All posts tagged: Spain

El Raval In Barcelona: A Magnet Of Small Treasures

El Raval In Barcelona: A Magnet Of Small Treasures

Las Ramblas is a good place for rambling foot tours on a Saturday afternoon before reaching the ocean at El Raval. This neighborhood of Barcelona champions the small one-off Street Art piece – the antithesis of the large splashy murals that popular in other cities.

Rice (photo Lluís Olivé Bulbena)

A barrio of narrow streets adorned with mysterious and grandly heavy wooden doors keeps the throngs of tourists at arms length. Windows and balconies with intricately and beautifully crafted iron work create an old world charm and invite smaller thoughtful portraits by Street Artists looking for a setting with character.

Turn the corner and there’s a genteel plaza buzzing with seniors in their golden years sitting on benches or at sidewalks cafes nursing a coffee or a brandy.

Rice (photo Lluís Olivé Bulbena)

Here in these secret niches, doorways, sidewalk level windows, lampposts, and just about any other surface you’ll discover small pieces of Street Art installed illegally. Multi-layered or one color stencils, one-of-kind, hand-painted wheat pastes, sticker multiples, fully realized acrylic portraits and posters; all small works waiting for a small audience.

BSA contributor and Barcelona native Lluís Olivé Bulbena recently took a stroll through the winding streets and found this treasure trove of goodies. Thanks to him and enjoy!

Hopare (photo Lluís Olivé Bulbena)

Guaté Mao (photo Lluís Olivé Bulbena)

Guaté Mao (photo Lluís Olivé Bulbena)

Ecloz (photo Lluís Olivé Bulbena)

Raf Urban (photo Lluís Olivé Bulbena)

Nenao (photo Lluís Olivé Bulbena)

Pat Brazill (photo Lluís Olivé Bulbena)

Ozzy (photo Lluís Olivé Bulbena)

Ozzy . Fatal Fake (photo Lluís Olivé Bulbena)

Fake Banksy (photo Lluís Olivé Bulbena)

Bronik . Utah . Ether. (photo Lluís Olivé Bulbena)

Bronik (photo Lluís Olivé Bulbena)

Cane (photo Lluís Olivé Bulbena)

El Rughi (photo Lluís Olivé Bulbena)

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Kazzius “In Search of the Movement” : High Speed Geometry in Spain

Kazzius “In Search of the Movement” : High Speed Geometry in Spain

Graffuturism in Barcelona today as KAZZIUS speaks geometry and abstraction on a wall for Contorno Urbano. Rapid fire planes of aqua, marine, and yellow all shoot along an invisible line, pile, collide, sub divide, reform, and continue forward in a split second. He calls this “In Search of the Movement”, but it looks like the dude found it.

Kazzius. Fundación Contorno Urbano/Kaligrafics. 12 +1 Project. Sant Feliu de Llobregat, Barcelona, Spain. (photo Alex Miró)

Writing graff since ’93 his interest in architecture eventually formed this fine-artist’s vector-sharp vocabulary, breaking apart letters and forms and elevating the simplest geometric shapes to center stage. Movement, depth, and the spaces in between all interplay in KAZZIUS’ balanced compositions, an insight into the jolt of energy and spontaneous practice that drives this painter.

Kazzius. Fundación Contorno Urbano/Kaligrafics. 12 +1 Project. Sant Feliu de Llobregat, Barcelona, Spain. (photo Alex Miró)

Kazzius. Fundación Contorno Urbano/Kaligrafics. 12 +1 Project. Sant Feliu de Llobregat, Barcelona, Spain. (photo Alex Miró)


KAZZIUS “In Search of the Movement” is part of Proyect 12+1 an Urban Art initiative created by Contorno Urbano in Sant Feliu de Llobregat, Barcelona, Spain.

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Scenes From a Spanish Restaurant : The Culinary Delicacies of DavidL

Scenes From a Spanish Restaurant : The Culinary Delicacies of DavidL

Barcelona Street Art may have been booted from many streets a few years ago during a period of commercial fueled gentrification but that organic scene sparked a generation of talents who continue to transform abandoned spots nevertheless. We continue to see fully executed pieces from this area of Spain that are highly imaginative and technically tight, like these dark characters from graffiti writer DavidL.

DavidL (photo © LluÍs Olivé Bulbena)

In an abandoned restaurant 40 miles outside BCN artist DavidL has created a menagerie of wicked characters, all from his fantastical cogitations and frequently inspired by comics and cinema. A recent post with images by Fer Acala focused on the aerosol painters’ famous people and/or characters.

In these new images by LluÍs Olivé Bulbena we see another breed of characters from this versatile artist – perhaps taking inspiration from the spirits who are still inhabiting this former house and restaurant.

The dishes, however, are less than appetizing..

DavidL (photo © LluÍs Olivé Bulbena)

DavidL (photo © LluÍs Olivé Bulbena)

DavidL (photo © LluÍs Olivé Bulbena)

DavidL (photo © LluÍs Olivé Bulbena)

DavidL (photo © LluÍs Olivé Bulbena)

DavidL (photo © LluÍs Olivé Bulbena)

DavidL (photo © LluÍs Olivé Bulbena)

DavidL (photo © LluÍs Olivé Bulbena)

DavidL (photo © LluÍs Olivé Bulbena)

DavidL (photo © LluÍs Olivé Bulbena)

DavidL (photo © LluÍs Olivé Bulbena)

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DavidL Paints Hitchcock, Warhol, Tim Burton, Kubrick: Through The Lens of Fer Alcala

DavidL Paints Hitchcock, Warhol, Tim Burton, Kubrick: Through The Lens of Fer Alcala

Photographer Fer Alcala recently explored an abandoned place known to some as Fraggle Rock with Street Artist/graffiti writer DavidL, who is specializing in personality infused portraits of cinematic and pop personae drawn primarily from the second half of the 20th century. Today he tells BSA readers about his experience on this road trip.


How I spent one day with DavidL in a marvelous abandoned place in the middle of nowhere watching him paint

~ Fer Acala

After 25 years writing graffiti, DavidL has found his own way of working. It’s funny because one of the inherent issues about graffiti and street art is visibility. All the trains, the bombing, the tagging…it’s all about being noticed, being every f-ing where. It has been like this since day one (Taki 183, Terror161, 1UP…you know how it works).

