All posts tagged: Steven P. Harrington

Through a Post-Graffiti Lense: Erosie In Pursuit Of Freedom

Through a Post-Graffiti Lense: Erosie In Pursuit Of Freedom

“You didn’t have a lot of input – and the input you did have had a lot of impact!,” says abstract painter Jeroen Erosie (b.1976, Netherlands) about his beginnings as a graffiti writer in the early 1990s. The revelation of seeing new works in print or on street walls was not something to be taken for granted, as with thumbing through an Instagram feed.

Tracing the evolution of an artist from graffiti writing to personal life and professional art practice – this is what some broadly refer to as Post-Graffiti. With graffiti at its genesis, it is also fascinating to witness how practices and techniques progress in later times at the hand of older practitioners.

Today we have a new documentary that is part of a larger series planned to study just this from a historical, anthropological, and art-historical perspective. Kristina Borhes, one-half of MZM PROJECTS with Nazar Tymoshchuk has been studying and researching in light of our ongoing exploration of post-graffiti – including her white paper Another Attempt to Explore the Transient Nature of Post Graffiti Through the History of a Term.

“We want to discover the stories from artists’ graffiti past and to understand what role it played in the process of forming their artistic practices,” Borhes tells us. ‘Every episode is dedicated to different artists from a particular scene.”

The Ukraine-born/France-based duo of independent researchers and documentarists have had to delay production of this long-planned project due to the ongoing war in their home country, but are proud to have reached this benchmark. This is the first of two completed interviews, but there will be many more if they can follow their planned program.

Ms. Borhes tells us that one of their influences is the work of documentary filmmaker Michael Blackwood, who collected valuable video interviews “with Rothko, Guston, the New York School, and many other artists.” The filmmakers are in awe of the opportunity to study the artist up close without unnecessary packaging, filtering, or attempts to otherwise manipulate the viewer. Borhes says one of the aspects she admired of Blackwood’s earlier documentaries allowed the viewer, “This possibility to see how they talked, to follow their emotions, gestures.”

BSA is proud to premiere this work and series days after its release. Shot and produced in collaboration with last year’s Bien Urbain Festival, this one will be followed by a second interview with street artist/fine artist and master experimenter Eltono.

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Meet Us in Artwork Alley; Artists Bring New Life to Downtown Salinas, Kansas

Meet Us in Artwork Alley; Artists Bring New Life to Downtown Salinas, Kansas

Hannah Scott & Tim Stone. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)

Those organic, often narrow and winding, street art/graffiti tagged thoroughfares that we are drawn to are often an open secret to bohemian neighborhoods in cities; so full of life, these alleys of discovery tell you that dynamic minds are here, ready to interact with you. In recent years the concept has been adopted as a way to revitalize a vein that has gone dormant in downtowns as well – inviting, encouraging a series of artists to adorn one patch of the public dispatch, paving a visual tour by foot to remind you that planned public space can be welcoming place.

Hannah Scott & Tim Stone. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)

Here in Salina, Kansas, murals are a part of a greater downtown art rejuvenation along with multiple construction projects in the historic district is being revitalized and transformed – with a combination of publicly and privately funded initiatives. Directed by Salina Arts and Humanities, the selection of artists painting friendly themes and styles are mainly local and regional in origin.

Today we have a good selection of recent murals in Artwork Alley and shots of the artists at work.

Hannah Scott & Tim Stone. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Hannah Scott & Tim Stone. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
AMP. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
AMP. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Mindy’s Murals. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Mindy’s Murals. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Mindy’s Murals. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Mindy’s Murals. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Sadat. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Sadat. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Sadat. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Sadat. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Saeb. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Saeb. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Kamela Eaton. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Kamela Eaton. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Kamela Eaton. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Darren Morawitz. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Darren Morawitz. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Darren Morawitz. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Brady. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Brady. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Brady. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
AMP, Sadat, Saeb, Hanna Scott, Tim Stone, Darren Morawitz, Brady, and Kamela Eaton. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
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BSA Images Of The Week: 12.04.22

BSA Images Of The Week: 12.04.22

Welcome to BSA Images of the Week!

A splendid selection this week of very entertaining pieces across the city. As we enter December, you can see that graffiti and street artists are going full-steam ahead into the new year – with personal, political, philosophical, and even romantic sentiments.

