All posts tagged: Spencer Elzey

Images Of The Week: 01.05.14

January 5, 2014 Artists

It’s been weeks since we had an “Images of the Week” posting with you, due to the end of the year spectacular we presented for 13 days; a solid cross section of the talented photographers who are documenting this important moment before it passes.

As a collection 13 From 2013 exemplified the unique and eclectic character of Street Art and graffiti photography today. Each person contributed a favorite image and along with it their insight and observations, often personal, very individual, and with a real sense of authenticity. Each day we were sincerely grateful for their contributions to BSA readers and to see the street through their eyes.

Thank you again to Yoav Litvin, Ray Mock, Brock Brake, Martha Cooper, Luna Park, Geoff Hargadon, Jessica Stewart, Jim Kiernan, Bob Anderson, Ryan Oakes, Daniel Albanese, James Prigoff, and Spencer Elzey for 13 from 2013. Also if you missed it, that list kicked off just after our own 2013 BSA Year in Images (and video) were published here and on Huffington Post, all of which was also a great honor to share with you.

And so we bring back to you some documentation of moments before they passed – our weekly interview with the street, this week including $howta, Appleton Pictures, ASVP, BAMN, Chase, Dceve, Doce Freire, EpicUno, Hot Tea, Jerkface, Judith Supine, Leadbelly33, LoveMe, Meres, Olek, Rambo, Ramiro Davaro-Comas, Square, and Swoon.

This weeks top image is a reprieve from the winter we’ve been enduring – a small hand cut frog clinging to a verdant fern – created by Swoon and snapped during a visit to her studio over the holidays. (photo © Jaime Rojo)

EpicUno (photo © Jaime Rojo)

Rambo (photo © Jaime Rojo)

Leadbelly33 (photo © Jaime Rojo)

LoveMe (photo © Jaime Rojo)

BAMN (photo © Jaime Rojo)

Judith Supine (photo © Jaime Rojo)

ASVP and Square (photo © Jaime Rojo)

$howta (photo © Jaime Rojo)

JerkFace (photo © Jaime Rojo)

HotTea (photo © Jaime Rojo)

Olek’s very latest piece completed on New Year’s Eve in Vancouver, Canada. (photo © Olek)

Olek. “Kiss the Future” detail. (photo © Olek)

Meres has a message for Gerry. (photo © Jaime Rojo)

Meres (photo © Jaime Rojo)

Chase (photo © Jaime Rojo)

Doce Freire in Sharjah City, UAE for the Al Qasba Festival. (photo © Doce Freire)

Dceve (photo © Jaime Rojo)

Appleton Pictures (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Ramiro Davaro-Comas (photo © Jaime Rojo)

Untitled. Manhattan, December 2013. (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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13 from 2013 : Spencer Elzey “A Once in a Lifetime Moment”

December 31, 2013 Artists

Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and commemorate the year as we finish it is to bring you 13 FROM 2013 – Just one favorite image from a Street Art or graffiti photographer that brings a story, a remembrance, an insight or a bit of inspiration to the person who took it. For the last 13 days they will share a gem with all of us as we collectively say goodbye and thank you to ’13.

To close out our 13 FROM 2013 series we bring you photographer Spencer Elzey who has been a contributor to BSA periodically and who took a cool trip to Europe this year and who was featured for a full week on this site. The image he chose of eL Seed’s piece on the side of a soon to be demolished building captures the “La Tour 13” project and the ephemeral quality of Street Art. It is an apt metaphor for the passage of time itself that reminds us to celebrate and cherish what we have today.

Tomorrow? Tomorrow is 2014.

Spencer followed his passion, seized the opportunity to meet new people and to experience new street environments and he shared with us all his sense of wonder and celebration. As we say goodbye to 2013 we thank him and all our readers for keeping that spirit of discovery alive and for being an active participant in the creative spirit.

el Seed. Paris, France 2013. (photo © Spencer Elzey)

A Once in a Lifetime Moment

~ Spencer Elzey

I selected this picture for a few different reasons. Firstly, I liked this picture from an aesthetic standpoint. The way that the orange building pops against the monochromatic Parisian landscape makes it hard to miss, especially to someone who is a fan of public art and has an eye peeled for these things.

The fact that this art – and even more so this building – was short lived made it almost a once in a lifetime moment. Usually a Street Artist goes into painting a mural with the awareness that his or her canvas is temporary and that within a few months it will be covered up.

Knowing that the whole building was going to be knocked down put this on a whole other level. Out of the 100 plus works of art that were painted and installed within the building there were lots that were better, however, I chose to submit the picture of the exterior almost as a symbolic tombstone for everything that it contained. This picture also represents a series of big accomplishments for myself from a personal level.

