All posts tagged: Thievin’ Stephen

BSA “Images Of The Year” for 2016 (VIDEO)

December 14, 2016 Artists

Of the thousands of images he took this year in places like New York, Berlin, Dresden, Moscow, Marrakesh, Detroit and Miami, photographer Jaime Rojo found that the figurative image still stands prominently in the Street Art scene – along with text-based, abstract and animal world themes.

Surprisingly the scene does not appear to be addressing the troubled and contentious matters of the political and social realms in a large way, but the D.I.Y. scene keeps alive and defies the forces of homogeneity with one-of-a-kind small wheat-pastes, stencils, sculptures, and aerosol sprayed pieces alongside the enormous and detailed paintings that take days to complete.

Every Sunday on BrooklynStreetArt.com, we present “Images Of The Week”, our regular interview with the street. Primarily New York based, BSA interviewed, shot, and displayed images from Street Artists from more than 100 cities over the last year, making the site a truly global resource for artists, fans, collectors, gallerists, museums, curators, academics, and others in the creative ecosystem. We are proud of the help we have given and thankful to the community for what you give back to us and we hope you enjoy this collection – some of the best from 2016.

Brooklyn Street Art 2016 Images of the Year by Jaime Rojo includes the following artists;

1Up, Above, Adele Renault, Alaniz, Amy Smalls, George Vidas, GEN2, Apexer, BordaloII, Buff Monster, C215, Collin Van Der Sluijs, Super A, David Choe, D*Face, Duke Riley, El Sol 25, Sean 9 Lugo, EQC, Faile, Faith47, Faust, Shantell Martin, Felipe Pantone, Hueman, Droid907, Icy & Sot, InDecline, Invader, JJ Veronis, Jilly Ballistic, John Ahearn, JR, London Kaye, Louis Masai, MadC, Marshal Arts, Mongolz, MSK, Rime, Myth, Nina Chanel, Optic Ninja, Otto Osch Schade, Panmela Castro, Plastic Jesus, QRST, Reed b More, Remi Rough, REVS, Self Made, Sharon Dela Cruz, Maripussy, Specter, Stikman, Strok, Swoon, Ted Pim, Thievin’ Stephen, Farin Purth, Thomas Allen, Tobo, Uriginal, Vermibus, Vhils, Wing, Yes Two, Zola.

The artist featured on the main graphic is D*Face as shot by Jaime Rojo in New York.

BSA Images Of The Week: 04.17.16

April 17, 2016 Artists, BSA Images Of The Week

Hillary Clinton announced in Brooklyn this week that she supports raising the minimum wage to $250,000 a speech while Bernie Sanders scoped around the showroom of a Danish furniture designer in the Brooklyn Navy Yard to order a new blond wood desk and chair for the Oval Office. The two sparred live on national TV from Brooklyn Thursday but you couldn’t tell they were in the BK because the CNN logos engulfed the screen and candidates and the actual citizens were reduced to a babbling rabble who hooted and hollered like sports fans somewhere in the dark. Wonder how long CNN intends to have their brand new warehouse-sized logo beaming across the river at Manhattan.

Meanwhile, on the streets here it is pretty evident who many New Yorkers favor and the majority of new Street Art pieces and graffiti pieces are feeling the Bern. It’s true, we tend to hang out with artists, creatives, punks, hippies, and assorted wild-eyed weirdos – so its not exactly a true cross-section, but Clinton fans are not making much art on the streets. Possibly that is because level-headed reasonable people don’t feel the need to express their support for her so loudly and visibly. It will be interesting to see if Big Media predictions of a 17% Clinton lead are true by Wednesday morning. The Wall Street Journal seems to be banking on it.

Trump is #1 in NYC for the Republicans, presumably because of “New York values”.

