All posts tagged: UFO

Images of the Week 07.18.10

Brooklyn-Street-Art-IMAGES-OF-THE-WEEK_05-2010

Our weekly interview with the street; this week featuring 907, Bast, Faro, Goya, Hellbent, Nick Walker, Nutterfly, Pan Am, Sadue, Shin Shin, Specter, Swamp Donkey, TWA, UFO, and Conor Harrington.

Bast. Detail (Photo © Jaime Rojo)

Mashing up childhood memories. Bast. Detail (Photo © Jaime Rojo)

Double Bast. Kiss of Death (Vader) (Photo © Jaime Rojo)
Double Bast. Kiss of Death (Vader) (Photo © Jaime Rojo)

Hellbent

Hellbent (Photo © Jaime Rojo)

UFO, 907(detail), Sadue (detail) (Photo © Jaime Rojo)

A very colorful nearly block long installation appeared almost overnight in Brooklyn.  Here are a couple of the artists UFO, 907 (detail), Sadue (detail) (Photo © Jaime Rojo)

Nick Walker "Nutterfly". Connor Harrington (detail) (Photo © Jaime Rojo) Editors Note: The placement of the Nick Walker was over a crappy piece of advertisement that had covered part of the Connor Harrington piece.

Nick Walker traveled to Manhattan after his first stops with BSA in Brooklyn. This one is called “Nutterfly” . Conor Harrington (detail) (Photo © Jaime Rojo) Editors Note: The placement of the Nick Walker was over a crappy piece of advertisement that had covered part of the Conor Harrington piece. Nick Walker did not go over Conor.

Nick Walker. Detail. (Photo © Jaime Rojo)

Nick Walker. Detail. (Photo © Jaime Rojo)

Faro (Photo © Jaime Rojo)

Faro (Photo © Jaime Rojo)

Bast Pan Am (Photo © Jaime Rojo)
One of Bast’s older pieces, a camera, next to a new Fly Bast Air Pan Am (Photo © Jaime Rojo)

Shin Shin (Photo © Jaime Rojo)

A 3-D perspective on one of summers’ most cherished sights.  Shin Shin (Photo © Jaime Rojo)

Hellbent

Hellbent (Photo © Jaime Rojo)

Goya (Photo © Jaime Rojo)

Goya (Photo © Jaime Rojo)

Specter (Photo © Jaime Rojo)
Using what has become a signature image in his work, the orange shopping cart stacked high with returnable bottles, Specter flips realism into abstract by turning it on its side and submerging it in this sculpture. (Photo © Jaime Rojo)

Specter (Photo © Jaime Rojo)

Specter (Photo © Jaime Rojo)

Bast TWA (Photo © Jaime Rojo)

Bast TWA (Photo © Jaime Rojo)

Swampy and Goya (Photo © Jaime Rojo)

Swampy and Goya (Photo © Jaime Rojo)

Specter (Photo © Jaime Rojo)

The oppressive heat has really started to fry Specter’s mind, and most New Yorker’s for that matter. All elements are being cut and pasted back into place. This appears to appropriate graffitied metal wall segments.  (Photo © Jaime Rojo)

Bast La Sinistra (Photo © Jaime Rojo)

Bast La Sinistra (Photo © Jaime Rojo)

Read more

Open Studios and the Street

Graff started on the street, I think.  Street art started in the studio.

Main difference. That was easy, right?

Now graff keeps going into the studio, the gallery, the museum.  And now we are watching as fine art, or some approximation of it, is continuallly leaving the home studio (kitchen table), gallery, collective, etc. and flooding the streets.  The explosion of street art is having it’s effect and the opinions it produces are as varied as, um, people.  The point is that the veil has been punctured, and the creative spirit is not willingly being confined today. Everything and everyone is becoming a hybrid.

Last weekend in a neighborhood in Brooklyn that’s home to a lot of variety at the moment – Bushwick –  a three day Bushwick Open Studios event took place, featuring over 200 open studios, live music, parties, workshops, panels, student art shows, puppet shows, the whole enchilada.  Don’t worry, it’s not all high-minded, or necessarily thought provoking. It’s just an indication of where we are moving. It’s impossible to see everything so you just have to pick and choose a few of your favorites and see which way the slimey wind leads you.

Started off at “2012” the new show at Factory Fresh featuring the work of graff/street art youth – the place was pretty young and sweaty and full of excitement, and parts of the inside looked like it could have been outside – plywood, tags, partial messages, and organized chaos.  Sorry for the crappy pics from the phone, but you get the idea.

