All posts tagged: Steven P. Harringon

Gola Hundun, Anthropic Space, Natural Space, and His Newest Installation in Milan

July 26, 2021 Artists

Italian land artist/street muralist Gola Hundun has divided his creative projects in the last few years into two distinct but related practices.

Gola Hundun. “Convective Motions”. Inneschi Festival. Milano, Italy. (photo © Johanna Invrea)

The first is to investigate buildings that are being reclaimed by nature and develop site-specific installations that work in harmony with the history of the relationship between architecture and nature. The second, of which we have an example for you today, is a mural installation on active buildings within cities, perhaps invoking a more integrated ecology of symbols and natural systems around it. These two lines of inquiry comprise his project “HABITAT”, a sincere stream of research that lies on the border between anthropic space and natural space

Here in Milan, the school façade will now display Gola’s dedication to life and its movements – called “Convective Motions”. While the mural composition begins from a central element of cosmic energy, a solar force that unravels centrifugally outward, he also has plans to do plantings around the mural and the property in September to extend the reach of the painted portion of his installation.

“Leaves are painted as if they were part of a fire explosion, following and growing the movement,” he tells us, “generates new ones – involving celestial bodies upon contiguous facades, symbolically returning toward the central sun in a perpetual cyclical movement.”

When completed and grown, Mr. Hundun says the entire composition will include endemic plants grass, bushes, hornbeam trees, dogwood trees, hazel trees, hawthorns, and an English oak placed on an axis with the tree painted on the wall.

“The idea is to create a simulacrum of the wood that is used to dress this municipality of Vimodrone – all spread before the building,” he says. “The tree of life here is the same kind you’ll find monotheistic or pagan religions. The two trees will be set in two movements: the painted one will be crystallized, whereas the real tree will grow inexorably.”

This project is organized by industri scenica – INNESCHI festival in partnership with VIMODRONE City Hall sustained by Fondazione di Comunità Milano Onlus
Consultancy about nests by LIPU MILANO
Pics iranacredi

Elfo’s Neo-Dada Butchering Diagram in Turin

July 17, 2021 Artists

Elfo’s furtive and artful wanderings can veer off into the neo-Dadaist fields at times, sometimes wittily so, and textually. The Italian graffiti writer and street artist uses the simplest of devices to capture attention, a reductive and deliberate strategy born of careful consideration girded by impulses to broadcast his view, to be seen and heard.

Elfo. “I’m a Vegetarian”. Inspired by the work of G. A. Cavellini. Torino, Italy. (photo © Elfo)

Here in Turin (Torino) the artist diagrams the messages in a butcherly way – a triangulation of views on class structures, the street-to-gallery continuum, and the tensions separating carnivores and herbivores. Oink!

He says it is “a new ironic artwork” and pays tribute to the late Italian artist and art collector G.A. Cavellini.

Guglielmo Achille Cavellini. *Informazione.* n.d. Cavellini artist file, MoMA Library

Gonzalo Borondo: “Hereditas” Installation in His Childhood Segovia

April 12, 2021 Artists

A site-specific immersive exhibition by the artist at Museum of Contemporary Art Esteban Vicente From April 8 to September 26, 2021

Style and genre, and era have never been particularly magnetic topics for Borondo; his heart is too poetic for such limitation. Instead, he continues to bring an ambiance, a sense of place – after he has studied it.

Gonzalo Borondo. *“Hereditas”*. Museum of Contemporary Art Esteban Vicente. Segovia, Spain. (process shot © Laura Aruallan)

The former graffiti writer may have been political after leaving his childhood town of Segovia, Spain. Still, his senses and sensibilities were fed by this World Heritage Site’s atmosphere and its historical arches, turrets, towers, churches, cathedrals, monasteries, and convents – and possibly the enormous Roman aqueduct.

Now returning here to mount his own exhibition in Esteban Vicente Museum of Contemporary Art, his aesthetics and reverence for holy places are also tempered with his age, this age – a fusion now tempered by maturity, but only just so. Creating most of his work on-site, the searching is the story, and the journey is as important as the destination.