So here’s our weekly interview with the street, this week featuring Caratoes, Elle, Ever Siempre, Faust, Flood, Icy & Sot, Lola Jiblazee, Lora Zombie, Nafir, Shantell Martin, Stuart Ringholt, Thiago Goms, Thievin’ Stephen, Thomas Allen, TriHumph, Vandal Expressionism, Vanesa Longchamp, Vexta, You Go Girl!, and Zabou.

Our top image: Nafir for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

Nafir for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

Icy & Sot . Nafir for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

Thomas Allen (photo © Jaime Rojo)

Flood (photo © Jaime Rojo)

Vandal Expressionism (photo © Jaime Rojo)

Thievin’ Stephen in Rochester, NY. (photo © Thievin’ Stephen)

Lola Jiblazee (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

TriHumph styles Bernie as Bowie. (photo © Jaime Rojo)

EverSiempre in Ostend, Belgium for Crystal Ship Fest 2016. (photo © EverSiempre)

“Homage to the Past and Future”

The city of Oostende began its great reforms in 1883. King Leopold II earned the nickname the “constructor” for his contribution to public works. These reforms were possible thanks to the large profits that were made from the king’s colony, an area sixty times larger than Belguim: the Congo. In the Congo, rubber was a resource that became precious because of its use in the automotive and bicycle industries. The king imposed high quotas on rubber production in the Congo and forced the indigenous population to comply using coercive methods and extreme violence. It is estimated that during Leopold’s years of domination about ten million natives were killed in the Congo.

“Homage to the Past and Future” is a work that talks about the heavy legacy of the past, about how societies live with the consequences of those that came before and how they build their current reality to be better. The mural is located at the urban entrance to the city, a work that perhaps Leopoldo II had not imagined at the gates of the resort town. Today, the reality is different; diversity flourishes in the city and the image is of a resident of Oostende. Humans learn from their mistakes and the future will always be better if our present remembers and pays homage to the real heroes.”

-Ever

Faust. Shantell Martin (photo © Jaime Rojo)

Zabou for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

Caratoes for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

Stuart Ringholt (photo © Jaime Rojo)

You Go Girl (photo © Jaime Rojo)

Elle for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

Vexta for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

Lora Zombie for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

Vanesa Longchamp for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

GOMS for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

Untitled. SOHO, NYC. Spring 2016. (photo © Jaime Rojo)

Faring Purth & Thievin’ Stephen Bed Stuy Collabo: “Cypress, Top Wrung”

January 27, 2016 Artists

The dynamics of collaborations between artists are often informative, even revelatory to the viewers as well as the artists. By deliberately casting your creative lot with that of another you are taking a bit of a risk, experimenting with your own conceptions, responding alongside and in tandem with the style and vision of your partner.

Sometimes it is symbiotic, like Warhol with Basquiat. Or hilariously stunning, like Christopher Walken dancing to Fat Boy Slim. More recently the reviews were awfully mixed with the performance art collaboration of Jay Z and Marina Abramovic.

Faring Purth & Thievin’ Stephen “Cypress, Top Wrung”. (photo © Jaime Rojo)

Today on a windy Brooklyn roof we look at a fresh collaboration with Oakland’s Faring Purth and Rochester’s Thievin’ Stephen, and we wonder how it will play to the J train audience who pass by it in Brooklyn’s Bedstuy neighborhood.

Purth travels the country in service to her nearly spiritual in-the-moment musings, her willow-limbed figures ephemeral and hash-marked, comporting themselves outside of realism. The surety of a knife-cut line ensures that stencil-wielding Stephen would not be as on-the-fly when spraying out a portrait, even that of a surrealistic frog sponge being squeezed by his main lady.

Faring Purth & Thievin’ Stephen “Cypress, Top Wrung”. (photo © Jaime Rojo)

We spoke with the artists to get their take on the collaborative experience and we learned that despite their stylistic differences the creative partnership was strengthened by “Cypress, Top Wrung” and by facing the challenges of painting outdoors in Brooklyn during January.

Brooklyn Street Art: How did the collaboration come about?