A wall of 9"x9" wood pieces with work by Faro, Bloke and Avoid.

A wall of 9"x9" pieces by Faro, Bloke, and Avoid. (photo Steven P. Harrington)

Faro, UFO, others that you may know at "2012" at Factory Fresh (photo Steven P. Harrington)

Faro, UFO, others that you may know at "2012" at Factory Fresh (photo Steven P. Harrington)

Bad Kids, Krink markers  (photo Steven P. Harrington)

Bad Kids, Erotic Kids, Charles Barkley, Krink markers (photo Steven P. Harrington)

Apple, Aiko, Anarchist, Arriviste, Artist, Avoid

A is for Apple, Abbreviation, Aiko, Anarchist, Arriviste, Artist? In this case, probably it's for Avoid (photo Steven P. Harrington)

Then Kings County Bar also hosted a show that night for ELC and their new collaborations, which were kind of hard to see because it was, uh, a dark bar.  Also there were other gyrating distractions that may have taken patron’s focus off their art show.  Included in the show were Royce Bannon, Anera, Infinity, Celso, Abe Lincoln Jr., Ad Deville, Dark Clouds, and Matt Siren.

A quick way to cut through a crowded bar

A quick way to cut through a crowded bar is to tiptoe across the top of it. (photo (cc) Hrag Vartanian)

Following a rainy Friday, the rest of weekend was nice. In fact, a new Bishop 203 appeared out of nowhere on this abandoned building, like an urban flower.

Bishop 203

Bishop 203 with a black heart (photo Steven P. Harrington)

Pocket Utopia had it’s last show this weekend, featuring a 16 foot tall fiberglass monster that dispensed beer in the back yard, a performance by artist/musician/dynamo Andrew Hurst in the basement that was viewable through a hole drilled in the floor, and this large scary portrait by Kevin Regan. You might recognize the revolutionary jowls. It’s not street art, per se, but certainly we’ve seen this king of photographic mutation on the street in the work of MBW, Judith Supine, Dain, Bast, and others.

Kevin Regan (photo Steven P. Harrington)

Kevin Regan at Pocket Utopia (photo Steven P. Harrington)

Speaking of Judith Supine, English Kills was showing a large piece by said street artist called “God of Mars”  Chris Harding, visionary owner of the space, explained that this is the biggest canvas Supine has ever done, and that numerology figured into it’s actual dimensions to bring good luck to the piece.

Chris points out a detail on the Judith Supine piece (photo Steven P. Harrington)

Chris points out a detail on the Judith Supine piece (photo Steven P. Harrington)

Large new canvass by Judith Supine "God of Mars" (courtesy English Kills)

Large new canvas by Judith Supine (courtesy English Kills)

Later, after too many beers, we stumbled into a salon of 20-something Illinois settlers (Illinois in the House!), a true sign of the everchanging makeup of the music and art scene. An appreciate audience of 50+ people were spread out over salvaged furniture (and one in a bathtub) to listen to old timey folk inspired singers and bands.

Rockin the autoharp, which is slightly older than wearing trucker caps

Rockin the autoharp, which is slightly older than wearing trucker caps (photo Steven P. Harrington)

While thumping house music from down the block and the occasional police siren wafted in the cracked 4th floor factory windows, singer-songwriters plucked on autoharp, glockenspiel, electric guitar, and a variety of hand held percussion instruments.  The really remarkable part was the lack of manic cell-phone snapping, texting, or Twittering among such an assembled group of youthful beauty during the performances. They appeared to be paying attention.  Is that even POSSIBLE?  Maybe this was a movie set. Or maybe Illinois artist-peeps are just more respectful.  I was going to try to get through this paragraph without mentioning Sufjan Stevens, but there, I’ve said it.  Baahhhhhhhhhh!

The tunes were folky, but she did say "f*ck" quite a few times in one song.

The tunes were folky and relationship-centric, but she did say "f*ck" a few times in one song, so that's what gives it the edge. (photo Steven P. Harrington)

So there you have it, one shard of a giant shattered crystal mirror that is Bushwick.  The torch is passed again to a new generation of weirdos and misfits to develop beauty.  Since most of the real estate developers are trying to hatch their stalled projects in Billyburg and lure in more “consumers”, maybe the recession has bought some time and the multi-feathered flock of “creatives” will continue to fly here for a while.  That way the nests will stay affordable, and the space aplenty.

