To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Dan Witz.
Something you want the world to know about you: “Originally, back in the late 70’s, when I first started painting on the street, even though I was dead serious about it, I thought of street art as a sort of hobby, as something enjoyable I did for myself on the weekends. This is the real reason why I kept at it for all those years before street art became fashionable: not because I thought of myself as some kind of pioneer or anything, but because I was having so much fun.”
1. Multicolored Disappearing Horizon on Williamsburg Bridge
2. CAKE on Juxtapoz : New “Back Talk” Conversation
3. Street Artist TES One Gets Down with Ice Cube for a Print
Multicolored Disappearing Horizon on Williamsburg Bridge
It’s summer and people are taking to the streets with their art. If you have taken a stroll or skateboard ride across the Williamsburg Bridge recently, you’ve seen a public art installation entitled “Baji Lives!”.
(VIDEO STILLS)
In this short film by Danielle Barbiari, five friends show how a collaborative project can also come alive with very modest resources and some elbow grease.
“During the wee hours of a warm summer night, several friends conspired to bring color to the Williamsburg Bridge. Inspired by the unique vantage point offered by this public space, Baji Lives! responded with a site-specific composition that accentuates the spatial dynamics of the pedestrian pathway. This piece is an offering to those who use the bridge”
CAKE on Juxtapoz : New “Back Talk” Conversation
To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Street Artist TES One Gets Down with Ice Cube for a Print
Tes One has done a new print with Ice Cube to raise awareness and funds for The Minority AIDS Project.The proceeds from the limited edition artwork will benefit the project.
Tes One Signing his print of Ice Cube (copyright Tes One and Rareink)
RareInk and ICE CUBE partner to deliver music fans original, authentic autographed works of art from their favorite recording artists created in conjunction with a collective of fine artists from around the world.
“Expanding the interaction with fans of my music by offering limited edition, signed artwork that they are able to share and enjoy with their friends and family is something I feel my fans deserve,” said Ice Cube, who in addition to being the RareInk’s first artist will serve as the company’s strategic advisor.
Click on RareInk’s site for more information regarding the sale of the prints and how to purchase the art.
To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from C215.
A few words that sum up your philosophy on life: “Trying to turn ugly sh*t into art when possible.”
To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from How & Nosm.
One reason you make art: “When we started out as Graffiti writers in 1988 it kept us busy and productive instead of just getting into trouble and being street kids. Then eventually we did it for the fame and to become one of the best in our little city in Düsseldorf, Germany. Over the years this has changed and now it is an everyday thing that is part of our lives. We make art because it gives us an inner calmness and relaxes us when we paint and see the outcome of each created piece of art, yet another reason might be the urge to have to do it. At the same time it is the habit after so many years that gives us the constant drive to evolve our art work.”
To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Anthony Lister.
Artists you admire: “The ones that do it for love and discovery.”
1a. John Burgerman crosses Wburg Bridge with Bananas on head
1. BOS 2011 – Bushwick Open Studios This Weekend
2. 3rdEye(Sol)ation
3. “Surrealism” and “Bushwick Art Park”
4. “Stay Gold” at Curbs & Stoops Active Space
5. “Fine-Ass Art” at Kings County Bar
6. GILF! Pop Up
7. New Ludo “Green Beery” (VIDEO)
We really are so damn lucky to be here in NYC. The cultural offerings are always varied, plentiful, inspiring and in many cases FREE. Of course the rent is too high and your bedroom can accomodate a bed or a dresser but not both, but when you hit the streets the cultural stimulation never stops.
For example, newly arrived Noo Yawker Jon Burgerman practiced his good posture and accentuated his down jacket this spring by traipsing through the streets and across the Williamsburg Bridge balancing bananas on his head.
From Jon’s most recent and exhausting email, “Sometimes the things you see (on the street) are rather lovely, like the blossom on the trees and people outside drinking coffee and graffiti so fresh the paint is still wet.”
BOS 2011 – Bushwick Open Studios This Weekend
Hats off to the BOS crew who have laid the foundations for the new artists and curators to grow upon.
BOS ’11 – Bushwick Open Studios is in it’s fifth year and many newly minted blogs and curators are discovering this once desolate industrial pit. It’s still a pit, but at least it’s not so desolate — it also helps that high rents elsewhere have created this steady river of people flowing out of the L train Morgan stop.
Speaking of which;
IMPORTANT TRAVEL ADVISORY: The L train will NOT be running between Manhattan and Brooklyn for the entire weekend. Take the JMZ trains instead and you’ll still get dropped right in the middle of it.
