All posts tagged: Stikki Peaches

BSA Images Of The Week: 10.06.24

October 6, 2024 Artists, BSA Images Of The Week

Welcome to BSA Images of the Week!

Who’s in town this week? New York is no stranger to visiting street artists, but the thrill never fades. Right now, we’ve got Kiwi sensation Owen Dippie here to blow minds with his latest piece, plus the wild Italian trio Canemorto. These graffiti-street artist-fishermen from Brianza, up North of Milan, are kicking off a three-day performance at Matta. Come by to see what is the catch of the day, and they might be speaking their own brand of “Canemortish”. The three-day event will be fresh Thursday through Saturday – let’s see what they’ve reeled in for you!

Shout out to the Brooklyn Museum, which hosted hundreds of guests at the gala opening of a new show featuring 200+ Brooklyn artists Friday night. A celebration of the museum’s bicentennial, the collection gives a stunning overview, a diverse array, and an appreciative stage for many artists working here today. The Brooklyn Artists Exhibition is organized by Jeffrey Gibson, Vik Muniz, Mickalene Thomas, and Fred Tomaselli and coordinated by Sharon Matt Atkins, Deputy Director for Art. If you can’t get to NYC, take a virtual tour of the exhibition.

Also congratulations to Museum of Graffitti for their first show in Shanghai. Co-founders Allison Freidin and Brooklyn native Alan Ket have mounted MOG’s very first exhibition on mainland China, “Street Echos”, right in the heart of the Changning District of Shanghai. A year in the making, the show combines an explanation of graffiti’s humble roots with the current status of the art form.

Tensions are sky-high on the streets with just a month left until the Presidential election. Hurricane Helene has already left over 200 dead and parts of the Southeast are still struggling to recover. Mayor Eric Adams seems to be clinging to his seat for now, while the anti-immigrant rhetoric is getting louder while a program 35 new billboards are welcoming immigrants to society. Meanwhile, the stock market’s flying high even though a recent report from the non-partisan Congressional Budget Office (CBO) lays bare the harsh truth: for most Americans, the economy is broken. And let’s be real—it’s been that way for years, no matter which party’s been calling the shots.

But at least New York may get a Subway Series this month, so let’s go Yanks and Mets! What are the odds?

And here we go boldly into the streets of New York to find new stuff from: Jeremy Deller, Joe Iurato, Veng RWK, Jason Naylor, Stikki Peaches, Muebon, CP Won, Never Satisfied, Mena Ceresa, and Brozilla.

Joe Iurato for The Bushwick Collective. (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Lauren Eggleston and MoveOn – with an assist from ACAB. The small addition of a rectangular mustache swings the entire vibe. VOTE (photo © Jaime Rojo)

Untitled. Manhattan, NYC. September 2024. (photo © Jaime Rojo)

BSA Images Of The Week: 04.21.24

April 21, 2024 Artists, BSA Images Of The Week

Welcome to BSA Images of the Week!

“It’s the only time of the year when New York City smells good,” says your cranky Uncle Jaime about the flowers and blossoms everywhere as he stretches on the couch with his second cup of coffee and gazes out the window at the sky. Outside, there is a battle between the diverse vocal repertoires and mimicry of mockingbirds singing from branches, utility poles, and wires – and the little league fans squealing, exhorting, and shouting with joy from the bleachers every time a smartly uniformed child whacks a ball with the wooden bat and trundles up the path to first base.

We are constantly amazed by the new street art that is popping up in the boroughs – on construction fencing around empty lots, on doorways in industrial zones, on chain-link fences under bridges, on old telephone booths, lamp posts, crumbling brick facades, and the backs of street signs. With the New York spring, there are tulips popping up from the grassy patches everywhere – even those random 3-foot-long rectangles surrounded by concrete and piled with dog poop.

There are blooms on the trees – the Kwanzan and Yoshino cherry trees are in bloom at the Brooklyn and Bronx Botanical Gardens, in Central Park in Manhattan, in Flushing Meadows Park in Queens, in the New York Chinese Scholar’s Garden at Snug Harbor in Staten Island. Spring also brings us a new crop of fresh aerosol missives, wheat-pasted characters, stenciled witticisms, radical opinions, and secret yearnings. Together with the weathered and the worn street art from previous seasons, it’s an ongoing visual cacophony.

In New York news, a two-sided painting by the eclectic painter and collector Martin Wong and graffiti writers Sharp and Delta2 is featured in MoMA show “In the Shadow of the American Dream”, a man set himself on fire publicly near the Trump hush-money trial this week, similar to the US soldier who self-immolated to protest Israel’s actions in Gaza and US support for it a few weeks ago, former Mayor Guliani’s son appears to follow in his father’s footsteps, Passover is in full effect with convoys on streets in Brooklyn, Pro-Palestine marchers vow more action on campuses following this week’s demonstrations at Columbia, and a guy was arrested for writing ‘ceasefire/free Palestine’ with a Sharpie on a subway.

And now, here are images from our ongoing conversation with the street, this week, including: Captain Eyeliner, Tats Cru, Stikki Peaches, Eternal Possessions, Jappy Agoncillo, One Rad Latina, Tom Bob NYC, Travis, BBW.BUND.COP, Lunar YCP, NAY 381, and Kristian Boyum (visiting from Norway).

Eternal Possessions (photo © Jaime Rojo)

Untitled. Spring 2024. NYC. (photo © Jaime Rojo)

BSA Images Of The Week: 11.20.22

November 20, 2022 Artists, BSA Images Of The Week

Welcome to BSA Images of the Week!

Leading up to Thanksgiving this Thursday, we can say that we are thankful to you for your support and encouragement. Thanks to the artists for the inspiring ideas and the loosely woven ecosystem that keeps them going – gallerists, festival organizers, brands, museums, curators, and fans. We’re happy to bring you more fresh stuff this week too.

The first female speaker of the House announced her retirement from the role this week – and it looks like both the House and Senate may be lead by Brooklynites if Hakeem Jefferies gets his wish. A new meaning, in that case, to ‘Brooklyn is in the house!’

This week has been busy with graffiti and street art events and announcements – many not related to Banksy! A new photography collective of heavy hitters in early NY hip hop/graffiti documentation announced themselves at the International Center for Photography (ICP), Swoon and Jeffery Deitch played to an overflow crowd for their talk at Deitch’s gallery to launch her second book, and Al Diaz curated and opened the new City of Kings: A History of New York City Graffiti – along with additional curation from graffiti archivist and artist Eric ‘DEAL CIA’ Felisbret and art educator Mariah Fox. On the west coast, people are talking about the new Beastie Boys show that’s curated by Roger Gastman and Beyond the Streets and which runs in December and January.

Here’s our weekly interview with the street, this week featuring: Stikki Peaches, Homesick, Drecks, Rime MSK, Bust Art, Le Crue, Sinclair, Duel1, La Nueva Era, Hugus, and Aine.