The art on the street, naturally, has plenty to say on these and other matters…

Read more

Week In Images 03.01.09

I'm gaurding these bricks. Don't move any further. (Veng from RWK) (photo Jaime Rojo)
Halt! Step no further! I’m guarding this brick wall. (Veng from RWK) (photo Jaime Rojo)

Honey there's an Alien in the stairwell (UFO) (photo Jaime Rojo)
Honey there’s an alien in the stairway (UFO) (photo Jaime Rojo)

Been awfully windy lately (photo Jaime Rojo)

Been awfully windy lately (Skewville) (photo Jaime Rojo)

There's a party up in here (photo Jaime Rojo)

There’s a Party Up in Here! (photo Jaime Rojo)

(NohjColey) (photo Jaime Rojo)

Derivation of Contemplation (NohjColey) (photo Jaime Rojo)

(photo Jaime Rojo)
Which way is the wild side again? (Nobody) (photo Jaime Rojo)

pity party (photo Jaime Rojo)

Pass me a cupcake, with you? (Karat) (photo Jaime Rojo)

Okay Erykah is Hot but check out my (Goons) (photo Jaime Rojo)

Okay Erykah is Hot but check out my T-shirt (Goons, The Dude Company) (photo Jaime Rojo)

Sweet Tamed (Faile) (photo Jaime Rojo)

Sweet Tamed (Faile) (photo Jaime Rojo)

Wild Librarian on the Loose!  (Billi Kid) (photo Jaime Rojo)

Wild photog on the Loose! Watch out! (Billi Kid) (photo Jaime Rojo)

Hero to Lehman apparently (Billi Kid) (photo Jaime Rojo)

A hero to the Lehman family apparently (Billi Kid) (photo Jaime Rojo)

That's funny, bunny (Aiko) (photo Jaime Rojo)

That’s funny, bunny (Aiko) (photo Jaime Rojo)

Poster Boy and Aakash Nihalani (photo Jaime Rojo)

Overnight delivery in a flash! (Poster Boy and Aakash Nihalani) (photo Jaime Rojo)

(Aakash Nihilani) (photo Jaime Rojo)

Transformer Boxes (Aakash Nihilani) (photo Jaime Rojo)

Are you sure? (Zoso) (photo Jaime Rojo)

Are you sure? (Zoso) (photo Jaime Rojo)

Midwinter spring is its own season (Shin Shin) (photo Jaime Rojo)

Midwinter spring is its own season (Shin Shin) (photo Jaime Rojo)

Read more
Week in Images 02.22.09

Week in Images 02.22.09

We’ve been a little busy on that “Street Crush” KRAZEE-ness for a few weeks,

so we thought everyone should just take it easy, and not put up any work on the street until we could get back out there and take a look around. Well, that didn’t really work very well, did it? What the heck?

Specter

Remember your patriotism being questioned at every corner a couple years ago? Specter would like to continue the conversation apparently. (photo Jaime Rojo)

artzososhinshin

Don't know where Zoso is going with this, but Shin Shin is surrounding it with spring flowers (photo Jaime Rojo)

aakashnihalani1

Oh, you are like, such a square. I mean, like you are so square you are like a cube, or whatever. (Aakash Nihilahni) (photo Jaime Rojo)

aakashnihalani2

This was on a floor, which means it is probably destroyed by now. (Aakash Nihilahni) (photo Jaime Rojo)

blanco

Dreaming of Brownstones and affordable mortgages. (Blanco) (photo Jaime Rojo)

c215

I'm watching you. (c215) (photo Jaime Rojo)

chris

Someone needs a bib (Robots Will Kill) (photo Chris)

chris

The Amish Robot (Robots will Kill) (photo Chris)

chris
chris

All tied up (Chris from Robots Will Kill) (photo Jaime Rojo)

unknown

unknown (photo Jaime Rojo)

Ellis G.

Ellis G. (photo Jaime Rojo)

Gaia

Can't tell if he's petting it or snapping it's head off (Gaia) (photo Jaime Rojo)

General Howe

Obama and Iraq war veteran Tammy Duckworth at Arlington Cemetery - on a gravemarker covered with lace. (General Howe) (photo Jaime Rojo)

Art Goons C215

Like my new Stoll? Filene's Basement of course! I know, PETA would probably have a fit, but it was 40% off. (Art Goons, C215) (photo Jaime Rojo)

Art Goons
Art Goons

Damn! Forgot my gloves! (Art Goons) (photo Jaime Rojo)

Haculla

Siiiiinnngggiin in the Rain, Just Singing -- In the Rain!! (Haculla) (photo Jaime Rojo)