Here’s our weekly interview with the street, this week featuring: Faile, SRKSHNK, Modomatic, Sara Lynne-Leo, Molly Crabaple, Cope, Riisa Boogie, Ollin, Short, Rezones, Asker Uno, Danielle BKNYC, McManiphes, Kojo Hilton, Rad Bio, Duster, My Name is Annie, and The Jolly.

… but we appreciate the thought. Sara Lynne-Leo (photo © Jaime Rojo)
Molly Crabapple love letter to Tbilisi via Brooklyn. (photo © Jaime Rojo)
Molly Crabapple love letter to Tbilisi via Brooklyn. (photo © Jaime Rojo)
Molly Crabapple love letter to Tbilisi via Brooklyn. (photo © Jaime Rojo)
Molly Crabapple love letter to Tbilisi via Brooklyn. (photo © Jaime Rojo)
Molly Crabapple love letter to Tbilisi via Brooklyn. (photo © Jaime Rojo)
Coloring your hair is such a big job. The Jolly (photo © Jaime Rojo)
As the festivities in Wynwood are ablaze, the Bowery/Houston Wall is similarly ablaze with a holiday assortment of delicious organic home-made graffiti. Ollin, Duster For Mayor, My Name is Anna, Cope. The Houston-Bowery Wall. (photo © Jaime Rojo)
Short (photo © Jaime Rojo)
Now available on CD-ROM! Faile (photo © Jaime Rojo)
Unidentified artist…what’s with the mushrooms…we’ve noticed an uptick in mushrooms imaginary on the streets both in ads and in art. The National Mushroom Association must have contacted all the street artists to do a campaign or something. (photo © Jaime Rojo)
Modomatic (photo © Jaime Rojo)
Rad Bio (photo © Jaime Rojo)
Asker Uno, Danielle BKNYC, McManiphes, Koho Hilton. (photo © Jaime Rojo)
Asker Uno, Danielle BKNYC, McManiphes, Koho Hilton. (photo © Jaime Rojo)
Asker Uno, Danielle BKNYC, McManiphes, Kojo Hilton. (photo © Jaime Rojo)
Riiisa Boggie. Rezones (photo © Jaime Rojo)
CRKSHNK (photo © Jaime Rojo)
Untitled. Love. Brooklyn, NY. fall 2022. (photo © Jaime Rojo)
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Bartek Swiatecki / Pener: Selected Works 15-21

Bartek Swiatecki / Pener: Selected Works 15-21

A new book here features six years of selected works from a Polish graffiti writer, muralist, and professor of art and painting at a secondary school in his hometown of Olsztyn, Poland. He reckons that his life is one of ‘Planned Freestyle,’ meaning that having structure imposed upon him is very helpful in focusing his creative mind. You may quickly appreciate this characterization if you know any artists.

Bartek Swiatecki / Pener. Selected Works 15 – 21. Printed in Poland © Bartek Swiatecki

The collection of selected works here by Bartek Swiatecki is as luminous and optically rewarding to the viewer as they are opaque to the mind and stirring to the heart. With prolific and gently evolving abstractions in movement, you can see an artist at work, at play, and at his personal best – topping his previous work. The grandson of another painter and professor (of philology), Miroslaw Swiatecki, and the nephew of a famous painter and animator, Marek Swiatecki, perhaps it was only a matter of time before this 90s graffiti writer moved into more formal practices on canvas and walls.

In an in-depth interview, Pener reveals his sometimes complex feelings about the label of street artist, almost as if it diminishes his abilities and craft.

“Almost all of my friends I paint with are graduates of art faculties at universities or academies; most of them are architects or graphic designers,” he says. “Each of us works hard, so I get angry sometimes when we are labeled street artists because it is a huge simplification.”

The sentiment rings true, although we have never had anything but respect for street artists, regardless of their formal training. We witness a struggle for definitions at nearly every juncture along this graffiti/street art/fine art/mural art/contemporary art continuum.

In the end, the work speaks for itself, as this book can attest.