Bust Art is in town – with this collabo with Wandart. (photo © Jaime Rojo)

Le Crue for East Village Walls. (photo © Jaime Rojo)

A very animated and animating RIME MSK vertical install (photo © Jaime Rojo)

A few scrawls around the Williamsburg neighborhood like this feel suspicious like they are not by a concerned citizen but part of a propaganda campaign. Unidentified artist (photo © Jaime Rojo)

Untititled. Fall 2022. NYC. (photo © Jaime Rojo)

BSA Images Of The Week: 05.09.21

May 9, 2021 Artists, BSA Images Of The Week

Nomadland won the Oscar for the best movie this year, a fact that you may not know because A. The Oscars are nearly completely irrelevant, and B. Covid era-awards programs have been the equivalent of watching your dad unclogging the kitchen drain. An unvarnished story about a growing ecosystem of Americans living in cars, trucks, and RVs in parking lots across the country, Nomadland toes a line between blaming neo-liberal vulture capitalism/ de-industrialization of the last 40 years and dipping into the American myths of people who just want to live their life free and unencumbered.

Meanwhile, in New York more people are finding the rent to be too high and are moving into RVs, according to The Daily News this week. In the article they speak with Giovanni, a first responder whom we were probably clapping for last year when he was saving lives from Covid.

In the article Giovanni says, “I was an EMT… you want to talk struggling‚ that was really rough,” he explained. “I had to have somebody rent out my living room just to be able to cover the rent. That’s how hard it was. After doing that for three, four years, I was like, I’m done with this. I quit. I’m over it.”

“I went to college, I did pretty much everything that I was told I was supposed to do in order to have a good life. And it didn’t turn out that way,” he explained.

As the moneyed Real Estate kingpins are fighting against extending a rent moratorium in the city to August 31 and to end moratoriums across the country, you have to wonder where everyone will go once the stimulus checks have dried up, inflation kicks in, and landlords evict people.

Meanwhile, we’re following the street art in a number of neighborhoods in New York this week – and wondering where the topical or political works are. The current generation who are putting work on the streets may venture into politics, but only identity politics. BLM, trans rights, that sort of thing.

New York is headed toward 70% vaccinated soon and the city is actually talking about offering to vaccinate tourists! Soon you can go to the Met, see a Broadway show, eat dinner in Little Italy, get cursed out by a homeless guy, and get a stab in the arm from Pfizer! New York, New York! It’s a wonderful town!

So here’s our weekly interview with the street, this time featuring: 2 Much, Armyan, Cautious5, Cekis, City Kitty, Cramcept, Denton Burrows, GIZ, Healer, Homesick, Leviticus, LNE Crew, Lunge Box, MalincheArt, MeresOne, MrBbaby, No Sleep, Paul Richard, Ponzi, Ramiro Davaro-Comas, Smart, and Stikki Peaches.

Stikki Peaches. Welcome Back to the streets of NYC. (photo © Jaime Rojo)

Cekis for the Bushwick Collective. (photo © Jaime Rojo)

Cekis for the Bushwick Collective. Unfortunately somebody got there before I did… (photo © Jaime Rojo)

Citi Kitty with Lunge Box (photo © Jaime Rojo)

Ramiro Davaro-Comas (photo © Jaime Rojo)

Smart and GIZ for The Bushwick Collective. (photo © Jaime Rojo)

Smart The Bushwick Collective. (photo © Jaime Rojo)

GIZ for The Bushwick Collective. (photo © Jaime Rojo)

Denton Burrows with Cramcept (photo © Jaime Rojo)

Malinche. We are trying to figure out why would the artist associate a murderous, vicious cartel leader such as El Chapo with Lady Liberty iconography. The infamous drug dealer is currently held in a Federal prison in Brooklyn serving a long, long sentence. Is Malinche asking for his release? (photo © Jaime Rojo)

Sort of like our economy, this is Ponzi (photo © Jaime Rojo)

…and it has worked. Leviticus (photo © Jaime Rojo)

Untitled. Peony. Spring 2021. Brooklyn, NYC. (photo © Jaime Rojo)

URVANITY 2018: 3 Days in Madrid

March 12, 2018 Artists

Today we go to the Urvanity New Contemporary Art Fair in Madrid to see some art inside and outside the fair and to hear about some of the programming happening there, courtesy of Fernando Alcalá Losa.

URVANITY New Contemporary Art Fair 2018

Or, “How we spent the whole weekend in Madrid enjoying art, friends and talks while censorship from the central Spanish government is choking the liberty of expression.”

The 2nd edition of Urvanity New Contemporary International Art Fair was our main focus of interest. With an exciting program including some of the most interesting galleries and artists from all over the world, 4 walls being produced in different areas of the Spanish capital and a more than attractive set of talks and lectures, we knew that we were going to make our weekend. But, of course, there was going to be more, much more…

Cranio. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

DAY ONE: Galleries

After sleeping a few hours, I started my little marathon outside the new Urvanity headquarters in the beautiful ME Madrid María Victoria Hotel for attending a round table about ‘Women in the cultural industry beyond feminist clichés’. With Alberto Aguilar from Urvanity moderating, I was excited to see what journalist Belén Palanco, gallerist Consuelo Durán and artist and friend Anna Taratiel had to say about all this arty world ‘dominated’ by men in these times when initiatives like La Caja de Pandora are rebelling against sexual abuse and the heteropatriarchy hegemony in the art world and fighting for visibility, justice and equality in working conditions and salaries.

Jan Kaláb. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Artists like Nuria Mora and Animalitoland, Sergio Bang, from Swinton & Grant Gallery, and Diana Prieto from MadridStreetArtProject were in the audience. Issues like education, quotes, discrimination, the toughness of being a female street artist, being out or inside the system, some critics to the female clichés and personal experiences were brought into the table. Being a heterosexual cis male, I don’t know if I’m the right person to say this, but I missed a more radical speech about the whole scenario and the role of women about making the necessary changes for reaching the place and conditions that they deserve.

Apart from this, Juncal Roig, Urvanity’s communication manager, had prepared a little gift with fellow artist Antonyo Marest. Last year, Marest had painted 4 walls in a nice courtyard inside the Hotel, so we did a small private shooting with the artist. It was fun, because we had to access the place through a window in one of the rooms. As Antonio said, imagine how ‘easy’ it was to move 6-floor wall scaffolding through that small ‘hole’. Watch out for Marest USA tour coming soon in the next months.

Jana & JS. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

‘The Impact of Urban Creativity in Cities’, a talk, as I said before, by Contorno Urbano founders, was next. Ninoska’s and Esteban’s explanations about some of their most important projects and about how to work with students, neighbors, the local authorities and the artists themselves really got my attention, although I was already aware about the details of their work. The never ending growing 12+1 project and, of course, the soon to come ‘Mural Salut Wall’ by Escif were some of the top hits of the lecture, including the announce of the International Tortilla Competition held this last weekend at Sant Feliu de Llobregat’s La Salut square as a part of Escif art residence in the city. Hyper fun 3rd grade by the artist that caused lots of laughs between the audience. Looking forward to see what Escif will create in the next months here.