I couldn’t imagine a better way to memorialize my whirlwind trip around Europe then by having a weeklong feature on BSA. To top that off Steve and Jaime choose one of the articles for publication on their weekly column at The Huffington Post Arts & Culture and this photograph was the banner picture.

Thinking about these moments still puts a smile on my face.

Artist: el Seed

Location: Paris, France. 2013

#13from2013

Check out our Brooklyn Street Art 2013 Images of the Year by Jaime Rojo here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Eye on London Street Art : Spencer Elzey in Europe

November 23, 2013 Artists

For the first week-long “residency” on BSA, Spencer Elzey has been sharing his experiences and Street Art photos from his recent trip to Europe. Today we finish with London, a polished and presentable collection of some of the current scene from the streets.

The city has long played host to a rolling panoply of urban art and artists and is a prime example of the professionalization of the practice featuring a greater absorption into the culture and economy at large with galleries, museums, shops, and paid tour guides all joining in. The upshot is you will see some of the best examples of talent and it may at times seem all quite combed over and generally safe for a general audience. Not that there isn’t dynamism and risk taking, and you will still find unsanctioned work to be seen inside and outside of the tourist hotspots.

Sweet Toof and Roa (photo © Spencer Elzey)

Hosting the Olympics last year brought a self cleansing of much of the organically grown graffiti and Street Art, and the chilling effect of living in an electronically surveilled society with cameras nearly everywhere will undoubtedly be sited to when historians look at the nature of art on the streets from this era.

“London had a lot of Street Art but it felt more corporate and organized for the masses,” says Elzey of his time walking through Shoreditch, Brick Lane, Hackney, Bethnal Green, and Camden. “In the week that I was there I walked by around five Street Art tours.”

Sweet Toof (photo © Spencer Elzey)

“Most of London’s street art is confined to these places – The other areas that I explored around London all seemed pretty clean. This may have been due to the fact that there are security cameras everywhere,” he says. An international first world city, London usually is a destination for the international “circuit” of Street Artists whose names tend to reappear on lists of the various street/graffiti/urban art festivals that now pop up in global cities from Lima to Łódź and Living Walls to Nuart to Upfest and the recently ended FAME.

As with any art form that begins as transgressive and underground and evolves to be adopted by the dominant culture, at times the whole scene begins to resemble the commercial and institutional interests it once mocked or attempted to subvert. “London is great but felt more catered to the bigger players and had the most street art in commissioned form (by the various Street Art organizations), which is good to see some amazing work but cheapens the art a little,” he says.

In the images he shares with BSA readers today you can see the really strong work that is throughout those neighborhoods as many of the artists consider strongly what they will do – and it results in some quite striking pieces. As always, you want to keep an eye on London. Surely it will keep an eye on you.

Miss Van and B. Schu (photo © Spencer Elzey)

Otto Schade (photo © Spencer Elzey)

Shok 1 (photo © Spencer Elzey)

Gnasher (photo © Spencer Elzey)

Alexis Diaz (photo © Spencer Elzey)

Ben Eine (photo © Spencer Elzey)

Cranio (photo © Spencer Elzey)

For The Love Of Dog (photo © Spencer Elzey)

Banksy (photo © Spencer Elzey)

A sculptural installation by D*Face (photo © Spencer Elzey)

ROA (photo © Spencer Elzey)

Swoon (photo © Spencer Elzey)

Guy Denning (photo © Spencer Elzey)

Urban Solid (photo © Spencer Elzey)

Sokaruno (photo © Spencer Elzey)

Vinie and Reaone (photo © Spencer Elzey)

Anthony Lister (photo © Spencer Elzey)

Finabarr DAC (photo © Spencer Elzey)

Phlegm (photo © Spencer Elzey)

Faith 47 (photo © Spencer Elzey)

El Mac (photo © Spencer Elzey)

Conor Harrington (photo © Spencer Elzey)

Klone (photo © Spencer Elzey)

Dal East (photo © Spencer Elzey)

Dscreete (photo © Spencer Elzey)

Insa (photo © Spencer Elzey)

Martin Ron (photo © Spencer Elzey)

Jana & JS (photo © Spencer Elzey)

Christian Nagel (photo © Spencer Elzey)

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Unbridled Berlin Street Art : Spencer Elzey in Europe

November 21, 2013 Artists

Berliners are hard to crack, they say, but probably not for New Yorkers. We “get” them because of their no-nonsense frankness, sometimes sharp tongues, and because their “creative types” are unhinged in a way that New Yorkers have been historically.

