All posts tagged: Spain

Bifido, Don Quixote and Sheep on Cell Phones at GarGar Festival

May 31, 2016 Artists

The Ingenious Gentleman Don Quixote of La Mancha by Cervantes inspired this new wheat-pasted scene by Italy’s Bifido at the Gar Gar Festival in Panelles, Spain. His new interpretation of a metaphor is drawn from the scene in chapter 8 where Don Quixote and his sidekick servant Sancho are riding their horses up the road and see two clouds ahead of them. Quixote’s wild imagination mistakes them for dual great armies on the edge of war with one another and he describes them aloud in detail based on the forms he sees in the dust.

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Bifido for Gar Gar Festival. Panelles, Spain. May 2016. (photo © Bali Green Agency)

Sancho warns him that those shapes that he sees are simply dust clouds from herds of sheep and not to be afraid. But of course the macho testosterone meathead Quixote cannot wait to go to war and gallops in swinging his big sword, later to discover he has slaughtered a number of sheep and that a couple of nearby Shepherds are angry at him. They throw stones at the buffoon and break a lot of his teeth. Rather than admit he was wrong he tells Sancho that they had actually been armies but sorcerers has transformed them into sheep. Right.

So that worked out really well.

Later, there is a very detailed vomiting scene. No kidding.

Bifido for Gar Gar Festival. Panelles, Spain. May 2016. (photo © Bali Green Agency)

Here the sheep are played by people all around us right now, cradling their electronic devices in hands, sort of oblivious to the world around them. He says the kid with the sword is fighting “against the contemporary man who spend a lot of time with his smartphone like a sheep.”

Truly, by now, it is an army. But who does the kid represent in this case? We’re not sure.

Bifido for Gar Gar Festival. Panelles, Spain. May 2016. (photo © Bali Green Agency)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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BSA Images Of The Week: 05.22.16

May 22, 2016 Artists, BSA Images Of The Week

No time to talk, you’ve been running to the streets to see new pieces and peaches like a new D*Face in Soho, Rubin’s solo show in the Bronx, the Brooklyn-themed pop up at Doyle’s Auction house in Manhattan, Swoon and Shep and Swizz at Pearly’s in LA, the Social Sticker club collabo melee with Roycer and Buttsup at a bar in Williamsburg, and the growing collection of rocking new Coney Art Walls. Also, Post-It Wars in corporate agency-land Manhattan.

Here’s our weekly interview with the street, this week featuring 1Penemy, BG 183 Tats Cru, Bio, Bristol, Daze, D*Face, Eric Haze, Goms, Nicer, Nova, Pegasus, POE, Stikki Peaches, Thiago Gomez, and Word to Mother.

Our top image: D*Face for The L.I.S.A. Project in Manhattan. (photo © Jaime Rojo)

HAZE completed this fresh tribute wall dedicated to MCA of the Beastie Boys for Coney Art Walls 2016 in Coney Island, Brooklyn. (photo © Jaime Rojo)

“Ain’t seen the light since we started this band
M.C.A. get on the mike, my man!
Born and bred Brooklyn
The U.S.A.
They call me Adam Yauch
But I’m M.C.A.”

No Sleep Till Brooklyn

1PENEMY stenciled of a mock mug shot of famed supermodel Stephanie Seymour. (photo © Jaime Rojo)

Stikki Peaches comes out with a dream posse of rebels; James Dean, Steve McQueen, Elvis Presley, and Marlon Brando on the streets of Brooklyn. (photo © Jaime Rojo)

DAZE completed this wall for Coney Art Walls 2016. Included in the composition of this mural is the Elephant Hotel, a seven story, 31 room fantasy hotel built in old Coney Island in 1885 shaped like an elephant. Besides the guest rooms the structure also boasted an observatory, a gift shop and a concert hall before it burned down in 1896. (photo © Jaime Rojo)

A Banksy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

According to New York Magazine the Post-it “artists” took their craftsmanship to new heights after someone installed a simple “hi” message on the window of one of the two buildings facing each other on Canal Street. After one week the “war” is in full effect with several messages directed at each other offices ranging from “Will you marry me” to songs’ lyrics and other pleasantries and pop references. The two buildings are known for housing several ad agencies, Getty images and New York Magazine.