Below are our picks, and while our focus is primarily on Street Art artists and events, please hit the BOS site to take a look at the complete list of events and shows:
Jason Mamarella’s curated a group show featuring Billi Kid, Peru Ana Ana Peru, ASVP, Mike Die, Jos-L, dint wooer krsna, Quel Beast, Septerhed, Choice Royce, Kosbe, QRST, Trixtr Rabbit, Bankrupt Slut, CCB, Wisher 914, ZamArt opens this Friday at 3rd Eye(sol)ation 7-10 pm.
For more information, location and hours about this show click on the link below:
SURREALISM:
twenty artists from the neighborhood wrestle their unconscious.
An exhibition at Factory Fresh for Bushwick Open Studios curated by Jason Andrew and Ali Ha.
Jim Avignon, Kevin Curran, Ryan Michael Ford, Paul D’Agostino, Ben Godward, Tamara Gonzales, Andrew Hurst, Rebecca Litt, Francesco Longnecker, Norman Jabaut, J.P. Marin, Brooke Moyse, Garry Nichols, Patricia Satterlee, Pufferella, Skewville, John Sunderland, Sweet Toof, Marjorie Van Cura & Veng
BUSHWICK ART PARK
A one day community event June 4th, 1-7pm
Located at the proposed Bushwick Art Park on Vandervoort Place
Factory Fresh is sponsoring a street event with art and murals to showcase their entry on this year’s Festival of Ideas that the New Museum produced and staged at the Bowery early in May.
Kings County has hosted a number of street artists for shows at this dark haunt for about four years and tonight a few more get their shine on. You may also coax a a go-go girl or boy onto the bar to add to the visual candy on the walls. Man, that’s some fine-ass art.
Gilf! Pop Up Gallery
107 Forrest Ave btw Flushing Ave and Central Ave (across from
English Kills Gallery)
Friday 7-9
Sat 12-9, opening reception from 7-9
Sun 12-7
New Ludo “Green Beery” (VIDEO)
The latest video from Parisian Street Artist Ludo:
RYAN MICHAEL FORD “Me VS Myself,” 2011 (image courtesy of the gallery)
SURREALISM:
twenty artists from the neighborhood wrestle their unconscious.
An exhibition at Factory Fresh for Bushwick Open Studios curated by Jason Andrew and Ali Ha.
Jim Avignon, Kevin Curran, Ryan Michael Ford, Paul D’Agostino, Ben Godward, Tamara Gonzales, Andrew Hurst,
Rebecca Litt, Francesco Longnecker, Norman Jabaut, J.P. Marin, Brooke Moyse, Garry Nichols, Patricia Satterlee,
Pufferella, Skewville, John Sunderland, Sweet Toof, Marjorie Van Cura & Veng
Show runs from June 4-26.
Factory Freshis located at 1053 Flushing Avenue between Morgan and Knickerbocker, off the L train Morgan Stop
Our weekly interview with the street, this week featuring Enzo and Nio, El Mac, Hargo, L.E.T., Paul Richard, Poster Boy, QRST, Retna, Skewville, Nice-One and Sweet Toof.
With photography by Carlos Gonzalez, Geoff Hargadon, and Jaime Rojo.
Brooklyn Street Art Presents Street Art Saved My Life : 39 New York Stories in collaboration with ThinkSpace Gallery, an art show to exhibit at C.A.V.E. Gallery in Venice (LA), California on Friday, August 12, 2011.
Street Art Saved My Life : 39 New York Stories heralds the new highly individual character of stories being told on the streets of New York by brand new and established Street Artists from all over the world. Steven P. Harrington and Jaime Rojo, founders of BrooklynStreetArt.com focus on this flashpoint in modern Street Art evolution by curating a strongly eclectic story-driven gallery show with 39 of the best storytellers hitting the streets of New York.
Street Art Saved My Life : 39 New York Stories, the gallery show, accompanied by an LA street wall series by selected artists and a public panel lecture and discussion, intends to stake out the New Guard in street art while recognizing some powerful near-legendary forerunners.
The mainly New York lineup exhibits talent from other parts of the US and internationally (Australia, France, UK, Canada, Israel, Germany) and it is as steely, idiosyncratic and storied as the New York scene itself, including Anthony Lister, Adam Void, Broken Crow, C215, Cake, Chris Stain, Clown Soldier, Creepy, Dan Witz, El Sol 25, Ema, Faile, Futura, Gaia, Gilf!, Hargo, Hellbent, How & Nosm, Imminent Disaster, Indigo, Judith Supine, Kid Acne, Know Hope, Ludo, Mark Carvalho, Miss Bugs, Nick Walker, NohJColey, Over Under, Radical!, Rene Gagnon, Skewville, Specter, Sweet Toof, Swoon, Tip Toe, Troy Lovegates AKA Other, Various & Gould, and White Cocoa.