When it comes to the volume and variety of art that is being loosed in Berlin these days, they are setting some standards that many are still catching up with. Right now when you look at the freewheeling expression that bolted out from a broken wall more than 20 years ago and never looked back, you realize that Street Artists in Berlin are not hard to crack, they may simply be a little bit cracked.

Various & Gould (photo © Spencer Elzey)

In the third city of our series this week for Spencer Elzey’s residency on BSA, we visit Berlin, which some argue is the preeminent scene for urban art right now. It does appear to have a perfect mix for vibrant arts growth – a creatively permissive atmosphere and affordable lifestyle prevails in this city of design. And while uncommissioned public art is not legal, it is also not verboten.

The kids may come for the music and the art collectives and the dance parties, but they stay for the aerosol and the expressive faces and figures that accompany you while you walk. So far, people seem happy to let this arts scene continue to evolve and not surprisingly, tourists are magnetically drawn to it.

Victor Ash (photo © Spencer Elzey)

As you walk through certain neighborhoods you may prepare to have your pre-conventions subverted and inverted. Awash with a decade plus of unbridled art, the scale, style, influences, and techniques of pop, illustration, and graffiti are all truly playing with each other.

Where a large spate of legal mural work has monopolized creative energies of many Street Artists in New York recently, some players have commented that the content is being tamed and neutered and the resulting scene is less risk-oriented stylistically. As you look at the work Elzey found in Berlin, you are reminded what it looks like when art laborers don’t have to self-censor or look over their shoulder. Also, it is still affordable for artists. Oh, wait, did we already mention that?

Robi The Dog (photo © Spencer Elzey)

“Out of the cities I visited the one that contrasted the most with NY was Berlin. It felt like a beautiful lawlessness with graffiti and rollers everywhere,” says Elzey as he tries to put his finger on the attitude of exploration and discovery that floods large areas of the city.

“Berlin by far had the most graffiti and Street Art in its most raw and authentic form, which is how I think it should really be experienced. It felt more free and genuine. Besides RAW and Urban Spree, which are commissioned areas, Berlin felt like a giant playground. There was graffiti and rollers everywhere and lots of abandoned factories to explore and have fun in.”

Blu (photo © Spencer Elzey)

Berlin has been an international draw for artists and arts institutions for the last decade at least and many of the Street Art world make sure to head here at least once, sometimes staying months and couch surfing and partying an staying out all night. Since the graffiti scene and the Street Art scene are not so polarized in the minds of people here there is also a freedom to experiment without fear of upsetting your peer group.

Luckily for BSA, local Street Artists Various & Gould were very hospitable and more than helpful and willing to tour Spencer around some of the hot spots and to give him some background on the Berlin streets. “Meeting someone you admire, be it an artist, musician, or actor, is always a special experience,” he says about being with V&G, “It feels a little different when that person is a Street Artist, or at least it does to me. The fact that part of their job means that they do illegal things, being trusted enough to be welcomed into their inner circle has deeper meaning.”

Blu. Detail. (photo © Spencer Elzey)

So he was in good hands with these two who have deep roots with the artist community and who frequently challenge themselves to look at their own work with new eyes – and to find new ways to engage with passersby with their art and a bit of theater. “In the case of Various & Gould in Berlin and C215 in Vitry I was able to meet these artists on their own turf. They showed me some of their new work in their studios and then toured me around the neighborhoods that they know best,” he recalls with some delight.

“While seeing art on the streets is one thing, getting the first hand history behind it makes it more meaningful,” he says. “You get more history and depth that way.”

Blu (photo © Spencer Elzey)

How long Berlin will continue to be a petrie dish for experimentation and discovery? Forever. Just kidding. But for the moment this ephemeral art movement is fiercely alive and more independent than many cities. Artists have always made life a bit of a moveable feast. Today its Berlin, tomorrow it could be Mexico City, or Lima, who knows?

“I think I would recommend it if you were a younger artist who was trying to break into the game and establish a name for yourself,” says Elzey.