Consulting, convening, channeling his formal studies, his street practice, wanderlust, and an ever-present rebellious streak, Borondo still knows how to alchemize the environment. And this place has hosted many; a former city palace of King Enrique IV of Castile, a home of nobles, then a hospice, a school of arts, and a museum. In what time are we living right now? Borondo will not trouble us with such matters.

Gonzalo Borondo. *“Hereditas”*. Museum of Contemporary Art Esteban Vicente. Segovia, Spain. (photo ©Roberto Conte)

Gonzalo Borondo. “Hereditas”. Museum of Contemporary Art Esteban Vicente. Segovia, Spain. From April 8 to September 26, 2021. Curated by José María Parreño

Le Rat Has Arrived, Police Remove Cars from “Art Mile”, 2 Days to “Unstoppable” in Berlin : BSA Dispatch 3

September 13, 2017 Artists

Blek Le Rat arrived at the Urban Nation office today with his wife Sybille after a long car ride from Paris, ready for a coffee and possibly to take a look at the wall he’ll be painting here to celebrate “UNSTOPPABLE”, the inaugural exhibition of the UN museum this weekend. The wind taunted BustArt as he attempted to lay his irreverent stencil of Mother Mary coddling Pluto Jr. and the sliced cutout cardboard bent and bowed beyond an average person’s patience while his buddy Stephan helped hold it down for spraying.

Isaac Cordal. Detail of a larger outdoor installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Under the elevated train a legion of police and traffic cops removed 80 or so cars so the team could begin building stages, cages, platforms, lighting, electricity – for a slew of fresh outdoor pieces which will be installed Thursday and Friday for the weekend outside component.

Who is going to be on display as part of the Art Mile? Try Pixel Pancho, Franco JAZ Fasoli, Bordalo II, Mimi S., HowNosm, Zezao, Isaac Cordal, Olek, Seth Globepainter, Blek Le Rat, Hottea, Dot Dot Dot, Borondo, Herakut, Deih XLF, Faith 47, David De La Mano, Nespoon, Tank Patrol, Lister, Cranio, Sandra Chevrier, Aaron Woes M, Yok & Sheryo, Haroshi, Don John, Ben Frost, Various & Gould, Icy & Sot, Mademoiselle Maurice, the Juxtapoz newsstand, Mark Bode, Shepard Fairey, 1 Up, James Bullough, and 2501. It’s a real cross section of styles, influences, and voice that will be engaging guests this weekend.

Hot Tea at work on his site specific installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

The Berlin police actually use a truss and truck that picks up the offending car, puts it on a flatbed. Then, believe or not, they look for an empty parking spot in the neighborhood an place the car into the new place – also signs are posted to let you know where your car was re-located to.

In New York City if you are unfortunate enough to park your car in the wrong place it is simply towed away to a massive car yard somewhere, banging into things occasionally on the way and flying through potholes – and then held for a King’s ransom. Then you have to simply guess if it was towed or stolen. No word on what the London Police do in regards to cars parked illegally.

Hot Tea at work on his site specific installation for the Art Mile. Florian couldn’t wait to take a peek. Urban Nation Museum For Urban Contemporary Art. (photo © Hot Tea)

Up on a lift for painting today also were Mademoiselle Maurice, David De La Mano, and James Bullough, and the company plastering the corner façade of the museum with pink letters. When the winds got to strong everybody was forced to bring the lifts down for an hour. Intrepid and lucky photographers like Jaime Rojo and Nika Kramer still managed to go up in the buckets to get some good shots in.

Hot Tea is spraying a big installation space with a rainbow of colors – on the walls and floors completely. People who are peeking through the plastic sheeting that protects the windows are wondering what this world of color is going to be.

