All posts tagged: Steven P. Harrington

The 2024 Efímurs Festival in L’Ametlla de Mar

The 2024 Efímurs Festival in L’Ametlla de Mar

Thanks to photographer Lluis Olive-Bulbena, we have new photos today of a sophisticated mural program called Efimur, which heralds natural beauty and creates new examples in the urban landscape. Here is a quick visual journey through the vibrant and dynamic murals of the 2024 Efímurs Festival, held in the picturesque coastal town of L’Ametlla de Mar, south of Tarragona, Spain.

Dridali (photo © Lluis Olive-Bulbena)

As an urban art festival, Efimur is directed and coordinated by the local artist Uri Márquez Cateura (@uri.kthr), who brought a selection of talented muralists this year. Supported by organizations like the Tourism Department of L’Ametlla de Mar, the City Council, and funded by the European Next Generation funds, the festival’s theme revolved around the integration of urban art with the natural and cultural landscapes of L’Ametlla de Mar.

Dridali (photo © Lluis Olive-Bulbena)

Often referred to as “the most natural cove,” L’Ametlla de MarArtists featured a roster of mural painters from various countries gathered to paint large-scale murals, each infusing their unique styles and perspectives. The festival also featured a graffiti exhibition, special events, and electronic brunch, culminating in a vibrant community celebration.

Among the notable artists who participated in the 2024 edition were Abys from France, Asem & Manz from Madrid, Dridali from Valencia, Filite from Brazil, Kamma Marlo from Mollerussa, Kitsune Jolene from Belgium, Moxaico from Almeria, Mura from Brazil, Sucri & Furyo from Valencia, Uri Kthr from L’Ametlla de Mar, and Zabala from Bilbao.

MURA (photo © Lluis Olive-Bulbena)
Filite (photo © Lluis Olive-Bulbena)
Filite (photo © Lluis Olive-Bulbena)
Moxaico (photo © Lluis Olive-Bulbena)
Asem Manz (photo © Lluis Olive-Bulbena)
URI KTHR (photo © Lluis Olive-Bulbena)
URI KTHR (photo © Lluis Olive-Bulbena)
URI KTHR (photo © Lluis Olive-Bulbena)
URI KTHR (photo © Lluis Olive-Bulbena)
Sucri Furyo (photo © Lluis Olive-Bulbena)
Kitsune Jolene (photo © Lluis Olive-Bulbena)
Abys Osmoz (photo © Lluis Olive-Bulbena)
Abys Osmoz (photo © Lluis Olive-Bulbena)
Zabala (photo © Lluis Olive-Bulbena)
Kamma Marlo (photo © Lluis Olive-Bulbena)
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Breathing Life into Architecture: Fabio Petani’s Vibrant Mural for the Italian Red Cross in Force

Breathing Life into Architecture: Fabio Petani’s Vibrant Mural for the Italian Red Cross in Force

Fabio Petani Transforms the Italian Red Cross Structure in Force with an Urban Art Intervention

Fabio Petani. Sulla Coronaria. Red Cross. Force, Italy. (photo © Fabio Petani)

Every façade and building presents its challenges: the materials, the height, the location in the city, and the appropriateness of the painting style. In the case of this efficient and utilitarian Italian Red Cross building in Force, Italy, the esteemed international muralist Fabio Petani was commissioned to transform what may appear as a pretty dull box-like structure with his unique style of urban art intervention.

Fabio Petani. Sulla Coronaria. Red Cross. Force, Italy. (photo © Fabio Petani)

Known for his signature blend of botanical elements and natural scenic abstraction, Petani’s latest work, “Sulla Coronaria,” infuses the structure with vibrant life and color. He improves the building’s visual appeal with a specific natural warmth, hoping to underscore its role as a community hub, improving functionality and hospitality.

The mural, inaugurated on June 14th, 2024, during an event attended by high-ranking officials and representatives of the Italian Red Cross, integrates with the surrounding landscape. Petani’s composition spans the entire building, depicting an abstract representation of the Marche region’s landscape. Realistic sections of open fields and intricate botanical details finish the artwork and open the imagination to consider science, the natural world, and the many possibilities for healing.

