Welcome to BSA Images of the Week!
New York is slamming, as ever, when it comes to new street art and graffiti popping up in expected and unexpected places. Here’s our weekly conversation with the street, this week featuring: The Yok, Sheryo, Lexi Bella, Calicho Art, Humble, IMK, Manuel Alejandro, EXR, Zoot, Great Boxers, Thobekk, Aaron Wrinkle, OTOM, Poor Rupert, Paige Bowman, Elena Ohlander, MUSKA, Motomichi Nakamura, and TABBY.
In the realm where imagination dances with audacity, Yok & Sheryo, the dynamic duo hailing from the crossroads of New York, Australia, and Asia, have conjured up a whimsical masterpiece, aptly titled “Yeahnahnesia.” Published in collaboration with the Art Gallery Western Australia, this book is a memoir and fantasy of creativity and storytelling that makes a reader question the boundaries of reality and fiction.
Picture a tropical paradise, a place Google Maps forgot, where mythology, deities, philosophies, and unusual creatures roam freely. Yeahnahnesia, the brainchild of these intrepid artists, is a fictional island brimming with tales so rich that your skateboarding dreams will tip their hats in admiration. The burning questions of its existence and location will keep you up at night until you surrender to the allure of this enigmatic and chill place.
As you delve into the book’s 120 pages, you’ll be transported into an alternate dimension where art intertwines with narrative, and history plays a sly game of make-believe. The “Temple of Frivolous Wishes” at AGWA, Art Gallery Western Australia, Perth, is a mere glimpse of their artistic prowess. Bound in fabric with gold foil accents, this bound edition of 800 is a treasure.
They talk about creating and inventing belief systems based in fictional folklore, complete with talismans and totems, and temples. “It was just so fun.” Yok describes the show and the book preparations, “We’re creating these temples out of mostly plaster so people with have this feeling of a lost artifact created out of sandstone, which was inspired from our travels,” he says in a video about the project. “The color scheme for the show, Yeahnahnesia was based on the folklore that we’d written for the island, which is rich in iron ore. So that brings the red out. But there’s also a story based on the 12 dragons….”
Yok & Sheryo’s escapades have led them from the crazed and colorful streets of New York to the hidden gems of Yeahnahnesia. They’ve absorbed cultures, painted murals, and surfed waves, all culminating in their artistic vision of this exotic island. They’ve unearthed cultural artifacts, shared stories, and created a simultaneously fantastic and familiar world.
“Yeahnahnesia is a tropical island with the best lifestyle you could ever want or wish for,” explains Sheryo. “We spent three months in Australia working on the show, and we took over a warehouse. Yeah, it was the first time we got to make a lot of 3-D sculptures. You just get in a meditative mode, especially when I roll sausage rolls, and then you just wanna roll as many as possible in the shortest time possible.”
Their playful, freewheeling work has earned them a unique spot in the art world, where walls, galleries, and corporate giants have all been inspired by their creativity and its eclectic route to truth. “Yeahnahnesia” is more than just a book; it’s a portal to a place that blurs the lines between reality and imagination, a testament to the audacious spirit of Yok & Sheryo. A guidebook to the journey, you can let your mind wander through the lush landscapes and vibrant cultures of Yeahnahnesia, where the surf is perfect, the beers are cold, and peace, love, and relaxation are the day’s mantras.
Also included in this book are photos from their recent show featuring the “Temple of Frivolous Wishes” at AGWA, Art Gallery Western Australia, Perth.
See our article about the exhibition here: “Yeahnahnesia,” “The Temple of Frivolous Wishes,” and Yok & Sheryo in Perth
From the wilds of Penang, where the psychotropic art duo Yok & Sheryo are living, comes this new print – which was also released as an animated NFT. “An ode to the beautiful tropical paradise lifestyle that The Yok and I have been living for the past 2 years,” says Sheryo, and you can see the relaxed mirth and trouble-making that normally accompanies their characters. “Sooooo here it is,” says The Yok, “our ‘gм ραяα∂ιѕє’”.
Done in collaboration with @cultprint, each is signed, and the APs are hand-embellished with gold leaf.
CLICK HERE TO GO TO CULTPRINT.CO
“GM Paradise”
Archival pigment print, Hand Deckled Edges on 310gsm, 100% cotton, a-Cellulose Hahnemühle German etching paper, 50 x 70 cm, edition of 80, signed, numbered, and includes a certificate of authenticity.
Welcome to BSA Images of the Week, where we are dedicated to showing the news kids on the block in addition to the more established names. It’s a simple inclusive philosophy that in some way is ensuring a more level playing field for the voices on the street, and so far you tell us that is exactly what you like. Street Art isn’t about legal murals, its about people taking their voice and their talent to the streets, sometimes by any means possible.