A Keith Haring-inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

An unidentified “artist” applies his final touches to the Snoopy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A close up of two window pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A general view of several windows and pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A “Marry Me?” sign made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

Unidentified artist. The piece is signed but we don’t recognize the signature. (photo © Jaime Rojo)

Pegasus’ Trump piece on the streets of Bristol, UK. (photo © Urban Art International)

POE (photo © Jaime Rojo)

Word To Mother beautified the AthenB Gallery van in Oakland, California on the occasion of his solo show currently on view. (photo © Brock Brake)

Bio, Nicer and BG 183 of Tats Cru completed their totally fun and vibrantly hued wall for Coney Art Walls 2016. (photo © Jaime Rojo)

Thiago Gomez and Emilio Cerezo collaboration wall in Barcelona, Spain. (photo © Lluis Olive Bulbena)

NOVA (photo © Jaime Rojo)

Untitled. Berlin. April 2016. (photo © Jaime Rojo)

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Madrid Diary and the Street : Velasquez, Goya, Borondo, Spy!

May 5, 2016 Artists

Velasquez, the painter of the Spanish Golden Age died here. Along with the mannerist paintings of El Greco, the extravagant baroque of the Flemish Rubens, and the romantic Goya, one can see Velasquez’ works here at the wealthy and famous El Museo Del Prado of Madrid.

Also, we cannot forget the Bosch exhibit opening here at the end of the month. In fact there are two dozen or so world-class museums hosting vast collections of historical and contemporary art all around this capital of Spain.

Borondo at La Tabacalera. Madrid, Spain. (photo © Lluis Olive Bulbena)

Naturally, their influences are also felt on the streets of the city, but you’ll need to veer away from the scrubbed-clean tourist areas and glide beyond the high-end boutiques to get this story. Behold Borondo! Suso! Spy!

The Tetuan neighborhood has been attracting an impressive list of local and international artists to its dilapidated walls and rough streets, now home to many immigrants from South America and Sub-Sahara Africa. It is the sort of environment that artists seek for experimentation and creativity and a rather instant audience. Paintings, illustrations, sculptural installations large and small. Sometimes they are finished works, often they appear as studies.

Borondo. Madrid, Spain. (photo © Lluis Olive Bulbena)

This same storyline is repeated throughout the great metropolis in areas that are neglected, abandoned or otherwise overlooked. There are no luxury brands nor Disneyfied aspects or over attentive security to deal with here, this hotbed of creativity. Compared to the general ticket price of 14 Euro at Del Prado, admission to the street show is quite reasonable, and you may even meet the artist.

The images below sent to us by BSA contributor Lluis Olive Bulbena are culled from Tetuan and La Tabacalera for this Madrid Diary.

Suso 33. Madrid, Spain. (photo © Lluis Olive Bulbena)

Suso 33. Detail. Madrid, Spain. (photo © Lluis Olive Bulbena)

San. Madrid, Spain. (photo © Lluis Olive Bulbena)

San. Detail. Madrid, Spain. (photo © Lluis Olive Bulbena)

Pincho at La Tabacalera. Madrid, Spain. (photo © Lluis Olive Bulbena)

Spy. Madrid, Spain. (photo © Lluis Olive Bulbena)

Spy. Detail. Madrid, Spain. (photo © Lluis Olive Bulbena)

Susie Hammer at La Tabacalera. Madrid, Spain. (photo © Lluis Olive Bulbena)

E1000. Madrid, Spain. (photo © Lluis Olive Bulbena)

Parseci at La Tabacalera. Madrid, Spain. (photo © Lluis Olive Bulbena)

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Spider Tag: “Secuencias Minimas” Opens in Madrid

April 25, 2016 Artists

Doors, windows, shipping pallets, nails, yarn. These are the humble materials that Spidertag uses in his geometric abstractions, commingling handmade craft traditions, mid-century modernism, and the history of commercial graphic sign painting.