Fabio Petani. Sulla Coronaria. Red Cross. Force, Italy. (photo © Fabio Petani)
Fabio Petani. Sulla Coronaria. Red Cross. Force, Italy. (photo © Fabio Petani)
Fabio Petani. Sulla Coronaria. Red Cross. Force, Italy. (photo © Fabio Petani)
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BSA Images Of The Week: 07.14.24

BSA Images Of The Week: 07.14.24

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Welcome to BSA Images of the Week!

Remember the heyday of street art lists? People are still compiling them. From top 10 cities in the US for Street Art, to tourist-tilted lists of Street Art Destinations, to the Best street art experiences for 2024. The muscle behind most of the big events these days is a value-driven investment by city councils, branding opportunities for corporations or thinly-veiled vehicles for private gallerists to champion artists on their roster.

The more organic works, the less decorative murals can be found in community-organized campaigns. The free-form, unbridled, un-bossed, and un-bought spirit of organic street art survives, and it often takes chances politically or stylistically. Presented without handlers, communicating directly to you, it may be vexing, thrilling, educational, inspirational, or miss the mark. It’s all there and probably in your city – if you keep your eyes and ears open.

Here is our weekly interview with the street, this week featuring City Kitty, Homesick, Sara Lynne-Leo, Muebon, Miki Mu, Cody James, Humble, Underhill Walls, Manuel Alejandro, Mihfofa, Brittney Sprice, Cuadrosa, Felipe Umbral, and Hello the Mushroom.

Sara Lynne-Leo (photo © Jaime Rojo)
Sara Lynne-Leo (photo © Jaime Rojo)
Sara Lynne-Leo (photo © Jaime Rojo)
Miki Mu (photo © Jaime Rojo)
Cody James (photo © Jaime Rojo)
Manuel Alejandro (photo © Jaime Rojo)
Minhafofa (photo © Jaime Rojo)
Brittney Sprice (photo © Jaime Rojo)
Cuadrosa. (photo © Jaime Rojo)
Felipe Umbral (photo © Jaime Rojo)
Humble (photo © Jaime Rojo)
City Kitty collaboration with Hello The Mushroom. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Muebon (photo © Jaime Rojo)
TANKIL. ZOOT (photo © Jaime Rojo)
HOMESICK (photo © Jaime Rojo)
Slaps (photo © Jaime Rojo)
Slaps (photo © Jaime Rojo)
Slaps (photo © Jaime Rojo)
Slaps (photo © Jaime Rojo)
Subway art. (photo © Steven P. Harrington)
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WOOL Urban Art Festival 2024: Celebrating a Decade of Street Art in Covilhã

WOOL Urban Art Festival 2024: Celebrating a Decade of Street Art in Covilhã

The WOOL Urban Art Festival, held annually in Covilhã, Portugal, is a renowned celebration of street art that has been transforming the city walls since its inception in 2011. This festival, sponsored and organized by a dedicated team committed to promoting social, cultural, and economic transformation through public art, has become a pivotal event in the urban art calendar. Covilhã, a city with a rich history in the wool industry, provides a unique backdrop –  with its steep cobblestone streets and historic architecture, offering a perfect canvas for murals and installations.

SpY. Wool 2024. Covilha, Portugal. June, 2024. (photo © Martha Cooper)

The 2024 edition of the WOOL Urban Art Festival features an impressive lineup of artists from around the globe. This year’s participants include Daniela Guerreiro from Portugal, Isaac Cordal from Spain, Millo from Italy, Mots from Poland, Mura from Brazil, and Spy from Spain. Each artist brings a distinctive style to the festival, from Cordal’s thought-provoking miniature sculptures to Millo’s large-scale monochromatic murals of giants in the city. The festival continues to embrace a philosophy of community engagement and urban regeneration, aiming to democratize art and involve the local population in the creative process.

Daniela Guerreiro. Wool 2024. Covilha, Portugal. June, 2024. (photo © Martha Cooper)

A highlight of this year’s festival was the presence of renowned photographer Martha Cooper – her photographs here offer an intimate glimpse into the artistic process and the vibrant cultural exchange that defines WOOL.

In addition to creating new murals, the festival also featured “Wool Talks,” a series of discussions that delved into the impact of urban art on society and its potential for fostering cultural cohesion and sustainability. Attendees took guided tours of the murals, which include visits to iconic sites such as the Burel wool factory, linking the city’s industrial heritage with its contemporary artistic endeavors.