Long but full of experiences day. Beer time and back to our place where a bunch of young adults were waiting for us celebrating Miriam’s (our host) birthday, singing songs with ukuleles at 2am and drinking bourbon. Fuck me: I’m getting old…

Jana & JS. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

DAY TWO: The day of Walls.

Good morning Vietnam! Slept 4 hours, dizzy head (if you can’t fight the enemy, join him) and García in groundhog mode on. I was starting to feel kind of nervous, as I hadn’t seen a wall yet, so I had a mission going on. Being lucky enough to know one of the best hosts that you can find in Madrid, I met Guillermo, from Madridstreetartproject ‘MSAP’, had some quick breakfast and began walking by. Guille was one of the people taking care of the production duties of the Urvanity walls. A veteran actor in the local scene, his way of seeing and understanding the urban landscape is outstanding.

Cranio. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Guillermo de la Madrid)

I had to leave Cranio’s wall for Sunday due to ‘logistic’ reasons. But, I was so glad to have the chance to shoot with Alexey Luka, as I had seen some photos about the WIP of his mural and I was loving it. After a small talk with the artist and the ‘formal’ presentations, I began shooting from the ground while Guille was struggling with drivers trying to not have them parking besides the crane.

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Then a little magical episode took place when Javier, a neighbor living in the building opposite to Luka’s wall, offered himself to give us access to the rooftop. Nicest human being ever, Javier told me that he was a military pilot and a great photography aficionado. It’s always surprising to me how people that don’t know you at all trust in you and open their houses to strangers like us, offering all the possible help because they are liking the project and/or the artists’ work.

Alexey’s wall was being a tough one to deal with. Guille, Rocío and the rest of the production team had to treat the wall twice with some special products because dust and sand were getting out from it. They lost 2 days because of this, but when I arrived there, everything had been solved and the artist was working hard. After dealing with a couple of issues, we head to the next wall… Before, I would love to say some words about Rocío here. We have just met maybe twice during all these years.

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Working and collaborating with MSAP, Mula Fest and Asalto among others, it’s always interesting to listen to her clever thoughts and knowledge about the whole scene, how she approaches the tours that she guides in Madrid and get to know a little bit more about the kind of person that everyone would love to have in their teams. You can check Rocio’s blog here.

Maybe Jan Kaláb’s wall was the most popular one during the whole weekend. Pedestrians were loving the mix of nice colors and soft shapes – so selfies, stories and boomerangs were spreading as flu. I just tried to include some human traffic in the photo. Maybe I have a thing with old ladies… Just maybe…

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Guillermo de la Madrid)

Xavier Eltono’s talk was one of my top moments of the whole trip. Although I follow his career since years ago, I hadn’t got any deep thoughts about his work. After I heard what he had to say about his art and about how he connect his studio work with the skin of the cities where he had intervened, I understood a lot of things regarding his philosophy and the way he interacts with the city.

Another thing that got my attention during his lecture was the fact of how many respected artists were attending the talk. Names like Zosen, Mina Hamada, Aryz, Rocblackblock, Daniel Muñoz SAN, Kenor, Anna Taratiel, Suso33, Aleix Gordo, Vermibus…were there showing respect for Eltono’s art and explanations. The academic world was also represented nicely with awesome Fernando Figueroa and Elena Gayo.

Xavier Eltono. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Xavier told me by email that this talk had been very important for him, so I asked him why: ‘I’m used to give talks, I do a couple every year and I actually really enjoy it. Doing it in Madrid though was a very different exercise. Even if I’m not Spanish, I became an artist in Madrid, this is the city where everything started for me. Talking about my work in this city was very challenging to me because I knew a lot of friends and a lot of artists I admire would be listening to me. It’s very easy to talk about your work in front of an anonymous crowd but in front of people you know and you care about is totally different! I was very nervous, but, according to the feedback I received after the talk, it looks like no one noticed it!!!’

Tina Ziegler of Moniker Art. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Then, the main dish of the menu took place. ‘The Art Conference, by Urvanity’, hosted by Doug Gillen, from Fifth Wall TV and featuring some of the most important managers/curators/creative directors/promoters in the biz was meant to be the grand finale of Urvanity’s Saturday program. Tina Ziegler, Director of Moniker Art fair, Yasha Young, Creative Director of Urban Nation Museum, and Anna Dimitrova, Director of Montana Gallery, were adding some more girl power to the place.

Yasha Young of Urban Nation Berlin. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

FER: One of the most interesting things about the fair this year was the Talks Program. I couldn’t go to all of them because I would need to clone myself for attending everything, but was it intentional for you to enhance this side of the event? Do you think that these talks and lectures are useful for attracting a potential audience or are they more focused on an indoor point of view for people inside the art world? Why the 2 talks were the role and presence of women was more significant were moderated by a guy with a penis?

Sergio Sancho: For us the talk program it is a fundamental base within the fair. It is something that we want to keep on and give more importance and visibility. We think that the best way to understand this movement it’s from inside, giving voice and visibility to the main characters. About the moderator you are talking we think the gender its irrelevant. This year we wanted to give more visibility to women in a world where there is such an inequality and it has been casual that in the case of The Art Conference the moderator that Tina used it’s always a man and in the case of the talks opening program it has been Alberto the leader and we think it was the suitable person to do so.

Esteban Marin and Ninoska of Contorno Urbano Foundation. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

An impressive example of power, clear minds, commitment and, above all, tough work during several years in a penis based industry, these 3 forces of nature explained to us the main points of their careers, their way of working, their ethics, spoke about good practices and loyalty, some episodes about dealing with male chauvinism attitudes and how to get through all this without stepping forward.

Antonyo Marest. Madrid, Spain. February 2018. (photo © Fer Alcalá)

After personally meeting Ampparito and chatting a little bit with Octavi Serra and some other guys from Cúmul we ended the day talking and drinking beer in a relaxed atmosphere at some ‘Manolo’ bar in Madrid. Time to breathe, smile and relax.

DAY THREE: The art fair day.

And Sunday arrived. Keeping the military discipline of the whole weekend, woke up early, had some bad coffee while planning the morning and started my 3kms walk to check Cranio´s wall out. Sunday is ‘rastro’ day in Madrid, so some streets and squares of the area were flood with people that you had to avoid while trying not to kill yourself watching the screen of your mobile phone as it was compulsory for me to check the map and my old time friend Kini González was helping me out getting some invitations for colleagues.

Once of the few times that I was moving my head up, I almost crashed with some familiar guy. Rafa appeared suddenly in front of me with his eternal smile in the face. A friend from Barcelona, it had been years since we had seen each other, so it was a funny and nice coincidence to meet by chance 624kms away from our hometown. We continue our walk together speaking about life, anarchy, music and veganism and, at the same time, Guille was telling me the last news about Cranio´s work as we were all pendant of the keys of the crane for the final shot.

Jan Kaláb. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

As I was seeing that this wasn’t happening in the next few hours, I changed my plans and went to Luka’s wall as I wanted to take some photos from the crane. There it goes… Say bye to Rafa, put my stuff together and we went up for capturing some details.