The staunch individualists in Street Art Saved My Life : 39 New York Stories give voice to the evolution of the Graffiti, Mash-Up, and D.I.Y. movements that birthed them; creating an eccentric, highly individual, and raucous visual experience on the street. With widely varied backgrounds, techniques, and materials at play, “The Story” is the story. With truths as diverse and difficult as the city itself, each one of these artists is a part of a fierce, raw, new storytelling tradition that is evolving daily before our eyes.
Show Name: Street Art Saved My Life : 39 New York Stories
Location: C.A.V.E. Gallery, 1108 Abbot Kinney Blvd, Venice, California 90291
Date: Opening reception Friday August 12, 2011
Duration: August 12 – September 4, 2011.
Online Press Release: http://mim.io/692a11
Contact: Info@BrooklynStreetArt.com
Presented by Brooklyn Street Art in collaboration with ThinkSpace and C.A.V.E
Curated by Steven P. Harrington and Jaime Rojo of BrooklynStreetArt.com
Brooklyn Street Art is proud to collaborate with ThinkSpace Gallery and C.A.V.E. Gallery.Please note that the show will be at C.A.V.E. Gallery. Thank you.
Thinkspace Art Gallerywww.thinkspacegallery.com
6009 Washington Boulevard, Culver City, CA 90232 (310) 558-3375
Wed – Fri 1PM-6PM Sat 1PM-8PM contact@thinkspacegallery.com
C.A.V.E. Gallery (location of the show) www.cavegallery.net
1108 Abbot Kinney Boulevard, Venice CA 90291, (310) 450-6560
Wed – Sun 12PM-6PM or by appointment info@cavegallery.net
Steven P. Harrington and Jaime Rojo are founders of BrooklynStreetArt.com and co-authors of Brooklyn Street Art and Street Art New York, both by Prestel Publishing (Random House). Harrington and Rojo are also contributing writers on street art for The Huffington Post.
Our weekly interview with the street, this week featuring Elle, Googly Eyes, Julia Langhof, Karat, Kid Zoom, Money Population, Sweet Toof, The Dude Company and scenes on the street from photographer Jaime Rojo.
Street Artist Bambi did this portrait in North London for today’s wedding – more art inspired by Will and Kate here at Artlyst.com
Royal His and Hers Prints from K-Guy
London based Street Artist K-GUY plays with Wills and Kate with these newly released prints to celebrate their union and to poke a little fun at the same time.
Sweet Toof solo show “Dark Horse” will merrily gallop at Factory Fresh tonight.
“Sweet Toof has developed a recurring motif that perambulates through periods and platforms – aerosol mural, oil painting, or theatrical prop – with a certain frank guile and handmade disarming charm.” from Ready for His Closeup: Sweet Toof Sparkles at Factory Fresh (PHOTOS)
A lot of fun tonight at Opera with 15 artists signing the new book and prints to celebrate the release of the new book by Tristan Eaton – including some of your favorites …
Andrew Bell, Stephen Bliss, Kevin Bourgeois, Ron English, Mat Eaton, Tristan Eaton, Filth, Haze, Travis Louie, Tara McPherson, Kenzo Minami, Mint, Serf, Dr. Revolt & Tom Thewes
3D Art Exhibition + Book Signing for:
The 3D Art Book
by Tristan Eaton
Friday, April 29th, 6-9pm
Opera Gallery New York
115 Spring Street New York, NY 10012 (212) 966-6675
The 3D Art Book & Exhibition features 100 artists including:
Glenn Barr, Craola, D*Face, Dalek, Eboy, Shepard Fairey, James Jean, Chris Mars, Mark Ryden, Jeff Soto, Rostarr, Todd Schorr, Stash, Gary Taxali, Toki Doki, Trustocorp, Junko Mizuno, Eric White and many more.
The rabid pursuit of President Obama’s birth certificate has puzzled many thinking people while the topic is repeatedly brought up during street marches and demonstrations – finally pushing the President himself to hold a press conference about it this week. The astro-turf fingered crowds in the streets during last years Health Care debates in the US pretty much revealed their base disagreement with all things Obama with their hand held signs that couldn’t be described as anything but racist – “off message” for the insurance companies but “on message” for the yahoos who took their buses. We know this “birther” movement won’t disappear because of the poisonous legacy of racism in our history, but we are thankful for the strong clear thinking of people like Goldie Taylor (video below) who helps us place current events in context.
The London Street Artist Sweet Toof’s new show, “Dark Horse” at Factory Fresh opens wide to a mouthful of gleaming new pieces as the artist debuts his first New York show solo, having previously been a part of the Burning Candy Crew with Cyclops and Tek33. A little frisky in the Brooklyn streets, we find that Sweet Toof is exploring more than the usual territory and challenging himself artistically, always with a healthy glob of humor. Yes, the pink gums and pearly whites continue to have prominence in each piece, but their permutations progress at a dizzying pace.