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Spider Tag. Secuencias Minimas Swinton Gallery. Madrid, Spain. (photo © courtesy of Spider Tag)

SECUENCIAS MÍNIMAS is his new Madrid solo show just opened with 23 works that include sculptural wallhangings, video, lights, logs, and a generous amount of fire engine red.

The Street Artist has been pounding nails into the walls of community gardens, winding small streets, and abandoned old houses and factories for nearly a decade, each time responding to the environment with his materials and geometry based compositions in new ways to create one of a kind installations. By retaining that ability to be resourceful on the spot, Spidertag knows how to transform many angles of the gallery effectively and without pretension.

Spider Tag. Secuencias Minimas Swinton Gallery. Madrid, Spain. (photo © courtesy of Spider Tag)

The new show at Swinton Gallery presents Spidertag’s facination for experimentation and the simplicity of form, dimension, and materials – often with a touch of levity. Choices of color, shape, and placement in the gallery environment are wry and unassuming, reminding the viewer that the creative spirit can be simultaneously challenging and rewarding while remaining disarmingly simple.

Spider Tag. Secuencias Minimas Swinton Gallery. Madrid, Spain. (photo © courtesy of Spider Tag)

Spider Tag Secuencias Minimas is currently on view at Swinton Gallery in Madrid, Spain. Click HERE for more information.

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35 Artists in Barcelona Trying To Save The Arctic with Greenpeace

April 19, 2016 Artists

Yesterday our posting was about artists in London creating works about endangered species and today we go to Barcelona where 35 artists joined with Greenpeace and a local group named RebobinArt on April 9^th to create works centered on environmental issues, especially the quickly disappearing polar ice cap.

Only three days later scientists announced that the Greenland “Melt” has happened one month earlier than usual this year, smashing records and causing scientists to reexamine their measuring instruments to make sure they were working correctly.

La Castillo. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

The art-platform model of RebobinArt is interesting because they are a community organization that manages spaces and issues permits for painting for competitions, festivals, exhibitions, educational programs, and cause-based events like this one.

Under the guidance of Director Marc Garcia, RobobinArt promotes and facilitates a different sort of public painting that is not strictly commercial and yet it is clearly not the freewheeling graffiti/street art based stuff that made Barcelona such a magnet for artists in the early-mid 2000s.

DASE. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Done along a 600 meter long strip in the neighborhood of Poblenou many artists joined in to paint simultaneously and talk about issues like biodiversity and the melting of the arctic. Artists included : AKORE, Dase, Rupper Artgigena, Labuenaylamala, Cheko, EDJINN, Laura Torroba, Mateu Targa, 400kunstler, Jaloóndeaquiles, Ulises Mendicutty, Joaquim Riaq, Santa sudaka, Penao, ENER, Tayone Grey Rainbow, Axe Colours, Bublegum, Mariajo, Rubicon1 , Camil Escruela, Elru Ghyart, El Xupet Negre , Mr. Sis , Kimo Osuna, H3L-X, Eva Zurita, and LaCastillo, among others.

Axe Colours. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Santa Sudaka. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Pau Lopez Vila. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Kimo Osuna. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Mr. Sis. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Color In Action. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Ahanko Mimiko . Riaq Miuq. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Our very special thanks to photographer Lluis Olive Bulbena for sharing these exclusive photos with BSA readers.

Valencia Dispatch: Illustrators, Thinkers, and Riddles

March 24, 2016 Artists

Thought provoking, curious, underplayed. There is a certain circumspect quality to the Street Art scene in this seaside city in Spain that ranks third in population but which may be vying for the Street Art title that once was held securely by Barcelona.

Julia Lool (photo © Lluis Olive Bulbena)

Admittedly it is an unthankable task to try to characterize the urban art of any city, but the eclectic street works like those found in Valencia’s neighborhoods like El Carmen, with its peculiar configurations of streets and plazas and little in-between places, are often a trifle more cerebral in their culmination. With challenging riddles and allegories you’ll find yourself studiously unpacking meanings and subtext with these often small and midsize works that call to you, rather than scream.