As we were saying in Madrid, there’s a poker of photos that you should take while capturing, if possible, the whole process of painting a big mural: shots from the ground, shots from other buildings and rooftops, shots from the crane and the final shot. If you get decent photos from all these angles, you will come back home with a smile on your face… I missed Luka’s final photo, by the way, as he finished his work on Monday.

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Once we had arrived to Urvanity’s headquarters I started to check all the artwork that galleries like Montana, SC, Ink and Movement, Stolen Space, Fousion, Plastic Murs, Swinton & Grant, Station 16, Ruarts or Pretty Portal were exhibiting. I liked to see some personal faves like Enric Sant, Isaac Cordal, Sixe, SAN, Herakut, Deih, Hyuro, She One, Dilka Bear, Kofie, Jaune, L’Atlas, Stikki Peaches, Anna Taratiel or Guy Denning, having in mind that you don’t always have the chance to admire all these people’s work in one place at the same time. I also enjoyed to discover other great artists that were kind of new for me like Gregory Watin, Marc C. Woehr, Solomostry, Spazuk, Jaime Molina or Morik Marat.

I also spoke with some of the gallerists who were quite happy about the sales and the whole experience in general. Okuda almost did a sold out, Taratiel sold her bigger piece for Durán gallery, veteran Henry Chalfant and Enric Sant were also selling for Adda & Taxie. Vicente, from Plastic Murs, was much happier with the sales this year than he was in 2017 after seeing how Deih and, above all, Vinz had been successful during the fair. Dilka Bear for Fousion gallery also saw how some of her works were going to some collector’s homes.

Jana & JS. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

It was also interesting for me to know that Kofie ‘papers’ in Swinton & Grant had been sold even before than the fair officially started. Classic names of the scene like Gripface, Stikki Peaches, GR170 or Belin also sold in this year edition. On the opposite hand, Olivier, from Vroom & Varossieau, which exhibited one of the most powerful group of artists in the fair, told me that his sales had been better last year, maybe because of his high prices. As we say in Spain: ‘nunca llueve a gusto de todos’ (something like: not everyone likes when it rains).

I spent my last minutes at COAM trying to find Sergio, Juncal and Victoria from Urvanity’s team without success, as I wanted to say bye and thank them for the treat that they gave to us during the whole weekend. I really like when you get the chance of meeting personally people that you have spoken with by email and that you have interacted with on the social media, as it happened this time with Sergio and Victoria.

Okuda. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

So, this was it. We couldn’t leave Madrid without having a couple (a couple…yeah, right…) of vermouths with some old time friends and colleagues, feeling sad because of the ones that we missed and thinking about all the great moments and experiences that we had lived during the weekend.

Thanks A LOT to all of you who we spent some time with during those 3 crazy days, specially to Sergio, Juncal and Victoria, Miriam for sharing her home with us, Guille, Diana & Rocío for being there as always, Lara, Soledad and Rebekah, at Espacio SOLO, for being such great hosts and, of course, Audrey García for breathing and existing. ‘til next time Madrid…

Laurence Valliéres. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Jaune. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Daniel Muñoz AKA SAN. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Guy Denning. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Augustin Kofie. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Herakut. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Hyuro. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Spok. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Henry Chalfant. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Isaac Cordal. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

JAZ. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Stikki Peaches. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Deih. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

URVANITY ART MADRID 2018

UN Convenes Scenes, Creates Its Own in Berlin. Artists in Action for Project/12 and More

May 18, 2017 Artists

Shepard, Findac, Stikki Peaches… and that’s before we even get into the UN exhibition space or the main museum space – both locations a combustible beehive of painting right now with perhaps twenty artists working at once.

Lowrider for Urban Nation Project M/12 curated by Evan Prico/Juxtapoz. Berlin, May 18 2017. (photo © Jaime Rojo)

Somehow this is the frenetic energy that we have grown to expect of a typical Urban Nation event. It is simply not enough energy unless the event you came for is compounded by three or thirteen other Urban Nation events happening simultaneously, due in large part to the omnivorous aesthetic and cultural appetite of director Yasha Young and her big-thinking and resourceful team.

In the three years of Project M exhibitions leading up to the official opening of the UN museum this September, Ms. Young has spread the curatorial wealth, mixed multiple metaphors, ignored stylistic boundaries, stirred myriad emotions and fired up a lot of talk on the street with weeks like these.

Daan Botlek for Urban Nation Project M/12 curated by Evan Prico/Juxtapoz. Berlin, May 18 2017. (photo © Jaime Rojo)

Evan Pricco’s description to us of his own curated show here helps to define this moment as well, “It’s sort of a nod to not really having to have boundaries, or a proper definition, but a feeling that something is happening. Its not street art, its not graffiti, but its this new wave that is looking out, looking in, and finding new avenues to share and make work.”

In New Orleans, they would call this savory multi-layered sensory-rich dish something like Jambalaya. In the Gambia it would be an Oyster Stew, in Spain it would be one of Valencian restaurateur Juan Galbis gargantuan paellas. Hungry yet?

Ermsy for Urban Nation Project M/12 curated by Evan Prico/Juxtapoz. Berlin, May 18 2017. (photo © Jaime Rojo)

At this moment there are artists and production folks preparing a new curated show by Pricco, Editor in Chief of Juxtapoz magazine in the UN auxiliary gallery called. He’s calling it “What in the World?”. Simultaneously there are preparations down the block for a huge dinner and night of live performances and temporary art installations inside the actual evolving museum space called “We Broke Night!”

And there are several outdoor installations roving throughout the neighborhood at the same time, with passersby interacting with and engaging the artists in discussions. All levels and disciplines of artists from the Street Art/Graffiti continuum are converging in this neighborhood painting, pasting, stenciling, hanging, installing, — enormous wall pieces (Shepard), smaller collaged wheatpastes (Stikki Peaches), hand-painted murals on a ladder outside walls (Findac), hand painted signage and calligraphy (Serge Lowrider), multi-layered stencil portraits (Snik), optically dizzying tape installations (Tape Over Crew), post-graffiti bucket painted organic geometries (Erosie and Daan Botlek), and yes, much more.

Erosie on the left with Grotesk’s news stand on the right for Urban Nation Project M/12 curated by Evan Prico/Juxtapoz. Berlin, May 18 2017. (photo © Jaime Rojo)

Variety and quality like this is unthinkable at best and un-pragmatic at worst in formal exhibition spaces and institutions. But witness the panoply unfolding before your eyes and this hybrid may strike you as a truer contemporaneous representation of this complicated generation than most organizers have the gall to attempt.

Somehow, this all works. Being in the midst of this UN kitchen feels as alive as the scenes it convenes.