Blu (photo © Spencer Elzey)

Alaniz (photo © Spencer Elzey)

Herakut (photo © Spencer Elzey)

Various & Gould (photo © Spencer Elzey)

Os Gemeos (photo © Spencer Elzey)

Nunca (photo © Spencer Elzey)

JR (photo © Spencer Elzey)

Cooked (photo © Spencer Elzey)

Vhils (photo © Spencer Elzey)

MTO (photo © Spencer Elzey)

MTO gives Alias a shout out. (photo © Spencer Elzey)

Klone (photo © Spencer Elzey)

Neurotitan (photo © Spencer Elzey)

Vidan The Weird (photo © Spencer Elzey)

Tafe (photo © Spencer Elzey)

Reaktor and Paulo Ito (photo © Spencer Elzey)

G (photo © Spencer Elzey)

Inti (photo © Spencer Elzey)

Ema Jones (photo © Spencer Elzey)

Klub 7 (photo © Spencer Elzey)

Broken Fingaz (photo © Spencer Elzey)

Blek le Rat (photo © Spencer Elzey)

BLO (photo © Spencer Elzey)

Maclaim (photo © Spencer Elzey)

ROA (photo © Spencer Elzey)

Otto Schade (photo © Spencer Elzey)

Nychos (photo © Spencer Elzey)

Our sincere thanks to Various & Gould for their hospitality and time.

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Towering Gallery Full of Art to Be Demolished : “La Tour Paris 13”

November 20, 2013 Artists

The numbers are astounding; 105 artists, 9 floors, 36 apartments, 30,000 visitors.

One hour.

That is how much time Street Art enthusiast Spencer Elzey had to himself inside the largest gallery of Street Artists and graffiti artists ever assembled specifically to transform a building for a public show. As he looked out a window to see the snaking lines of Parisians and tourists restlessly waiting to get in, he couldn’t believe his luck to be able to walk through the exhibit by himself and get off some clear shots before the throng hit.

El Seed. La Tour Paris 13. Exterior of the tower. (photo © Spencer Elzey)

“The La Tour Paris 13 experience was something that I’ll never forget,” Elzey recounts as he thinks of himself nearly running from apartment to apartment with camera in hand, each room a new discovery, many of them inspiring awe.

“I was on an adrenaline rush while I was inside since I only had an hour by myself before it opened to the public. It wasn’t until later in the morning when I looked back at all of my pictures that I was able to fully understand exactly how much art I just witnessed,” he says.

Kan. La Tour Paris 13. Come in. (photo © Spencer Elzey)

Mehdi Ben Cheikh from Galerie Itinerrance, who curated the project La Tour Paris 13 gave permission to Elzey to get these shots for BSA before the crowds arrived and now he was snapping as many as possible.

Over the course of the year artists have devised specific paintings, sculptures, and installations inside the housing tower knowing that it would be exhibited for a month before being demolished. “The number of artists and the amount of space dedicated to this one exhibit is something that I don’t think will ever again be replicated,” he says.

a1ONE. Detail. La Tour Paris 13. (photo © Spencer Elzey)

While touring former living rooms, bathrooms, and kitchens Elzey quickly discovered that aerosol and markers were not the only materials used by this global pool of street/graffiti/urban artists who came from far places like Brazil, Iran, US, Tunisia, and even Saudi Arabia in addition to many European countries.

a1ONE. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Some artists had staged new perspectives and environments by combining sculptural elements that married into their wall pieces, others like C215 cut into the floorboards to create a relief, still others worked in and around the decaying, partially destroyed infrastructure to create venues that slid into the fantasies of subconscious. “It was a free-for-all in a sense that once inside the apartment the artist had free reign to transform it however they wanted,” he says.

“What isn’t apparent in the pictures is how dark a lot of the rooms were. There were at least three rooms that were essentially dark with the exception of a little black light, while others were dimly lit by a solo lamp or fluorescent bulb. Sometimes you had to walk through holes in the walls to access further rooms.”

Seth. Detail. La Tour Paris 13. (photo © Spencer Elzey)

In his images here you can see the variety of styles and influences that the artists brought to the game, each accepting that it was a one-time-only installation. Maybe this group wasn’t so hard to convince, since the very nature of art on the streets is ephemeral.

“Street Art on the street has an expiration date, but the exact amount of time in which it will stay up isn’t known,” says Elzey, “It can either be covered up by graffiti or another wheat-paste, it can be removed by the building owner, or it can just wither away from being exposed to the elements.”

La Tour Paris 13 brings to mind the multitude of urban explorers who regularly trek into abandoned and neglected places all over the world and leave their mark, activating previously moribund spaces with art, but no one has ever launched a show like this with such genuine quality or with this scope.

Uriginal. Detail. La Tour Paris 13. (photo © Spencer Elzey)

“The closest thing that I can compare it to is 5 Pointz,” Elzey says of the grouping of buildings in New Yorks’ Long Island City that provided what was perhaps the original group show venue for urban art from the 1990s until yesterday. In an ironic mirroring of events, 5 Pointz and its multitude of external paintings underwent “the buff” the night before last after running an every-changing show for about three decades.

