All posts tagged: Spain

BSA Images Of The Week: 11.19.17 : Barcelona Special

BSA Images Of The Week: 11.19.17 : Barcelona Special

BSA-Images-Week-Jan2015

Barcelona this week was a tale of many opinions, passionately expressed, even hammered home. Geographically at the epicenter of a fight for/against the secession of Catalonia this fall, the conversations about everything from futbol to Guaudi to tourists can take on great enthusiasm.  Although, no one argues about tapas. Tapas are just always good.

The organic Street Art scene in the city that was famous during the early 2000s has been calmed as a result of a crackdown on illegal works, but some still exists in pockets of stencils and stickers and one-off paintings. The legal stuff, or ‘permissioned’ murals, are more likely what you will find in the central city, with a little more illegal stuff as you move away from the center to Sant Feliu de Llobregat or L’Hospitalet de Llobregat,

In general the Barcelona scene feels alive, vibrant, varied; and the quality of execution can be quite high. There is also an elusive feeling of magic and history infused within the integrated street scene and a healthy amount of socio-political critique – a swirling mix of illegal murals, commissioned murals, and controlled chaos in the artist compounds. Our sincere thanks to our hosts on the streets this week, especially Fernando and Esteban.

Here’s our weekly interview with the streets, this week featuring 1Up, Axe Colours, Escif, Hosh, Kenor1, Kwets1, Mina Hamada, Pantonio, Rice, and Zosen.

Miss Van at La Escocesa from 2012. Barcelona. (photo © Jaime Rojo)

Miss Van at La Escocesa from 2012. Barcelona. (photo © Jaime Rojo)

Miss Van at La Escocesa from 2012. Barcelona. (photo © Jaime Rojo)

Escif at La Escocesa. Barcelona. (photo © Jaime Rojo)

Axe Colours. Barcelona. (photo © Jaime Rojo)

Pantonio at The Hangar. Barcelona. (photo © Jaime Rojo)

Pantonio at The Hangar. Barcelona. (photo © Jaime Rojo)

Rice. Barcelona. (photo © Jaime Rojo)

Rice. Barcelona. (photo © Jaime Rojo)

Rice. Barcelona. (photo © Jaime Rojo)

Zosen and Mina Hamada. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Hosh. Contorno Urbano.12 + 1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Kenor1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

1UP Crew. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Bombers. Sant Feliu de Llobregat. Barcelona. (photo © Jaime Rojo)

Kwets1 . Kaligrafics. Sant Feliu de Llobregat. Barcelona. (photo © Jaime Rojo)

Kwets1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Street Artist and muralist Kwets1 spent three months working on two monumental murals on two tunnel walls right across from each other in the immigrants friendly, working class town of Hospitalet de Llobregat in Barcelona. The obvious theme of the mural is nature, conservation and climate change. The underpass is located right next to a river that attracts a plethora of exotic birds that use as a sanctuary and a rest stop as they migrate south during the winter season. We were actually witness to several large parrots flying from tree to tree while we were there.

The artist says that he took his inspiration directly from the nature story, and the human one of immigration here as well.

The other source was the human immigrant stories in this town. In the late 60’s and 70’s the immigration to the town was from several regions of rural Spain, with agrarian families who left farmlands and came to Barcelona seeking job opportunities in the large manufacturing companies that had established themselves in Barcelona. Many of those original immigrants eventually left the town to retire within Spain or to other European countries – leaving room for a new wave of immigration coming from several parts of Africa and Central and South America.

Presently Hospitalet is a vibrant community of old and new residents, and these murals capture the feeling of colorful, tumultuous, exiting and difficult change.

Kwets1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Kwets1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Kwets1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Kwets1. Hospitalet de Llobregat. Barcelona. (photo © Jaime Rojo)

Untitled. Mine is bigger than yours. Barcelona, Spain. (photo © Jaime Rojo)

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Bifido & Julieta in Buñol Go to Church with “EGO”

Bifido & Julieta in Buñol Go to Church with “EGO”

Here is the third recent collaboration of Spanish Street Artists Bifido and Julieta, a combination that plays on the strengths of each individual while retaining their respective characters.

Julieta . Bifido “EGO”. Work in progress. Buñol, Valencia. Spain. October, 2017. (photo © Roberto Palmer)

As the creative partnership continues you can begin to see a common language forming with the oddly surreal photography/painting collage work that Bifido does and the context of Julieta’s paintings that are often occupying an other-worldly sphere of existence. Curiously, they ground one another.