But for David it’s not like that anymore.

DavidL. Alfred Hitchcock. Fraggle Rock. Spain. (photo © Fer Alcalá)

Maybe it’s a sign of the days that we are living with social media, communication 2.0, etcetera. It’s obvious that if you have certain skills managing all this and a little bit of talent, plus a pinch of good taste, you can reach a global audience and show your work to the entire world even when you are concentrating the majority of your creations in a secret location.

What I like about David’s way of working is that he creates his own world. I’m not speaking about his wonderful caricatures. No. I mean that he has built (is still building) a certain kind of artwork with a lot of discipline and a strong working ethic behind it. Almost a hermit when we speak about painting walls, David is creating a beautiful personal universe ruled by his own choices. And, hey! It totally works.

DavidL. Alfred Hitchcock. Detail. Fraggle Rock. Spain. (photo © Fer Alcalá)

Some days ago I had the chance to accompany David to his ‘headquarters’. I can’t say much about the location, but it took a while to go there by car from Barcelona and the enchanted abandoned landscape was astonishing. Obviously, I wasn’t the first person to be there. Everyone who drives by can have their own “urbex” experience in this abandoned place and they wouldn’t be disappointed with their findings.

Other artists and friends have painted there but I felt very honored to have the opportunity to go with David, to explore and to watch him create a piece from nothing. It felt like a privilege to enter his world invited by the host and to witness the whole process.

DavidL. Edward Scissorhands. Fraggle Rock. Spain. (photo © Fer Alcalá)

Despite the cold, the hunger, and the absence of beers, it was important for me to capture the details. I wanted to share the thoughts and the doubts, to see the commitment behind the creation of a piece in a single room for seven hours while listening to hip hop beats. I explored the place and went here and there but it is not and everyday experience for me to witness such a private way of working outside of the four walls of a studio.

David’s pieces are about pop culture. He chooses them kind of randomly and takes them to his own world. Movies, comic books, art figures…have being transformed using a very recognizable style. As a part of the process, DavidL keeps the original sketches and drawings and he sells them at a very reasonable price.

DavidL. Tim Burton. Fraggle Rock. Spain. (photo © Fer Alcalá)

It’s just a matter of time before DavidL is discovered and we both wonder if he will be able to keep this place and the art of its walls under the radar much longer. How long it will it continue to paint in places like this without time constriction and be peaceful and be calm and work without any hurries and be in control of the timing and go back there the next day to finish the work?

I haven’t the answers to all these questions, but what I know is that there are still tons of empty rooms waiting for DavidL to paint them. And, my friends, that will happen for sure. – FA

DavidL. Beetlejuice. Fraggle Rock. Spain. (photo © Fer Alcalá)

DavidL. Hellboy. Fraggle Rock. Spain. (photo © Fer Alcalá)

DavidL. ET. Detail. Fraggle Rock. Spain. (photo © Fer Alcalá)

DavidL. ET. Fraggle Rock. Spain. (photo © Fer Alcalá)

DavidL. Doc Brown. Fraggle Rock. Spain. (photo © Fer Alcalá)

DavidL. Stanley Kubrick. Fraggle Rock. Spain. (photo © Fer Alcalá)

DavidL. Village of The Damned. Fraggle Rock. Spain. (photo © Fer Alcalá)

DavidL. Village of The Damned. Fraggle Rock. Spain. (photo © Fer Alcalá)

DavidL. Process shot. Fraggle Rock. Spain. (photo © Fer Alcalá)

 

DavidL. Process shot. Fraggle Rock. Spain. (photo © Fer Alcalá)

DavidL. Process shot. Fraggle Rock. Spain. (photo © Fer Alcalá)

DavidL. Process shot. Fraggle Rock. Spain. (photo © Fer Alcalá)

DavidL. Process shot. Fraggle Rock. Spain. (photo © Fer Alcalá)

DavidL. Process shot. Fraggle Rock. Spain. (photo © Fer Alcalá)

DavidL. Andy Warhol. Fraggle Rock. Spain. (photo © Fer Alcalá)

DavidL. Ursula. Fraggle Rock. Spain. (photo © Fer Alcalá)

DavidL. Invented character. Fraggle Rock. Spain. (photo © Fer Alcalá)

 

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Julieta XLF & Bifido Emancipate “Le Baccanti” in Requena

Julieta XLF & Bifido Emancipate “Le Baccanti” in Requena

The  Street Art duo of Julieta XLF and Bifido continues to produce works that blend together their strongest individual talents with elements of photorealism and decorative painting organically combined. This time we are in Requena, Spain and looking at the reflection of a girl looking at herself as a free woman, say the artists. “Le Baccanti”, from the Greek tragedian of classical Athens named Euripides, features such a figure unaware perhaps of the possibility of her own emancipation.

Julieta XFL . Bifido. “Le Baccanti”. Requena, Spain. January 2018. (photo © Roberto Palmer)

Say the artists; “The wine, represented by some grape berries held in her hands, serves as chance of something else; the richness of the land and unconsciousness of one’s ability to achieve full awareness. The girl, split, looks at her previous self. She is a free woman, able to be whatever she is, without compromise. A woman as fierce as the surrounding landscape that she holds strongly, making herself part of it.”

Julieta XFL . Bifido. “Le Baccanti”. Requena, Spain. January 2018. (photo © Roberto Palmer)

Julieta XFL . Bifido. “Le Baccanti”. Requena, Spain. January 2018. (photo © Roberto Palmer)

Julieta XFL . Bifido. “Le Baccanti”. Requena, Spain. January 2018. (photo © Roberto Palmer)

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In Your Face With Sekone and Rexenera Fest in Carballo, Galicia

In Your Face With Sekone and Rexenera Fest in Carballo, Galicia

Dude! Turn the can around!

SekOne. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Sekone caught our eye in this Spanish Oceanside town of 36,000 recently with this mural that gets it all backwards – nevermind the handstyle.

Carballo in Galicia on the northwest tip of Spain is home to the Rexenera Fest, a mural festival that gathers local and international urban artists like Curiot (Mexico), Sekone (Galiza), Pixel Pancho (Valencia), Jorit (Italy), Aryz, Isaac Cordal (Galiza), Cinta Vida (Catalunya, and AnimitoLand (Argentina). Now planning for a fourth year, the town is blessed with some high quality works and photographer Lluis Olive Bulbena shares some of the loot with BSA readers here today.

