
Call my name through the cream
And I’ll hear you scream again
Black hole sun
Won’t you come
And wash away the rain
Black hole sun
Won’t you come
Won’t you come (won’t you come)”
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