Julia Lool (photo © Lluis Olive Bulbena)

Yes, Valencia inherited the grafiteros romance and hip-hop aerosol aesthetic in the late 20th century, as many cities around the globe did, and you can see ample evidence of those fame and style influences here as well. However there is an almost Lo-fi illustrator vibe in Valencia and many figurative pieces are singular, influenced by cartoons and modernly ironic illustration styles, from deadpan dry in black, grey, and white to fully realistic and photorealist aerosol portraits.

It is not unusual for works to have a message or point of view, where symbols stand in for sentiments and metaphors abound. The “cute” quotient may also be lower than many cities, as is the need to fill in a background to occupy space. In a genre that can get very cluttered, with pieces chock-a-block and smashing into one another with no discernable through-thread, Valencia looks like it can give artists the space, and artists are using that space effectively.

Julia Lool (photo © Lluis Olive Bulbena)

Escif and Hyuro (photo © Lluis Olive Bulbena)

Hyuro (photo © Lluis Olive Bulbena)

Deih (photo © Lluis Olive Bulbena)

Blu (photo © Lluis Olive Bulbena)

Xelon (photo © Lluis Olive Bulbena)

Nebbia . Ion (photo © Lluis Olive Bulbena)

Julieta XLF (photo © Lluis Olive Bulbena)

Julieta . Lolo (photo © Lluis Olive Bulbena)

Sarench (photo © Lluis Olive Bulbena)

Sair (photo © Lluis Olive Bulbena)

Erica Il Cane (photo © Lluis Olive Bulbena)

Disneylexya (photo © Lluis Olive Bulbena)

Cere (photo © Lluis Olive Bulbena)

Flug (photo © Lluis Olive Bulbena)

Our sincere thanks to BSA Contributor Lluis Olive Bulbena for sharing his photos exclusively with BSA readers.

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ESCIF Reflects Us Back With a Dry Humor in Valencia

March 21, 2016 Artists

Valencia based Escif has many Street Art pieces throughout his city and today we have a survey of some of them for you to look at.

Called a humorist sometimes, or more accurately perhaps a contemporary sociologist, you decode his murals quickly, and then again. He isn’t deliberately obvious but he is our reflector and rather than being explicit, he trusts that you’ll figure it out. With deceptively simple presentations on the street, Escif is content to imagine that the wheels inside your mind are turning and perhaps you will see analogies that are familiar to you, connecting observations with your daily existence.

Escif. Valencia, Spain. (photo © Lluis Olive Bulbena)

Take the first one, for example: a currently typical scene of humans slightly bent forward in a marching plod, their attention captivated, even trained, to little devices in their hand. The title translated is “Programmed Obsolescence”, which may refer to the software and hardware designers who know that their income is only replenished when they create things that expire – the precise opposite of a “sustainability” model.

A second interpretation may refer to the humans – not the electronic devices – who are gradually and quickly regarded as superfluous in an automated robotic artificial intelligence-managed modern world. Regarded as no more than “resources” by corporate parlance since the 80s, these humans and their features are less and less impressive or needed for the production of goods and services, slowly programmed to the margins.

“I’m sorry, we don’t support that model anymore, is there anything else we can help you with today?”

Love me, Tinder. Escif. Valencia, Spain. (photo © Lluis Olive Bulbena)

The dry flat linear illustration style may call to mind instruction manuals or clip art and that is the sly normative familiarity that will lead you in one direction with Escif. Free of flourishes, one may question what possible depth can be alluded to when the piece doesn’t clamor or preen for that one second of attention you are willing to part with. With Escif you can be assured that these are considered choices; recomposing symbols, forms, text and their relation to one another, to history, to the present, and to you.