SekOne. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Cinta Vidal. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Cinta Vidal. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Yoseba M.P. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Yoseba M.P. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Isaac Cordal. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Isaac Cordal. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Jorit Agoch. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Curiot. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Animalito Land. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Animalito Land. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Saturno. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Saturno. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Saturno. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

Saturno. Detail. Rexenera Festival. Third Edition. Carballo, Spain. (photo © Lluis Olivé Bulbena)

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Zurik is “DIVIDED” at Contorno Urbano 12 + 1

Zurik is “DIVIDED” at Contorno Urbano 12 + 1

Graffiti writer/mural painter/graphic designer ZURIK is divided not just by her artist description but by her nationalities. Leaving Bogotá and moving to Barcelona is a big split as well and she’s still adjusting to the cultural differences between Spain and Colombia.

No wonder her new portrait is sliced in two! She calls it “Divided”.

Zurik. “Divided”. Fundación Contorno Urbano. 12 + 1 Project. L’Hospitalet de Llobregat, Barcelona. (photo © Clara Antón)

“I dedicate 80% of my time to writing graffiti,” she says, and you can see that her tight lettering style is in development – exploring shapes, dimensions, fills, and contours. What is newer perhaps is her exploration of characters over the last couple of years, looking at faces and paying attention to proportions, colors and expression.

Zurik. “Divided”. Fundación Contorno Urbano. 12 + 1 Project. L’Hospitalet de Llobregat, Barcelona. (photo © Clara Antón)

Here at the Contorno Urbano 12 + 1 wall in l’Hospitalet de Llobregat (Barcelona) you can see she’s using two colorways to emphasize the division that can live inside each of us; opposite emotions somehow complementing one another, hopefully not ripping you apart.

Adjusting to a new culture, invited to paint at graff/mural festivals and jams throughout the year, and now working commercially with some brands, it looks like Zurik knows how to pull it all together.

Zurik. “Divided”. Fundación Contorno Urbano. 12 + 1 Project. L’Hospitalet de Llobregat, Barcelona. (photo © Clara Antón)

Zurik. “Divided”. Fundación Contorno Urbano. 12 + 1 Project. L’Hospitalet de Llobregat, Barcelona. (photo © Clara Antón)

Zurik. “Divided”. Fundación Contorno Urbano. 12 + 1 Project. L’Hospitalet de Llobregat, Barcelona. (photo © Clara Antón)

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“Desordes Creativas” and Creative Desserts in the North of Spain

“Desordes Creativas” and Creative Desserts in the North of Spain

What’s for dessert? You may think of public mural festivals as the final dish that is pleasing to the eye and sweet beyond belief.

DESORDES CREATIVAS (Creative Desserts) is a festival of urban art in a city called Ordenes, about 40 kilometers north of Santiago de Compostela in northwest Spain’s Galicia region, and it has specialized in art of the finished mural for about a decade.

Erica Ilcane. Detail. Desordes Creativas Festival 2017. Ordenes, Spain. (photo © Lluís Olivé Bulbena)

Organizers of the urban/suburban/almost rural festival in this city of 160,00 are proud to tell you that nearly 80% of the original murals since the beginning are still running, a testament to the regard the community has for the formal works. Today we have excellent images by photographer Lluís Olivé Bulbena to give you an idea of the quality of the works.

Erica Ilcane. Detail. Desordes Creativas Festival 2017. Ordenes, Spain. (photo © Lluís Olivé Bulbena)

We appreciate the delicious and colorful murals of course, but for this years collection we also dig the installation of a nonsensical labyrinth in the middle of a public square by Madrid’s SpY – which isn’t as obvious when you are on the ground.

SpY. Desordes Creativas Festival 2017. Ordenes, Spain. (photo © Desorders Creativas)

Instead the installation recalls endless lines at sundrenched summer music festivals or the Lisbon airport passport control that seem to actually get longer as time goes by. These photos from Desorders Creativas show that the SpY piece is also a happy diversion for many.

SpY. Desordes Creativas Festival 2017. Ordenes, Spain. (photo © Desorders Creativas)

The 2017 edition of Desorders Creativas featured Xoana Almar (Galiza), SpY urbanart (Madrid), Ericailcane (Italia), Bastardilla (Colombia), Saturnoart (Cataluña), and Carlos Goma (Almería)

Xoana Almar. Detail. Desordes Creativas Festival 2017. Ordenes, Spain. (photo © Lluís Olivé Bulbena)

Xoana Almar. Desordes Creativas Festival 2017. Ordenes, Spain. (photo © Lluís Olivé Bulbena)

Bastardilla. Desordes Creativas Festival 2017. Ordenes, Spain. (photo © Lluís Olivé Bulbena)

Bastardilla. Detail. Desordes Creativas Festival 2017. Ordenes, Spain. (photo © Lluís Olivé Bulbena)

Bastardilla. Detail. Desordes Creativas Festival 2017. Ordenes, Spain. (photo © Lluís Olivé Bulbena)

Saturno. Desordes Creativas Festival 2017. Ordenes, Spain. (photo © Lluís Olivé Bulbena)

Saturno. Detail. Desordes Creativas Festival 2017. Ordenes, Spain. (photo © Lluís Olivé Bulbena)

Saturno. Detail. Desordes Creativas Festival 2017. Ordenes, Spain. (photo © Lluís Olivé Bulbena)

Carlos Góma. Detail. Desordes Creativas Festival 2017. Ordenes, Spain. (photo © Lluís Olivé Bulbena)

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The Weeknd: Fer Alcala in Cardedeu, Granollers and Baladona, Catalunya, Spain.

The Weeknd: Fer Alcala in Cardedeu, Granollers and Baladona, Catalunya, Spain.

Today we take a random walk around some of the most interesting street art in the metropolitan area of Barcelona with photographer and fervent observer of the scene, Fer Alcala, who shares with BSA readers about his own participation in the scene as a documentarian and vibrant part of the street ecosystem. An insatiable chaser of Street Art and murals, Fer doesn’t let a recent back operation keep him down for long and soon you are off discovering more in Granollers, Cardedeu, and who knows where else!