The 5 Pointz factory buildings themselves are also slated for demolition and will make way for new condos. “We all knew that its days were extremely numbered,” he says sadly of what had become a New York cultural heritage icon to some and a holy place for graffiti writers and Street Artists and fans from around the world.

Tellas. Detail. La Tour Paris 13. (photo © Spencer Elzey)

The true impact from the La Tour Paris 13 project and 5 Pointz may happen in the mind and heart of the artist and the art fan; perhaps the beauty of this exercise, however short lived, is that the public is being encouraged to re-imagine old buildings for new uses, to consider what else we can do with private and public space.

When that conversation takes place we often realize how the limits of creativity are determined in no small part by imagination.

Sambre. Detail. La Tour Paris 13. (photo © Spencer Elzey)

While we keep tracking the routes and machinations of this first global people’s art movement that has evolved into Street Art, we fully expect that we will continue to be surprised and inspired by the creative spirit and by artists.

For Spencer, this Tour was a lot more personal. “Having experienced something like this on such an immense scale and with a definitive end date made me feel like I was part of something special.”

Stew. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Shoof. Detail. La Tour Paris 13. (photo © Spencer Elzey)

David Walker. Detail. Jimmy C in the background room. La Tour Paris 13. (photo © Spencer Elzey)

Guy Denning. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Katre. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Rea1. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Pantonio. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Jaz. Detail. La Tour Paris 13. (photo © Spencer Elzey)

C215. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Belem. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Add Fuel. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Dado. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Bom K . Liliwenn. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Agostino Iacurci. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Entes. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Inti. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Dan 23. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Maz. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Hopnn. Detail. La Tour Paris 13. (photo © Spencer Elzey)

JB Rock. Detail. La Tour Paris 13. (photo © Spencer Elzey)

el Seed. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Cekis. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Nebay. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Ethos. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Mar. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Loiola. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Mosko. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Cope and Indi 184. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Ludo on the exterior with a view of the line to get in. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Visit La Tour Paris 13 site for a full set of photographs, details and a full experience of the project.

This article is also published on The Huffington Post.

Artists participating include: 108 ( Italy) – 2mil (Brazil) – Add Fuel ( Portugal) – AGL ( France ) – Lacurci Agostino (Italy) – Alexone ( France ) – A1one (Iran) – Amin ( France ) – Aous (Saudi Arabia) – awer (Italy) – Azooz (Saudi Arabia) – Belem (Portugal) – BOM.K ( France ) – Btoy (Spain) – C215 ( France ) – Celeste Java ( France ) – Cope2 (USA) – Corleone (Portugal ) – Dabro (Tunisia) – Dado (Italy) – Dan23 ( France ) – David Walker (UK) – Eime (Portugal) – eL Seed ( Tunisia) – Ethos (Brazil) – Etnik (Italy) – Fenx ( France ) – Flip (Brazil) – Gael ( France ) – Gilbert ( France ) – Guy Denning (UK) – Herbert Baglione (Brazil) – Hogre (Italy) – Hopnn (Italy) – Indie 184 (USA) – Inti Ansa ( France ) – Inti Castro (Chile) – Jaz (Argentina) – JB Rock ( Italy) – Jimmy C ( Australia) – Samina Joao (Portugal) – Jonone (USA) – Joys (Italy) – Julien Colombier ( France ) – Kan ( France ) – Katre ( France ) – Kruella (Portugal) – Legz ( France ) – Lek ( France ) – Liliwenn ( France ) – Loyola (Brazil) – Ludo ( France ) – Mrs. Sanbor ( France ) – March (Portugal) – Marko93 ( France ) , Mario Belem (Portugal) – Maryam (Saudi Arabia) – Mateo Garcia Leon ( France ) – Maz (Saudi Arabia) – moneyless (Italy) – Mosko ( France ) – Mp5 (Italy) – Myra ( France ) – Nano (Chile) – Nebay ( France ) – Nemi Uhu ( France ) – Nilko ( France ) – Orticanoodles (Italy) – PANTONIO (Portugal) – Paulo Arraiano (Portugal) – Peeta (Italy) – Philippe Baudelocque ( France ) – Rapto (Brazil) – Rea 1 ( France ) – Rodolphe Cintorino ( France ) – Roti ( France ) – Sambre ( France ) – Sean Hart ( France ) – Sebastien Preschoux ( France ) – Senso (Italy) – Seth ( France ) – Shaka ( France ) – Shoof (Tunisia) – Shuck2 ( France ) – Sowat ( France ) – Spazm ( France ) – Speto (Brazil) – Stew ( France ) – Stinkfish (Mexico) – Sumo (Luxembourg) – Tellas (Italy) – Tinho (Brazil) – Tore ( France ) -Uno ( France ) – Uriginal (Spain) – Vexta (Australia) – Vhils (Portugal) – / Maismenos (Portugal).