Now breathe. Escif. Valencia, Spain. (photo © Lluis Olive Bulbena)

Like a bug on its back. Escif. Valencia, Spain. (photo © Lluis Olive Bulbena)

Decapitated history. Escif. Valencia, Spain. (photo © Lluis Olive Bulbena)

Escif. Valencia, Spain. (photo © Lluis Olive Bulbena)

Something about this one doesn’t bode well for our painter friend… Escif. Valencia, Spain. (photo © Lluis Olive Bulbena)

Our very special thanks to photographer Lluis Olive Bulbena for sharing these recent images with BSA readers.

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Fanzara Diary : Mural Update from a Tiny Spanish Town

February 3, 2016 Artists

You can tell by the quality of the street pieces that continue to go up in Fanzara that this young but ongoing “festival” is driven by something more than simply commercial interests. Thoughtful, quiet, hardly showy, Fanzara is the small town that we brought you to twice last summer (see links at end of this article) and the grassroots nature of the visits by Street Artists are a testament to a certain authenticity.

In December BSA contributor Lluis Olive Bulbena took a slight detour from his trip to Valencia and visited Fanzara to see what was completed or new since the last time he was there and he shares his photos with BSA readers. So consider this your update on your tiny Spanish sister:

XELON. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Pichi & Avo. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Escif. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Borondo. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Chylo. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Joaquin Jara. Fanzara, Spain. (photo © Lluis Olive Bulbena)

LOLO. Fanzara, Spain. (photo © Lluis Olive Bulbena)

B.Toy. Fanzara, Spain. (photo © Lluis Olive Bulbena)

Pincho. Fanzara, Spain. (photo © Lluis Olive Bulbena)

DEIH. Fanzara, Spain. (photo © Lluis Olive Bulbena)

See our two other visits for more background on art in the streets of Fanzara:

Fanzara, A Tiny Spanish Town Reinvents Itself With Help From Artists

Fanzara, Spain: “MIAU” Marries Street Art & Cats, Breaks Internet

A “Cathedral” of Characters in Northern Spain

January 6, 2016 Artists

It’s a cathedral of characters, this abandoned furniture factory forty kilometers outside of Barcelona. Cartoons, illustrations, portraits are everywhere; a curious collection of aerosol spray pieces that highlights the popularity of the animated and exaggerated personalities among graffiti and Street Artists in this region of the world.

Aryz . Rostro Spain. (photo © Lluis Olive Bulbena)

The character may be a salty with a haggard stare, or reference a topic with a bit of satire. The scene may be serious, comical, ridiculous or purely sci-fi and horror. You discover the stories and allegories as you walk through the empty manufacturing rooms now flooded with natural light and dust. Expressions and situations here are full of drama that may trigger your empathy, startle your attention, elicit a shiver, or creepily fondle your funny bone.

Aryz. Spain. (photo © Lluis Olive Bulbena)

Traveling Spanish urban photographer Lluis Olive Bulbena tells us that the economic crash of 2008 killed many factories like this in Spain and high youth unemployment drove many artists to adorn them with paintings like these. Because of the calm, serene environment of this particular ex-factory where artists roam freely and take long hours to complete these figures in the open air, the colorful forms may call to mind stained glass windows you see in more hallowed houses. Perhaps that is why Bulbena feels so moved that he’s christened this place “La Catedral” (The Cathedral).

We thank him for sharing these images from his latest pilgrimage with BSA readers.

Aryz. Spain. (photo © Lluis Olive Bulbena)

Simon Vazquez. Spain. (photo © Lluis Olive Bulbena)

Aryz . Vino .GR170. Spain. (photo © Lluis Olive Bulbena)

GR170. Spain. (photo © Lluis Olive Bulbena)

Enric Sant. Spain. (photo © Lluis Olive Bulbena)

Julien. Spain. (photo © Lluis Olive Bulbena)

Anja Mila. Spain. (photo © Lluis Olive Bulbena)

S. Waknine. Spain. (photo © Lluis Olive Bulbena)

RIM. Spain. (photo © Lluis Olive Bulbena)

Manu Manu. Spain. (photo © Lluis Olive Bulbena)

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This article is also published on The Huffington Post.