– by Fer Alcala

2017 was a weird year for me. It’s been more than 6 months that I’m trying to learn how to live in pain as I have a problem in my backbone which is healing as a Work In Process (WIP). At the same time, I’ve had the chance of collaborating with lots of artists, taking part in very interesting projects and shooting tons of photos. However it has not always been easy for me to find the motivation and the energy to go out there and hit the streets.

Roc Blackblock. Granollers, Spain. December 2017. (photo © Fer Alcalá)

Apart from all this, you know how it works; There’s that spark, that unavoidable feeling that pushes you to do what you love to do despite everything else. So, this is what happened to me some weeks ago while being alone at home: I HAD to go for a walk, yes or yes. So, I did.

I had the need to go to Badalona and check some of the latest pieces of Spogo out. Spogo’s work is familiar to the BSA readers:  One of the finest abstract artists in the country, Spogo opens walls in his hometown and gives the chance to other artists to paint in his playground, developing a homeland legacy that is appreciated by neighbors, pedestrians and fellow artists. In these times when street art and gentrification are becoming almost synonymous, Spogo’s personal effort contributes to beautify the city through collabs with Elbi Elem, Tayone, Ángel Toren, Lost Optics, Kazzius or Nico Barrios & Toni Cuatrero.

Aryz . Gurtel. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

In the meanwhile, it’s nice to find a big wall by H101 by chance, almost feeling it as a tribute to the defunct Sixe wall in the opposite side of the highway which was replaced by some useless gardening ad. It was also a great pleasure to find ‘Inocente II’, the great mural by Mohamed Lghacham and Iván Floro, two friends that hadn’t painted together in 6 years and whose figurative skills are reaching mastership levels.

So, in order to keep on feeding my hunger for art, I decided to visit the always interesting city of Granollers with about 60,000 inhabitants which is 40 minutes away from Barcelona by train, after seeing online what Velvet and Zoer had created for ‘Murs que parlen (Walls that speak)’. Murs que parlen is a project promoted by Granollers’ town hall, a project which they say is seeking to give life and color to some medium and large scale walls of the city. The result of the work of the French artistic duo, who were advised by Aryz on the occasion, is one of my personal faves in Catalunya this year.

Aryz . San . Zoer. Granollers, Spain. December 2017. (photo © Fer Alcalá)

I love how Zoer has explained the whole process in his IG account:

‘One month ago, Velvet and me started painting this mural in Granollers / Catalunya. Relating an artistic action to its close environment and context is a big question as: Does the mural/ public space/ art have to make a clear connection with its time or to a special meaning? The population of Catalunya expressed recently its will of autonomy and most generally the possibility of reorganizing the society around a strong regional and cultural defense. As foreigners, we can only watch and interpret the information from a certain distance.

The Can Bassa district in Granollers is a very quiet district, let’s say mostly Castillan, or inhabited by people from all of the country. We were invited to take a look at the academic system here, by giving a class to young art students and by visiting the primary school though the high school. The focus is set on the personal development and awakening in creative fields, developing an atmosphere of exchange and curiosity.

Aryz . San . Zoer. Granollers, Spain. December 2017. (photo © Fer Alcalá)

In a dance class, where children were training, we found dozens of drum sticks in a blue plastic basin. Besides that we had the chance to meet Toni Cumella and to visit his splendid ceramic factory. Their ceramics are designed for architecture mainly, where a million single pieces can shape an ensemble, become a pattern, a second skin to a concrete structure.

Well known for having designed this sophisticated ceiling ceramic map for the Santa Caterina market in Barcelona, they worked as well with Renzo Piano on the Centro Botin, creating a sensational floating pattern from thousands of ceramic disks modeling the facade and reflecting the light. During the inauguration, musicians were playing percussion using the ceramic facade as a giant drum with thousands of pads’.

Aryz . San . Zoer. Granollers, Spain. December 2017. (photo © Fer Alcalá)

It’s great to see how interacting with the locals and taking into account the neighbors’ participation is becoming so important and giving meaning to the artist’s work, even becoming a norm in several projects all over the world.

My next stop was another Murs que parlen wall. It’s strange because almost no one out there has taken pics of this colossal Sixe Paredes piece. I tried to shoot it from the courtyard of the school, but the place was closed and nobody was working that day. To know more about this beautiful work, please check this nice documentary that a local TV filmed for the occasion.

Sixe Paredes. Granollers, Spain. December 2017. (photo © Fer Alcalá)

It has been approximately four years since I had the chance to visit Roca Umbert. This cultural facility keeps some almost hidden gems by Aryz, Zoer, and Daniel Muñoz ‘SAN’ and Roc Blackblock, among others. Born as a tribute to Ferrer i Guardia and the modern school, with 250 students taking part in the process, this is what Roc said about it on his FB page at that time: ‘We arrived to the conclusion that education, knowledge and wisdom are the real superpowers that allow us to face all the challenges with success’.

One of the things that I love about Granollers is that it has everything: big walls, random ones all over the city, abandoned factories…and the ditch. Home of a superb, but now buffed old smoking bird by Aryz, this never ending urban canvas offers tons of great art by some of the biggest and more interesting names in da house: Aryz, Rostro, Cinta Vidal and Peeta, Japon, Treze … this list could go on forever, so here you have an small selection of what you can find down there. And, please, be careful if you decide to cross the river.

Velvet. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

As I was on fire, I decided to take the train and go to Cardedeu. This almost 13 km2 village is a creative gold mine. Aryz’s and Cinta Vidal’s homeplace, Cardedeu’s outskirts gives shelter to one of the most admired abandoned factories in the biz: Ofidirect. I’ve been here several times with lots of different friends, artists and colleagues and everybody loves the place.

It was the first time that I was there alone and I have to say that I was almost overwhelmed by the silence and the majesty of this concrete and brick space. Being some kind of a private playground for the MixedMedia Crew and other artists and graffiti writers, Ofidirect is still alive preserving its urban decay beauty and charm. It was funny for me to see how Zoer, Velvet and Aryz had got some fun in there apart from the big Wall in Granollers.

Zoer. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

After a 40 minutes walk to go back to Cardedeu, some beer, and a train and back to Barcelona, I was at home editing pics and speaking with friend artist @elbielem. She asks me about an Aryz mural in Cardedeu. ??? I had no clue about what she was talking and Aryz painting in his hometown on kind of a big wall? He’s one of my favorite artists and I had been there for hours and I haven’t got any f*cking idea about it? Well: sh*t happens. Best street art hunter (hate this title…) ever.