Bartek Swiatecki / Pener. Selected Works 15 – 21. Printed in Poland © Bartek Swiatecki

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BSA Film Friday: 12.02.22

BSA Film Friday: 12.02.22

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. Edward Hopper’s New York. Via Whitney Museum of American Art
2. The enveloping work of Barbara Kruger: MoMA
3. Man Who Turned Trash Into Family Treasures / The Garbage Man

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BSA Special Feature: New York Through Edward Hopper’s Eyes

“The city of New York was Edward Hopper’s home for nearly six decades (1908–67). For Hopper, New York was a city that existed in the mind as well as on the map, a place that took shape through lived experience, memory, and the collective imagination. It was, he reflected late in life, ‘the American city that I know best and like most.’ “

Edward Hopper’s New York. Via Whitney Museum of American Art


The enveloping work of Barbara Kruger: MoMA

“Margarita Lizcano Hernandez, curatorial assistant in the Department of Drawings and Prints, takes a close look at Barbara Kruger’s ‘Thinking of -You-. I Mean -Me-. I Mean You.’ and describes the sometimes overwhelming feeling of being surrounded by the colossal installation.”


A Man Who Turned Trash Into Family Treasures / The Garbage Man / A film by Laura Gonçalves.

At a long table laden with traditional dishes, a family shares fond memories of an uncle, who fled Portugal’s dictatorship and became a garbage collector in Paris, in this film by Laura Gonçalves.

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Henry Hang – Le Degas De La Street Dance

Henry Hang – Le Degas De La Street Dance

Bringing two of the elements of Hip Hop together on his latest mural, painter and photographer (and occasional professor) Henry Hang shows his enthusiasm here in his native Paris with an aerosol can and brush with equal passion.

Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo © Henry Hang)

A former graffiti tagger with ALB in the early 1990s, Mr. Hang also practiced dance as a bboy – saying that he is bringing it all together on canvas and walls with the energy of graffiti. Last year he was teaching students at the Figaro fair about all of the plastic and performative arts that contribute to the “aestheticization of hip-hop culture.” This new wall with Art Azoi combines his appreciation for all of it.

The figures are lifted and turned with a certain elegance: always in motion and gravitating above the ground with a resolute honesty found in street performance sometimes. Not that he is trying to be too literal; his appreciation for impressionism is evidenced by the title he has given himself, “Le Degas De La Street Dance.” Seeing his enthusiasm and his expression of it is inspiring in itself.

Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
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Miami Art Week 2022: Highlights

Miami Art Week 2022: Highlights

It’s time for Street Art and graffiti fans of all flavors to make their annual peregrination to that Mecca of murals and art fairs and performances on the street, Miami, during Art Basel.

Specifically, we constantly roam through Wynwood, which began with a very healthy graffiti scene a couple of decades ago. Now people of all kinds roam the streets here to see newly commissioned and uncommissioned works commingle.

We also include a list of the official art fairs to hit below. Expect to hear Bad Bunny on the streets, see a lot of hot pink fashion, and New York’s Chainsmokers at LIV this weekend.

Smell the aerosol, the tacos, and lather on the coconut sunscreen – and be ready to mingle with some of the best this gritty commercial and the still organic street scene offer.

WYNWOOD WALLS

Click HERE for further information, schedules and tickets.

MUSEUM OF GRAFFITI

Click HERE for further information, schedules and tickets.

SCOPE ART FAIR

SCOPE HIGHLIGHTS BELOW: Click HERE for further information, schedules and tickets.

ART BASEL

Click HERE for further information, schedules and tickets. Below are highlights from the list of participating galleries:

Jeffrey Deitch, Andrew Edlin, Eric Firestone, James Fuentes, Pace Prints, Almine Rech

BELOW IS A LIST OF ALL THE ART FAIRS PARTICIPATING AT MIAMI ART WEEK 2022

Aqua Art Miami

1530 Collins Avenue Aqua Hotel, www.aquaartmiami.comAqua Art Miami November 30 – December 4, 2022

Art Miami

One Herald Plaza at NE 14th Street On Biscayne Bay The Art Miami Pavilion, artmiami.comArt Miami November 29 – December 4, 2022

Art Basel | Miami Beach

1901 Convention Center Drive Miami Beach Convention Center, Hall A and D, artbasel.com/miami-beachArt Basel | Miami Beach December 1 – December 3, 2022

CONTEXT Art Miami

One Herald Plaza at NE 14th St The CONTEXT Art Miami Pavilion, contextartmiami.comCONTEXT Art Miami November 29 – December 4, 2022

Design Miami/

Convention Center Dr & 19th St, designmiami.comDesign Miami/ November 30 – December 4, 2022