Hot Tea at work on his site specific installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Meanwhile the onslaught of arrivals continues, including hopefully we’ll see Martha Cooper and Carlo McCormick. Martha of course will be here to celebrate the beginning of the Martha Cooper Library within the museum and Carlo will be here to see the didactics and texts he wrote for the exhibition and catalogue –as well as speaking at the Unlock Book Fair. This publishing fair for graffiti, street art and related practices is a must see for those who relish the independent thinking minds who publish on paper in this scene. Other great speakers featured will be Pedro Soares, Jens Besser, Susan Phillips, Thomas Chambers, and Javier Abarca.

Okay that’s your update for today. See you on the streets tomorrow.

Ron English. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE at work for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bustart fights with the wind. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bustart. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Tankpetrol at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Mademoiselle Maurice detail and process shot of her installation for Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

David De La Mano at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Icy & Sot in Cincinnati ; “We Need Education, Not Violence”

July 5, 2016 Artists

The July 4^th fireworks and bombast is over. The violence on America’s streets is not.

In Cincinnati alone 48 people have been killed by gun violence in the first half of the year a new mural by Street Artists Icy & Sot intends to combat it with this message; “Education and art are key to breaking the cycle of violence.” Using pencils as a symbol of education and self-awareness and power, the brothers say we individually have the power to save youth from gun violence.

Icy & Sot for ArtWorks in Cincinnati, USA. (photo © Icy & Sot)

The socially conscious stencilists are invoking an image they created after being victims of gun violence themselves and in response to other high-profile episodes of violence on the world stage recent years – a gun with a pencil for a barrel. This 20’ x 24’ mural of individuals toting high-powered pencils imagines what the results of education can do to lift a community, instead of tear it apart.

The new piece is called “We Need Education, Not Violence”, and we have images of the process here for you today.

Icy & Sot for ArtWorks in Cincinnati, USA. (photo courtesy of Icy & Sot)

Somehow discussion of the gun-violence topic in the sensational and moneyed media always seems to encourage an intractable polarization of thought – simplifying opinions, placing people into only two camps, and trotting out tropes about “liberals” and “conservatives”. The tactics attack people instead of ideas, purposefully clouding the arguments, prolonging inertia.

The Rev. Gail Greenwell of Christ Church Cathedral says that the religious organization “sees public art as one way to generate public reaction, to engage the community in a meaningful dialogue about gun violence and gun violence prevention.” The church worked with Artworks, an award winning visual arts non-profit to solicit artists for the message and the project was completed and installed last week.

Icy & Sot for ArtWorks in Cincinnati, USA. (photo courtesy of Icy & Sot)

ArtWorks says it is the largest visual employer in the Cincinnati region and “our vision is to be the creative and economic engine that unites citizens to transform our region through public art.”

Can ArtWorks and Icy & Sot propel the conversation forward and cause a meaningful change in a community that is suffering from gun violence? For those who believe in the power of art in the public sphere, there is reason to think that it can.

Icy & Sot for ArtWorks in Cincinnati, USA. (photo © Icy & Sot)

For more information please visit cincinnaticathedral.com, ArtWorksCincinnati.org.

A Quick Look at Wynwood Walls of Change 2015

December 8, 2015 Artists

Among the various events at this years’ Miami madness called Basel were the multiple projects that intersect with Street Art in the Wynwood District. Walls of Change brought new large scale murals and installations from fourteen international artists who have all done art in the streets at some stage of their career and represent some of the better known as well as a few up-and-comers.

Case Ma’Claim. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

The corporate sponsored program curated by real estate CEO Jessica Goldman Srebnick of Goldman Properties also debuted The Wynwood Walls Garden, a new space that cleverly added instant height to the scene by stacking shipping containers on top of each other.

Our thanks to Todd Mazer for sharing these fresh images for BSA readers to see what new pieces captured his eye at the installation. The invited list of artists includes Case (Germany), Crash (USA), Cryptik (USA), el Seed (France), Ernest Zacharevic (Singapore), Fafi (France), Hueman (USA), INTI (Chile), The London Police (UK), Logan Hicks (USA). Pichi & Avo (Spain), Magnus Sodamin (USA), and Alexis Diaz (Puerto Rico).