I went back to Cardedeu the next day very soon in the morning, but that, my friends, is a different story

Velvet . Aryz . Gurtel . Zoer. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Treze. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Los Ratos. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Sergi Marqués. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

KIKX. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Aryz. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Japon VLOK. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Aryz. Granollers, Spain. December 2017. (photo © Fer Alcalá)

Rostro. Granollers, Spain. December 2017. (photo © Fer Alcalá)

Aryz . Rostro. Granollers, Spain. December 2017. (photo © Fer Alcalá)

Cinta Vidal . Peeta. Granollers, Spain. December 2017. (photo © Fer Alcalá)

Mohamed Lghacham . Iván Floro. “Inocente II” Baladona, Spain. December 2017. (photo © Fer Alcalá)

‘This wall is the second part of another one that I painted two years ago about the same issue,” says artist Mohamed Lghacham who painted this wall with assistance of Iván Floro.

“Its main character is a friend of mine who was born on December 28th which is the ‘Santos Inocentes’ day in Spain (note: this is the equivalent of the April’s fool day in the States). Basically, it consists on playing little jokes on your friends and relatives. When my friend was a little kid and it was his birthday his classmates didn’t trust him, thinking that he was just kidding. There’s not a big concept behind the piece: it’s just something anecdotal that seems funny to me.

The idea about painting that mural came from Badiu Jove Badalona as one of the activities of Conect’Art which is an art fair for young creators that takes place in the city.” Lghacham says he would like to thank his assistant Floro.  “Everything went great and I guess that we will work together often in the near future.”

Spogo . Nico Barrios . Tony Cuatreros. Baladona, Spain. December 2017. (photo © Fer Alcalá)

Spogo . Elbi Elem. Baladona, Spain. December 2017. (photo © Fer Alcalá)

H101. Baladona, Spain. December 2017. (photo © Fer Alcalá)


Instagram handles:

Sixe @sixeparedes, Spogo @spogo15, Elbi Elem @elbielem , Tayone @tayone.abz , Ángel Toren @angeltoren , Lost Optics @lostoptics, Kazzius @kaz.zius or Nico Barrios @mrnobodysmind ,Toni Cuatrero @tonicuatrero, H101 @h1_01, Mohamed Lghacham @oiterone, Iván Floro @van_vuu, Velvet @velvetcsx, Zoer @zoerism, Aryz @mr_aryz, Daniel Muñoz ‘SAN’ @danielmunoz_san, Rostro @rostrovalseca , Cinta Vidal @cinta_vidal & Peeta @peeta_ead , Japon @japonvlok , Treze @acidcollapse, Peeta @peeta_ead , Japon @japonvlok , Treze @acidcollapse

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Aryz Says ‘Adios’ to 2017 in his Hometown of Cardedeu, Spain.

Aryz Says ‘Adios’ to 2017 in his Hometown of Cardedeu, Spain.

Today on BSA we have the photographer Fer Alcala to share his experiences and photos as he was capturing the newest mural from Aryz in his hometown in Spain at the very end of the year.


– by Fer Alcala

La cultura, by Aryz

– or, “How I almost missed the chance of shooting part of the creative process of this wall by one of the top names in the business 40 minutes away from my home.”

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

So, yes: this is how stupid I can get. After spending a big part of the day in the Cardedeu (the hometown of the artist Aryz) area, I had to find out after returning to my home. It was thanks to a friend, the artist Elbi Elem, who told me that Aryz was painting his, let’s say, ‘1st official large scale mural’ in his village, 10 minutes away from the place I had had lunch at that day. This is what happens when you are a digital dummy and the obsolescence of the iOS on your shitty mobile phone doesn’t allow you to see the Stories and Moments on Instagram.

I felt so embarrassed that I decided to go there the next day in order to calm my feelings of guilt down. First time in the morning. Maybe I’m exaggerating a little bit for dramatic purposes, but trust me: I felt like a complete dumb ass.

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

Anyone who shows a minimum of interest about street art or, as the main character of these lines prefers, about contemporary muralism, knows who Aryz is. So, I’m not here to write a deep essay about his prolific and outstanding work all over the world. I prefer to share with whoever will be reading this my personal experience with the artist throughout these last years.

I have to say that, although I admire Aryz’ work, we aren’t friends or anything. I think that maybe we have met personally 4 or 5 times in our whole lives and this was the first time that I had the chance of taking some shots of him at work. Once said that, I’ve been lucky enough to visit his studio twice, due to 2 principal reasons: the mediation duties of common friend Anna Cammany (aka @troballola), and Aryz’ hospitality. One of these occasions was really special for me as we were accompanied by Martha Cooper and Jay ‘Terror161’ Edlin, two legends of the photography and the graffiti world, who were in town as lecturers for the Openwalls Conferences 2015 edition.

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

Not being a mitoman, I’ve asked for only 2 autographs in my whole life: to Danish pro skater Nicky Guerrero when I was fourteen and to Martha Cooper, after I was already a grown man. So, yes: maybe that moment was kind of unforgettable for me. And, what can I say? You don’t everyday have the chance to be shooting in an abandoned factory in the middle of nowhere with friends and with artists who you have admired since years ago.

Plus I enjoyed witnessing the nice meeting between Martha, Jay & Aryz at his wonderful cabinet of curiosities in the presence of the artist’s mum. I have pics of this day that won’t be ever published as I think this was a private moment that should remain just in the attendants’ hearts and memories. And I got a couple of good stories in my pocket from that day too.

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

One of the reasons why I’m explaining all this, it’s that I want to emphasize the fact that we are speaking not only about a great artist, but also about a great human being who trusted me and was super generous with me even when he almost didn’t know me at all. And, excuse me: you can be the greatest artist on earth, but if you suck as a person, my interest is gone. Well, as I’ve said, this isn’t the case.

Going back to my visit to Cardedeu, it was easy to find the wall after some searching on the Internet. What I wasn’t expecting was that Aryz was already there giving the last touches to the piece. Yes: both of us are early risers. So, after saying ‘hi’ and some small talk, I started to shoot from the ground. I liked the location of the wall, but speaking from a ‘photography’ point of view, it was a pain in the ass for taking pics because of the fences, the signs, the lights… At least, there were no shadows.