If you were to look at the works on the street in New York you could get a good representation of the sentiment of its people; worried, confused, proud, playful, defiant, angry, comedic. Shout out to this years’ Art in Odd Places, a reliably eclectic program of artists and performers who take to the streets to engage with the public – and if you think that is easy, I’ve got a Bridge in Brooklyn I’d like to sell you.
Here’s our weekly interview with the street, this time featuring Angela Muriel, Anthony Lister, Appleton Pictures, Billy X Curmano, Carmen Rodriquez, Coco Cobre, Connie Perry, El Sol 25, Knozko, Lik, Lister, Lunge Box, Matthew Burcow, Paul Richard, Sheryo and The Yok, Stikman, Texas & Gane.
Top banner Gane and Texas (photo © Jaime Rojo)
St+Art Delhi continues apace with an ever-expanding roster of artists and financial/commercial/municipal partners five years after we first began writing about it, and photographer Martha Cooper brings us today some of the newest installations and shots that she recently discovered while there.
A mural program at heart, many of the artists invited here bring a decorative character to the districts of Shahpurjat, Khirki Village and Hauz Khas Village also have roots in illegal graffiti and Street Art back home, and during their youth.
Over the years that list has included an international and local array of artists invited to paint at Lohdi Colony from all the continents – well maybe not Antarctica. Names have included ECB, Lady Aiko, local students Avinash and Kamesh, Suiko of Japan, Reko Rennie from Australia, Lek & Sowat from France, Kureshi from India, Inkbrushnme from India, Dutch artist Niels Shoe Meulman, Swiss duo Never Crew, Tofu from Germany, Mattia from Italy, Artez from Serbia, M-City from Poland, Ano from Taiwan…
Notable here is the architectural framing convention for most of these murals- the distinctive facades of Lodhi Colony architecture that features a central archway and four windows divided by it on a semi-ornate face forward. Some of the arches begin on the ground while others have been bricked into windows. Each provides a view inside the entry or courtyard, while others are bursting out with limbs and trees that protrude through them to the street.
Originally designed by the British-born architect William Henry Medd in the late 1930s and early 1940s as part of a program to house certain populations, this unifying pattern sets the quiet neighborhood apart from others in the city.
As Chief Architect to the Government of India during that period, Mr. Medd oversaw much of the design of the relatively new city as well as buildings like the Cathedral Church of the Redemption and Sacred Heart Cathedral, both of which reflect his affinity for the high arches that distinguish the period.
“It’s interesting to see how the very different artists have incorporated the arch into their murals,” says photographer Cooper. “The uniform size and shape of the walls unify the disparate collection and the arches give the whole area an exotic touch.”
As is her practice many of these images also skillfully incorporate the foot traffic and community who live here and who are beginning to associate these figurative, abstract and folk-inspired murals into their daily lives. Asking people to pose in front of the new paintings gives them context, somehow also bringing them alive in certain cases. At other times, her timing and eagle eye capture the passerby who unknowingly creates a serendipitous counterpoint to the new work.
“It’s a quiet neighborhood compared to the rest of Delhi,” Martha says, “making it a very pleasant place for an afternoon walking tour.”
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening :
1. The Yok & Sheryo in Sri Lanka
2. “Perpetual Flow” by Jorge Gerada in Morocco
3. Etnik in Barcelona with Contorno Urbano Foundation
4. Haroshi at his studio in Tokyo
Always a feeling of non-linear tropical adventure awaiting when you pop open a new spraycation video from the Street Art duo Yok & Sheryo, who would be just as happy to learn a local craft in your town as to paint a wall. Here they are painting and riding tuk tuks and running with a pack of wild dogs, as you do.
Land artist Jorge Gerada mounts a large project in Ouarzazate, Morocco that extends over 37,500 meters in this commissioned job for a coffee brand calendar. Using rakes, stones, dark gravel, and vegetable oil, a scene of two hands under running water is created.
“Born in Stockholm and living in Torino, Etnik feels right at home on the street of many cities and the dense, designed, deliberate defining of the man-made environment,” we write in yesterdays posting on BSA. “What is new here is the inclusion of a leaf motif, imperfectly biomorphic, a visual paean to the natural world that precedes us and will outlast every cityscape we devise.”
“Calling Haroshi a sculptor seems too simple, because he is a collector, architect, painter and industrial designer, as well,” says Evan Pricco in the intro and interview he does on Juxtapoz with the Tokyo based artist. “What he has done throughout his career is take recycled skateboard decks, transforming and crafting them into sculptures that range from classic graphics, pop iconography, installations, and the present, where he currently recreates Japanese toys, including those from childhood.” See the new video by Chop Em Down and read the full piece here.
Here’s our weekly interview with the streets, this week featuring AJ LaVilla, Boy Kong, BunnyM, ColpOne, Cycle, Haculla, Jappy Lemon, JR, Lungebox, Raddington Falls, RX Skulls, SacSix, SAMO, Sheryo, The Yok and Winstont Seng.