FinDAC for Urban Nation in conjunction with PM/12. Berlin, May 18 2017. (photo © Jaime Rojo)

Stikki Peaches for Urban Nation in conjunction with PM/12. Berlin, May 18 2017. (photo © Jaime Rojo)

Shepard Fairey for Urban Nation in conjunction with PM/12. Berlin, May 18 2017. (photo © Jaime Rojo)

Shepard Fairey for Urban Nation’s “We Broke Night” Berlin, May 18 2017. (photo © Jaime Rojo)

Snik for Urban Nation’s “We Broke Night” Berlin, May 18 2017. (photo © Jaime Rojo)

James Bullough for Urban Nation’s “We Broke Night” Berlin, May 18 2017. (photo © Jaime Rojo)

Fanakapan for Urban Nation’s “We Broke Night” Berlin, May 18 2017. (photo © Jaime Rojo)

BSA Images Of The Week: 05.22.16

May 22, 2016 Artists, BSA Images Of The Week

No time to talk, you’ve been running to the streets to see new pieces and peaches like a new D*Face in Soho, Rubin’s solo show in the Bronx, the Brooklyn-themed pop up at Doyle’s Auction house in Manhattan, Swoon and Shep and Swizz at Pearly’s in LA, the Social Sticker club collabo melee with Roycer and Buttsup at a bar in Williamsburg, and the growing collection of rocking new Coney Art Walls. Also, Post-It Wars in corporate agency-land Manhattan.

Here’s our weekly interview with the street, this week featuring 1Penemy, BG 183 Tats Cru, Bio, Bristol, Daze, D*Face, Eric Haze, Goms, Nicer, Nova, Pegasus, POE, Stikki Peaches, Thiago Gomez, and Word to Mother.

Our top image: D*Face for The L.I.S.A. Project in Manhattan. (photo © Jaime Rojo)

HAZE completed this fresh tribute wall dedicated to MCA of the Beastie Boys for Coney Art Walls 2016 in Coney Island, Brooklyn. (photo © Jaime Rojo)

“Ain’t seen the light since we started this band
M.C.A. get on the mike, my man!
Born and bred Brooklyn
The U.S.A.
They call me Adam Yauch
But I’m M.C.A.”

No Sleep Till Brooklyn

1PENEMY stenciled of a mock mug shot of famed supermodel Stephanie Seymour. (photo © Jaime Rojo)

Stikki Peaches comes out with a dream posse of rebels; James Dean, Steve McQueen, Elvis Presley, and Marlon Brando on the streets of Brooklyn. (photo © Jaime Rojo)

DAZE completed this wall for Coney Art Walls 2016. Included in the composition of this mural is the Elephant Hotel, a seven story, 31 room fantasy hotel built in old Coney Island in 1885 shaped like an elephant. Besides the guest rooms the structure also boasted an observatory, a gift shop and a concert hall before it burned down in 1896. (photo © Jaime Rojo)

A Banksy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

According to New York Magazine the Post-it “artists” took their craftsmanship to new heights after someone installed a simple “hi” message on the window of one of the two buildings facing each other on Canal Street. After one week the “war” is in full effect with several messages directed at each other offices ranging from “Will you marry me” to songs’ lyrics and other pleasantries and pop references. The two buildings are known for housing several ad agencies, Getty images and New York Magazine.

A Keith Haring-inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

An unidentified “artist” applies his final touches to the Snoopy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A close up of two window pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A general view of several windows and pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A “Marry Me?” sign made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

Unidentified artist. The piece is signed but we don’t recognize the signature. (photo © Jaime Rojo)

Pegasus’ Trump piece on the streets of Bristol, UK. (photo © Urban Art International)

POE (photo © Jaime Rojo)

Word To Mother beautified the AthenB Gallery van in Oakland, California on the occasion of his solo show currently on view. (photo © Brock Brake)

Bio, Nicer and BG 183 of Tats Cru completed their totally fun and vibrantly hued wall for Coney Art Walls 2016. (photo © Jaime Rojo)

Thiago Gomez and Emilio Cerezo collaboration wall in Barcelona, Spain. (photo © Lluis Olive Bulbena)

NOVA (photo © Jaime Rojo)

Untitled. Berlin. April 2016. (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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LoMan Art Festival Launches Its First Blast in NYC

August 12, 2015 Artists

In a Street Art story rich with irony, Lower Manhattan has just hosted its first official mural festival.

Space Invader (Photo © Jaime Rojo)

It’s not that the island has been bereft of murals of late – the Los Muros Hablan festival in Harlem has been through a couple of iterations way uptown, Brooklyn has the Bushwick Collective, and Queens has been hosting the Welling Court Project.

The irony lies in the fact that this Lower Manhattan Arts Festival (LoMan) is really the first codified effort to highlight the work of graffiti and Street Art creators in a section of NYC known from the 1970s-90s for the free-range street stylings of artists like Jean Michel Basquiat, Al Diaz, Keith Haring, Dan Witz, Jenny Holzer, Richard Hambleton, John Fekner, WK Interact, REVS/Cost, and artist collectives like AVANT, among many others.

A major coup of sorts, LoMan exhibited the sculpture of NSA whistleblower Edward Snowden that mysteriously showed up in a New York park this spring by Andrew Tider and Jeff Greenspan (Photo © Jaime Rojo)

In other words, on this baked concrete slab of downtown New York that was once a creative cesspool and Petri dish for on-the-street experimentation calling upon all manner of art making, today’s newly arriving young artists have no dream of moving in. In fact, most have fled in search of affordable rent.

Now the entrepreneurial spirit of a couple of guys, Wayne Rada and Rey Rosa, is luring artists back into Lower Manhattan, if only to paint a mural and help the tourist trade in Little Italy. That is how the L.I.S.A. Project (Little Italy Street Art) began three years ago, bringing in about 40 artists – a list that includes big names and small with varying degrees of influence on the current scene.

Dain and Stikki Peaches (Photo © Jaime Rojo)

Despite the historically inhospitable demeanor of hard-bitten and often bureaucratic old New York greeting him at many junctures, Rada has had some measured and great successes along the way, convincing local wall owners to give a mural a try and raising funding from local businesses and art fans to help artists go larger.

So LoMan Fest’s first edition has finished this year, and along with a few volunteers, a smattering of helpful partners, and nearly continuous negotiations with local building owners, art supply companies, cherry picker rentals, and a collection of local and international artists, Rada and Rosa have pulled off a new event. Impressively it included large murals, smaller street installations, a couple of panel discussions, some live music performances, outdoor film screenings, a sticker battle, a live painting battle, live podcasts, a graffiti zine table, and a sculpture garden in an emptied parking lot on Mulberry Street.

Damien Mitchell (Photo © Jaime Rojo)

“Struggle would be a good word. But like anything else when you are starting something for the first time you are spending a lot of time putting systems in place,” says Rada of the process. “There have been interesting challenges with the building owners and with the artists but when it is all said and done it has been all worth it.”

For a scene that was initiated by autonomous un-permissioned art-making on private property, the process of organizing graffiti and Street Artists to do approved pieces on legal walls may try the patience of the rebels who look on mural festivals as lacking ‘street cred’. But Rada sees it differently.