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

I asked a neighbor from the building in front of the piece if she had a good angle of the mural from her balcony. The answer was negative, but she kindly offered to me the keys of the rooftop. This was like pure gold for me. Gracias Eulalia.

As it always is, it was nice being up there. The view was great and I had a nice perspective of Cardedeu’s landscape. You could see how Aryz’ color selection was harmoniously matching the surroundings, creating a beautiful composition. A pedestrian asked the artist about the meaning of the piece. Aryz answered that his work is not about that. He almost demanded that the viewer make a personal effort about thinking and getting his own conclusions.

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

And I agree with that. As he has said in the past, his dialogue is not with the citizens: it’s with the wall, the building, the architecture, and the city… We are just spectators of his artwork, but he is not working for us. Although there can be a deep meaning and sense behind his most important works, maybe we should get involved. And this is challenging and enjoyable.

There’s this very well known saying here in Spain that says: ‘Nadie es profeta en su tierra’ (ed. note; roughly, ‘no man is a profit in his own land’). Well, when Jesus Christ supposedly said that, I’m pretty sure he wasn’t thinking about Aryz.

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

Aryz. Cardedeu, Spain. (photo @ Fer Alcalá)

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BSA Top Stories 2017 – As Picked by You

BSA Top Stories 2017 – As Picked by You

Berlin, Kathmandu, Santa Fe, Brooklyn, Sweden, London, New York, the country of Georgia, Raleigh, North Carolina. The favorite stories of BSA readers spanned all of these places this year as we documented this global people’s art movement variously described as Street Art/ graffiti/ urban art. We put it out there daily and you react to it – sharing it on Facebook, Twitter, and Instagram – starting conversations and creating connections.

The topics of these 15 favorite stories run the gamut as well; From Banksy and Brexit, Marxism and Urvanity to a bodega completely made of felt, your voracious appetite was wide ranging. From a well crafted graffiti writing exhibition at a white suburban Pennsylvania college where the tuition is 50K to an attempt to bring reassuring cultural heritage art to the streets of Kathmandu where the museum was destroyed by an earthquake – the extremes and ironies only peaked your interest.

You loved seeing and hearing Martha Cooper getting her first solo exhibition in New York and the mania that queued thousands to see the transformation of a 5 floor bank in Berlin by graffiti writers, Street Artists, installation artists and performers. You care about the earth and its people, like the story of ICY an SOT in the country of Georgia making human sculptures of trash as a critique of globalized waste, and the story of Chip Thomas using his Street Art to draw attention to a traditional Hopi farming technique called “dry farming”.

And in 2017 the resonance of ‘Resistance is Female’ catapulted our story of the illegal campaign of phone booth takeovers to the top 15, showing that a uniquely impactful high-jacking of the advertising streetscape is always going to win fans.

No matter where we went in 2017, BSA readers were always invited to go along with us and discover people and art on the street and in the gallery or the museum whether it was in Scotland, Hong Kong, Berlin, Sweden, Mexico or Tahiti. We captured what we could and interpreted it – and you told us what you liked by re-Tweeting and re-Gramming and re-Facebooking.

From 365 postings over the last year, here are the 15 you liked the most.


No. 15

Marx and Engels Statues Re-Skinned & Re-Located : Various & Gould

Various & Gould. Berlin, June 2017. (photo © Jaime Rojo)

“Why do you glorify and duplicate these two criminals?! They shouldn’t have a monument at all. Next you’re doing Hitler?”

Various and Gould try to paraphrase some of the comments they received from passersby in a park near the town-hall in centrally located Berlin-Mitte while working on their latest project with a statue of the creators of Marxist theory. Some imagined they were glorifying, others alleged defamation.

“It’s a shame how you treat Marx and Engels!”

Truthfully, this new project in public space that literally copies a monument and then transfers it to another location didn’t have much to do with the capitalist system that creates/allows very rich and very poor people, but it certainly adds stories to the overall experience of Various and Gould.

Various & Gould: Marx & Engels. Continue reading HERE

 


No. 14

“MADRID ME MATA”: Another Look at “Urvanity”

Roc Blackblock Milicians Madrid, Spain. February 2017 (photo © Fer Alcalá FujifilmXT10)

MADRID ME MATA…in a good sense,”

says Fernando Alcalá Losa, the avid Barcelona based photographer of street culture. He doesn’t literally mean that the Spanish capital is deadly, but rather speaks of his devotion to Madrids’ energy, its possibility, its history, its people, and to its art. The torrid affairs of the heart are invariably complicated, as is the evolution of graffiti and Street Art from their outlaw illegal roots to their flirtations and trysts with other forms and venues; murals, in-studio practice, gallery representation, institutional recognition, or commercial viability.

We are pleased that Mr. Alcalá Losa comes to talk to BSA readers today and takes us to Madrid for the new art fair called “Urvanity” to see what he discovers with you, courtesy his words and his lovers’ view behind the camera.

Madrid Me Mata…in a good sense. Continue reading HERE

 


No. 13

Lucy Sparrow Opens an All-Felt Bodega in NYC : “8 ‘Till Late”

Lucy Sparrow 8 ‘Till Late (photo © Jaime Rojo)

It’s 8 ‘Till Late, artist Lucy Sparrows first all-felt store in New York, and it’s literally just under the Standard Hotel in the Meat Packing district. She’s made 9,000 items over roughly 9 months out of this soft fabric-like craft material – and at first impression it sincerely looks like everything you would have found in a New York bodega in the 1990s aside from the hard liquor, which is actually illegal to sell outside a liquor store in NYC, but relax, its all heartfelt.

“We sell quite a lot of self-help books as well,” chimes in Clare Croome, a cashier.

“Yes! Self-help books! Have you seen them?” says Brooks “They’ve got nothing in them on the pages, they’re just blank.”

Lucy Sparrow 8 ‘Till Late. Continue reading HERE

 


No. 12

“All Big Letters” Opens, Curated by RJ Rushmore

Faust. All Big Letters curated by RJ Rushmore at Haverford College’s Cantor Fitzgerald Gallery. Philadephia, PA (photo © Lisa Boughter)

“I wanted to exhibit the mind of a graffiti writer in a gallery, and make that mindset understandable to your average gallery-goer,” he tells us. “To me, that means appreciating not just the finished piece, but how and why it came to be.”