Here the storied overture is your associations with the spiritual life, a young girls imaginings of being something ethereal and able to take wings. The façade of this austere Spanish colonial architecture provides a series of sizes and angles to work within for a scene surely inspired by the buildings use as St. Rafael’s Church.

“Our new work is about the power of church and the influence that religion has on people,” Bifido tells us as they finish the mural here in Buñol, not far from Valencia. They have given the piece the title, “EGO”.

Julieta . Bifido “EGO”. Work in progress. Buñol, Valencia. Spain. October, 2017. (photo © Roberto Palmer)

Julieta . Bifido “EGO”. Work in progress. Buñol, Valencia. Spain. October, 2017. (photo © Roberto Palmer)

Julieta . Bifido “EGO”. Work in progress. Buñol, Valencia. Spain. October, 2017. (photo © Roberto Palmer)

Julieta . Bifido “EGO”. Detail. Buñol, Valencia. Spain. October, 2017. (photo © Roberto Palmer)

Julieta . Bifido “EGO”. Detail. Buñol, Valencia. Spain. October, 2017. (photo © Roberto Palmer)

Julieta . Bifido “EGO”. Buñol, Valencia. Spain. October, 2017. (photo © Roberto Palmer)

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BSA Film Friday: 11.03.17

BSA Film Friday: 11.03.17

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1.“Collective Heartbreak” KNOW HOPE at Nuart 2017
2. Igor Ponosov “Too Far, Too Close”
3. UNIQA Art Łódź project in Łódź, Poland
4. Agostino Iaurci for Parees Fest.

bsa-film-friday-special-feature

BSA Special Feature: “Collective Heartbreak” KNOW HOPE at Nuart 2017

Loquacious street poet Know Hope usually has a lot to say and the Isreali Street Artist’s somewhat cryptic text interludes often accompany imagery on walls and his indoor studio works. Custom made verses, sometimes heart rendering, contemplate isolation, unresolved miscommunications, aspiration, gnawing fears; interstitial vagaries that channel political as personal emotional drama, a suspended state of limbo.

For his interactive installations at Nuart this year Addam Yekutieli aka Know Hope spent time listening. He collected stories from Stavanger locals about their experiences of heartbreak and hand painted fragments from those stories in austere urban . For the outdoor part of the project, Addam extracted fragments of words from their stories and placed them around the city, drawing a common story that he hopes strikes universal truths.

 

IGOR PONOSOV “Too Far, Too Close”

“ ‘Too far, Too Close’ is a project by the Russian artist Igor Ponosov which sees a typical Stavanger sailing boat transformed into an abstract mural for Nuart Festival 2017.

The project is meant to symbolizes the distance or disconnect between the public and the vast majority of state-sanctioned public art. The piece was supplemented by Ponosov’s second outdoor art work, titled ‘No signal’, which critiques the growing use of projectors in street art mural production.”

 

UNIQA Art Łódź project in Łódź, Poland.

Regular readers of BSA will recognize almost every one of these sculptures from Łódź, Poland as we have published stories on them previously. Here is a quick round-up of the last couple of years’ worth of public sculptures featured in the UNIQA project, exploring another in-between strata of semi-autonomous Street Art/Public Art involvement that requires permissions (usually) and yet is not choked to death by bureaucratic committee.

 

Agostino Iacurci for Parees Fest. Oviedo, Asturias. Spain. Video Titi Muñoz

A process video of the creation of a new mural by Italian Street Artist/Muralist Agostino Iacurci done last month in Spain for the Parees Fest. Aside from the impressive result, it is notable to see that he has an ongoing daily audience sitting comfortably before the enormous wall, sipping a coffee.

 

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12 Finalist Artists Announced for Contorno Urbano Mural in Barcelona

12 Finalist Artists Announced for Contorno Urbano Mural in Barcelona

Almost 300 artists and collectives from around the world (42 countries) have entered the 2018 Contorno Urbano competition for this wall/residency/7000€ prize in Barcelona! It is astounding how many high caliber artists are at work today in cities everywhere, bringing innovative new techniques and unique perspectives to public space like never before.

After reviewing all applications and submitted materials during a process begun this summer, today we are excited to announce that this list has been narrowed to just 12 finalists. Next month their names will go to the final stage of selection in Barcelona with esteemed co-jurors from organizers and creators in the areas of art academia, mural art, public art, and Street Art to narrow the list to one.