Tatyana Fazlalizadeh expands on her campaign with brand new portraits for “Stop Telling Women to Smile.” (Photo © Jaime Rojo)

“You know there are people in this world that don’t appreciate this and I just want people to enjoy the pieces as long as they can. Isn’t the fun part of street art that moment when you turn the corner and discover it? That’s really what we are trying to do here. For me it’s a collaborative process of trying to find them a spot – which is also normally something bigger where they can take their time and really think it out. In turn, when that work is complete their existing fans enjoy it, and also it helps them get new fans.”

Tatyana Fazlalizadeh (Photo © Jaime Rojo)

A final irony is that LoMan is joining a long list of Street Art-inspired mural festivals worldwide that you might have thought New York would have been near the front of.

Brooklyn Street Art: I imagine you’ve seen the rise of Street Art festivals and you’ve seen the character perhaps of specific festivals in different parts of the world. Do you think there is something specific about New York’s current Street Art scene that has a personality or specific voice?
Wayne Rada: First of all I studied every single festival out there from Pow! Wow! to Nuart, every single one. I’ve also had conversations with people who coordinate those festivals so that I could do a better job with this. I just feel like New York is, and this is grandiose to say, the nexus of the universe for the art world. It just seemed there was something missing and it made sense to have something here.”

Tatyana Fazlalizadeh (Photo © Jaime Rojo)

Given the history and the populations of NYC, maybe the strength is the diversity of styles and international artists who are drawn to this particular city to drop a piece throughout the year on rooftops, under bridges, on abandoned lots and doorways. After a minute, Rada decides that this may be what makes a festival like this distinctly New York.

“So in the art world there are so many artists and there are so many Street Artists – and Lower Manhattan especially is represented by something like 126 different cultures and many different races and languages that make up downtown,” he says, “so it makes sense to try to be as diverse as possible and have as many of those voices represented as we could – men and women, all ages, and all walks of life.”

Here’s your first look at LoMan, but it won’t be your last. Rada and Rosa tell us they already have 2016 all planned.

Art Is Trash typically uses actual trash found on the street to create impromptu dioramas (Photo © Jaime Rojo)

Art Is Trash (Photo © Jaime Rojo)

Ron English added a pink “Temper Tot” shortly before LoMan commenced. (Photo © Jaime Rojo)

Nicolas Holiber uses found wood to create a new “Venus” (Photo © Jaime Rojo)

Nicolas Holiber. “Mars” (Photo © Jaime Rojo)

Hanksy (Photo © Jaime Rojo)

Sonni (Photo © Jaime Rojo)

The DRiF pimping a statue of David. (Photo © Jaime Rojo)

As in “The Lower East Side” by Russell Murphy (Photo © Jaime Rojo)

Faith47 (Photo © Jaime Rojo)

Buff Monster (Photo © Jaime Rojo)

BD White and JP Art (Photo © Jaime Rojo)

Gilf! (Photo © Jaime Rojo)

Ori Carino (Photo © Jaime Rojo)

A new sculpture by Leon Reid IV (Photo © Jaime Rojo)

Tats Cru in monochrome (Photo © Jaime Rojo)

At press time the works of ASVP, Beau Stanton, Crash, Solus and Ludo were either not completed or had just begun. We’ll bring you these pieces on a later article.

To learn more about the LoManArt Fest click HERE

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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This article is also published on The Huffington Post

A Brief Look at NY Art Fairs : Spring/Break & Scope

March 16, 2015 Artists

Did you have a chance to hit some of the shows during New York’s Amory Week? Part blessing and curse, New York has this pre-Spring ritual of organized galleries tucked into little booths in far-flung neo-convention center architectural spaces that offer an onslaught of fascinating new ideas and artists who inspire you and give you a glimpse of the future. Alternately the works on display can sadden you with much derivative mediocrity scattered around and small chartreuse plumes of resentful dealers who clearly are not “people” people alternately ignoring or staring at you.

Before we headed to Berlin for a show we had time to made a mad dash through Scope and The Spring Break Art Show. Here are a few things that caught our eye.

The Spring/Break Art Show, now in its 4^th year, is perhaps a current favorite because it creates space for exploring and considering. A 40 curator-driven art fair that featured 150+ artists on display in the re-purposed Moynihan Station (the enormous and grand old main post office), the panoply of concepts tweaked and piqued electrodes in the brain with plays on perception – one of the best outcomes you can hope for with contemporary art. Perhaps because the space is free for the curator, the ideas are similarly liberated.

And everyone is welcomed – collectors, artists, galleries, critics, scene junkies. TRANSACTION was the theme in the Skylight wing that looked like it hadn’t been used for about 20 years. There was a faint fear of Asbestos swirling around our heads while we appreciated the institutional decay of the interiors, laying a background for the fairs multiple installations. Somehow the possibilities for the curators to transform the space were endless, and one wasn’t completely sure when the decay of the interior was intentional or residual…but that was part of the fun.

What separates this fair from the rest of the pack is that the art here is not presented as an unattainable commodity, rather for the most part it is an installation/performance art show where you roam through custom fashioned rooms on both sides of long hallways of deadened fluorescent lights and ceiling leaks. Maybe its because we see a lot of urban art in detritus and abandoned buildings, but this was fun. And yes some of the art was amazing. Good to see artists are still experimenting and taking risks and can make site-specific installations that are alive and provocative.

Bazaar Teens curated by Dustin Yellin. 10K of donated cash was shredded to make paintings. Shredded money taken from the donations box. Some prankster put some of the brochures in there for color we suppose… (photo © Jaime Rojo)

Over at Scope the story was much different. In their press release and on their site they were heralding a “progressive format” in a new location. The latter was true. It was a new location. The former didn’t materialize and we were hard pressed to find what was progressive or new about it. There were still the temporary partitions and rented booths and while some of the spaces did run into each other it wasn’t with any particular goal for a collaborative spirit or some such idealist notion. If anything, Scope was chaotic with visitors and exhibitors remarking about not having enough time to set up when the doors open at 2:00 pm for the VIP and press, giving a frustrated aura of discord that may have influenced our perception.

Many galleries were still hanging works and adding price and information tags on the walls when we were there. But we know how it is when your dinner party guest arrives at 7 on the dot and you haven’t gotten dressed- you may want them to go out for a cocktail and then return.

Additionally, and unfortunately, Scope more than any of the other show seems to incorporate more derivative and secondary market works than their competitors. Street Art/Urban Art is increasingly hot so it appeared at many more galleries this year but without much curatorial consideration. The fair also including works we have already seen elsewhere, so it was hard to get too excited about that. But there were definitely some gems in there as well. Here are some shots of things we saw:

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BSA Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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The 2014 BSA Year in Images (VIDEO)

December 17, 2014 Artists

Here it is! Our 2014 wrap up featuring favorite images of the year by Brooklyn Street Art’s Jaime Rojo.

Before our video roundup below here is the Street Art photographer’s favorite of the year: Ask Jaime Rojo, our illustrious editor of photography at BrooklynStreetArt.com , who takes thousands of photographs each year, to respond to a simple question: What was your favorite photo of the year?