Case Ma’Claim. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

Case Ma’Claim. Detail. “Walls For Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

Pichi & Avo. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

Logan Hicks. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

El Seed. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

Ernest Zacharevic’s Miami collaboration with photographer Martha Cooper. Mr. Zacharevic recreated Pablo Picasso’s 1958 sculpture “Bull” and placed it a scene from Ms. Cooper’s photo of children at play taken in 1978 in The Lower East Side of Manhattan. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

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Miss Bugs Top Feature on Huffpost ARTS Today

July 21, 2011 Artists

The “Parlour” Show Produces Some of the Most Riveting Scenes of the Summer

If you missed the BSA inteview of UK Street Art duo Miss Bugs a little while ago, you can read the interview and vote on your favorite shot on the slideshow on the Huffington Post Arts page. Special thanks to Miss Bugs, Rae & Hope at Brookynite Gallery, and Kimberly Brooks.

Leave a comment or vote on your favorite Miss Bugs slides from this remarkable installation here.

Miss Bugs in Brooklyn: Girls, Sex and a Car Crash in the Forest

July 13, 2011 Artists, Brooklyn, Events, Features, Gallery, NYC

A horrendously stunning car crash, windshield smashed in by a wooden stump, a shard of white light cutting sharply through a smoke cloud which rises to eerily announce the arrival of UK Street Artists Miss Bugs in Brooklyn. In “Parlour”, their first solo on view right now in Bed Stuy, the backyard diorama is a plastered paper perimeter of gnarled and murky indigo off road forest, a haunting backdrop to the cut-out distorted and riveting forms who break the 4^th wall toward you with intent.

The curvaceous ladies are cousins of the street pieces Miss Bugs places with great care publicly, cut outs that fade into their surrounding and pop out from it, undulating and teasing and riveting, a perfectly charged counterweight of sex to the violent metal and glass carnage before you. Throughout the inside gallery and backyard installation, Miss Bugs plays with a scale slightly larger than life, giving imperious and distantly cool figures a personal, almost intimidating immediateness.

The distortion of the forms and come hither stand-offishness is softened and sweetened by saturated pop colors and cleverly patterned replications of art you have seen somewhere else. Always willing to take appropriation to new heights, Miss Bugs gladly incorporates signature elements of other artists works into their distorted and sensuous forms, weaving them into the hair, tattooing them across the skin, wrapping their ladies with a body conscious knitted brocade.

Speaking with the royal “we”, the very anonymous Miss Bugs talked with Brooklyn Street Art about “Parlour”:

Brooklyn Street Art: What was the genesis for “Parlour” in general and this outdoor installation in particular?
Miss Bugs: We wanted it to be a place that unsettles you… The concept of the ‘Parlour’ exploits the idea that the art establishment plays on people’s desires, whether for money, beauty, sex or ownership. We’ve always looked at these themes within our work, so here we continue to question them. However, this time, we wanted to extend the ideas beyond the work and have the pieces viewed in their own theatrical space making us see the works’ symbolism in a different, darker light. We place our own fictional characters in the middle of the space. ‘The Madam’ is here with her open eyes; to convey ourselves as part of this sometimes strange and seedy world.

The outside installation grew from the concept that the parlour is being protected by a few souls and that this can be a twisted place, full of contradiction… We suppose it’s a nightmare or maybe just a bad dream! Comparisons can be made throughout the show between our ‘Parlour’ and the real world of the art establishment. Just depends how deep you want to scratch!

Brooklyn Street Art: How was it to install your work in Brooklyn this time around?
Miss Bugs: It’s great to show in New York especially Brooklyn, we love it… Just to spend time walking around soaking it all up is brilliant. Since we were kids we saw and heard Brooklyn in music, film and art, so it feels great when we’re here and it always makes us feel at home!