WOOL WEBSITE

Daniela Guerreiro. Wool 2024. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Daniela Guerreiro. Wool 2024. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Daniela Guerreiro. Wool 2024. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Mots. Wool 2024. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Millo. Wool 2024. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Millo. Wool 2024. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Mura. Wool 2024. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Mura. Wool 2024. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Isaac Cordal. Wool 2024. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Isaac Cordal. Wool 2024. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Isaac Cordal. Wool 2024. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Isaac Cordal. Wool 2024. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Covilha, Portugal. June, 2024. (photo © Martha Cooper)

Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Cinta Vidal. Wool 2022 Editon. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Frederico Draw. Wool 2018 Editon. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Mário Belém. Wool 2019 Editon. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Mário Belém. Wool 2019 Editon. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Mário Belém. Wool 2019 Editon. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
The Caver. Wool 2021 Editon. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Douglas Pereira. Wool 2019 Editon. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Pantonio. Wool 2015 Editon. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
mmé. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
mmé. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
mmé. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Burel Wool Factory. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Burel Wool Factory. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
Burel Wool Factory. Covilha, Portugal. June, 2024. (photo © Martha Cooper)
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Graffiti, Gallery, the Street: Celebrating the Life and Impact of Patti Astor 1950 – 2024

Graffiti, Gallery, the Street: Celebrating the Life and Impact of Patti Astor 1950 – 2024

A true New York mix of friends and fans recently gathered in Manhattan at the First Street Green Park on the north side of Houston Street for a personal sendoff and remembrance of Patti Astor in a city she loved. Here are some of the paintings left behind, echoing an earlier time with the DNA of today. While the list of organizers and attendees is incomplete, notable mentions include Delta2, Al Diaz, Meres, Futura, Dr. Revolt, Snake 188, Fab Five Freddy, and Charlie Ahearn. These folks and many others played a part in the vibrant Downtown graffiti scene and the broader fusion of hip-hop and punk culture that flourished in NYC during the 1980s. Perhaps it’s obvious to say so, but when you’re creative and follow your passions, you never know how many lives you will touch.

Meres One tribute to Patti Astor. Manhattan, NYC. (photo © Jaime Rojo)

Astor, often hailed as a star, legend, and avant-garde pioneer, left an enduring legacy that inspired countless artists and cultural enthusiasts. Born Patricia Titchener in Cincinnati, she moved to New York City in 1968, attending Barnard College before joining the anti-war movement. By 1975, she was fully immersed in the underground film scene, collaborating with filmmakers like Eric Mitchell and Amos Poe.

Mr. Stash tribute to Patti Astor. Manhattan, NYC. (photo © Jaime Rojo)

Astor’s film career included roles in Poe’s “Unmade Beds” and “The Foreigner,” but her most iconic performance came in Charlie Ahearn’s 1982 film “Wild Style.” In “Wild Style,” Astor played a roving reporter navigating the Bronx’s vibrant graffiti and hip-hop culture, bridging the gap between uptown graffiti artists and the downtown art scene. This role cemented her status as an underground film star and deepened her connection to New York’s graffiti movement.

Shiro One tribute to Patti Astor. Manhattan, NYC. (photo © Jaime Rojo)

In 1981, Astor and Bill Stelling opened Fun Gallery in the East Village. This groundbreaking space showcased artists like Jean-Michel Basquiat, Jane Dickson, Keith Haring, and Kenny Scharf and graffiti legends such as Futura 2000, Fab 5 Freddy, and Lee Quinones. It became a pivotal venue for the East Village art scene, fostering a community where graffiti art was celebrated and legitimized within the broader art world. In some notable cases, it helped elevate the careers of many artists who would achieve international acclaim.

Call Her Al tribute to Patti Astor. Manhattan, NYC. (photo © Jaime Rojo)

Since her passing, many have highlighted Astor’s multifaceted contributions to art and culture. Her enthusiasm and belief in the value of graffiti art opened doors for a diverse array of artists and supercharged its many distributaries. The vivid energy in these new pieces is a testament to Patti Astor’s lasting impact on the art world, celebrating her legacy as a true pioneer who brought the eclectic vibrancy of New York’s streets into galleries and history.