For 2014 he has swift response: “The Kara Walker.” Not the art, but the artist posed before her art.

It was an impromptu portrait that he took with his iPhone when the artist unveiled her enormous sculpture at a small gathering of neighborhood locals and former workers of the Domino Sugar Factory, informal enough that Rojo didn’t even have his professional camera with him. Aside from aesthetics for him it was the fact that the artist herself was so approachable and agreed to pose for him briefly, even allowing him to direct her just a bit to get the shot, that made an imprint on his mind and heart.

Of course the sculpture is gone and so is the building that was housing it for that matter – the large-scale public project presented by Creative Time was occupying this space as the last act before its destruction. The artist herself has probably moved on to her next kick-ass project after thousands of people stood in long lines along Kent Avenue in Brooklyn to see her astounding indictment-tribute-bereavement-celebration in a hulking warehouse through May and June.

But the photo remains.

And Rojo feels very lucky to have been able to seize that quintessential New York moment: the artist in silhouette before her own image, her own work, her own outward expression of an inner world.

Jaime’s personal favorite of 2014; The site specific Kara Walker in front of her site specific installation at the Domino Sugar Factory in May of this year in Brooklyn. Artist Kara Walker. (photo via iPhone © Jaime Rojo)

Now, for the Video

And our holiday gift to you for five years running, here is the brand new video of favorite images of graffiti and Street Art by Brooklyn Street Art’s editor of photography, Jaime Rojo.

Of a few thousand these 129 shots fly smoothly by as a visual survey; a cross section of graffiti, street art, and the resurgence of mural art that continues to take hold. As usual, all manner of art-making is on display as you wander your city’s streets. Also as usual, we prefer the autonomous free-range unsolicited, unsanctioned type of Street Art because that’s what got us hooked as artists, and ultimately, it is the only truly uncensored stuff that has a free spirit and can hold a mirror up to us. But you have to hand it to the muralists – whether “permissioned” or outright commissioned, some people are challenging themselves creatively and still taking risks.

Once again these artists gave us impetus to continue doing what we are doing and above all made us love this city even more and the art and the artists who produce it. We hope you dig it too.

Brooklyn Street Art 2014 Images of the Year by Jaime Rojo includes the following artists;

2Face, Aakash Nihalani, Adam Fujita, Adnate, Amanda Marie, Andreco, Anthony Lister, Arnaud Montagard, Art is Trash, Ben Eine, Bikismo, Blek Le Rat, Bly, Cake, Caratoes, Case Maclaim, Chris Stain, Cleon Peterson, Clet, Clint Mario, Col Wallnuts, Conor Harrington, Cost, Crummy Gummy, Dain, Dal East, Damien Mitchell, Damon, Dan Witz, Dasic, Don’t Fret, Dot Dot Dot, Eelco Virus, EKG, El Sol 25, Elbow Toe, Etam Cru, Ewok, Faring Purth, Gilf!, Hama Woods, Hellbent, Hiss, Hitnes, HOTTEA, Icy & Sot, Jana & JS, Jason Coatney, Jef Aerosol, Jilly Ballistic, Joe Iurato, JR, Judith Supine, Kaff Eine, Kashink, Krakenkhan, Kuma, Li Hill, LMNOPI, London Kaye, Mais Menos, Mark Samsonovich, Martha Cooper, Maya Hayuk, Miss Me, Mover, Mr. Prvrt, Mr. Toll, Myth, Nenao, Nick Walker, Olek, Paper Skaters, Patty Smith, Pixel Pancho, Poster Boy, Pyramid Oracle, QRST, Rubin 415, Sampsa, Sean 9 Lugo, Sebs, Sego, Seher One, Sexer, Skewville, SmitheOne, Sober, Sonni, Specter, SpY, Square, Stay Fly, Stik, Stikki Peaches, Stikman, Swil, Swoon, Texas, Tilt, Tracy168, Trashbird, Vexta, Vinz, Willow, Wolfe Works, Wolftits, X-O, Zed1.

Read more about Kara Walker in our posting “Kara Walker And Her Sugar Sphinx At The Old Domino Factory”.

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This article is also published on The Huffington Post

BSA Images Of The Week: 09.28.14

September 28, 2014 Artists, BSA Images Of The Week

Here’s our weekly interview with the street, this week featuring Bikismo, Cera, Conor Harrington, indie184, Knarf, London Kaye, Nemo, NemO’s, Pyramid Oracle, Sheryo, Stikki Peaches, The Yok, Troy Lovegates, UNO, and Wolfe Work.

Scroll to the end to see the brand new video of M-City stencilling atop a sea vessel during his Nordic oceanic installation off the coast of Stavanger. Also, check out the blowing winds on the mic at the beginning.

Top Image >> Bikismo’s new mural for the New York Street Gallery sends mixed messages brought during the fog of war, an age in which we currently live. (photo © Jaime Rojo)

M-City and Nuart present Ocean Art

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“MURAL” Roundup, Montreal Arts Festival Keeps The Quality for Year 2

June 19, 2014 Artists

Montreal has shown up again on our radar this summer because of the second annual MURAL festival, a large gathering of art fans, performances and live painting. The quality of the work is high and appropriately placed center stage, and the caliber of the event draws a good cross section of modern public art fans who are there to see the art and meet the artists rather than rush past it on the way to the next music performance, beer tent, or drug deal.

A majority of the 20+ artists made their mark initially by doing graffiti/street art, about a third of them are Canadian, and all of them were stunted by heavy rains the first two days of the four-day event. By the weekend the sun had cleared the way for block parties, DJs, live painting, tours, and commercial vending along the Saint-Laurent and the golden age of murals was in full effect once again.

Impossible to place into one stylistic category, many of the massive pieces this year are singular portraits, or at least figurative, appealing on the whole, and with a handful of abstract and surreal tableaus. Transgressive themes, as in many street festivals around the world, are almost disappeared or nearly imperceptible — an irony of sorts considering the rebellious street culture that many of these artists evolved from. Ultimately, it is the quality of the endowment that gives it staying power and many of these new pieces will endure into the future in Montreal.

Artists for the MURAL festival include:

123 Klan, Bezt from the Etam Cru, Zilon, Alex Scaner, Inti, Vilx, Cyrcle, Zema, Alex Diaz, Seth, Fred Caron, 2501, Zoltan, Kashink, Kevin Ledo, Bryan Beyung, Miss Me, Stikki Peaches, Mathieu Connery, Alex Produkt, and Le Diamantaire.

MURAL Montreal Festival: Day 1 and 2

Mural Montreal Festival: Day 3

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Photos of 2024 on BSA – #13: Inkman’s Thin Line
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Or, “How we spent the whole weekend in Madrid enjoying art, friends and talks while censorship from the central Spanish government is choking the liberty of expression.”

DAY ONE: Galleries

DAY TWO: The day of Walls.

DAY THREE: The art fair day.