Hellbent

I used to live in this apartment on the upper east side near Gracie Mansion, and sometimes at night a golf-ball sized cockroach would run across my bed and thump onto the hardwood floor and run away. I kid you not. (Hellbent) (photo Jaime Rojo)

Hope

Hope, expressed as a garish, heavy pyramid-like sculpture. (unknown) (photo Jaime Rojo)

Imminent Disaster

Imminent Disaster (photo Jaime Rojo)

I want a Divorce
Keely

Keely (photo Jaime Rojo)

Keely

Keely (photo Jaime Rojo)

MBW

That famous kiss by two of our visionary leaders (MBW) (photo Jaime Rojo)

Momo

Momo (photo Jaime Rojo)

Mr. Afternoon

Sometimes the right hat can just MAKE the whole outfit. (Mr. Afternoon) (photo Jaime Rojo)

Sex

A temple to Sex. (photo Jaime Rojo)

Deeks and Stikman

Deeks and Stikman on a corroded wall (photo Jaime Rojo)

The Dude Company

The Dude Company honors Dr. King (photo Jaime Rojo)


Unknown

Bishop 203 (photo Jaime Rojo)

Unknown Collage
Veng

I know Why the Caged Bird Sings (Veng from Robots Will Kill) (photo Jaime Rojo)

Read more

Two Andrews talk about “From the Streets of Brooklyn”

An unprecedented show of Brooklyn street art starts off 2009 at ThinkSpace gallery.

Bam! The year has barely started and the momentum from the previous giant year for street art blows clear into January with a new show of 50 artists from the streets of Brooklyn.

ThinkSpace Gallery, a warm-hearted community space and home of rockin’ shows in L.A. since 2005, plays host to it’s brothers and sisters across the continent with a salon-style show of street artists, graff writers, a hot photographer, and live on-the-street work by the chalk artist from BK.

In the middle of the installation craziness, the curator of the show, Andrew Michael Ford (gallery director at Ad Hoc), and Andrew Hosner (co-founder of ThinkSpace), talked with Brooklyn Street Art about the show:

BSA: So how did AdHoc and ThinkSpace hook up to do this show?

Andrew Hosner: Andrew and I have been friends for a while, and met while he was still doing some curating before hooking up with the Ad Hoc crew. One day we were just shooting the s**t about some show ideas and I tossed out the idea of bringing Brooklyn to Los Angeles…

Andrew Michael Ford: I’ve followed what ThinkSpace shows for quite some time and I was always very impressed with the work. I also have always felt that the folks who run ThinkSpace and myself have very similar tastes as far as curating art goes. Something like this has been talked about or at least thought about for quite some time and when Thinkspace approached us about doing it I felt like it was the right place and right time.

BSA: Is it a kind of East-West cultural exchange?

Andrew Michael Ford: The show is about bringing a large group of Brooklyn street artists and graf writers to Los Angeles. We haven’t discussed bringing LA artists to Brooklyn but I would be open to talking about something like that for the future.

Thundercut (courtesy ThinkSpace and AdHoc)

Thundercut (courtesy ThinkSpace and AdHoc)

BSA: Brooklyn’s streetscape is pretty dense and is largely accessible by foot. Do you think the L.A. scene is more spread out? How do the two differ, in broad strokes.

Andrew Michael Ford: I have never been to LA but I heard you need a car to get anywhere out there so I assume it’s gotta be pretty spread out.

Andrew Hosner: I think you nailed it on the head, Brooklyn is much more condensed and has more of a community vibe to it I feel, whereas LA is the true meaning of urban sprawl, being one of the most spread out and varied big cities out there. There’s no real community vibe, save for lil’ pockets here and there, but the breadth of the city kind of goes against the notion of all that.

Dan Witz "Scott" from show "From the Streets of Brooklyn" (courtesy ThinkSpace and AdHoc)

Dan Witz "Scott" from show "From the Streets of Brooklyn" (courtesy ThinkSpace and AdHoc)

BSA: Maybe this is impossible to put your finger on, but what would be a couple of characteristics that distinguish Brooklyn street art from other cities in the world?

