Here is our weekly interview with the streets, this week featuring Stikman, Blanco, Lexi Bella, Jerk Face, Modomatic, Savior El Mundo, RX Skulls, Humble, Klonism, RD357, Flaco, REKER, Sintex, and BOFA.
Welcome to BSA Images of the Week! Set your clocks forward an hour!
Guess you can’t bite a graffiti artist and expect to make bank – without getting bitten. This new Nekst campaign on the Manhattan streets appears to have Claudia Schiffer and Anna Nicole Smith putting their best face forward, aside from the streams of wrinkles caused by the wet wheat paste. Time is a cruel mistress, even as our nostalgic memories of the 90s are suddenly aflame when seeing these large-scale posters and images on the catwalk named New York.
This takes the fashion labels’ accused theft of Nekst’s tag to a new level – and back to the street, where the best fashion houses traditionally find creative inspiration. The deceased graffiti writer was bold in his command of high-profile spots, and his output was profligate, giving him a reputation that current writers still pay homage to a decade after his passing. With the fashion label Guess, Inc. publicly traded, one wonders if this restyling of their brand in a fashion capital will hit them in the ticker, especially when it appears they directly ripped their style from a self-made artist/vandal and took it to the cash register.
This act highlights the ongoing debate about the street’s raw, authentic creativity and the fashion industry’s appropriation tactics. The situation questions the consequences for a major brand like Guess, primarily when the originality in question stems from the underground art world.
As Daniel Cassady from ARTNEWS and Deborah Belgum from WWD illuminate, the recent uproar in the street art/graffiti community is not merely about the misuse of street credibility but a deeper infringement on street artists’ intellectual and cultural property. Cassady discusses the blatant replication of Nekst’s signature by Guess, bringing to the forefront the fashion industry’s recurrent pilferage from street art’s raw, unfiltered energy without due homage or consent. Meanwhile, Belgum adds a familial and emotional layer, highlighting the distress caused to Nekst’s family by the unauthorized commercialization of his legacy, an act they describe as “horrifying.”
In a city where the lines of art, fashion, and identity blur, these incidents prompt us to question the ethics of inspiration versus theft. As we showcase these charged visuals, we invite our readers to ponder the fine line between tribute and exploitation in the ever-evolving narrative of street art. This is not merely about images on a wall or polished cotton; it’s a testament to the indelible impact of artists like Nekst on the fabric of urban culture and the complexities of their posthumous relationships with the commercial world.
New York State Governor Kathy Hochul wants to classify some graffiti as a hate crime. The arts and culture press has been writing alarming headlines about this new proposal by the Gov, but the burden lies on the lawyers who need to prove that the intention of the graffiti writer was to target a protected class of people with a hateful screed. Wonder if they will hand out tickets for poor handstyles, too.
New York neighbors and peers of the orange man tried years ago to warn the country against him – and yet he was elected. Now Trump has to pay fines for “ill-gotten” gains totaling $453 million. He really hit the jackpot when the judge barred him and his two sons Friday from serving as an officer or director of any New York corporation. Leading the country, presumably, is still fine.
A day after the verdict, he was hawking golden Trump sneakers. Let’s see, $453 million divided by $399.00…
Here is our weekly conversation with the street, this week including Stikman, Homesick, BK Foxx, Calicho Art, Werds, Goog, LA2, TBanbox, ICU463, Propa, NAY183, Bukse, Joser, Vicer, Faire, Shicks, Angel Ortiz, Mr. Doodle, and Albie.
In winter’s chill, where frost does bite, Lost gloves lie, a somber sight. Left behind in snow’s embrace, Their warmth gone without a trace.
How are feeling? Did you have a good Thanksgiving day, and did you see the crowds and balloons and marching bands along the parade route and the still intact orange and yellow leaves on the trees on Central Park West? Did you see Dolly Parton dressed as a Dallas Cowboy cheerleader singing at the halftime game, and did you see your girl Ava from up the block with her vintage vest and platform boots when grandma sent you out for a can of whipped cream for the pumpkin pies?
“Have you kept pace with the latest revelation in the art world? A remarkable BBC interview with Banksy, dating back two decades, has recently surfaced, sparking renewed excitement. These are indeed vibrant times for art enthusiasts and creators alike. Take, for instance, the Brooklyn Museum’s current showcase. It features an engaging Spike Lee exhibition alongside the innovative ‘Copy Machine Manifesto.’ This zine exhibition is a deep dive into five or six decades of subcultural and counter-cultural movements. It highlights a diverse range of self-published works, including gossip magazines, graffiti newspapers (a nod to David Schmidlapp and Phase 2), and expressions from queercore to hardcore. The exhibit is an eclectic mix of self-aware conceptual art, original fashion, explorations of sexual desire and confusion, comix, handmade collage, and expressions of nihilism, ennui, satire, humor, and lamentation. It’s a vivid reflection of art and expression – and inspirational to any artist who wants to have a voice.
We’re going back for a second helping.
Here is our weekly interview with the street: this week featuring Stikman, Cosbe, Below Key, No Sleep, Huetek, Optimo NYC, Jay Shells, Tatyana Fazlalizadeh, OH!, Muebon, Humble, Jappy Agoncillo, Jeff Roseking, Hu, Manual Alejando, Deter, Jason Shelowitz, and KIR.
Stikman always appears to lurk in New York on street signs, slapped on mailboxes, and stuck into doorways. A Gotham stalwart for two decades or so, his stiff amulet self is true to form, an image of sticks awkwardly compiled, sometimes in 2D, sometimes in 3. He appears in scenes where everyone else is fully formed and buxom, where space travel requires a bubble helmut and silver jumper, where jumbled graphics almost erase him, where nothing else is happening except this somewhat lonely guy quietly existing in the dirty chaos of NY street culture. Stikman.