Faring Purth: We met a few years back during the 2013 Wall\Therapy festival in Rochester, New York. We formed a very unusual close bond after a crazy week of creating – and subsequently surviving a chemical fire on the rooftop of an abandoned building where we were working with a few other artists. Since then, we have adopted each other as family, becoming very familiar with each other’s work. Collaborating was a natural progression to that.

Thievin’ Stephen: Whenever Faring is back in Rochester we make it a habit to link up, and I’ll take her to paint in one of my favorite abandoned spots. We used to explore together and do separate pieces, but after we had fun on a quick collabo this fall in the abandoned Rochester subway, the next logical step was to work together on a bigger wall. Our schedules lined up, so we decided to take advantage of the bizarre January heat wave and meet in Brooklyn

Faring Purth & Thievin’ Stephen “Cypress, Top Wrung”. (photo © Jaime Rojo)

Faring Purth: It’s our first official, large scale collaboration. We tossed around a few different locations and ideas. Brooklyn ultimately won – we both have a particular love for this area. The piece itself developed through dialogue and then through exchanging sketches until a cohesive blueprint was formed. That blueprint was the basis and we are thrilled with how the piece ultimately manifested.

Brooklyn Street Art: Where did the name Cypress come from, and is that the character in the painting?

Faring Purth: It is. While we were completing the work, two friends of mine gave birth to their first child, a beautiful baby girl whom they named Cypress Valentina. The name immediately struck me and resonated as I continued to carve away at this pearl in the freezing cold. I found myself rolling it off my tongue while shivering and clapping my hands together to get the circulation back in my fingers. The elements tested us to say the very least and “Cypress” became a strange mantra for me the following week – helping me feel a little bit stronger and a tiny bit warmer every time I said it.

Faring Purth & Thievin’ Stephen “Cypress, Top Wrung”. (photo © Jaime Rojo)

Thievin’ Stephen: Yeah, Faring usually gives her women a name, and I enjoy using word play related to my imagery

Faring Purth: I ultimately decided the figure in the painting should take the name of her celestial twin. It’s not every pearl that gets to share their shucking with a human birth. And it’s not every name that carries such profound wisdom. Cypress Valentina is now ten days old. Cypress, Top Wrung is two days old. I hope one day their paths cross and that they unlock some universal secret not even I know.

Faring Purth & Thievin’ Stephen “Cypress, Top Wrung”. (photo © Jaime Rojo)

The work began immediately after the new year began and that became of certain significance in itself: It’s the first of an epic year to come, the release of an epic year just lived. This piece exposed me to a very different process than my own and provided me with many tools and lessons going forward. The experience simultaneously tested my body & spirit greatly. By the time the work was actually done, I had massive bruises, battle wounds, & life lessons to show for it.

As for the stylistic juxtaposition of the work & the various narratives the piece inspires, both are open to interpretation and a happy side effect of our familiarity as artists and friends. We knew how to work with and play off of each other’s visions and allow that dialogue to unfold on its own.

Faring Purth & Thievin’ Stephen “Cypress, Top Wrung”. (photo © Jaime Rojo)

Brooklyn Street Art: Your styles couldn’t be more different yet the balance and the composition works really well within the context of the piece. Can you talk about your thoughts and experiences creating it.

Faring Purth: “Cypress, Top Wrung” was an incredible learning experience both in the complications of the wall itself and in the personal life that was being lived during its creation. As for me, the two are impossible to separate… One always reflects and reveals elements of the other and in so doing provides me with certain personal epiphanies I needed to have at that moment. Suffice to say, creating Cypress was no different in this respect.

Thievin’ Stephen: My favorite collaborations are those where two friends divergent styles come together so that was the most exciting thing about melding my work with Farings’. My color theory mixed with Faring’s grey-scale compliment each other, and I think that’s what makes this mural feel like the true winter-time creation that it is.