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Paris Street Art : Spencer Elzey in Europe

November 19, 2013 Artists

As we continue our one week residency on BSA for Street Art fan Spencey Elzey, he takes you to Paris to see what is happening on the street there right now. If you were to try to characterize the nature of the work, you may say that it favors illustration, a clean defined line, and a purposeful classical aesthetic.

For years we have associated the romantic city and it’s historical culture and architecture with Street Artists like the stencil pioneers Blek Le Rat and Jef Aerosol, along with Miss Tic, Invader, FKDL, Fred Chevaliar, C215, and Alice Pasquini, to name just a few. Spencer finds some of those artists’ work and and he shares some others here with you too. Naturally, because we don’t cover this city regularly, locals will surely tell you that some of these pieces are a couple of years old, but for an American tourist in Paris, it all looks new from here!

Jana & Js. Detail. (photo © Spencer Elzey)

“It did feel like there was some form of respect for the older architecture, especially in Paris,” says Spencer when comparing his observations of Paris, Berlin, and London. “While all three cities are old (especially compared to NYC), Paris feels the oldest and there seems to be certain buildings or doors that remained untouched.” Maybe that’s why we always think Paris is romantic. Also, Edith Piaf.

Speaking of romance we begin the image survey with two current giants on the Paris scene Jana und JS, who are a collaborating Street Art couple who basically bonded over their mutual love for shooting images. Advocates of photography on the street, you will find they’ve also an affinity for spray paint and stencils and their subject often is themselves. It’s rather a marriage made for the street. You can read a full interview with them here on Street Art Paris.

Jana & Js. Detail. (photo © Spencer Elzey)

“Walking around Paris I also found myself looking up a lot more as compared to other cities; while this was mostly due to the fact that I was looking out for the 100’s of Space Invader pieces, there were lots of other pieces stuck to the walls up high. I thought it was also notable that the walls within the metro tunnels between stations were covered with graffiti in Paris.”

“Paris has street art defined to a few areas specifically,” explains Elzey, “including some of the murals in the 13^th arrondissement that were put together by Galerie Itinerrance, a few areas up around Belleville, and areas throughout Le Marais, which includes sections of the 3^rd and 4^th arrondissements.”

Jana & Js. Detail. (photo © Spencer Elzey)

Jana & Js. (photo © Spencer Elzey)

C215 (photo © Spencer Elzey)

Finabarr DAC (photo © Spencer Elzey)

ETHOS (photo © Spencer Elzey)

Ella & Pitr. Detail. (photo © Spencer Elzey)

Clet Abraham (photo © Spencer Elzey)

A large wall by the Chilean Street Artist Inti (photo © Spencer Elzey)

Shadeek (photo © Spencer Elzey)

Alexis Diaz (photo © Spencer Elzey)

Shepard Fairey (photo © Spencer Elzey)

RERO (photo © Spencer Elzey)

Invader (photo © Spencer Elzey)

Not Invader. Megamatt. (photo © Spencer Elzey)

Daco (photo © Spencer Elzey)

Bristolian Nick Walker has a heart (photo © Spencer Elzey)

Tona and Alias (photo © Spencer Elzey)

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Street Art in Vitry-sur-Seine (France) : Spencer Elzey in Europe

November 18, 2013 Artists

BSA is lucky to be a clearinghouse for many people who participate in and celebrate the Street Art scene – artists, curators, designers, collectors, galleries, museums, researchers, academics, historians and fans. Because we have never taken advertising readers tend to trust our platform and people in the community give us great behind-the-scenes opportunities to learn and share freely with others about the creative process and the culture on the street. It also gives us the freedom to do whatever we want when planning editorial or content.

Recently we had this idea about giving our site out to artists or art-lovers a week at a time so they could also fully share their personal experiences of the Street Art/public art/graffiti/ scene. So this week before Thanksgiving we’re giving the whole week to one person as a “residency”, our way of sharing this valuable platform and inviting you to have a greater voice in this conversation.