Andrew Michael Ford: For me it started in NYC. I mean, graf started in Philly but really came into it’s own in NYC. I just don’t see that kind of history anywhere else. I see the lineage of graf into street art and that is why so many graf writers have been invited to this show. It’s not just about who is doing a lot of street art. It’s about who is getting up and staying in the streets of Brooklyn regardless of tools being used. I don’t like it when street artists from other cities look at graf here in NYC as some kind of background for their work. It’s a massive slap in the face to all graf writers. Brooklyn street artists have a lot more respect for graf than street artists I have met from other cities, especially from Europe. Maybe that’s the thing that distinguishes what’s going on in the streets of Brooklyn from other places.

Imminent Disaster (earlier work) (courtesy ThinkSpace and Ad Hoc)

Imminent Disaster (earlier work) (courtesy ThinkSpace and Ad Hoc)

BSA: You are showing a LOT of artists…did you have enough (Think) Space?

Andrew Hosner: Hahaha… it will be a very packed show hung salon style, going off of color palette and style. Should look amazing, but it is going to be a visual overload for sure. Patrons will be overwhelmed by Gaia and Rachel Lowing’s thought provoking install immediately upon entering the gallery, then passing through the entry area will be met by a tidal wave of artwork, coming at them from all directions, floor to ceiling… before turning the corner into our project room in the back where Disaster’s massive undertaking will greet them.

BSA: A bit like herding cats?

Andrew Michael Ford: Not really. Honestly, everyone involved believes in this show so much and have been very supportive and helpful in putting it all together.

Matt Siren (courtesy ThinkSpace and AdHoc)

Matt Siren (courtesy ThinkSpace and AdHoc)

BSA: Will you have time to give Mr. Ford a tour of the sickest sites while he’s there?

Andrew Hosner: It’s hard to say since the focus will be our show, but hopefully on Saturday after the show has passed we will get out to see some of the hotter spots about LA to enjoy works outside. With so many coming to town for the opening, there’s a good chance we’ll be able to watch some of Brooklyn’s finest… cool thing is, all will be able to watch Ellis G. on opening night doing his thing on our block, and I can’t wait for that.

Andrew Michael Ford: I would love to see some stuff by Saber if possible. But really anything good being done would be great to check out.

Ellis G. (courtesy Ad Hoc and ThinkSpace)

Ellis G. (courtesy Ad Hoc and ThinkSpace)

BSA: The Brooklyn scene keeps evolving rapidly; what is one trend that you are seeing that is telling you about the future?

I see more and more people throwing up wheatpastes in the streets that I don’t feel are well executed or well placed. I mean, there is room for everything and I love to see what people feel they need to put up but it does worry me sometimes when I see tons of poorly crafted wheatpastes thrown all over the place with no thought to where it is being placed or the quality of the imagery they are producing. I would just like to see people take a little more time in the creation of their art and in the selection of the spots they decide to hit.

Elbow-Toe (courtesy ThinkSpace and AdHoc)

Elbow-Toe (courtesy ThinkSpace and AdHoc)

BSA: Whose work is exciting to you right now, and what does it say to you?

Andrew Hosner: I love the work of Elbow-Toe, whose work is really a statement on the state of things in our society right now. His every man piece is by far one of the most powerful and extremely well executed works of this past year. You can look at that work 20 years from now and know that it was referencing the economic struggles were going through currently, while also hinting at the 1st great depression. Powerful work.

Also very inspired by the works of Imminent Disaster, due to her strength in so many different creative outlets… Chris Stain also is someone who should be looked up to. Thought provoking work and just a great overall cat.

Stikman (courtesy ThinkSpace and AdHoc)

Stikman (courtesy ThinkSpace and AdHoc)

Andrew Michael Ford: I think that street art needs to interact with the space where it is placed (good placement is key) and it needs to engage the viewer. Working big can sometimes do this but sometimes it can be a big massive nothing. It’s tough to point to a specific artist but if I had to pick one I can say I’m really intrigued by what the artist Stikman does, as he uses a wide variety of mediums and techniques and always catches you off guard with the placement of his work. Very smart work.

Anera (image by Luna Park) (courtesy Luna Park, ThinkSpace and AdHoc)

Anera (image by Luna Park) (courtesy Luna Park, ThinkSpace and AdHoc)

BSA: What impression do you think the gallery-goer in L.A. is going to come away with about the Brooklyn street art scene?

Andrew Michael Ford: That’s a great question but sadly one that I have no answer to. I haven’t got a clue what kind of reception we will get when we arrive. I am hoping this can be a positive experience for everyone involved.

Andrew Hosner: I hope they come away feeling inspired and filled with the desire to visit the streets of Brooklyn in person, so they can experience these works as they were originally meant to be, and also feel compelled to explore the works of each in the show further, hopefully coming away with a new favorite that they will watch in the years that lay ahead.