The 12 premiere finalists for the Mural de la Salut in Sant Feliu de Llobregat (Barcelona, Spain) are:

Axel Void
Borondo
Colectivo Licuado
David de la Mano
Escif
Guido Van Helten
Hyuro
Innerfields
Millo
Otecki
Sabotaje al Montaje
San

Congratulations to each artist! It wasn’t an easy task for the pre-selection committee to decide the best from 300, but your work rose to the top 4% of the applications according to the selection criteria.

#MuralSalut: Finalistas – Finalists from Contorno Urbano on Vimeo.

Among the considerations for selection were academic studies, experience and history creating murals in public space, previous internships or residencies, and suitability of artwork style to the central purpose of this 400 square meter mural.

Each of the 12 finalists will be asked to submit a sketch and a written proposal.

The final stage of the selection will be on November 15th and 16th, with the following professionals travelling to Sant Feliu de Llobregat:

Monica Campana (Cofounder of Living Walls and project manager for the urban art exhibition Open Source),
Fernando Figueroa (PHD in History of Art and independent researcher specialized in graffiti and urban art),
Esteban Marin (President of Contorno Urbano and mural artist),
Jaime Rojo (co-founder of Brooklyn Street Art and curator), and
Veronica Werckmeister (painter and muralist, curator).

The mural will commemorate the neighborhood’s fight 30 years ago to have this public square created for the neighbors instead of building a gas station. After meeting with the Association La Salut and the neighbors who live in the area, members of the jury will review previous artworks and experience of the 12 finalists to help them to select the artist who is best suited for painting the mural.

The winner will receive an artistic residence beginning in Spring 2018 and will receive a 7000€ prize. The wall will be painted after an artistic residency in order for the artist to become acquainted with the historic context of the project and the city itself.

The project is a collaboration between the municipality (Ajuntament) of Sant Feliu de Llobregat, Fundacion Contorno Urbano and Kaligrafics.

Kaligrafics: Founded in 1999, it’s the oldest non-profit organization dedicated to graffiti and street art in Cataluña, and a significant record of experience in Spain.

Contorno Urbano: The first Foundation in Spain to be fully dedicated to street art and graffiti. The team has over 10 years’ experience organizing murals and urban art dissemination locally and internationally.


Following in no particular order are the 12 finalists:

Guido Van Helten / United Kingdom

Guido Van Helten for Nashville Walls Project. Nashville, TN. June 2017. (photo © Eric E Johnson)

Borondo / Spain

Borondo for Urban Nation this spring (UN) in the Tegel section of Berlin. (photo © Jaime Rojo)

Escif / Spain

Escif. Living Walls Atlanta. (photo © Jaime Rojo)

Daniel “SAN” Muñoz / Spain

Daniel Muñoz. The curtain ( 983 followers). The Highlands, Scotland. (photo © courtesy of the artist)

Axel Void / USA

Axel Void. Los Muros Hablan. El Barrio/Spanish Harlem. NYC. (photo © Jaime Rojo)

Hyuro / Spain

Hyuro. What In The World PM/12. Urban Nation Museum For Urban Contemporary Art. Berlin, May 19, 2017. (photo © Jaime Rojo)

Colectivo Licuado / Uruguay

Colectivo Licuado. Lisbon, Portugal. (photo © courtesy of Colectivo Licuado)

Millo / Italy

Millo in Kiev for Mural Social Club Festival/NGO Sky Art Foundation. (photo © Maksim Belousov)

Innerfields / Germany

Innerfields for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

David De La Mano / Spain

David De La Mano. Urban Nation Musuem For Urban Contemporary Art. Berlin. September 2017. (photo © Jaime Rojo)

Sabotaje Al Montaje / Spain

Sabotaje Al Montaje. Los Alcazares. Murcia, Spain. (photo © Lluis Olive Bulbena)

Otecki / Poland

Otecki. Urban Forms. Lodz, Poland. (photo © Courtesy Urban Forms)

 

 

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Spogo for Parees Fest 2017 in North of Spain

Spogo for Parees Fest 2017 in North of Spain

“Spogo is one of the most reknowned abstract street artists in Spain,” says photographer Fernando Alcalá of the Barcelona based geometrist who has installed a balanced composition that anchored at the base of an elevated freeway here in Oviedo, Asturias in the North of Spain.

Spogo. Parees Fest. Oviedo, Asturias. Spain. October 2017. (photo © Fer Alcalá)

The festival is called Parees, a slang derivation of paredes (walls), and this one is meant specificially for Noche Blanca.