Spencer Elzey loves art in general and is an avid Street Art fan in particular and he likes to take trips that include shooting images on the street in whatever city he visits. He also supports artists by buying their art, regularly attending art exhibitions, reading and studying about them and following their evolution. Over the last couple of years we have seen that he is also a dedicated Street Art hunter with camera in hand on the streets of New York City when he isn’t at his regular job – and he loves to share what he finds with others on social media and as an occasional contributor to BSA.

When we heard that Spencer was planning a trip to Europe this fall we proposed to him the idea of him keeping a photo journal to be shared exclusively with BSA readers and we offered to help connect him with some friendly guides on his trip so he could get some splendid and exclusive photos. He enthusiastically accepted the offer and here is the first day of Spencer’s one-week residency on BSA, an edited treasure trove of images and insights from the guy himself. We know you’re going to dig it.

Here’s this weeks schedule:

Monday is Vitry-sur-Seine Street Art.
Tuesday will be Paris Street Art.
Wednesday will be a special collection of the installations from the Le Tour Paris 13 project.
Thursday will be his adventures in Berlin.
BSA Film Friday will feature a selection of videos reflecting the cities he toured.
Saturday will be Spencer’s London showcase.

Of all four cities Spencer visited over a two week trip, this one seemed to really embrace the value of street art to the culture, he says. “In terms of which city was the most welcoming of street art I’d have to say Vitry-sur-Seine was because this is really a grassroots campaign kickstarted by C215,” he says of this city of 83,000 that is called a commune and lies on the outskirts of Paris.

It’s not hard to believe that the scene is attributed in large part to the influence of the well-regarded stencil artist C215 as this is a guy who considers his work to be community service and who regularly features people from the city he is in as subjects of his portraits. That’s why he was the perfect guide for Spencer, who says he learned a huge amount of information in a short time.

“I have to say that C215 is one of the more interesting, opinionated and knowledgeable artists that I have come across. We started the morning at his local café with a coffee. I explored around a little by myself while he was attending to some prior engagements with his gallery and then he caught up with me out on the streets. We eventually had lunch and then went back to his house. Topics ranged from his opinion on the scene in general, on other artists, on galleries and it even touched on street art websites and documenters.

“I hadn’t realized that he has only been doing stenciling for seven years but it was easy to see how far his pieces have come from the few monochrome stencils that still remain around Williamsburg (Brooklyn) from around 2008,” remarks Elzey.

“What C215 has done in Vitry-sur-Seine is much bigger than I expected it to be, both in terms of quantity of work in the area as well as the impact on the community. The first piece that he put up there was about five year ago and within that time there have appeared at least 150 different pieces from him and other artists throughout the area,” says Spencer.

Naturally, Elzey was shooting whatever odd or curious or thrilling piece he found on his travels through this city that celebrates artists, in addition to the work done by his host. “I was definitely surprised with how much Street Art there was in Vitry-sur-Seine. I took around 200 pictures of different pieces while there and I’m still seeing pictures on Instagram of things that I had missed,” he says.

One piece in particular by C215 impressed him a lot – because of it’s impact visually and its perfectly contextual placement. Additionally, Elzey felt that it illustrated the regard that the residents have for the artists work and the fact that people didn’t appear to think of it as illegal or vandalism, per se. “While I was exploring and taking pictures, various residents pointed with excitement about pieces just around the corner that I should go look at,” he says.

“There was one older gentleman, probably in his 70s, who just simply said “La porte” and smiled while pointing in a certain direction. I rounded the corner to see a stencil of the Virgin Mary on the back door of the main church,” he says of one of the few religious themed pieces that the artist has created. “C215 had indicated that this was one of his favorite pieces in the area and it was nice to see that residents appreciated it as well. Had it not been for this project there really would be no other reason for me to have travelled down to Vitry-sur-Seine but it was definitely worth it.”

We hope you enjoy this one week residency on Brooklyn Street Art and we congratulate Spencer for his dedication, professionalism and enthusiasm.

Our sincere thanks also go to those who offered their hospitality and agreed to give Spencer a tour on our behalf; to the stencil artist C215, who graciously took him around Vitry and who shared with him a history and background on the scene there, to Maroune and Mehdi at Itinerrance Gallery for providing Spencer with special solo access to Le Tour Paris 13 while hundreds were queing outside, and to the dynamic German duo Various & Gould who welcomed him into their studio and showed Spencer some really cool spots around Berlin. This open and generous community spirit really makes the work that we do feel so inspiring to us, and we thank each of you for playing host to Spencer and for sharing your knowledge with the BSA family.