Barcelona: Open Walls Mural Festival and Conference 2015

November 11, 2015 Artists

Barcelona was known as a city at the epicenter of a bustling lively organic Street Art scene in the mid 2000s. Today that has greatly been cracked down upon by authorities but the Spanish city now boasts a mural festival called Open Walls, which celebrated its third edition last month with public works spanning a great number of influences and styles. Of course there is still plenty of autonomous unpermissioned Street Art to be seen as well.

Borondo at work on his sketch for his enormous piece at Open Walls Conference 2015. Barcelona. (photo © Fernando Alcalá Losa)

This years’ interventions included new large format walls from Roc Blackblock, Ethos, Borondo, Zosen and Mina Hamada, and Mohamed Lghacham. Site specific walls included works by BYG, Enric Font, Sav45, Rubicon, Tayone, and Reskate Studio with Marina Capdevila and Amaia Arrazola. Boldly, the festival featured an open call to the first 20 respondents to paint a huge project together, effectively disarming any accusations of hierarchical favoritism or gate keeping.

Open Walls 2015 also featured a conference with speakers, debates, tours and workshops that expand the discussion of art in the urban environment beyond typical Street Art and graffiti fare. The academic and institutional world is gradually grappling with bigger questions around urban planning and public space as it pertains to art in the streets and formal art teaching is still broadening its consideration of an artist movement that started quite outside its purview.

Invited speakers included photographer Martha Cooper, graffiti artist and historian Jay Edlin, RJ Rushmore of Vandalog, Sergi Díaz (ICUB), representatives of the Madrid Street Art Project, philosopher Gabriela Berti, art historian Will Shank, and conservator Rosa Senserrich. The international and multidisciplinary program of professionals addressed issues regarding documentation, conservation, restoration, the history of Street Art, and its evolving role in the urban experience.

Here are some images courtesy of the festival photographer Fernando Alcalá Losa and of BSA contributor Lluis Olive Bulbena.

Simon Vazquez . Sebastien Waknine . Open Walls Conference 2015. Open Call, Banc de Sang Wall. Barcelona. (photo © Lluis Olive Bulbena)

Osnam . Caster . Cayn. Open Walls Conference 2015. Open Call, Banc de Sang Wall. Barcelona. (photo © Lluis Olive Bulbena)

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This article was also published on The Huffington Post.

Skount, Laguna and Cerezo and Their Delusions of Quixote

October 17, 2015 Artists

“When life itself seems lunatic, who knows where madness lies? Perhaps to be too practical is madness. To surrender dreams — this may be madness. Too much sanity may be madness — and maddest of all: to see life as it is, and not as it should be!”
― Miguel de Cervantes Saavedra, Don Quixote

A three man mastery of madness here for you to enjoy from Barcelona with this delusional tribute to Don Quixote by folk spiritualist Skount and and his expressionist friends Laguna and Emilio Cerezo. Onward, to where we cannot know.

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BSA Images Of The Week: 08.30.15

August 30, 2015 Artists, BSA Images Of The Week

Dude, Dudette, this is the moment to make the most of Summer before it in subsumed into crazy New York fall. There is so much art on the streets you may not even want to go inside. Actually, if you haven’t seen the China: Through the Looking Glass at the Metropolitan Museum, you have to go – it could blow your mind with all the video and costume and power and history and modern western interpretations of it, sho nuff.

If you wonder what we’ve been up to and what on the near horizon- check out yesterdays posting “Round Up! BSA at NUART, Borås, Coney, BKM, and ON Brooklyn Streets”

Right now Street Artists are beginning to take into account a large pimple on the butt of the US, Mr. Donald Trump. Of course the streets always render opinions in such clever and pointed ways – helping us to cope with a corporate media infotainment machine that can’t help but chase a fire and pour gasoline on it for ratings. Actually NemO’s new mural of a man caught inside a TV-as-guillotine is also apropo.