“…but no one was interested in the facts. They preferred the invention because this invention expressed and corroborated their hates and fears so perfectly.” ~ James Baldwin, from Notes of a Native Son.
Here’s our weekly interview with the streets, this week featuring 1UP Crew, Amanda Browder, Antennae, City Kitty, Dirt Worship, Dragon76, Jason Naylor, LMNOPI, London Kaye, Makatron, Sheyro, The Yok, and Trap.
We worked with some rad Bollywood set builders and a local fisherman who donated his boat for the installation. We created the installation based off a local folklore story called “Varuna & Makara” about a Sea God riding a sea creature.
“We spent about 20 days hanging out with an amazing group of friends painting laughing and riding motorbikes in Cambodia for @paintphnompenh, says Sheryo. “After the after after party we managed to get this wall painted – Cambodian Paradise.”
A long, multi-character monocromatic wall really shows off the energy and regenerative imagination that Y&S can pull off on a mural for friends with a surf/yoga camp. “Loved spending a month cruising around Sri Lanka in a tuk tuk looking for waves,” says The Yok, ” and finding elephants, monkeys, turtles, lizards, dodging manic bus drivers, paying off cops. Amazing people, delicious food and a secret pirate village.”
“A 35 metre seadragon mural has been completed on the side of huge grain silos at Albany’s historic waterfront,” reports the Sydney Morning Herald, of the project featuring Phlegm, HENSE, and Amok Island creating new works along a trail near the coast. To be clear, it is a “ruby sea dragon”.
As we draw closer to the new year we’ve asked a very special guest every day to take a moment to reflect on 2017 and to tell us about one photograph that best captures the year for them. It’s an assortment of treats to surprise you with every day – to enjoy and contemplate as we all reflect on the year that has passed and conjure our hopes and wishes for 2018. This is our way of sharing the sweetness of the season and of saying ‘Thank You’ to each of you for inspiring us throughout the year.
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The on-the-road nature of this graffiti-illustration-Street Art couple is becoming legend, with the Australian Yok and Singaporean Sheryo professionally spray-cationing across the world regularly, monthly, annually with their own particular hybrid of skater-tattoo-cartoon-rebel-traditional-culture reinventing itself in the moment, in the space. Officially Brooklyn citizens, the two wield aerosol cans as much to entertain themselves as to confound you, with their two aesthetic styles now seamlessly becoming one. Not content to present a pretty world, Yok and Sheryo investigate and analyze darker human impulses and psychological eccentricities with their characters and the trouble they can get into with monsters and pizza. Today Y&S tell us about an improvised piece they did this year in Bombay just for good luck.
THE YOK & SHERYO
Welcome!
Here’s our weekly interview with the streets, this week featuring BK Foxx, City Kitty, Dain, Jucer, Nick Walker, Praxis REVOK, Sam Himer, Sheryo, Skount, Smells, The Yok, Turtle Caps, UFO 907, WRDSMTH.
Today some progress shots – these projects were not completed while we were shooting so you’ll want to go to the Museum Mile today along Bülowstraße (Berlin U-Bahn). The Urban Nation Art Mile (Artmeile) is in full effect this weekend day and night and it will be difficult to pass up on this funhouse performance-packed interactive exhibition that includes single installations in pop-up spaces along the street and in one large car-free area beneath the trains, which roar appropriately over your head.
Also overhead for those who are observant, Isaac Cordal’s small concrete businessmen watch over the proceedings below with guilt, ennui and existential worries . You have to check out Faith XLVII’s multi-disciplinary piece in a pop-up space with powerful video imagery of the sexy uniformity of marching soldiers and the panicked distraught migratory movements of people created in its wake – with fierce and expressive dance performer Manthe Ribane and sound/set direction by Inka Kendzia with Faith. Migration, or immigration, is also directly addressed by an unbending and heavy steel sculpture of a family who are just like yours, and different from yours, facing a wall topped by razorwire.
Evan Pricco and Juxtapoz bring the famous newsstand that has been displayed in 6 locations, including Times Square, now moving into the UN collection. Make sure to look at the independent zines and tags from its many travels. HOTTEA has a splendidly sharp and effervescent takeover of a corner first floor space that illuminates the white box, here comprised of hundreds of hanging yarns in a multiverse of color.
This series of outdoor components feels more like a fair than a museum show, a cross section of works that you may associate with post-graffiti/graffiti/Street Art or any number of related influences without a timeline – cobbling together a hodgepodge illustration of the wide range of influences at play on the street today – attempting to channel the asymmetric energy that it generates.
It is possible that this collection represents a catalyzing of interest in sculpture, as a number of interpreters including Cranio, Ben Frost, and Anthony Lister, are blurring lines with these 3 dimensional expressions of work they’ve done in 2D. How will a general community audience interactive with these – the possibilities seem limitless. Considering the sheer number of authors and performers and documentors and artists and academics and critics on the street right now, you are garunteed to find some intellectual and/or visual stimulation.
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BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