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Images of the Week 11.27.11

November 27, 2011 Artists, Australia, Brooklyn, Manhattan, NYC, On the Street, Sydney

Here in New York everybody is still out kickin around the streets because the weather is warm and to welcome the oceanic flood of tourists who are here to see the big parade, the Rockettes, The Book of Mormon, and to buy fake Louis Vuitton bags on Canal Street. After Thanksgiving, it’s a tradition that we get mobbed by shoppers from all over the place, and it’s a tradition to complain about slow moving wide people in sweatpants slowing us down, even though secretly we’re happy to see cousin Bruce and Aunt Ida again. Also, if you slow down a little, you might even see some new Street Art and appreciate it.

Here’s our weekly interview with the street, this week featuring Anthony Lister, Betten, CID, Dr. Za, Erik Berglin, Jaye Moon, Leidy, OverUnder, Phil, RWK, Sise, Veng, and Willow.

Jaye Moon. “I write words in number codes so no one can understand. This series is called ” Transparent Barriers”. They look like address or phone numbers. but they are cursing words that people are not comfortable to say in public. By writing them in numbers, I feel free to bring them out in public. It’s about frustration about expressing inner feelings”. (photo © Jaime Rojo)

New Yorker Spencer Elzey checked out Anthony Lister’s show “Bogan Paradise” while in Sydney recently. Here are a couple of images from the show:

See more photos by Spencer Elzey and read more about Sydney’s “OutPost Project” ReCap by clicking here

Sydney’s “OutPost Project” ReCap

November 23, 2011 Artists, Australia, Events, Features, On the Street, Sydney

Our sincere thanks to BSA reader and New Yorker Spencer Elzey, who took a trip to Sydney at the beginning of the month and had the opportunity to check out the Outpost Project Street Art festival. Here’s his report.

Cockatoo Island is the Governor’s Island of Sydney. The ferry leaves Circular Quay, motors beside the shimmering tiles of the Sydney Opera House, sweeps underneath the arching Harbor Bridge and the tourist who pay $200 for a chance to climb the upper deck above. Twenty minutes later, a large “No Trespassing” sign begins to become in focus. We have arrived at the Outpost Project.

The island, who’s past includes an old Imperial prison and one of Australia’s largest shipyards, welcomes each street art enthusiast with a detailed information brochure. The inner cover contains a fairly easy to follow map of what lies ahead. Right away three large inflatables (imagine a small grounded hot air balloon) greet you adorned with Anthony Lister’s iconic caricatures. The info packet says it best when describing the images; the “superheroes are never indomitable conquerors or unequivocal villains.” Straddled by two of these is a large piece by Belgium artist, and frequent Brooklyn talent, ROA.

Follow the art around the corner through a mural-lined alley between two buildings and some familiar styles present themselves including the stick-figure arms by Perth Street Artist Creepy.

The second floor of one of these buildings is the current home to a large private collection of work by Banksy. The OI YOU! Collection had an interesting start, but where it currently stands is 22 pieces by Banksy. Intermixed are items by Faile, Swoon and others. The husband and wife team collecting behind OI YOU!, George Shaw and his wife Shannon Webster, sold both of their cars and re-directed a home improvement loan to feed their need for owning more street art.

Inside the main building, known as the Industrial Precinct, MOX (Mark Cawood) is hard at work. After over 120 hours of intricate stencil cutting, his diligence is well on its way toward a completed final product. At the end of the hall, behind the small traffic jam of mangled cars, is a life size recreation of the childhood home of Street Artist and fine artist Kid Zoom.

Kid Zoom. “Home” The artist recreate a scale reproduction of his childhood home from early adolescent memory… (photo © Spencer Elzey)

Located deeper within the hall of the Industrial Precinct are two other impressive arrays; NEXT by T-World and Pastemodernism 3. Both of these installations, while serious in their scope, were whimsical at heart. The NEXT collection, overseen by “Melbourne-born T-shirt messiah Eddie Zammit,” asks 20 artists to assemble over 1,500 T-shirts to display. Local shout-outs included Barcade in Williamsburg and Katz’s Deli on Manhattan’s Lower East Side. Pastemodernism 3, now in it’s third year at OUTPOST, is the self-proclaimed “largest celebration of ‘paste-ups’ in Australia.” Over 100 artists had a part in this collaboration.

Traversing the Artery, a limestone lined subterranean tunnel, one passes by a “rogue gallery of 30 hand picked Australian street artists” including HA HA, Ghostpatrol, Numskull, Dmote and Yok, just to name a few.

Upon exiting, you end up back at the beginning, next to the “No Trespassing” sign and amongst a collection by Will Coles. His concrete cast items, usually adorned with a word or two, are lifelike enough even the Seagulls seemed a bit confused.

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