I think many will also be surprised at the sheer breadth and quality of work on view – it is definitely an eye opener type of exhibit. Hopefully this will help to open their eyes to the beauty that is all around them in Los Angeles and abroad. So many walk through their city with blinders on, and it really is a revelation when you start to take in and appreciate the work of urban artists.

ThinkSpace Gallery

AdHoc Art

From the Streets of Brooklyn

More stuff on ThinkSpace and Andrew Hosner from the art collector blog

Read more
Year in Images 2008

Year in Images 2008

Paradigm Shifting and Cave Writings

Looking back at the powerful changes in ’08,

it’s not hard to see their reflection on the Brooklyn streets, which may serve as tea leaves revealing the messages swirling around us and in us. Each individual act of creating is of significance, yet it is the cumulative effect of the groundswell of new participants that seems so powerful, so hopeful in it’s desire.

Naturally, at the beginning of this selection of images from 2008, we are featuring the most visible street art piece of the year by Shepard Fairey, which appeared here on the streets of Brooklyn and transcended mediums to reach millions of people. Shepard’s graphic design style and his images of the man who would be president helped many to quickly glimpse the character and message of Barack Obama.

A Winning Campaign (Shepard Fairey) (photo Jaime Rojo)

A Winning Campaign (Shepard Fairey) (photo Jaime Rojo)

The image was replicated, adopted, adapted, transformed, re-formed, lampooned even. It became an icon that belonged to everyone who cared to own it, and a symbol of the change the man on the street was looking for. Like street art, Obama’s message was taken directly to the people, and they responded powerfully in a way that brought a historic shift; one that continues to unfold.

Elsewhere on the street we saw themes from topical to fantastical; crazy disjointed cultural mash-ups, celebrity worship or destruction, Big Brother, icons, symbols, death, war, economic stress, protest, dancing, robots and monsters and clowns and angels, and an incredible pathos for humanity and it’s sorry state… with many reminders of those marginalized and disaffected. We never forget the incredible power of the artist to speak to our deepest needs and fears.

The movement of young and middle-aged artists off the isle of pricey mall-ish Manhattan and into Brooklyn is not quite an exodus, but boy, sometimes it feels that way. The air sometimes is thick with it; the creative spirit. The visual dialogue on the street tells you that there is vibrant life behind doors – studios, galleries, practice rooms, loft parties, rooftops.

Even as a debate about street art’s appropriate placement on public/private walls continues, it continues. From pop art to fine art, painterly to projected, one-offs to mass repetition, Brooklyn street art continues to grow beyond our expectations, and our daily lives are largely enriched by it.

This collection is not an exhaustive survey – the archival approach isn’t particularly stimulating and we’re not academics, Madge. The street museum is always by chance, and is always about your two eyes. Here’s a smattering, a highly personal trip through favorites that were caught during the year.

[svgallery name=”Images of Year 2008″]

Read more

“From the Streets of Brooklyn” at thinkspace (L.A.)

“From The Streets Of Brooklyn

Curated by Ad Hoc Art at thinkspace

January 9th – February 6th, 2009

Opening Reception: Fri, Jan. 9th 7-11PM

Featuring installations from:

Gaia (front entry area)

Imminent Disaster (project room)


Street installation:

Ellis G.


Main Gallery:

Abe Lincoln Jr.

Acne

AIKO (aka Aiko Nakagawa)

AnerA

Avoid Pi

avone

Bast

Bloke

c.damage.

Celso

Chris Stain

DAIN

Dan Witz

Dark Clouds

Elbow-Toe

Ellis G.

ELC (aka Endless Love Crew)

Faro

Gaia

Graffiti Research Lab (aka G.R.L.)

Imminent Disaster

infinity

jm rizzi

Josh MacPhee

Juse One

Kuma

Matt Siren

Maya Hayuk

McMutt (aka Dennis McNett)

Michael DeFeo (aka The Flower Guy)

MOMO

Peru Ana Ana Peru

PMP (aka Peripheral Media Projects)

Rate

Royce Bannon

Skewville

Slept

Sometimes

Sonet

Stikman

Thundercut

UFO

Unplate

+ A selection of street art photographs by LUNA PARK


SNEAK PEEK images
here: http://www.flickr.com/photos/thinkspace/sets/72157607658942787/

thinkspace
4210 Santa Monica Blvd.
Los Angeles CA 90029
Thurs-Sun 1-6PM
http://www.thinkspacegallery.com/

Read more