It was fun watching the interplay between my sharpness and her fluidity unfold, and you can see it best where the hand and sponge connect, which was the last thing we did. Waiting for that moment to be done, as we went back and forth getting it right, that felt like a big pay off as it was really the first time our two styles merged into one piece. The wall also benefits from the combination of Faring’s painterly line work with my style of stencilism. I put forty something layers of stencils up on this wall. While our aesthetics are certainly far apart, I think the surreal anatomy that Faring gives her women harmonizes with my impossible creatures.

Faring Purth & Thievin’ Stephen “Cypress, Top Wrung”. (photo © Jaime Rojo)

The finished piece probably means quite different things to Faring and me, and I think that makes it a more intriguing creation for the viewer.

It’s always great to be surrounded by the humanity you encounter in Brooklyn, and Bed Stuy never disappoints. A lot of crazy shit and hilarious things happened during the creation of this wall, but nothing overshadows the roof top experience. The elevated train line of the J right behind me was a nice inspiration, along with busy-ass Broadway directly below. You know it’s a memory when you have to put rock salt under your ladders! Being at the top of a ladder on the very corner of a roof top definitely attracts attention. MTA construction guys thought we were nuts. Maybe we were. I’m happy with the wall, and glad it felt like the good old days.

Faring Purth & Thievin’ Stephen “Cypress, Top Wrung”. (photo © Jaime Rojo)

*********************

The artists would like to thank Cernesto and ArtsOrg for their help.

BSA Images Of The Week: 07.26.15 Rochester Special

July 26, 2015 Artists, BSA Images Of The Week

It’s not all about the murals! A sacrilegious thing to say perhaps, especially on a Sunday, especially when we are in town to see fresh new murals at the Wall\Therapy festival in Rochester. But none of the artists will take us to task because everyone knows that the roots of Street Art and graffiti are in the un-permissioned work that happens underground in hidden spots that become revered; magnets for aerosol mark-making, veritable spray can galleries. These crumbling houses of the holy are foundational to the modern Street Art scene. After all, if the good Lord didn’t want teens to get high, have sex, and catch tags he wouldn’t have created urban decay.

Top image above >>> Freedom (photo © Jaime Rojo)

Freedom (photo © Jaime Rojo)

So it was good to get to the dirty stuff with some help from an affable Roc native named Jason who showed us around some of the darker caverns in the city this week where you can get a sense of the conversations that bubble just below the surface. These places of decay feature some old school tags, rollers, characters, bubble letters, rants, political critique – the gamut. Also, homeless people, restless hoodies on BMX bikes, and funny smelling cigarette smoke wafting past you periodically.

Freedom (photo © Jaime Rojo)

We were really honored to speak at the museum Friday and to be introduced by the director Jonathan Binstock and Wall\Therapy founder Dr. Ian Wilson for our talk and show of a series of short films about the evolving Street Art scene globally. Memorial Art Gallery (MAG) is part of the University of Rochester and houses a huge encyclopedic collection of 12,000 works of art representing cultures from around the world and across millennia so to have the opportunity to share contemporary works from across this global grassroots art movement is especially gratifying and many in the audience came up afterward to talk about how inspiring this moment in art history is to them personally.

Typically academia and institutional support has been a few steps removed from this means of expression but the last decade and a half continues to see a shifting of perspectives by some who traditionally resisted the work in the streets. We’re just glad that we can continue to provide a platform for voices high and low, trained and self-taught, polished and in development – and the feedback we continue to get from you is that the work strikes a strong chord and we are grateful. Just to keep it real, here’s a tiny collection of work from Rochester’s organic urban art scene.

So here’s our weekly interview with the street, this week featuring AX, Cash4, Eder Muniz, Freedom, FUA Krew, Icy and Sot, Jeff Soto, Mr PRVRT, ND’A, OverUnder, ROA, Smear, and Thievin Stephen.