INK Miami Art Fair

1849 James Avenue SUITES OF DORCHESTER, inkartfair.comINK Miami Art Fair November 30 – December 4, 2022

NADA Miami Beach

1400 North Miami Ave Ice Palace Studios, newartdealers.orgNADA Miami 2022 November 30 – December 3, 2022

PINTA | Miami

225 NE 34th Street, pintamiami.comPINTA | Miami November 30 – December 4, 2022

Red Dot Art Fair

2217 NW 5th Ave Mana Wynwood Convention Center, reddotmiami.comRed Dot Art Fair November 30 – December 4, 2022

SATELLITE ART SHOW

1655 Meridian Avenue, satellite-show.comSATELLITE ART SHOW November 29 – December 4, 2022

SCOPE | Miami Beach

801 Ocean Drive SCOPE Miami Beach Pavilion, scope-art.comSCOPE Miami Beach 2022 November 29 – December 4, 2022

UNTITLED, ART Miami Beach

Ocean Drive at 12th Street, untitledartfairs.comUNTITLED, ART Miami Beach November 29 – December 3, 2022
Reception: Tuesday, November 29th, 12:00 am – 12:35 pm

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C215 Gives You “The Stencil Graffiti Manual”

C215 Gives You “The Stencil Graffiti Manual”

If you want to learn how to do it correctly, you would be wise to study from a master. When it comes to stencil art on the street, this is a brilliant place to begin.

C215 – The Stencil Graffiti Manual. Schiffer Publishing 2022

The Paris-based stencil artist C215 learned his skills in the street and in the studio beginning in the mid-2000s after being influenced by the burgeoning practice in the street art scene of Barcelona and recognizing the practitioners in his home in Paris. Within a few short years, he was watching the evolution of all his peers – and even curating their work into shows. You can see many styles and techniques by surveying the field, and you’ll decide whose work is a cut above.

“The book that you are holding in your hands is therefore, a manual, an inventory of techniques to be appropriated in order to get yourself started in the art, or to help you develop stenciling’s potential. Stencils have no limits and can be adapted to all styles,” says the author in his introduction.

The Stencil Graffiti Manual is a ‘how-to’ book that gives you room to experiment while clearly pointing you in the correct direction. He shows you the tools needed, describes the techniques often used, provides a primer on historical uses of stencils, reviews principles of style, reflection, pattern repetition, figurative work, abstraction, and how to manipulate your work using Photoshop and Illustrator. It would be fair to say that your skill level is probably addressed here, regardless of whether you are beginning or have been looking for a way to expand your practice.

In a friendly, straightforward tone, C215 also interviews and features some of his friends and peers known for excelling at the techniques of cutting and spraying. A small selection of the pre-eminent stencil artists is featured here whose work has been found in many international cities dating back to the 1970s, including artists like Add Fuel, Ben Eine, Evol, M-City, Miss.Tic, Jef Aerosol, Monkey Bird, Nick Walker, Snik, Sten & Lex, and Stinkfish – all of whom have appeared here on BSA over the years. Each has a different interpretation of the art-making form, and each has formulated a unique voice and perspective.

“Many artists agreed to take part in the interviews,” says C215. “Throughout these pages, they share with you their expertise and their passion for stenciling. This multi-voiced manual is not only the fruit of my experience, but also, and above all, of the meetings and links forged over time with other artists in this field.”

C215 – The Stencil Graffiti Manual. Schiffer Publishing 2022

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Dourone Paints “The Internet” in Aix-en-Provence

Dourone Paints “The Internet” in Aix-en-Provence

Dourone has done it! They’ve painted the Internet!

Dourone. “INTERNET”. Ecole Brassart in Aix-en-Provence, France. (photo courtesy of the artists)

You didn’t think it could be done; depicting this far-flung mass of hot-n-bothered pixels teaming with the past, the present, and the Google across two screens. However, the duo has painted the platform that informs and clouds your understanding simultaneously at the École de Communication (EFAP)  and the BRASSART school of design in Aix-en-Provence, France.

Dourone. “INTERNET”. Ecole Brassart in Aix-en-Provence, France. (photo courtesy of the artists)

The duo keeps it all within their range of the color palette, an appealing, disconcerting combination of hues lit from behind, combined as if through a software filter to be just two shades beyond real. “They were both made with our color range which consists of 41 different shades of acrylic and brush paint,” they tell us of these new paintings upon the two schools.