Here’s our weekly interview with the street, this week featuring Adam Cost, Aiko, Clint Mario, DRE, Ernest Zacharevic, Foxx Faces, Hanksy, Hunt, Indie184, Ivanorama, LUDO, Mr. Toll, NemO’s, Overunder, Phlegm, Raphail, She Wolf, Sure We Can, Thiago Goms, and Zed1.

Top image above >>> Ernest Zacharevic sidebusts COST. Overunder looms close by. Please help ID the tags. You may recognize the scene depicted from a very familiar promotional image for Nuart 2015. (photo © Jaime Rojo)

Hanksy. Clint Mario doesn’t seem to mind the stench from the sack of shit on the street. Not the same with the pedestrian going by. He is covering his nose. (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Bifido for Gar Gar Festival. Panelles, Spain. May 2016. (photo © Bali Green Agency)

Bifido for Gar Gar Festival. Panelles, Spain. May 2016. (photo © Bali Green Agency)

Bifido for Gar Gar Festival. Panelles, Spain. May 2016. (photo © Bali Green Agency)

Bifido for Gar Gar Festival. Panelles, Spain. May 2016. (photo © Bali Green Agency)

Bifido for Gar Gar Festival. Panelles, Spain. May 2016. (photo © Bali Green Agency)

Bifido for Gar Gar Festival. Panelles, Spain. May 2016. (photo © Bali Green Agency)

Bifido for Gar Gar Festival. Panelles, Spain. May 2016. (photo © Bali Green Agency)

Our top image: D*Face for The L.I.S.A. Project in Manhattan. (photo © Jaime Rojo)

HAZE completed this fresh tribute wall dedicated to MCA of the Beastie Boys for Coney Art Walls 2016 in Coney Island, Brooklyn. (photo © Jaime Rojo)

“Ain’t seen the light since we started this band M.C.A. get on the mike, my man! Born and bred Brooklyn The U.S.A. They call me Adam Yauch But I’m M.C.A.” No Sleep Till Brooklyn

1PENEMY stenciled of a mock mug shot of famed supermodel Stephanie Seymour. (photo © Jaime Rojo)

Stikki Peaches comes out with a dream posse of rebels; James Dean, Steve McQueen, Elvis Presley, and Marlon Brando on the streets of Brooklyn. (photo © Jaime Rojo)

A Banksy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A Keith Haring-inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

An unidentified “artist” applies his final touches to the Snoopy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A close up of two window pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A general view of several windows and pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A “Marry Me?” sign made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

Unidentified artist. The piece is signed but we don’t recognize the signature. (photo © Jaime Rojo)

Pegasus’ Trump piece on the streets of Bristol, UK. (photo © Urban Art International)

POE (photo © Jaime Rojo)

Word To Mother beautified the AthenB Gallery van in Oakland, California on the occasion of his solo show currently on view. (photo © Brock Brake)

Bio, Nicer and BG 183 of Tats Cru completed their totally fun and vibrantly hued wall for Coney Art Walls 2016. (photo © Jaime Rojo)

Thiago Gomez and Emilio Cerezo collaboration wall in Barcelona, Spain. (photo © Lluis Olive Bulbena)

NOVA (photo © Jaime Rojo)

Untitled. Berlin. April 2016. (photo © Jaime Rojo)

Velasquez, the painter of the Spanish Golden Age died here. Along with the mannerist paintings of El Greco, the extravagant baroque of the Flemish Rubens, and the romantic Goya, one can see Velasquez’ works here at the wealthy and famous El Museo Del Prado of Madrid.

Also, we cannot forget the Bosch exhibit opening here at the end of the month. In fact there are two dozen or so world-class museums hosting vast collections of historical and contemporary art all around this capital of Spain.

Borondo at La Tabacalera. Madrid, Spain. (photo © Lluis Olive Bulbena)

Naturally, their influences are also felt on the streets of the city, but you’ll need to veer away from the scrubbed-clean tourist areas and glide beyond the high-end boutiques to get this story. Behold Borondo! Suso! Spy!

Borondo. Madrid, Spain. (photo © Lluis Olive Bulbena)

The images below sent to us by BSA contributor Lluis Olive Bulbena are culled from Tetuan and La Tabacalera for this Madrid Diary.