Freedom (photo © Jaime Rojo)

Icy & Sot (photo © Jaime Rojo)

Eder Muniz (photo © Jaime Rojo)

FUA Krew commenting on the bulldozing of a homeless tent city in Rochester days before Christmas in December. Mayor Lovely Warren took a great amount of criticism for her decision in the press, and here in the tunnels. (photo © Jaime Rojo)

Mr. PRVRT (photo © Jaime Rojo)

Mr. PRVRT and a partial ROA on top. (photo © Jaime Rojo)

Mr. PRVRT and a Cash4 on top. (photo © Jaime Rojo)

Overunder . NDA (photo © Jaime Rojo)

Overunder . Thievin’ Stephen (photo © Jaime Rojo)

Thievin’ Stephen (photo © Jaime Rojo)

Smear (photo © Jaime Rojo)

AX (photo © Jaime Rojo)

The Soto (photo © Jaime Rojo)

Untitled. Rochester, NY. July 2015 (photo © Jaime Rojo)

BSA Images Of The Week: 06.07.15

June 7, 2015 Artists, BSA Images Of The Week

Brooklyn is in full effect this weekend with Bushwick Open Studios, Coney Art Walls, and the prep for Welling Court and Northside Art Festival beginning already for next. Go out and stroll, get an egg and cheese on a roll, see a piece by Mr. Toll, and smoke a bowl.

Here’s our weekly interview with the street, this week featuring CB23, Forgive, Hellbent, JR, LMNOPI, One Tooth, Pablo Harymbat, Ramiro Davaro-Comas, She Wolf, Specter, Stray Ones, Thievin’ Stephen, Toaster, and Vexta.

Top image above >>> Hellbent (photo © Jaime Rojo)

Stray Ones (photo © Jaime Rojo)

Thievin’ Stephen (photo © Jaime Rojo)

Toaster for The Bushwick Collective. (photo © Jaime Rojo)

Specter billboard take over in Manhattan. (photo © Jaime Rojo)

Pablo Harymbat in Buenos Aires, Argentina. June 2015. (photo © Jaime Rojo)

LMNOPI tribute to the children of Nepal. (photo © Jaime Rojo)

Ramiro Davaro-Comas (photo © Jaime Rojo)

Forgive (photo © Jaime Rojo)

One Tooth (photo © Jaime Rojo)

Vexta (photo © Jaime Rojo)

She Wolf (photo © Jaime Rojo)

CB23 (photo © Jaime Rojo)

JR (photo © Jaime Rojo)

Untitled. Coney Island, Brooklyn. June 2015. (photo © Jaime Rojo)

BSA Images Of The Week: 02.01.15

February 1, 2015 Artists, BSA Images Of The Week

Here’s our weekly interview with the street, this week featuring Eric Simmons, Eurotrash, Flood, Jordan Seiler, LMNOPI, London Kaye, Myth, Neon King Kong, Nick Walker, Paper Skaters, Silkor, Snowden, Snownyc, Specter, Thievin’ Stephen and Zach Meyer.

Top Image >> Nick Walker (photo © Jaime Rojo)

Flood (photo © Jaime Rojo)

LMNOPI. The artist painted this mural last summer. The word EVOLVE was recently added as a way to restore the piece which was recently vandalized. See the damaged piece below. (photo © Jaime Rojo)

A small but effective intervention on a Hedwig And The Angry Inch Ad by Eric Simmons on the NYC Subway. (photo © Jaime Rojo)

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks! <<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

BSA Images Of The Week: 10.19.14

October 19, 2014 Artists, BSA Images Of The Week

We start this weeks images of the week with a postering campaign by nice, friendly, educated photo-journalists who illegally put up wheatpastes of their artistry this week in many parts of the city. “We’re not trying to vandalize,” says a member of #Dysturb in an article published yesterday by The New York Times, “It’s pure journalism”. Following on the heels of the arrest of wheatpaster COST the week before, you have to wonder if these folks, whose full names are given in the Times piece, will gather praise or condemnation for doing essentially the same thing.