Dourone. “INTERNET”. Ecole Brassart in Aix-en-Provence, France. (photo courtesy of the artists)

Somewhere in here is the DNA of this painting pair, an involuntary echo that reveals their true figurative nature, but passed within a screen of thousands of emoting, reflecting, archiving, gesticulating, glitched verbiage. The walls are in concert, yet not related. Painstakingly painted without automatic lifts, the creatively, kinetically connected artists tell us returned to the age-old tradition of scaffolding.

“This mural in two parts evokes the current state of communication,” they say, “or how we are constantly connected to each other and sometimes so alone.”

Dourone. “INTERNET”. Ecole Brassart in Aix-en-Provence, France. (photo courtesy of the artists)
Dourone. “INTERNET”. Ecole Brassart in Aix-en-Provence, France. (photo courtesy of the artists)
Dourone. “INTERNET”. Ecole Brassart in Aix-en-Provence, France. (photo courtesy of the artists)
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BSA Images Of The Week: 11.27.22

BSA Images Of The Week: 11.27.22

Welcome to BSA Images of the Week!

Hope you had a moment or two to be thankful this Thursday with family, friends, or your cat. New York days are ever shorter, and people are officially entered into the Holiday Vortex. Mariah Carey tirelessly lipsynched her jingle at the Macy’s Thanksgiving Day Parade, the tree (and some of the crowd) is going to be lit at Rockefeller Center Wednesday, a community center in Queens is getting ready for its Channuka Experience, HOSTOS in the Bronx has its annual Kwaanza Celebration Thursday, The Burrito Bar in Staten Island is getting ready for its Drag Brunch Bingo: Christmas ExDRAGvaganza, and Marlene at your corner beauty shop is running a deal on holiday marble nail manicures – which are the dope nails to have right now. “If you’re a fly gal, then get your nails done. Get a pedicure, get your hair did.”

Here’s our weekly interview with the street, this week featuring: Winston Tseng, Mike Makatron, Maker, MFK, Ollin, Slue, KEZ5, Big Ash, D30, 2Much, and Sekt.

Mike Makatron (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Sluto (photo © Jaime Rojo)
MFK (photo © Jaime Rojo)
Tribute to KEZ5 (photo © Jaime Rojo)
Ollin (photo © Jaime Rojo)
Current Mood: Turkey Tryptophan Haze. Unidentified artist (photo © Jaime Rojo)
Save The Duck. This is really an ad…but we’d like to help save all ducks and the whole planet. Why not? BTW, here’s a list of the ten most endangered species. (photo © Jaime Rojo)
Why does this feel like someone was caught in the middle of a job? CNONE ABYS ANGE MAYDO (photo © Jaime Rojo)
Big Ash (photo © Jaime Rojo)
People who inspire other people for good always deserve the spotlight. (photo © Jaime Rojo)
D30 (photo © Jaime Rojo)
D30 (photo © Jaime Rojo)
Maker (photo © Jaime Rojo)
Sekt (photo © Jaime Rojo)
Winston Tseng with a splash. (photo © Jaime Rojo)
This is 2Much (photo © Jaime Rojo)
Untitled. Fall 2022. NY (photo © Jaime Rojo)
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SpY Rounds the Pyramids: An ORB to Show “Forever is Now”

SpY Rounds the Pyramids: An ORB to Show “Forever is Now”

A curation of sculptures in the environs of the great Egyptian pyramids is an audacious idea and one full of potential. With Egypt’s origins in the history of graffiti, it is also sublime to see some of today’s most talented international street artists who have made meaningful contributions to the scene, like El Seed and SpY, participating in this project by director Nadine Abdel Ghaffar.

SpY. “Orb”. “Forever Is Now II” exhibition at Giza Pyramids. Cairo, Egypt. November 2022. (photo © Ruben P. Bescos)

Founder of Art D’Égypte, Ghaffer is an Egyptian curator, art consultant, and cultural ambassador – who speaks about the project as an ode to the transcendental power of art, with a focus on the convergences possible between historical and contemporary.

“Art becomes a collective responsibility, a conversation across time that enables each artist to contribute his/her own story to history,” Ghaffer recently told Scale Magazine. The second exhibition in a series, she calls the new show “Forever is Now II”.