Sweet Toof has developed a recurring motif that perambulates through periods and platforms – aerosol mural, oil painting, or theatrical prop – with a certain frank guile and handmade disarming charm. Some of the new tableaus of madly grinning top-hatted drivers atop skeletal stallions are pure Dickensian wonder with animated allusions to extreme social conditions and the play of comically repulsive characters. Others touch on graffiti vocabulary and pop/advertising culture with cheerfully mocking glee, the winking enthusiasm and poppy color trumping your worries that it isn’t making any sense. All tolled, it’s a bit of a romp and a promise of tasty treats to come – and if you arrive early you’ll receive your own set of gold sweet teef atop a popsickle stick.
On the day we visited the gallery the place was a divine chaos of paint and construction materials, with works-in-progress laying on the floor waiting to be completed or hung. The partially lit space proved a helpful foil for the spooky pimped-out characters on the canvasses – the sort you wouldn’t trust with a bottle of milk.
The Factory Fresh shopkeeper Mr. DeVille, looking very trim and sunny, murmured something about the current artist-in-residence being on a roof somewhere and after further inquiry, Mr. Toof appeared promptly with a warm and genial demeanor. After a brief tour we took to the street to watch him work. He told us a bit about his work and the upcoming show, after starting with the topic of weather of course.
Brooklyn Street Art:How has your experience been so far in Brooklyn? Sweet Toof: I have really enjoyed it. The rain some days and then sun. But I can’t complain. I have just been eyeing out all these spots but yeah it has been really good. The weather has been very unpredictable but today is a beautiful day and I love Brooklyn.
Brooklyn Street Art: Is there a difference between working in Brooklyn and working in London? Sweet Toof: There is a little difference. I mean it’s quiet interesting. This is Bushwick and in London, in East London there is an area called Hackney Wick. That’s an area where a lot of people have been painting but they are cleaning it up now because of the Olympic buff – It is almost like a sister of Bushwick because of all the lofts spaces in warehouses and factories where people now live. So it is a similar type of vibe but I like the character here and the architecture.
Brooklyn Street Art:And the people? Sweet Toof: Yeah I forgot the people…my experience with the people so far is that everyone is really friendly and it is almost like everyone seems to be willing to help and in London none really says hello but here people would say hello…you’re engaged. Brooklyn is more engaging even when you go to the shop and you have been there for a couple of times people recognize you and they start talking and so it feels quite like a community.
Brooklyn Street Art:Tell us about the use of gold dust in your work. Have you always used it? Sweet Toof: Yeah I have used it before on paintings. I’ve used gold pigment, I’ve been using quite a bit of glitter and gold dust just to give it a little bit of extra “bling”. I like that whole sparkly thing, the way the light hits it and it gives it just like another layer in a way. But I just like to mix things up. Even pearlescent paint and I like all sort of paint; oil paint, bucket paint, spray paint – I love it all. But the pearlescent glitter is just like another element within that. You know I think teeth are like jewelry anyway but just with that extra bling, you know when you see people’s teeth and are like pearls.
Brooklyn Street Art:Have you been to the south of Mexico and seen the Day of the Dead festival? Sweet Toof: No but I’m intending to go to Mexico quite soon. I’m fascinated with the Day of the Dead and all of that stuff. It is almost like it has been with me since art school. Since I came across the old woodcuts and the imagery of Guadalupe Posada. The thing I like in Mexico, unlike in England, is that they celebrate death and in early age you are given these candy sweets and they eat it. It’s almost like you enjoy your days and you sleep when you are dead in a way. But death is not just doom and gloom.
Brooklyn Street Art:Tell us about your sense of color. Where do you get your inspiration for bright colors? Sweet Toof: England is very gray. I mean you do see color but I just sort of respond to the environment that I’m in but I love color anyway. When painting out on the streets I used to like the spontaneous part of it about not seeing your colors when you are painting in the dark. You’ve got a rough idea about what the colors are or you have written the colors on the can or you can see the tones in the dark, but then when you are in the studio and you are mixing your colors it’s almost like you have that whole understanding of color – and it’s the same in print making. You might look at the sky and you think “how I’m going to get that intensity?” It is about looking at the contrast with all the different hues and understanding color, which I think, comes from oil painting a lot but also from mixing colors for the stuff on the streets as well so you understand how the colors work.
Brooklyn Street Art: Would you like to talk a bit about you not being part of Burning Candy or is that a sore subject? Sweet Toof: No, not really. I left last September on my own decision but I really wouldn’t want to go into the politics of it. I just got to the time where I had to get on with my own stuff. I wish them all the best and I wouldn’t want to bitch. I want to keep it simple and getting my head down.
Brooklyn Street Art: What would you like to happen on Friday at the gallery for your show? Sweet Toof: I’d like for everyone to have a good time and enjoy. Bring people together and just let people mind their own minds about it. It’s one of those things where you never know how people would react to stuff but I want people to enjoy.
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