Charlie Doves. Albert Diaz 1 tribute to Patti Astor. Manhattan, NYC. (photo © Jaime Rojo)
Shiro One. Call Her Al. Charlie Doves. Albert Diaz 1 tribute to Patti Astor. Manhattan, NYC. (photo © Jaime Rojo)
DZO TC5 tribute to Patti Astor. Manhattan, NYC. (photo © Jaime Rojo)
LA2 tribute to Patti Astor. Manhattan, NYC. (photo © Jaime Rojo)
The Duke tribute to Patti Astor. Manhattan, NYC. (photo © Jaime Rojo)
Delta tribute to Patti Astor. Manhattan, NYC. (photo © Jaime Rojo)
BAK tribute to Patti Astor. Manhattan, NYC. (photo © Jaime Rojo)
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BSA Images Of The Week: 07.07.24

BSA Images Of The Week: 07.07.24

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Welcome to BSA Images of the Week!

It’s a long hot, steamy, jungle-like holiday weekend in New York. The city marked Independence Day with fireworks on the Hudson River, barbecues in the park, speeches to honor the day, and tanning on Brighton Beach and screaming on the rollercoaster at Coney Island. New York, no matter where you go on the street, always feels full of possibilities.

Possible robberies, that is! “New York is back, baby,” says a commenter on Reddit, discussing people getting robbed of luxury watches while sitting outside on the sidewalk and having cocktails in Williamsburg, Brooklyn. At least the New York Times didn’t say ‘eatery’ in their latest article provoking class hatred; we hate it when they do that. It’s called a restaurant.

In addition, Williamsburg did not just suddenly sprout some crime. Ask graffiti writers like KET who grew up there in the 1970s and gangs ran the streets. When the artists moved into Williamsburg at the turn of the century, a serial killer was living under the bridge. Danger may be a matter of one’s perception, we opine. Ask the folks chased out of the neighborhood by the violence of sky-high, unreachable rents, $40 entrees at restaurants, and women in sports bras jogging behind Dior baby strollers. Inquire about feelings of danger to the senior citizens joining the long food line on South 4th Street at Los Sures Food Pantry. It’s about a block away from the new MOXY hotel with the rooftop restaurant and bar and the enormous D*Face mural on the side.

In the category of BEEF, can we please stop the Kendrick/Drake beef? The “They Not Like Us” video dropped on Friday is compelling, true, and Kendrick is one of the best right now but beef is never good, in graffiti or rap or on TikTok or in the Middle East. We need voices of calm and reason and efforts to de-escalate. In other role model news elsewhere on the music spectrum, Ozzy Osborne delivers “Crack Cocaine” in his new video with Paris Jackson, featuring famed graffiti writer Kelly “RISK” Graval prominently wielding the cans on a street wall.

New York graffiti and street art persist and sometimes surprise, and occasionally, they have the last word. As usual, we’re keeping our eyes open.

Here is our weekly interview with the street, this week featuring Dain, Toofly, Praxis, Mike Makatron, Eternal Possessions, Qzar, Timothy Goodman, Miki Mu, Warz, Tom Boy NYC, Red Half Tone, and Preacher Art.

Mike Makatron (photo © Jaime Rojo)
Mike Makatron (photo © Jaime Rojo)
Toofly (photo © Jaime Rojo)
Tom Boy NYC (photo © Jaime Rojo)
Miki Mu (photo © Jaime Rojo)
Praxis (photo © Jaime Rojo)
Eternal Possessions (photo © Jaime Rojo)
Eternal Possessions (photo © Jaime Rojo)
Dain (photo © Jaime Rojo)
Thank you for your love… (photo © Jaime Rojo)
WARZ (photo © Jaime Rojo)
PREACHER (photo © Jaime Rojo)
Red Half Tone (photo © Jaime Rojo)
QZAR (photo © Jaime Rojo)
Timothy Goodman (photo © Jaime Rojo)
Untitled. Brooklyn, NYC. July 2024. (photo © Jaime Rojo)
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Happy 4th Of July 2024 From BSA

Happy 4th Of July 2024 From BSA

This year it feels like a subdued 4th – ask anyone on the streets of Brooklyn how they feel about this holiday and you will get decidedly mixed reviews. As we reflect on the 4th of July, we know it’s about much more than BBQs and fireworks: we recognize that today, citizens of every stripe have collected a catalog of grievances against those in power- especially those who have long past become corrupted and stopped doing our bidding. If we are to have hope, it will be a unity that overcomes.