By showing artists, works, photography, and tools that judiciously span the 50 or so years that mark the era of modern mark-making in the public sphere, Rushmore threads a story line that he hopes a visitor can gain an appreciation for in this art, sport, and quest for fame.

All Big Letters. Continue reading HERE

 


No. 11

Anonymouse: Miniature Vignettes on the Street for “No Limit” Festival in Boras, Sweden

Anonymouse. No Limit Boras 2017. Boras, Sweden. September 2017. (photo © Jaime Rojo)

Miniaturization on the street or in the museum (or in the street museum) causes you to focus on detail, draw closely, to recall your childhood ability to freely invoke a sense of fantasy.

“Since our visitors are mostly nocturnal, our opening hours are quite generous,” the artists known as Anonymous say in reference to their nighttime installations, sometimes glowing with electric light in the lee of a bridge column, or the shadow of a door. They reference the famous Swedish children’s book author Astrid Lindren in their work, and you can easily visualize a small mouse family or a business mouse or a house mouse or church mouse astutely moving through these vignettes, living their important lives.

Possibly one is currently occupied in a back room of one of these installations at the moment but they will be returning presently to greet their new visitor – you, with your big face. Don’t worry, they like you to get up close. They may even provide a magnifying glass for you to get a closer look.

Anonymouse. Minuature Vignettes. Continue reading HERE

 


No. 1o

Bunnies, Birds, Sexuality and VINZ Feel Free’s “Innocence” in Brooklyn

Vinz Feel Free. “Innocence” The Marcy Project. Williamsburg, Brooklyn. November 4th. 2017 (photo © Jaime Rojo)

Birds are associated with freedom, fish remind him of mindless consumerism, and frogs convey authority. He reserves reptiles for soulless soldiers of capital and authoritarian types. And the sudden preponderance of rabbits? Why sexuality and innocence of course.

“Innocence” is the name of the exhibition here curated by BSA and DK Johnston, and Vinz Feel Free has been preparing these works for many months. A project that has included his study of innocence, the show is meant to demarcate such shadings of the concept as to appear only subtly different from one another. To wit:

1. The quality or state of being innocent; freedom from sin or moral wrong.
2. Freedom from legal or specific wrong; guiltlessness.

Vinz Feel Free. “Innocence”.  Continue reading HERE

 


No. 09

Julien De Casabianca, Angry Gods, and Hacking Disaster in Kathmandu

Julien De Casabianca. Outings Project. Kathmandu, Nepal. January, 2017 (photo © Karma Tshering Gurung & Sanam Tamang/ Artudio)

If you are not going into the museum to see art, Julien De Casabianca is happy to bring it out to the street for you. Additionally, if the museum has been closed by an earthquake, he’ll make sure the art gets a public viewing nonetheless.

In Kathmandu recently Street Artist Julien de Casabianca continued his Outings Project by bringing a centuries-old painting outside to the side of the Artudio building in Swoyambhu on Chhauni Hospital Road with the help of Matt Rockwell of the humanitarian hackers group called DisasterHack.

He tells us that the obstacles to getting this piece up seemed insurmountable at times due to the broken social and infrastructural systems in Nepal that still plague people even today, nearly two years since the catastrophic earthquake that killed nearly 9,000 and injured 22,000 more.

Julien De Casabianca/Outings Projects in Kathmandu. Continue reading HERE


No. 08

Rocking “THE HAUS” : A 5-Floor Berlin Bank is Transformed by Artists

Kaleido. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

“Normally we paint advertising – hand-painted advertising, mostly with cans. So we work all over Germany, with a lot of crews, “ says Kimo, a bearded, bald energetic and sharp witted guy who is lighting up a cigarette in this tattered, beige ex-conference room.  That explanation doesn’t prepare you for what you will see in the rooms upstairs.

The floors are piled with unopened paint buckets and brushes and cans and the walls in this organizing office are covered with scotch-taped project timelines, to-do lists, and floor plans of the old bank. Each former office space is plainly labled with names of German Street Artists or graffiti  crews, some you recognize, others you don’t. More recent Street Art names are next to classic Graff heads, installation  artists mix freely with Optic Artists, photographers, sculptors, even a live moss installation.

Case Maclaim is right next door to Turbokultur with Stohead out in the hall on floor 1.  El Bocho and Emess are in small rooms to either side of 1UP on the 3rd. Herakut in a corner room numbered 506 is right next to Nick Platt and Paul Punk in 505.

Rocking The Haus. Continue reading HERE

 


No. 07

Working the Cornfields on a Santa Fe Facade with Jetsonorama

Chip Thomas. Santa Fe, New Mexico, Earth Day 2017. (photo © John Donalds)

18 year old Hawthorne Hill has learned the traditional Hopi farming technique called “dry farming” from his mom, according to Jetsonorama, and he places seeds in shallow holes, while his sister Metzli creates rows of wind blocks using nearby brush.

The photos are taken on Second Mesa on the Hopi nation, but the artist brings them here to Santa Fe as part of a project he’s doing with Biocultura Santa Fe.

A project originally conceived of as part of Earth Day, with a focus on where our food comes from and traditional farming methods, its good to think of who works to bring food to your table.

Working The Cornfields. Continue reading HERE

 


No. 06

“A Real Turning Point” : Sculptures on the Art Mile at Urban Nation Museum For Urban Contemporary Art

Seth Globepainter. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

“I think it’s a real turning point as far as seeing three dimensional things,” says Street Artist and fine artist Ben Frost while hand painting text on the side of the large facsimiles of pharmaceutical boxes that he’s creating for the UN Art Mile. “I think sculptures and installations have been paving a way forward for Street Art.”

In fact sculpture and all manner of three dimensional installations as Street Art have been a part of the current century for sure, from the variety of lego and yarn artists to the soldiered steel tags of REVS and eco-bird houses of XAM and small little men made of wood by Stikman – among many others.

For the opening of UN this weekend, the Urban Nation Museum of Urban Contemporary Art in Berlin this week, a curated selection of artists working in such dimensions were invited to create substantial pieces – including video installation, mobile, interactive, the purely static. Enjoy the variety of works by Street Artists who are working today.