Currently having an exhibition at GKO Gallery in Guipúzcoa, Spogo has also had a busy year painting outside in Madrid, Barcelona, Cantabria, Gante, Oviedo, Badalona and Tolosa, says Alcalá. Enjoy the video directed by Titi Muñoz, and image here from Mr. Alcalá.

Spogo. Parees Fest. Oviedo, Asturias. Spain. October 2017. (photo © Fer Alcalá)

Spogo. Parees Fest. Oviedo, Asturias. Spain. October 2017. (photo © Fer Alcalá)

 

Spogo. Parees Fest. Oviedo, Asturias. Spain. October 2017. (photo © Fer Alcalá)

Spogo. Parees Fest. Oviedo, Asturias. Spain. October 2017. (photo © Fer Alcalá)

Spogo. Parees Fest. Oviedo, Asturias. Spain. October 2017. (photo © Fer Alcalá)

Spogo. Parees Fest. Oviedo, Asturias. Spain. October 2017. (photo © Fer Alcalá)


Spogo: La Noche Blanca. Oviedo, Asturias. Spain.

 

Location: Ramón Prieto Bances esquina con Rafael Sarandeces
Video Director: Titi Muñoz
Music: “Pli”, by Jumo

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MurOne “Video Games” for Contorno Urbano 12+1 Project in Barcelona

MurOne “Video Games” for Contorno Urbano 12+1 Project in Barcelona

“I don’t have a job and a stable life, but painting and giving life to places that don’t have any is very gratifying,” says the graffiti/Street Artist about his wall completed for in September for the 12 + 1 project in Barcelona. He is not joking when he says he travels a lot to pursue his public painting work – he’s been to Taipai, Tokyo, Istanbul and Tenerife since this wall called “Video Games.”

MurOne. Video Games. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

“Travelling and discovering different cultures is a gift, I feel lucky to make my living with what I love,” he says. The illustrator and graphic designer takes his brightly abstract compositions that call to mind 1990’s video games to festivals around the world and has done commercial illustration work for corporate names like Procter & Gamble and Vodafone.

MurOne says his peers in the current mural scene are continuously inspiring him and says his “acid mix of pop and design elements” are also influenced by more established and known painters like Dalí, Mati Klarwein, Lichtenstein, Mc Escher, and Moebious.

MurOne. Video Games. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

MurOne. Video Games. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

MurOne. Video Games. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Antón)

 

 

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Vermibus: Ad Busting In Barcelona. Catalonia’s Desire to Secede from Spain

Vermibus: Ad Busting In Barcelona. Catalonia’s Desire to Secede from Spain

As the October 1st  referendum deadline looms ever closer, the tensions over Catalonia’s attempts to secede from Spain have dramatically taken to the streets – and Vermibus is adding his voice to the raucous dialogue in the Catalunya area of Barcelona. Using an interventionist technique that has become more popular in the last decade but dates back at least to the 1960s, the Spanish born Street Artist is taking over an advertising space to promote artful civic discourse rather than flogging shampoo that makes your hair shiny.

Vermibus. Barcelona Spain. September 21st. (photo © Fer Alcalá)

In news reports everywhere you learn that the central Spanish government and its supporters are accused of extraordinary efforts to quash the democratic efforts of the Catalan parliament to push for the divorce. Recent letters from MPs, more than a hundred academics, and other secessionists accuse the government of anti-democratic measures such as, “taking to court 700 Catalan mayors for allowing preparations for the vote to go ahead, seizing campaign material and ballot papers, threatening to cut off power to polling stations, arresting and charging a newspaper editor accused of aiding the preparations for the referendum and banning a public meeting called in Madrid to discuss the issue,” reports The Guardian.

Vermibus. Barcelona Spain. September 21st. (photo © Fer Alcalá)

For Vermibus, the issue is simpler: The government is hiding from the obvious, choosing not to see the truth and hoping it will go away. Similarly you may look at this image of a person putting their hands over their eyes and interpret it that seeing what is happening is painful and shocking.

As citizens who may look at the events from a patriachal/matriarchal perspective, you can also imagine average people hiding their eyes from witnessing their parents yelling and fighting with each other. As painful as it gets, hiding your eyes doesn’t make it disappear.

“Spain is facing the most complex identity issue of its short democracy,” says the ad-busting Vermibus. “The unity of this country is obviously broken and this problem has to be addressed urgently. The attitude from the central power is one of trying to solve the problem by ignoring it,” he says, “and with that the tensions between Catalonia and Spain are growing exponentially.”

