Happy New Year of the Tiger! We found some on the street this week in New York, no surprise perhaps.
In other news, OG train writer Chris “Daze” Ellis captured the attention of The New York Times this Friday with his new contemporary art show “Give it All You Got” at P·P·O·W Gallery, and in a related story, according to the New York Daily News, there were 120 graffiti-related incidents on subway trains in January 2021, a 21% increase compared to the same period last year.
In his curatorial incarnation, Carlo has been organizing an enormous new exhibition about New York’s ‘downtown’ scene that he’s curating with Peter Eleey to open this July at UCCA Center for Contemporary Art in Beijing featuring “several defining works of this generation, such as paintings and drawings by Jean-Michel Basquiat and Keith Haring.” McCormick, you will remember, originated the concept and title for his book Trespass : a History of Uncommissioned Urban Art, which made the direct connection between fine art, the avant-garde, and the various street/public art practices of serious radical art movements like those popularized in the 1960’s by Guy Debord and the Situationistes Intérnationales. With these movements and arguments informing our view, it’s simplistic to be so polarized when assessing the value given/damage done by illegal graffiti writers and street artists.
Today our public/private debates about whether someone’s aerosol creation is vandalism or art are far more complex, more palpable than before. Thanks to the validation of graffiti and street art as a cultural force by fashion designers, toy manufacturers, home goods stores, clothing chains, commercial brands, film directors, art collectors, auction houses, artists, writers, professors, and respected education and art institutions, these practices of art-making on the street are enmeshed in the culture, fully a part of it.
One of these days a train car covered with graffiti will head to the yards for buffing… and reappear at an art fair, a Sotheby’s auction, or in the back yard of an avid collector. Our thoughts turn to the “Fun Gallery” refrigerator covered with graffiti tags in that is currently on display at the Phillips “Graffiti” show on Park Avenue right now.
And so we turn to our weekly interview with the street, this week featuring: Billye Merrill, BK Foxx, Crash, DrewOne, Elle, Eraquario, Eskae, Jenkins2D, Lamour Supreme, MAD, Manuel Alejandro, Osiris Rain, Praxis, REDS, Sipros, The Creator, The DRIF, and Twice.
Welcome to BSA Images of the Week! Today is PRIDE DAY in NYC and Father’s Day in many parts of the world. Congratulations to us all, queer and/or fathers. We’re happy to show you what we’ve been finding as the spring now stretches into Officially Summer. At night in some neighborhoods, you’ll hear a smattering of fireworks as youthful hooligans are already lighting them – anticipate the 4th of July holiday. A sign of our crazy summer ahead; behold the bang-pop-ratatat-tat-bang-bang-swizzle-shizzle-pop now erupting regularly in empty lots and dead-end streets.
It’s great to see so many kids and youth and adults on bicycles now that the City has made myriad networks of safe pathways throughout the five boroughs. If we could get the police to hand out tickets to car drivers, even school bus drivers, sometimes using the bike lanes to circumvent others and put riders in danger.
The street art and graffiti scene are thick, and you don’t want to miss it here this time of year. While some complain that “vandalism” is reaching 1970s levels, many are happy to see a rotating display of artworks on the city skin at a time when so much of our local cultural and entertainment options have been killed or neutered. The institutional and commercial arts will all come back to New York, we have no doubt. Often, the renaissance begins in the streets.
Aliens, robots, skulls, femme Fatales, cats, cartoons, nationalism, existentialism – the new are runs the gamut and if it upsets the audience, it doesn’t run for long. Catch it while you can
Here’s our weekly interview with the street, this week featuring Acne, Adam Fujita, Almost Over Keep Smiling, Captain Eyeliner, City Kitty, Degrupo, Demure, Eugene Delacroix, Jeremy Novy, Lunge Box, Matt Siren, Modomatic, One Rad Latina, Plannedalism, Raddington Falls, Royce Bannon, Russian Doll NYC, SacSix, Sara Lynne-Leo, Save Art Space, Sticker Maul, The Creator, and Vy.
What the hell just happened? Has it been a year? Or has it been 10 years? Or just one long nightmare/daymare? Or has it been 10 years? Did we already ask that?
In March 2020 we awoke to a world that was transforming before all of our eyes, yet we felt so cut-off from it and each other. The first days seem so long ago as we mark the first anniversary of the pandemic. Still, the initial shock of those days resonates in our chests so strongly that we confidently talk about a collective global trauma that has indelibly marked a generation.
From Stockholm to Mexico City to Barcelona to Bethlehem to New York to LA, BSA brought you street art that was responding with fear, derision, critique, hope, and humor to the never-static, always evolving barrage of Covid news. Stuck inside and afraid to expose ourselves to each other, we New Yorkers became accustomed to experiencing the outdoors only through our windows, connecting with neighbors we’ve never met who were also banging pots and pans or clapping and waving and yelling.
We listened to ambulances screaming past our windows every half hour or so during those first weeks, imagining the torn families, the terrified fellow New Yorkers now being rushed to the hospital and separated from their loved ones without a goodbye, gasping for air. We wondered if we would be next.
When we did go to the streets, they were empty – or nearly. In New York this was unheard of. In this bustling, noisy metropolis, we experienced a daily disconcerting quiet. That is, until the killing of George Floyd by cops finally pushed the anger/anxiety into the streets all summer.
The deadly hotspot of New York quelled, but the fires of Covid spread west, grabbing communities who thought they would avoid impact. At the same time, local, state, and national leaders fumbled and argued or famously callously ignored the desperation of citizens, occasionally admirably filling the shoes they were elected to occupy, often misstepping through no fault of their own.
We have no particular wisdom to offer you today beyond the obvious; this pandemic laid bare inequity, social and racial and class fault-lines, the shredded social net, the effect of institutional negligence, the ravages of 40 years of corporate privatization, and the power of community rising to the occasion to be in service to one another in ways that made us all more than proud.
Here are some of our favorite Covid-themed street art pieces from over the last year, a mere sampling of the artistic responses. Interspersed we paste screenshots of the daily events (via Wikipedia) in 2020 that shaped our lives, and our society.
We mourn the losses of family and friends and the broken hearts and minds in all of our communities. And we still believe in the power of art to heal and the power of love to balance our asymmetries.
As NYC went on complete lock-down and New Yorkers were ordered to remain in their homes in complete isolation the city’s residents organically joined together in a collective 7:00 pm ritual in support to the first responders. To the nurses, doctors, paramedics, trash collectors, public transportation, police, fire fighters, supermarkets workers etc…with their services and sacrifices we, the residents of this megalopolis were able to keep out hopes for brighter days to come.
Video of four former presidents urging people to “roll up your sleeve and do your part” and get the vaccine.
The winds of change are gathering force and weaving together – social, political, financial, environmental… and it is all being reflected in street art today. Ironically, because media in the US is addicted to money and misdirection and is completely disinterested in the poor and working class as a whole, thoughtful analysis that pops off city walls seems unadulterated, capable of giving you more truthful assessments of what is missing, what is out of whack, and who’s gotta take action. Your face here.
Here’s our weekly interview with the streets, this week featuring Adam Fu, AJ LaVilla, Antennae, Black Ligma, City Kitty, CRKSHNK, De Groupo, Hearts NY, Novy, Pork, Surface of Beauty, The Greator, Winston Tseng, X Rebellion NYC, and Zuli Miau.
In her latest mural, Faring Purth delivers a powerful reflection on connection, continuity, and the complexity of evolving relationships—a true …Read More »
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