Suso 33. Madrid, Spain. (photo © Lluis Olive Bulbena)

Suso 33. Detail. Madrid, Spain. (photo © Lluis Olive Bulbena)

San. Madrid, Spain. (photo © Lluis Olive Bulbena)

San. Detail. Madrid, Spain. (photo © Lluis Olive Bulbena)

San. Detail. Madrid, Spain. (photo © Lluis Olive Bulbena)

Pincho at La Tabacalera. Madrid, Spain. (photo © Lluis Olive Bulbena)

Spy. Madrid, Spain. (photo © Lluis Olive Bulbena)

Spy. Detail. Madrid, Spain. (photo © Lluis Olive Bulbena)

Susie Hammer at La Tabacalera. Madrid, Spain. (photo © Lluis Olive Bulbena)

E1000. Madrid, Spain. (photo © Lluis Olive Bulbena)

Parseci at La Tabacalera. Madrid, Spain. (photo © Lluis Olive Bulbena)

Spider Tag. Secuencias Minimas Swinton Gallery. Madrid, Spain. (photo © courtesy of Spider Tag)

Spider Tag. Secuencias Minimas Swinton Gallery. Madrid, Spain. (photo © courtesy of Spider Tag)

Spider Tag. Secuencias Minimas Swinton Gallery. Madrid, Spain. (photo © courtesy of Spider Tag)

Spider Tag. Secuencias Minimas Swinton Gallery. Madrid, Spain. (photo © courtesy of Spider Tag)

Spider Tag. Secuencias Minimas Swinton Gallery. Madrid, Spain. (photo © courtesy of Spider Tag)

Spider Tag. Secuencias Minimas Swinton Gallery. Madrid, Spain. (photo © courtesy of Spider Tag)

Only three days later scientists announced that the Greenland “Melt” has happened one month earlier than usual this year, smashing records and causing scientists to reexamine their measuring instruments to make sure they were working correctly.

La Castillo. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

The art-platform model of RebobinArt is interesting because they are a community organization that manages spaces and issues permits for painting for competitions, festivals, exhibitions, educational programs, and cause-based events like this one.

Under the guidance of Director Marc Garcia, RobobinArt promotes and facilitates a different sort of public painting that is not strictly commercial and yet it is clearly not the freewheeling graffiti/street art based stuff that made Barcelona such a magnet for artists in the early-mid 2000s.

DASE. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Axe Colours. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Santa Sudaka. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Pau Lopez Vila. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Kimo Osuna. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Mr. Sis. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Color In Action. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Ahanko Mimiko . Riaq Miuq. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

Julia Lool (photo © Lluis Olive Bulbena)

Julia Lool (photo © Lluis Olive Bulbena)

Julia Lool (photo © Lluis Olive Bulbena)

Escif and Hyuro (photo © Lluis Olive Bulbena)

Hyuro (photo © Lluis Olive Bulbena)

Hyuro (photo © Lluis Olive Bulbena)

Hyuro (photo © Lluis Olive Bulbena)

Deih (photo © Lluis Olive Bulbena)

Deih (photo © Lluis Olive Bulbena)

Blu (photo © Lluis Olive Bulbena)

Xelon (photo © Lluis Olive Bulbena)

Nebbia . Ion (photo © Lluis Olive Bulbena)

Julieta XLF (photo © Lluis Olive Bulbena)

Julieta XLF (photo © Lluis Olive Bulbena)

Julieta . Lolo (photo © Lluis Olive Bulbena)

Sarench (photo © Lluis Olive Bulbena)

Sarench (photo © Lluis Olive Bulbena)

Sair (photo © Lluis Olive Bulbena)

Erica Il Cane (photo © Lluis Olive Bulbena)

“Ain’t seen the light since we started this band
M.C.A. get on the mike, my man!
Born and bred Brooklyn
The U.S.A.
They call me Adam Yauch
But I’m M.C.A.”

No Sleep Till Brooklyn