Brooklyn Bridge. Brooklyn, NYC. July 4th 2024. (photo © Jaime Rojo)

As we look at the words of the Declaration of Independence, drafted by Thomas Jefferson in 1776, we reflect on the modern implications of the historic document declaring the thirteen American colonies’ independence from British rule and the King. Who are the kings today? The full text is quite lengthy, but here is an excerpt from the preamble, which outlines the fundamental principles:

“We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness. — That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, — That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness.”

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From Canvas to Wall: Fabio Cuffari Dialley and Fabio Petani Bring ‘Buio’ to Life

From Canvas to Wall: Fabio Cuffari Dialley and Fabio Petani Bring ‘Buio’ to Life

Italian painter Fabio Cuffari Dialley has made a remarkable entry into mural art with his latest project in Charvensod, Valle D’Aosta. Known for his deep engagement with the interplay of light and darkness, Cuffari’s mural “Buio” (Darkness) is a powerful metaphor for resilience during the COVID-19 pandemic. This 16×3 meter mural, painted entirely by brush with acrylic colors, depicts a wayfarer illuminating a dark forest with a torch, symbolizing hope amidst adversity.

Fabio Cuffari. Charvensod – Valle D’Aosta, Italy. (photo © Fabio Cuffari)

This mural is Cuffari’s first translation of a canvas painting into a large-scale mural. He collaborated with renowned street artist Fabio Petani, whose distinctive style and environmental themes have been widely celebrated here on BSA.

Cuffari’s work is deeply influenced by Flemish, Renaissance, and Baroque styles, with Caravaggio being a significant inspiration. His fascination with the interplay of light and darkness is evident in his powerful contrasts, evoking strong emotions and intricate narratives. His original painting “Buio,” which won first prize in the Southeastern Pastel Society’s international “Luminosity” competition, drew attention to his meticulous process and artistic dedication. Alongside his mural endeavors, Cuffari’s recent exhibition chronicled only three years of his creative evolution and a meteoric burst into the art world​. Now, also the street art world.

Fabio Cuffari. Charvensod – Valle D’Aosta, Italy. (photo courtesy of the artist)
Fabio Cuffari. Charvensod – Valle D’Aosta, Italy. (photo courtesy of the artist)
Fabio Cuffari. Charvensod – Valle D’Aosta, Italy. (photo © Fabio Cuffari)
Fabio Cuffari. Charvensod – Valle D’Aosta, Italy. (photo © Fabio Cuffari)
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BSA Images Of The Week: 06.30.24

BSA Images Of The Week: 06.30.24

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Welcome to BSA Images of the Week!

Happy Pride parade! Happy Os Gemeos show at Lehman Maupin! Happy retirement Mr. Biden!

There is so much more to say, but gotta run. New York streets are full of art to see.

Here is our weekly interview with the street, this week featuring Pear, Qzar, XSM, Max Grax, HOPES, Zoot, Gen Molloy, Ana Fish, SYE5, Miss 17, Kerrie Hanna, Shlumper, Batola, Crespo, KM9, ELNO, WOM Collective, LOURS, VANE MG, and Lucie Flyn.