For Fernando Alcalá Losa, the photographer who shares these photos with BSA readers today, the demonstrations and fighting in Barcelona streets right now looked like a perfect opportunity to work with Vermibus, who was in town to give a talk.

Vermibus. Barcelona Spain. September 21st. (photo © Fer Alcalá)

“I had met the Berlin-based Vermibus personally at the 1st edition of Urvanity Contemporary art fair this year. Everything went very fast. I contacted him when I found out that he was giving a lecture in the city, got some tools and tried to make this happen,” Fer says. “We almost failed because of several reasons, but, after some hesitation and logistical issues, the adbusting happened while tons of people were flooding the heart of the city and cops were everywhere. And let me say, it felt good.”

It’s a simple act, this claiming of commercial space for public commentary, but worth the risk for those who increasingly take over bus stops and myriad kiosks that take over the public sphere. For Alcalá Losa, times of civil discontent require civic involvement and this is a tumultuous period for the culture.

“For me it was the fact that the ‘Guardia Civil’, the police branch of the Spanish army, arrested several Catalonian politicians in different cities of the region, leading to a massive and peaceful response by the citizens taking to the streets protesting, demonstrating and claiming for freedom and the right to choose and being independent from Spain,” he says.

“All this political confrontation is not about independence anymore. It’s about freedom of choice, the right to vote and the right of having the chance of saying yes or not. Period.”

Vermibus. Barcelona Spain. September 21st. (photo © Fer Alcalá)

For his part, Vermibus says the problem is a self-imposed blindness and he hopes his small intervention is a reflection of it. “What happened recently in Catalonia is not a problem of identity anymore, or at least is not how I personally feel it. It is an attempt at democracy, and by not wanting to see it the problem won’t get solved on its own.”

Vermibus. Barcelona Spain. September 21st. (photo © Fer Alcalá)


This article is also published on The Huffington Post.

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“Nau Bostik” Invigorates La Sagrera District in Barcelona

“Nau Bostik” Invigorates La Sagrera District in Barcelona

Portraits, characters, surrealistic scenes and a range of illustration styles all reigned at the Nau Bostik festival in the La Sagrera neighborhood of Barcelona this summer. Organizing the painted component of the festival were folks from the Open Walls Conference and Difusor in a collaborative program to bring a new cultural infusion of life to this former industrial center.

Ralf Urban (photo © Lluis Olive Bulbena)

These walls are what stand long after the film festival, craft beer festival, conference discussions, food trucks, children’s dance program, photography exhibition and musical performances leave. Contrary to the image of Street Art and graffiti in the margins of society, in the case of these twenty or so muralists from a variety of backgrounds, painting in the public sphere is an integral part of the programming of a communities future, rather than a sign of its degradation.

We’re pleased that photographer Lluis Olive Bulbena shares some of the images he captured at Bostik Murals this summer with BSA readers.

BToy (photo © Lluis Olive Bulbena)

BToy (photo © Lluis Olive Bulbena)

El Rughy (photo © Lluis Olive Bulbena)

Simon Vazquez (photo © Lluis Olive Bulbena)

Twee Muizen (photo © Lluis Olive Bulbena)

Ox Alien (photo © Lluis Olive Bulbena)

SheOne (photo © Lluis Olive Bulbena)

SheOne (photo © Lluis Olive Bulbena)

Manu Manu (photo © Lluis Olive Bulbena)

Fau Art (photo © Lluis Olive Bulbena)

Fau Art (photo © Lluis Olive Bulbena)

David Petroni (photo © Lluis Olive Bulbena)

Sixe Paredes (photo © Lluis Olive Bulbena)

Syrup (photo © Lluis Olive Bulbena)

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Spidertag’s Electrified Geometry on Beach in Cadiz, Spain

Spidertag’s Electrified Geometry on Beach in Cadiz, Spain

Electrified geometry and abstraction isn’t just for the street anymore, thanks to Spidertag’s vacation at the beach this month. Europeans and their famous vacations during August are always surprising us – by their solidarity as workers to demand those month-long vacations, to the fact that the continent stays drunk for such a long continuous stretch. Just kidding!

Spidertag. Cadiz, Spain. (photo © Spidertag)

Anyway here’s the Spanish Street Artist bringing his work to the beach here in Cadiz in Andalucia in the south of Spain. Always the experimenter, we find him sketching new ideas as night falls on this part of the Mediterranean. Something new perhaps for the oldest city in Europe.