Lowrider for Urban Nation Project M/12 curated by Evan Prico/Juxtapoz. Berlin, May 18 2017. (photo © Jaime Rojo)

Daan Botlek for Urban Nation Project M/12 curated by Evan Prico/Juxtapoz. Berlin, May 18 2017. (photo © Jaime Rojo)

Ermsy for Urban Nation Project M/12 curated by Evan Prico/Juxtapoz. Berlin, May 18 2017. (photo © Jaime Rojo)

Erosie on the left with Grotesk’s news stand on the right for Urban Nation Project M/12 curated by Evan Prico/Juxtapoz. Berlin, May 18 2017. (photo © Jaime Rojo)

FinDAC for Urban Nation in conjunction with PM/12. Berlin, May 18 2017. (photo © Jaime Rojo)

Stikki Peaches for Urban Nation in conjunction with PM/12. Berlin, May 18 2017. (photo © Jaime Rojo)

Shepard Fairey for Urban Nation in conjunction with PM/12. Berlin, May 18 2017. (photo © Jaime Rojo)

Shepard Fairey for Urban Nation’s “We Broke Night” Berlin, May 18 2017. (photo © Jaime Rojo)

Snik for Urban Nation’s “We Broke Night” Berlin, May 18 2017. (photo © Jaime Rojo)

James Bullough for Urban Nation’s “We Broke Night” Berlin, May 18 2017. (photo © Jaime Rojo)

Fanakapan for Urban Nation’s “We Broke Night” Berlin, May 18 2017. (photo © Jaime Rojo)

Our top image: D*Face for The L.I.S.A. Project in Manhattan. (photo © Jaime Rojo)

HAZE completed this fresh tribute wall dedicated to MCA of the Beastie Boys for Coney Art Walls 2016 in Coney Island, Brooklyn. (photo © Jaime Rojo)

“Ain’t seen the light since we started this band M.C.A. get on the mike, my man! Born and bred Brooklyn The U.S.A. They call me Adam Yauch But I’m M.C.A.” No Sleep Till Brooklyn

1PENEMY stenciled of a mock mug shot of famed supermodel Stephanie Seymour. (photo © Jaime Rojo)

Stikki Peaches comes out with a dream posse of rebels; James Dean, Steve McQueen, Elvis Presley, and Marlon Brando on the streets of Brooklyn. (photo © Jaime Rojo)

A Banksy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A Keith Haring-inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

An unidentified “artist” applies his final touches to the Snoopy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A close up of two window pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A general view of several windows and pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A “Marry Me?” sign made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

Unidentified artist. The piece is signed but we don’t recognize the signature. (photo © Jaime Rojo)

Pegasus’ Trump piece on the streets of Bristol, UK. (photo © Urban Art International)

POE (photo © Jaime Rojo)

Word To Mother beautified the AthenB Gallery van in Oakland, California on the occasion of his solo show currently on view. (photo © Brock Brake)

Bio, Nicer and BG 183 of Tats Cru completed their totally fun and vibrantly hued wall for Coney Art Walls 2016. (photo © Jaime Rojo)

Thiago Gomez and Emilio Cerezo collaboration wall in Barcelona, Spain. (photo © Lluis Olive Bulbena)

NOVA (photo © Jaime Rojo)

Untitled. Berlin. April 2016. (photo © Jaime Rojo)

Space Invader (Photo © Jaime Rojo)

A major coup of sorts, LoMan exhibited the sculpture of NSA whistleblower Edward Snowden that mysteriously showed up in a New York park this spring by Andrew Tider and Jeff Greenspan (Photo © Jaime Rojo)

Dain and Stikki Peaches (Photo © Jaime Rojo)

Damien Mitchell (Photo © Jaime Rojo)

Tatyana Fazlalizadeh expands on her campaign with brand new portraits for “Stop Telling Women to Smile.” (Photo © Jaime Rojo)

Tatyana Fazlalizadeh (Photo © Jaime Rojo)

Tatyana Fazlalizadeh (Photo © Jaime Rojo)

Art Is Trash typically uses actual trash found on the street to create impromptu dioramas (Photo © Jaime Rojo)

Art Is Trash (Photo © Jaime Rojo)

Ron English added a pink “Temper Tot” shortly before LoMan commenced. (Photo © Jaime Rojo)

Nicolas Holiber uses found wood to create a new “Venus” (Photo © Jaime Rojo)

Nicolas Holiber. “Mars” (Photo © Jaime Rojo)

Hanksy (Photo © Jaime Rojo)

Sonni (Photo © Jaime Rojo)

The DRiF pimping a statue of David. (Photo © Jaime Rojo)

As in “The Lower East Side” by Russell Murphy (Photo © Jaime Rojo)

Faith47 (Photo © Jaime Rojo)

Buff Monster (Photo © Jaime Rojo)

Buff Monster (Photo © Jaime Rojo)

BD White and JP Art (Photo © Jaime Rojo)

Gilf! (Photo © Jaime Rojo)

Ori Carino (Photo © Jaime Rojo)

A new sculpture by Leon Reid IV (Photo © Jaime Rojo)

Tats Cru in monochrome (Photo © Jaime Rojo)

J Morello (Photo © Jaime Rojo)

Bazaar Teens curated by Dustin Yellin. 10K of donated cash was shredded to make paintings. (photo © Jaime Rojo)

Bazaar Teens curated by Dustin Yellin. 10K of donated cash was shredded to make paintings. (photo © Jaime Rojo)

Bazaar Teens curated by Dustin Yellin. 10K of donated cash was shredded to make paintings. Shredded money taken from the donations box. Some prankster put some of the brochures in there for color we suppose… (photo © Jaime Rojo)

Rita Ikonen curated by Yulia Topchiy. (photo © Jaime Rojo)

Margaret Bowland curated by Tess Sol Schwab. (photo © Jaime Rojo)

Christine Sciulli video projection on fog was curated by Ambre. (photo © Jaime Rojo)

Cate Giordano curated by Eve Sussman and Simon Lee. (photo © Jaime Rojo)

Anne Nowak curated by Cassandra M Johnson. (photo © Jaime Rojo)

Grace Villamil curated by Coming Soon and Katya Braxton. (photo © Jaime Rojo)

Grace Villamil curated by Coming Soon and Katya Braxton. (photo © Jaime Rojo)

Fall On Your Sword Collective. (photo © Jaime Rojo)

Swoon (photo © Jaime Rojo)

Mark Samsonovich (photo © Jaime Rojo)

Mark Samsonovich (photo © Jaime Rojo)

Mark Samsonovich and friends in the wild on the streets of NYC. (photo © Jaime Rojo)

Isaac Cordal (photo © Jaime Rojo)

Isaac Cordal (photo © Jaime Rojo)

Miss Van (photo © Jaime Rojo)

Nathan Vincent (photo © Jaime Rojo)

Swampy (photo © Jaime Rojo)

Swoon (photo © Jaime Rojo)

“Ain’t seen the light since we started this band
M.C.A. get on the mike, my man!
Born and bred Brooklyn
The U.S.A.
They call me Adam Yauch
But I’m M.C.A.”

No Sleep Till Brooklyn