Over the weekend the always festive Skewville in Bushwick opened the garage gallery and invited old fans and new to see the street artists new show, primarily focused on the hundreds of street signs that he often regards as clients on the street. In an upside-down political, social, and economic environment that gives rather confusing directions, these signs may not provide the route you need to go, but it appears you will be accompanied. In an effort to diversify offerings, there are all manner of products hand-made by the artist here, verging on craft and crazy, and even a simplified mask, if you so desire.
Never one to stand still, except when standing still, Stikman’s wide range expresses his magpie magic; a virtual machine of never-ending iterations – sculptural, comical, cryptical (?). It was cold, but there were heatlamps to warm the fingers, and an on-point dj duo, and tequila. The artist himself was on the lamb, shy as ever. But his artworks had plenty to say.
Here is our weekly interview with the street: this week featuring Faile, Stikman, Elle, Queen Andrea, CRKSHNK, Shiro, Espo, Homesick, DeGrupo, Michael Alan, Dark Clouds, Gats, Manik, Drones, ICU463, El Chalvo Del Ocho, Saxgraf, Smart RIS, Bianca Does New York, Uloang, and Chespirito.
64% of Americans are living paycheck-to-paycheck, China and Russia are buddying up, BRICs countries are looking for new members, and the Bankers in your life are again looking toward their gilded escape bunkers.
We are transfixed by the first indicted US president, and gloating about having a system of democracy and justice. Now he is positioning himself as an “outsider,” a martyr. A billionaire outsider. We’re just waiting for these crowds outside Trump Tower to materialize. Where are they? Honestly, Fifth Avenue is more interested in the Easter Bonnet Parade that is coming.
But it’s a circus on the national tabloid news, which is unfortunately all of the news now. Our best minds are being entertained by 24 hour sports channels, Netflix and Tic Toc, and it’s not an accident. People are chided into fighting each other over trans-woke-snowflake-abortion-race-laptop-AR15-centered-drag-readings. Look! A squirrel!
Meanwhile, the daffodils are blooming everywhere in anticipation of Easter Week. People were cramming subways, buses, and sidewalks yesterday because of the warm sunny spring weather – and Smorgasborg opened this weekend in Brooklyn. NYTimes calls it “the Woodstock of eating,” due to its variety of incredible food choices – but of course, you can have just as much fun with a bag of chips or a slice of pizza sitting on a stoop watching the parade of New Yorkers march/sashay/stride by.
We had a great time at the Bronx Museum yesterday, catching the John Ahearn/ Rigoberto Torres retrospective and seeing both the artists in person during a panel discussion with artist Abigail DeVille – with fans rushing the stage for an autographed exhibition book afterward. These guys have championed everyday New Yorkers through their painted sculptures for four decades. It is revelatory and heartwarming to see this very large collection of works never shown together before. Make sure to check out “Swagger and Tenderness: The South Bronx Portraits” until April 30.
Here’s our weekly interview with the street, this week featuring: Stikman, Zimer, Subway Doodle, A Lucky Rabbit, Qzar, Optimo NYC, Sekt, AMMO, CEYNYC, Toeflop, Early Riser NYC, Julia Cocuzza, and Miki Mu.
Here’s our weekly interview with the street, this week featuring: Adriana Vila, Stikman, City Kitty, Raddington Falls, Miyok, Neon Savage, Vegas, Clone, Samva, SEO Panic, Miki Mu23, and 2Won.
Some kind of big game today we guess. Happens every year about this time – the streets will be empty this afternoon as people will be inside their homes, gathered around their screens, eating buffalo wings, pigs-in-a-blanket and tater tots with family and friends. Happy World Series everybody!
New York street art is heavy with pop icons, pop psychology, and popular culture in this week’s collection.
Here’s our weekly interview with the street, this week featuring: SacSix, Sara Lynne Leo, Degrupo, Eye Sticker, Stickman, Ollin, Jorit, Steve the Bum, and Kir One.
21 years since the Twin Towers came down here in New York City. We remember today in our hearts.
Reliably, street art plays a role in bringing up the socio-political topics that are in the public realm. This week we see artists addressing gun violence, the ongoing battle for/against legal abortion, and LGBT rights. Also, there are just a lot of fun, colorful exhortations that we may or may not understand but which tell us all that the streets of New York are alive and well.
Here’s our weekly interview with the street, this week featuring: Stikman, City Kitty, Praxis, Sinned, Miyok, Trap, Spite, Tea, Goomba, John Domine, WoWi, and Helaenable.
However, there do appear to be more sharks around this summer – and not just your cousin Melvin and his buddies at the pool hall. Ah, New York, your grizzled, gritty exterior hides such a fascinating crushed-velvet heart beating inside…
We’re mainly happy that it’s not a thousand degrees on the streets this weekend, a welcome relief to the heatwave. Ice cream, anyone?
Here’s our weekly interview with the street, this week featuring: Faile, Stikman, Sticker Maul, Degrupo, Homesick, Cone, and Ked.
Ah, never mind, there’s gold in these here streets.
Here’s our weekly interview with the street, this week featuring 4sakn, Adrian Wilson, Against Dgrams, Billy Barnacles, Captain Eyeliner, Corn Queen, De Grupo, DLove, Eye Sticker, Goblin, Mister Alek, Moka, More Less Eveything, Plannedalism, Sara Lynne Leo, Stikman, Sule, The Art of Will Power, Trace1, Werd Smoker, and Winston Tseng .
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