ELNO. WOM Collective. Hit The North Art Festival 2024. Belfast, Northern Ireland. (photo © Jaime Rojo)
LOURS. WOM Collective. Hit The North Art Festival 2024. Belfast, Northern Ireland. (photo © Jaime Rojo)
VANE MG. WOM Collective. Hit The North Art Festival 2024. Belfast, Northern Ireland. (photo © Jaime Rojo)
Lucie Flynn. Hit The North Art Festival 2024. Belfast, Northern Ireland. (photo © Jaime Rojo)
Glen Molloy. Hit The North Art Festival 2024. Belfast, Northern Ireland. (photo © Jaime Rojo)
Kerrie Hanna. Hit The North Art Festival 2024. Belfast, Northern Ireland. (photo © Jaime Rojo)
Ana Fish. Hit The North Art Festival 2024. Belfast, Northern Ireland. (photo © Jaime Rojo)
Shlumper (photo © Jaime Rojo)
Shlumper (photo © Jaime Rojo)
Miss 17 (photo © Jaime Rojo)
BATOLA (photo © Jaime Rojo)
Max Grax (photo © Jaime Rojo)
Max Grax (photo © Jaime Rojo)
Max Grax (photo © Jaime Rojo)
Max Grax (photo © Jaime Rojo)
Max Grax (photo © Jaime Rojo)
Max Grax (photo © Jaime Rojo)
Max Grax (photo © Jaime Rojo)
Crespo (photo © Jaime Rojo)
PEAR SYE5 (photo © Jaime Rojo)
ZOOT (photo © Jaime Rojo)
HOPES (photo © Jaime Rojo)
XSM QZAR (photo © Jaime Rojo)
KM 9 (photo © Jaime Rojo)
Untitled. Spring 2024. Brooklyn, NYC. (photo © Jaime Rojo)
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Saype’s ‘Beyond Walls’ Reaches the Pyramids: New Chapter in Giza  – Cairo 2024

Saype’s ‘Beyond Walls’ Reaches the Pyramids: New Chapter in Giza – Cairo 2024

French-Swiss artist Saype continues enthralling the world with his ambitious “Beyond Walls” project, which aims to create the largest global symbolic human chain. This project, initiated in 2019 in Paris, uses biodegradable pigments to paint massive, intertwined hands, symbolizing unity and solidarity.

SAYPE. Beyond Walls Project. Step 20. Great Pyramids of Giza. Cairo, Egypt. (photo © Saype)

Saype has chosen the Pyramids of Giza for the twentieth installment, an iconic site representing eternity. This location highlights the beauty of the ancient structures and renews the dialogue between the past and present. Saype’s eco-friendly art connects civilizations and promotes values of togetherness and mutual aid.

SAYPE. Beyond Walls Project. Step 20. Great Pyramids of Giza. Cairo, Egypt. (photo © Saype)

Regarding his project at Giza, Saype remarked, “This encounter between ephemeral art and millennia-old constructions symbolizes the continuity and interconnection of humanity through time.” His work emphasizes the importance of kindness and unity in a polarized world, using art as a bridge across cultures and epochs.

The “Beyond Walls” project has traveled to various locations, including Brazil, Japan, and South Africa, each time bringing a commentary on human connection and environmental responsibility​.

SAYPE. Beyond Walls Project. Step 20. Great Pyramids of Giza. Cairo, Egypt. (photo © Saype)
SAYPE. Beyond Walls Project. Step 20. Great Pyramids of Giza. Cairo, Egypt. (photo © Saype)
SAYPE. Beyond Walls Project. Step 20. Great Pyramids of Giza. Cairo, Egypt. (photo © Saype)
SAYPE. Beyond Walls Project. Step 20. Great Pyramids of Giza. Cairo, Egypt. (photo © Saype)
SAYPE. Beyond Walls Project. Step 20. Great Pyramids of Giza. Cairo, Egypt. (photo © Saype)
SAYPE. Beyond Walls Project. Step 20. Great Pyramids of Giza. Cairo, Egypt. (photo © Saype)
SAYPE. Beyond Walls Project. Step 20. Great Pyramids of Giza. Cairo, Egypt. (photo © Saype)
SAYPE. Beyond Walls Project. Step 20. Great Pyramids of Giza. Cairo, Egypt. (photo © Saype)
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Echoes of the Thwaites Glacier: Vegan Flava’s Latest Mural in Stockholm

Echoes of the Thwaites Glacier: Vegan Flava’s Latest Mural in Stockholm

From where you are, you may not be able to hear the tremendous sound of a falling 100-meter thick iceberg…

Vegan Flava continues to merge environmental activism with his striking street art in his latest mural, “Falling Mountains,” situated in Snösätragränd, Stockholm. Created during the Spring Beast Festival‘s 10th anniversary, this piece strikingly depicts the dramatic ice loss of the Thwaites glacier in West Antarctica. The mural features a breaching humpback whale, its body cracking like a calving glacier, symbolizing the impending threat of rising sea levels due to melting ice.