SpY. “Orb”. “Forever Is Now II” exhibition at Giza Pyramids. Cairo, Egypt. November 2022. (photo © Ruben P. Bescos)

Today we focus on the contribution of the Spaniard SpY, who continues to expand his visual and sculptural vocabulary with striking displays of geometric splendor that interact geographically and mathematically. SpY tells us that “‘Orb’ draws its inspiration from ancient Egyptian culture, using forms and materials that reference elements of mathematics and the notions of creation and rebirth.”

A multi-faced sphere of reflective geometries that simultaneously give individual interpretations of the sky, Pyramids, and the surroundings. It is a visual concert that pays respect to past accomplishments and instantly captures the streaming feeling of our digital world today. SpY says it is also inextricably linked to the lifetime of our sun, “conveying notions of creation and rebirth.”

SpY. “Orb”. “Forever Is Now II” exhibition at Giza Pyramids. Cairo, Egypt. November 2022. (photo © Ruben P. Bescos)
SpY. “Orb”. “Forever Is Now II” exhibition at Giza Pyramids. Cairo, Egypt. November 2022. (photo © Ruben P. Bescos)
SpY. “Orb”. “Forever Is Now II” exhibition at Giza Pyramids. Cairo, Egypt. November 2022. (photo © Ruben P. Bescos)
SpY. “Orb”. “Forever Is Now II” exhibition at Giza Pyramids. Cairo, Egypt. November 2022. (photo © Ahmed Emad)
SpY. “Orb”. “Forever Is Now II” exhibition at Giza Pyramids. Cairo, Egypt. November 2022. (photo © Ruben P. Bescos)
SpY. “Orb”. “Forever Is Now II” exhibition at Giza Pyramids. Cairo, Egypt. November 2022. (photo © Ruben P. Bescos)
SpY. “Orb”. “Forever Is Now II” exhibition at Giza Pyramids. Cairo, Egypt. November 2022. (photo © Ruben P. Bescos)
SpY. “Orb”. “Forever Is Now II” exhibition at Giza Pyramids. Cairo, Egypt. November 2022. (photo © Ruben P. Bescos)
SpY. “Orb”. “Forever Is Now II” exhibition at Giza Pyramids. Cairo, Egypt. November 2022. (photo © Ruben P. Bescos)
SpY. “Orb”. “Forever Is Now II” exhibition at Giza Pyramids. Cairo, Egypt. November 2022. (photo © Ruben P. Bescos)

Location: Pyramids of Giza, Egypt
Exhibition: ‘Forever Is Now II’ by Culturvator/ Art D’Égypte
Director: Nadine Abdel Ghaffar
Organizations: Culturvator/ Art D’Égypte, UNESCO, Egyptian Ministry of Tourism and Antiquities

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BSA Film Friday: 11.25.22

BSA Film Friday: 11.25.22

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. Luna Luna – The Art Amusement Park Returns
2. Gera 1 Combines Glitch and Figurative in Berlin
3. “Forever Is Now” Second Edition at Giza Pyramids via Art D’Egypte

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BSA Special Feature: Luna Luna – The Art Amusement Park Returns

35 years after its first creation, the Luna Luna is resurrected from its original home in Hamburg in 1987 to tour other cities. Inspired by a traditional luna park,the original works like a Keith Haring Carousel, the Basquiat Ferris Wheel, and many other features designed by about 28 more artists like Kenny Scharf, Roy Lichtenstein, and David Hockney, they called this “The world’s first and only art amusement park.”

Luna Luna – The Art Amusement Park Returns

https://lunaluna.com/

Gera 1 Combines Glitch and Figurative in Berlin

“As long as I can remember, I was always interested in distortion,” says Gera1 about this new mural in Berlin, which he says combines elements of figurative painting with glitch art. He doesn’t mention his sublime sense of color.

“Forever Is Now” Second Edition at Giza Pyramids via Art D’Egypte

Forever is Now .02 showcased ambitious works by Therèse Antoine (Egypt), Natalie Clark (USA/Spain), Mohammed Al Faraj (Saudi Arabia), Emilio Ferro (Italy), Zeinab Al Hashemi (UAE), JR (France), Ahmed Karaly (Egypt), Liter of Light, eL Seed (Tunisian), SpY (Spanish), Pascale Tayou (Cameroon) and Jwan Yosef (Syria/Sweden).

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