All posts tagged: sexism

“Decolonizing Street Art” Gives Voice to More than the Usual

“Decolonizing Street Art” Gives Voice to More than the Usual

Politically themed Street Art or murals have a long tradition – as long as people have had something to advocate for or against. The modern Street Art movement may trace its roots to political postering that came with the printing press or 20th century Mexican muralism or the 1968 student demonstrations around the world, especially in Paris – but artists have used and been used to communicate ideas and opinions in the public sphere much longer than this.

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Decolonize History.  Decolonizing Street Art festival. Montreal, Canada. August 2014. (photo © Zola)

Today, whether it is the Arab Spring or the Occupy movement or simply a personal campaign to combat harassment by cat-callers or the economic violence of local gentrification, politically charged speech of one sort or another takes place on the street when artists give it voice.

“Decolonizing Street Art”, a festival an project that took place in August in Canada, convened with the idea that carrying issues directly to the public can affect opinions and possibly produce positive change for people whom the organizers would like to give voice to.

Since the high profile and increasingly moneyed version of the current Street Art festival scene is populated worldwide primarily by men with characteristics of the dominant culture, the organizers and participants of “Decolonizing Street Art” may also be commenting on that backdrop as well. Whatever the motivation, these are voices that not many hear or see.

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Decolonize History.  Decolonizing Street Art festival. Montreal, Canada. August 2014. (photo © Võ ThiênViệt)

Hosted in and programmed “on unceded territory, in so-called Montreal”, this handful of artists speak of the indigenous people of the planet and the history of colonialism, the Arab/Israeli conflict, the poisoning of the environment and its effect on humans and animals, and the rights of many marginalized categories of people.

With a concentrated effort this first entry into a still-forming circuit of Street Art festivals and programs worldwide, Decolonizing Street Art makes a formal statement about making space for more radical views comparatively than one typically sees. Whether it is native communities or disenfranchised poor or disappeared women, this effort aims to bring more voices to the street to speak their truth.

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Zola.  Decolonizing Street Art festival. Montreal, Canada. August 2014. (photo © Zola)

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LMNOPI.  Decolonizing Street Art festival. Montreal, Canada. August 2014. (photo © Võ Thiên Việt)

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LMNOPI.  Decolonizing Street Art festival. Montreal, Canada. August 2014. (photo © Võ Thiên Việt)

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LMNOPI.  Decolonizing Street Art festival. Montreal, Canada. August 2014. (photo © Võ Thiên Việt)

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LMNOPI . Red Bandit . Swarm.  Decolonizing Street Art festival. Montreal, Canada. August 2014. (photo © Võ Thiên Việt)

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Red Bandit.  Decolonizing Street Art festival. Montreal, Canada. August 2014. (photo © Võ Thiên Việt)

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Swarm. Decolonizing Street Art festival. Montreal, Canada. August 2014. (photo © Võ Thiên Việt)

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Swarm. Decolonizing Street Art festival. Montreal, Canada. August 2014. (photo © Võ Thiên Việt)

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Pyramid Oracle. Decolonizing Street Art festival. Montreal, Canada. August 2014. (photo © Võ Thiên Việt)

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Jessica Sabogal.  Decolonizing Street Art festival. Montreal, Canada. August 2014. (photo © Võ Thiên Việt)

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David Rotten. Decolonizing Street Art festival. Montreal, Canada. August 2014. (photo © Võ Thiên Việt)

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Chris Bose. Decolonizing Street Art festival. Montreal, Canada. August 2014. (photo © Võ Thiên Việt)

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Chris Bose. Decolonizing Street Art festival. Montreal, Canada. August 2014. (photo © Zola)

To learn more about Decolonizing Street Art click HERE.

See videos from five of the participating artists on BSA Film Friday 10.10.14.

 

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Martha Cooper and Elle and a Fire “Unextinguished”

Martha Cooper and Elle and a Fire “Unextinguished”

Two women, two distinct generations. The same fight for recognition, let alone to determine the direction and manner of discourse.

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Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

Martha Cooper in the 1970s newspaper world found herself as the only woman photographer in a huge room full of men at the New York Post – and she was often pushed into doing “weather” related or “soft journalism” photographs because only men could be presumed to handle the important hard news like politics and crime.  Luckily for us, she didn’t accept those limitations and blasted her own path into the streets and shot what she wanted – but she had to fight for it.

In 2014 a certain kind of man still has a hard time finding space for the women to be in the game, so Elle gets hit with the vitriol often out on the street from some of the graff and Street Art dudes. Sometimes its just the banter of a beef-loving competitive spirit. Other times it takes on the undertones of gender related models of patriarchy.

Sorry Judy Chicago, the work isn’t done yet; that “feminist artist” who coined the term in the 1970s celebrates her own 75th birthday tonight in Prospect Park by spraying her pyrotechnics across the sky, but she also is under no illusion that women have reached parity in the art world, or almost any other.

Even the most fundamental expectation of mutual respect on the New York streets cannot be assumed as harassment by men is still prevalent. Obviously if women were respected on the street we wouldn’t see Tatyana Fazilazadeh creating her postering campaign with New York women called “Stop Telling Women to Smile”.

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Martha Cooper and Elle “Unextinguished” Installation in progress. Elle made these dresses from printed photos of Martha Cooper’s work. (photo © Jaime Rojo)

That’s a long intro – and a sad one to have to write but the context somehow gives more power to the dual show by Cooper and Elle tonight. A combining of their skills, “Unextinguished” unites a flame of a mutual determination to take over a space and to define it.

Who knew that a  Boomer and a Millenial would enjoin in the epic battle to extinguish the bullshit and make room for experimenting with new ideas while accommodating the old ones?  For the viewers tonight it’s a juxtaposition of styles that merges into a collaboration of spirit.

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Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

“We thought this had to do with a sense of history, through different generations. My pictures are all from 1978, so we are using some old school pictures but re-invigorating them with some new school techniques – like splattering them with a fire extinguisher with a sort of abandon,” says Cooper as she scans the gallery of plastered blown-up images she took thirty five years ago now newly splashed with color.

The view of her shots shown this way is an adjustment for Cooper’s eye too, but one she’s willing to go with for the spirit of collaboration.

“I wouldn’t want to see it every day –  but in the context of this rough-and-ready kind of gallery, I think its kind of cool.”

Here are some shots of the show in preparation.

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Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

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Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

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Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

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Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

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Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

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Elle (photo © Jaime Rojo)

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Martha Cooper (photo © Jaime Rojo)

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A completely extinguished extinguisher outside of the Martha Cooper and Elle “Unextinguished” Installation in progress. (photo © Jaime Rojo)

Martha Cooper and Elle “Unextinguished” opens today at Mecka Gallery. Click HERE for more details.

Check out this cool video interview just released on AnimalNY.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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