Urban Nation Berlin. Art Mile. Continue reading HERE


No. 05

“Resistance is Female” Takes Over Phone Booths in New York

Gigi Chen for #resistanceisfemale (photo © Jaime Rojo)

The decentralized Resistance, as it turns out, is a majority of Americans.

And leading the charge are women and girls.

So it makes perfect sense that a new grassroots takeover of telephone booth advertising in New York is a campaign called, “Resistance is Female”. Organizers and artists say that the ad takeover project is putting out a message that corporate controlled media seems to be quelling: keep fighting, keep speaking up, persevere.

The artists have put up a couple of dozen or so new art pieces in places where typecast women typically sell shampoo or fashions: a high-jacking of the advertising streetscape which the French and the Situationists would have called détournement in earlier decades.

Resistance Is Female. Continue reading HERE

 


No. 04

Street Artist OLEK and Volunteers Create NINA SIMONE Tribute in Raleigh, NC

Olek. Nina Simone “Here Comes The Sun” Love Across The USA. Raleigh, North Carolina. October 2017. (photo © courtesy Olek)

Susan B. Anthony, Harriet Tubman, Nina Simone; Three of the women whom Street Artist Olek would like us to remember from U.S. history, and who have been recently featured in public crochet portraits. Her most recent portrait done with help from the community brings art made by the public to the public in a country-wide project called “Love Across the USA”.

Sparked a year ago leading up to the US national election where a woman was on the ballot, Olek says that despite the negativity that followed, “it inspired me to create a project that would celebrate the accomplishments of women, many of whom had been forgotten throughout U.S. history.”

Today we go to Raleigh, NC to see the most recent banner of Nina Simone crocheted by Olek and a small army of volunteers. https://en.wikipedia.org/wiki/Nina_Simone, the American singer, songwriter, pianist, arranger, and activist in the Civil Rights Movement.

Olek. Here Comes The Sun. Continue reading HERE

 


No. 03

Icy & Sot and a Man of Trash in Tbilisi, Georgia

Icy & Sot.  “Human reflection on nature”. Tbilisi, Georgia. May 2017. (photo © Icy & Sot)

15 centuries old, Tbilisi may not last as long as this garbage man sculpture by Street Artists Icy & Sot.

“It took us only 10 minutes to collect all this trash because there was so much of it – including American brands – in the river by this village,” says Icy as he tells us about the trip he and his brother Sot made last month. A gorgeous and historically diverse city of 1.5 million people, Tbilisi reflects art, architecture, trade and culture that have given the Georgian capital a reputation as a crossroads for Europe and Asia.

During their stay with the Art Villa Garikula, a self organized community contemporary art center begun Tbilisi born painter and educator, Karaman Kutateladze in 2000, Icy and Sot did two pieces and an ad takeover that reflect the global problems posed by a consumer culture sold by corporations with little concern for its impact long term.

Icy & Sot. Human reflections on nature. Continue reading HERE

 

No. 02

“Martha Cooper” Solo Exhibition Reveals Many Unseen “Action Shots”

Martha Cooper signing the print of Futura 2000 whole car “Break”,  Steven Kasher Gallery. (photo © Jaime Rojo)

An intrepid photographer who has launched a million dreams (and perhaps a few thousand careers) in graffiti and Street Art with her photography that captured crucial and seminal aspects of our culture that others overlooked.

That is just one way of seeing this brand new collection of images by Martha Cooper that is spread across one wall featuring artists at work, sometimes intimately. Here is where you see 102 individual shots of artists at work, a stunning testament to the range of art-making techniques that are practiced in the public realm, as well as a testament to the passion and curiosity of the woman behind the lens.

For Ms. Cooper’s first solo photography show in New York, Steven Kasher Gallery is featuring 30 new editions of her legendary street art photographs, the ones that have burned themselves into the collective memory of New York and of our streets in the 1970s and 1980s. While her photographs in the 1984 seminal “Subway Art” and her early Hip Hop street shots may be what she is most known for by artists and collectors and fans in cities around the world to which she travels, the new exhibit also contains more than a foreshadowing into the vast collection of important images she has not shown to us.

Martha Cooper Solo Show. Continue reading HERE

 

No. 01

Banksy Hits Brexit With New Piece, MaisMenos & BLU Used EU Flag Earlier

Banksy. Dover, England. Photo @banksy Instagram

The appearance of a new mural by Banksy in Dover, England caught the attention of many followers on his Instagram account and the mass media folks quickly reported on the new piece that comments on the current state of the EU.

10 months since the Brexit vote, the anonymous artist has created a thoughtful piece marking the crack in the European Union, depicting a white male worker on a ladder chipping away one of the stars on the EU flag, a fissure produced by the action reaching upwards and outwards toward the others.

Banksy Brexit. Continue reading HERE

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Castellers, Correfocs, and Stencil Art in Barcelona Streets

Castellers, Correfocs, and Stencil Art in Barcelona Streets

We always say that Street Art reflects us back to ourselves and during a recent trip to the streets of Barcelona we found some great examples of regional traditions that build community and celebrate culture, even strengthen it. Of course we also found some great stencil art that we hope you’ll enjoy.

Ceaser Baetulo. Barcelona, Spain. (photo © Jaime Rojo)

The above stencil is a part of a larger wall where multiple artists have gone up over the years. It depicts a human tower or Castellers a tradition unique in Catalonia that dates back to the 18th century. In today’s Barcelona the Castellers perform in competitions, usually in the Town Hall Square during the traditional holidays of the particular town or city.

Unidentified artist. Barcelona, Spain. (photo © Jaime Rojo)

The stencil above is also on the same wall as the Castellers. This stencil depicts a Catalan tradition as well called the Correfoc. The Correfocs are a group of individuals dressed as devils playing with fire, mostly fireworks. As the Correfocs light their fireworks they get near the crowds, many spectators choose to participate by getting very close to the devils while others decide to watch the festivities from afar.


Akore. At La Escocesa in Barcelona, Spain. (photo © Jaime Rojo)

AKORE does Run DMC at The Hangar in Barcelona, Spain. (photo © Jaime Rojo)

BToy in Barcelona, Spain. (photo © Jaime Rojo)

Rice in Barcelona, Spain. (photo © Jaime Rojo)

Rice in Barcelona, Spain. Also, anarchy. (photo © Jaime Rojo)

 

 

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