Or is there a difference? Not quite Street Art, not quite a campaign for a concert or a perfume or shampoo, these folks use the same techniques as many others on the streets and say it is for high-minded purposes. Similarly, there are a number of Street Artists who address social and political themes which we all could agree on are honorable in some way or another. Gentrification, child slavery, sexual harassment, racism, the housing crisis, indigenous peoples issues, human trafficking, environmental issues – all of these have been addressed on the streets in the last handful of years by artists whose work we follow and present here daily. The waters are invariably muddy when it comes to this form of expression.

On a related side note: It is interesting that in published articles about COST and #Dysturb, we learn what kind of ride they each have; Porshe versus Cadillac. We totally have to up our game next time we rent a Zipcar to go on a studio visit.

Meanwhile, here’s our weekly interview with the street, this week featuring #Dysturb, Clint Mario, Crummy Gummy, James Bullough, ME, Myth, Pyramid Oracle, Ramiro Davros-Coma, Sexer, She Wolf, Smarty, Smeller, and Thievin’ Stephen.

Crummy Gummy. It is a fact of life that in order to make it in NYC one should be equipped with more than one skill and be prepared to work more than one job at a time. E.T. knows the drill and to that extent he wants you to know that if his acting chops are not what you are looking for perhaps you might consider his exotic good looks and hire him as a spokesmodel for an advertisement campaign. Also, his keyboard skills are fierce. (photo © Jaime Rojo)

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Wall Therapy: A Public Community-Level Intervention with Mural Art in Rochester, NY.

July 23, 2012 Artists, Events, new york, On the Street, Rochester, Street Art Festival

Wall Therapy
WALL THERAPY July 20-28, 2012 in Rochester, NY.

WALL\THERAPY is a public community-level intervention using mural art as a vehicle to address our collective need for inspiration. // July 20-28, 2012 in Rochester, NY.

A weeklong event featuring the following art therapists:
Faith47 // DALeast // Ben Eine // Liqen // Case // ROA // Cern // St. Monci // Mr. Prvrt // Thievin’ Stephen // HowNosm // Siloette

There will be a few specific events during the week:

THERAPY SESSION – July 14
(Prior to the event featuring local artists)
Roc Brewing Co.
56 S. Union St.
https://www.facebook.com/events/337039246376572/

WALL\THERAPY KICKOFF – July 20
1975 Gallery
89 Charlotte St.
https://www.facebook.com/events/420028008040741/

STREET ART BLOCK PARTY – July 22
Rochester Public Market
280 N. Union St.
https://www.facebook.com/events/325404580878744/

COMMUNITY DIALOGUE WITH THE ARTISTS – July 25
School of the Arts
45 Prince St.
https://www.facebook.com/events/495500730475376/

Mural Location Map.

http://wall-therapy.com/updates-and-maps/

Photos of 2024 on BSA – #14: Plastic Deli Bags and Feeling Homesick
December 17, 2024
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family …Read More »
Photos of 2024 on BSA – #15: BK FOXX and a Wonderland of Images
December 16, 2024
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family …Read More »
Photos of 2024 on BSA – #16 : Asbestos Seeking Psychological Sanctuary in a House
December 15, 2024
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family …Read More »
Photos of 2024 on BSA – #17: Hera and a Theater of Street Mythology
December 14, 2024
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family …Read More »
BSA HOT LIST 2024: Books For Your Gift Giving
December 13, 2024
As the year comes to a close, we are pleased to present our 14th curated list of books—a reflection of …Read More »
Love Letters to the City: Street Art as Protest, Dialogue, Tribute at UN Berlin.
December 12, 2024
Urban Nation’s Love Letters to the City, curated by Michelle Houston, is both an exhibition and a fulsome, sophisticated incantation. …Read More »
Escif’s Urban Manifesto: Art, Activism, and the Everyday / “The Foundations of Harmony and Invention”
December 10, 2024
It would be challenging to extricate Escif’s work from the city and its daily routines. The city, with its cacophonous …Read More »