Vegan Flava. Falling Mountains. Snösätragränd (Snösätra Wall of Fame). Stockholm, Sweden. (photo © Vegan Flava)

The artist’s commitment to spotlighting urgent climate issues is powerfully evident in “Falling Mountains.” He employs the same compelling narrative techniques seen in his earlier works, utilizing natural elements and endangered species to highlight the fragility of our ecosystems. The whale, with its exposed roots, underscores the interconnectedness of life forms and the environment—a recurring theme in Vegan Flava’s art.

Vegan Flava. Falling Mountains. Snösätragränd (Snösätra Wall of Fame). Stockholm, Sweden. (photo © Fredric Sanabria)

Reflecting on his intent, Vegan Flava says, “From where you are, you may not be able to hear the tremendous sound of a falling 100-meter thick iceberg, but you can witness the melting of the Thwaites at any coast towards the sea.”

His mission is to make distant ecological phenomena tangible and urgent for urban audiences. Piece by piece, mural by mural, Vegan Flava seeks to inspire action and awareness about the profound impacts of climate change on our planet.

Vegan Flava. Falling Mountains. Snösätragränd (Snösätra Wall of Fame). Stockholm, Sweden. (photo © Vegan Flava)

Vegan Flava. Falling Mountains. Snösätragränd (Snösätra Wall of Fame). Stockholm, Sweden. (photo © Vegan Flava)

Vegan Flava extends his sincere thank you to all the people who supported my mural project, to Highlights store and Loop colors for the paint and to Snösätra Kultur for providing the wall and an unforgettable mural festival, and to all artist friends and colleagues whom he painted alongside.

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BSA Images Of The Week: 06.23.24

BSA Images Of The Week: 06.23.24

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Welcome to BSA Images of the Week!

We were looking at the description and lineup of this new Punk exhibit and thinking about how it extends to the early and current mural/street art scene at play today… Opine, as one may, about the roots of this scene and our rigorous academic attempts at qualitative mastery, but the average street artists cares nary a whit what you think, for the most part. It isn’t just our anti-intellectual age; it may simply be antithetical to what street art was ever intended to be. There are those who construct gates to enclose a favored few to make pronouncements about what street art is or isn’t, but the artists who produce work on the streets may not bother climbing the fence to get in their club.

It’s the ironic, rebellious, spirit of D.I.Y. that makes street art and graffiti most attractive for us —not its ability to make money for some nor burnish the reputation of another but to draw us together. The open access to self-expression is so alluring, and it is a testament to how truly innovative artists know how to seize a moment, transform a space, begin a dialogue, or weigh in on one. Create camps? Attempt to consolidate power? It is a folly. Why reject a corrupted and unfair pecking order only to reconstruct one? As we see more anniversary shows heralding punk and its origins, we recall that it was the liberty promised that was so appealing and the destruction of corrupt institutions that was most needed. The aesthetics may have become commodified. It’s spirit, never.

Here is our weekly interview with the street, this week featuring Alice Pasquini, Homesick, Judith Supine, Mike King, WERC, Pussy Power, Kane, Kone, Chris Haven, 6147, SLASH FTR, Geraluz, Coes Sneakers, AIC, and Skribblz.

KANE (photo © Jaime Rojo)
SLASH FTR. The Bushwick Collective. (photo © Jaime Rojo)
SLASH FTR. The Bushwick Collective. (photo © Jaime Rojo)
Judith Supine (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Pussy Power (photo © Jaime Rojo)
Chris Haven (photo © Jaime Rojo)
Chris Haven (photo © Jaime Rojo)
Chris Haven (photo © Jaime Rojo)
KONE. Hit The North Festival 2024. Belfast, Northern Ireland. (photo © Jaime Rojo)
6147 (photo © Jaime Rojo)
Homesick (photo © Jaime Rojo)
SKRIIIBLZ (photo © Jaime Rojo)
AIC (photo © Jaime Rojo)
Alice Pasquini. Hit The North Art Festival. Edition 2018. Belfast, Northern Ireland. (photo © Jaime Rojo)
Mike King (photo © Jaime Rojo)
Coes Sneakers. The Bushwick Collective. (photo © Jaime Rojo)
Werc. Geraluz (photo © Jaime Rojo)
Werc. Geraluz (photo © Jaime Rojo)
Untitled. Spring 2024. Brooklyn, NYC. (photo © Jaime Rojo)
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