Brooklyn Street Art: The imagery gives off sex, cars, alcohol… what are some of the messages you are working with?
Miss Bugs: All these elements we try and show in a warped way; For example, placing glamorous but distorted nudes next to a burnt-out car, which hopefully makes us question our desires and see them differently! When we got the car into the gallery and we realised just how horrific a smashed up car is, it had a sadness about it which we hope we were sensitive to with our cut out figures. The installation of the woodland clearing we wanted to be experienced at night to create a haunting and again unsettled atmosphere, but the smoke machine could have done this job by itself …

Brooklyn Street Art: You borrow from different artists and other cultural art forms (including Shakespeare in one instance) and incorporate many of those images into your work. How do you go about selecting the images? Are they your favorite artists or is it purely aesthetic?
Miss Bugs: The list of artists that we ‘stole’ from and remixed for this show is massive…Hannah Hoch and Kurt Schwitters, Keith Haring, Jean-Michel Basquiat, Vera Lehndorff, Gustav Klimt, Picasso, Mc Escher, Man Ray, David Lynch, Mel Ramous, Takashi Murakami, Leonardo De Vinci, Banksy, Warhol, Stanley Kubrick

We’ll stop now but the list goes on! You have to look harder for some of them and others can be staring you in the face but sometimes still go unnoticed as they’re seen out of context. Playing with ideas of how we view artwork and how much of its reasoning we understand.

We look at links between the artists and their working methods throughout history. Artists that would not normally be considered to sit alongside each other are then remixed together showing just how the working style of (for example) Keith Haring can gel together with Picasso, and how artists from very different periods in time and culture are using very similar approaches, often where you wouldn’t expect to see it.

Here we’ve selected elements of artists whose work goes someway in helping us tell our own story within ‘Parlour’… Suppose we’re like some sort twisted museum curator cramming the world’s greatest artists together into a small room for an orgy, then throwing some classical writers and iconic film directors in for good measure!

Miss Bugs “Parlour” is currently on view at Brooklynite Gallery. Click below for more information.

http://www.brooklynstreetart.com/theblog/?p=21691

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Isaac Cordal. Detail of a larger outdoor installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Hot Tea at work on his site specific installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Hot Tea at work on his site specific installation for the Art Mile. Florian couldn’t wait to take a peek. Urban Nation Museum For Urban Contemporary Art. (photo © Hot Tea)

Hot Tea at work on his site specific installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Ron English. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE at work for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bustart fights with the wind. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bustart. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Tankpetrol at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Mademoiselle Maurice detail and process shot of her installation for Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Mademoiselle Maurice detail and process shot of her installation for Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

David De La Mano at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

David De La Mano at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Icy & Sot for ArtWorks in Cincinnati, USA. (photo © Icy & Sot)

Icy & Sot for ArtWorks in Cincinnati, USA. (photo courtesy of Icy & Sot)

Icy & Sot for ArtWorks in Cincinnati, USA. (photo courtesy of Icy & Sot)

Icy & Sot for ArtWorks in Cincinnati, USA. (photo © Icy & Sot)

Icy & Sot for ArtWorks in Cincinnati, USA. (photo © Icy & Sot)

Icy & Sot for ArtWorks in Cincinnati, USA. (photo © Icy & Sot)

Case Ma’Claim. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

Case Ma’Claim. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

Case Ma’Claim. Detail. “Walls For Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

Pichi & Avo. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

Pichi & Avo. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

Logan Hicks. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

Logan Hicks. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

El Seed. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

El Seed. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

Hueman. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

Cryptik at work. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

Cryptik at work. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

Cryptik. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

The London Police at work. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

Ernest Zacharevic. Detail. “Walls of Change” at Wynwood Walls 2015. Miami, Florida. (photo © Todd Mazer)

The “Parlour” Show Produces Some of the Most Riveting Scenes of the Summer

Miss Bugs. Detail (photo © Jaime Rojo)

The front room of “Parlour” at Brooklynite Gallery with Miss Bugs (photo © Jaime Rojo)

Miss Bugs (photo © Jaime Rojo)

Miss Bugs (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs (photo © Jaime Rojo)

Miss Bugs. Panoramic view of the outdoor installation (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

Miss Bugs. Detail (photo © Jaime Rojo)

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