Spidertag. Cadiz, Spain. (photo © Spidertag)

Spidertag. Cadiz, Spain. (photo © Spidertag)

Spidertag. Cadiz, Spain. (photo © Spidertag)

Spidertag. Cadiz, Spain. (photo © Spidertag)

Spidertag. Cadiz, Spain. (photo © Spidertag)

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Fernando Leon Creates “Greediness” for “12 + 1 Project” in Barcelona

Fernando Leon Creates “Greediness” for “12 + 1 Project” in Barcelona

Fresh out of the St. Joost Academy since last summer, the Bogota-born, Netherlands-based illustrator Fernando Leon just spent the first week of August creating this new mural called “Greediness”.

Fernando Leon. “Greediness”. Contorno Urbano “12 + 1” 2017. Barcelona. (photo © Clara Antón)

He’s been getting more of these mural-based opportunities lately, even though he began as a teen doing graffiti and confesses that he hates rules. A fan of day long drawing sessions and traveling, Leon found this project with the 12 + 1 Project outside of Barcelona to be rewarding because he is continuing to expand his vocabulary of characters and styles outside of the letter-forms he did as a teenager – and he wants to do a lot more.

Based on the successes of his commercial projects like beer bottle labels and skateboard designs, the non-stop illustrator and muralist definitely has more walls in his future.

Fernando Leon. “Greediness”. Contorno Urbano “12 + 1” 2017. Barcelona. (photo © Clara Antón)

Fernando Leon. “Greediness”. Contorno Urbano “12 + 1” 2017. Barcelona. (photo © Clara Antón)

 

Fernando Leon. “Greediness”. Contorno Urbano “12 + 1” 2017. Barcelona. (photo © Clara Antón)


For more on Contorno Urbano and the 12 x 1 Project please click HERE. 

For more on Fernando Leon please visit

Instagram: @_fernandoleon
Facebook: www.facebook.com/fernandoleonillustration
Website: www.fernandoleon.nl

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Spaik Snakes Back to The Tunnel In Ibiza

Spaik Snakes Back to The Tunnel In Ibiza

For the BLOOP Festival in Ibiza this year Mexican artists Spaik swirls around inside a tunnel with a folkloric styled, two fanged, tongue wagging snake, taking advantage of perspective and a unique throughway to add drama to the reptilian slither. If this piece is related to this years  theme of “Changes”, then it looks like Spaik is not feeling very hopeful about upcoming transitions.

Spaik. Bloop Festival 2017. Ibiza, Spain. (photo © Sr. Mini)

It is not his first time at BLOOP, so the creative advertising agency that organizes the annual Bloop, now in its 7th year, must like what Spaik brings to the island in the Mediterranean Sea off the east coast of Spain for this festival that showcases installations, architecture, photography, video mapping, and of course, plenty of parties.

Spaik. Bloop Festival 2017. Ibiza, Spain. (photo © Sr. Mini)

Spaik. Bloop Festival 2017. Ibiza, Spain. (photo © Sr. Mini)

Spaik. Bloop Festival 2017. Ibiza, Spain. (photo © Sr. Mini)

Spaik. Bloop Festival 2017. Ibiza, Spain. (photo © Sr. Mini)

Spaik. Bloop Festival 2017. Ibiza, Spain. (photo © Sr. Mini)

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The “Melting Earth” and INO at Bloop Fest Ibiza 2017

The “Melting Earth” and INO at Bloop Fest Ibiza 2017

Topical and timely, street artist INO has the scoop on global warming right now at the Bloop Festival in Ibiza, Spain.

INO “Melting Earth”. Bloop Festival 2017. Ibiza, Spain. July 2017. (photo © Mr. Mini)

A woeful visual play on the cold summer treat that kids in many countries have associated with good times, this Ice Cream man from Greece tells us that the situation is getting messy.

“Our world is changing because of the worst animal that has ever lived on earth – the human,” INO tells us, “And we’re all denying it.” The piece is on the side of a school, so certainly it will spark many conversations among students and teachers – a powerful example of how public-facing art can have an impact.

INO “Melting Earth”. Bloop Festival 2017. Ibiza, Spain. July 2017. (photo © INO)

INO “Melting Earth”. Bloop Festival 2017. Ibiza, Spain. July 2017. (photo © Mr. Mini)

INO “Melting Earth”. Bloop Festival 2017. Ibiza, Spain. July 2017. (photo © INO)

INO “Melting Earth”. Bloop Festival 2017. Ibiza, Spain. July 2017. (photo © INO)

 

 


For more information on Bloop please go to:

www.bloopfestival.com #bloopfestival

For INO please go to:

www.ino.net #inoexpo

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