Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora. Jessica Nydia Pabón-Colón. 2018
“Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora” by Jessica Nydia Pabón-Colón provides an insightful look into the world of women graffiti artists, challenging the perception that graffiti is a male-dominated subculture. This book highlights the contributions of over 100 women graffiti artists from 23 countries, showcasing how they navigate, challenge, and redefine the graffiti landscape.
From the streets of New York to the alleys of São Paulo, Pabón-Colón explores the lives and works of these women, presenting graffiti as a space for the performance of feminism. The book examines how these artists build communities, reshape the traditionally masculine spaces of hip hop, and create networks that lead to the formation of all-girl graffiti crews and painting sessions. This aspect is particularly useful in understanding how digital platforms have broadened the reach and impact of women graffiti artists, facilitating connections and collaborations worldwide.
MARTHA COOPER LIBRARY: BOOK RECOMMENDATION
📖 | Title: Graffitti Grrlz: Performing Feminism in the Hip Hop Diaspora 📚 | NYU Press; 1st edition (June 22, 2018) 🖋 | Authors: Jessica Nydia Pabón-Colón 💬 | Language: English
Book review by Steven P. Harrington & Jaime Rojo/Brooklyn Street Art. Martha Cooper Library
Martha Cooper. Tokyo Tattoo 1970. 2012.
In “Tokyo Tattoo 1970,” photographer Martha Cooper, well-known for her definitive work on New York City’s graffiti scene, applies her ethnographic skills to document traditional Japanese tattooing. This book provides a clear and respectful portrayal of a secretive and highly specialized art form, preserved in black-and-white film photography. Through Cooper’s lens, readers gain access to the traditional techniques and cultural narratives embedded in Japanese tattoo art, offering insights into an art form that was largely inaccessible during the early 1970s.
Book Review by Steven P. Harrington & Jaime Rojo / Brooklyn Street Art for the Martha Cooper Library at Urban Nation Museum, Berlin, Germany.
“NeSpoon,” a monograph on the work of the Polish artist, provides a comprehensive examination of her unique integration of lace patterns into urban and natural landscapes. The book, limited to 111 copies, each spanning over 420 pages, showcases the artist’s extensive portfolio and delves into the anthropology, cultural, and historical significance underlying her chosen medium.
“Why lace? It just came to me. Lace chose me, not the other way around. I’ve never liked lace. Before I started working with it, I thought lace was something old-fashioned, from a grandmother’s dusty apartment. Today it seems to me that each lace harbors harmony, balance and a sense of natural order. Isn’t that just what we are all searching for instinctively?”
~ NeSpoon
NeSpoon revitalizes the traditional craft of lace-making, tracing its roots back to the mid-sixteenth century in Venice and Flanders. This blend of past and present is a recurring theme in her art, as she applies centuries-old designs to contemporary settings. Beyond aesthetic enhancement, her projects aim to instill harmony and natural order—qualities she believes are inherent in lace patterns. CLICK URBAN NATION BERLIN TO CONTINUE READING.
Text: Steven P. Harrington and Jaime Rojo, Photos: Sebastian Kläbsch
As founding members of the Martha Cooper Library at the Urban Nation Museum in Berlin, Brooklyn Street Art (BSA) proudly showcases a monthly feature from the MCL collection, illuminating the extensive and diverse treasures we’re assembling for both researchers and enthusiasts of graffiti, street art, urban art, and its numerous offshoots. Below, we present one of our latest selections.
“City of Kings: A History of NYC Graffiti” is a crafted exploration of the graffiti scene’s historical roots in New York City. Born from a prominent exhibition co-curated by Al Diaz, Eric Felisbret, and Mariah Fox, this book transcends the role of a mere catalog to become a substantive text that presents a detailed overview of the graffiti movement in a structured, academic, and engaging manner.
“Let Her Be Free” chronicles the journey of Iranian brothers Icy and Sot as street artists and the evolution of their work over the decade from the mid-2000s to the mid-2010s. The book showcases the brothers’ activism through their art and their efforts to bring attention to many important social and political issues, including human rights, women’s political and personal autonomy, environmental justice, migration, gun violence, capitalism, the effects of war, homelessness, police brutality, the Palestinian-Israeli conflict, free speech, and child welfare.
Growing up in Tabriz, Iran, Icy and Sot participated as teens in a street culture that encompassed skateboarding and a slowly burgeoning street art scene, perhaps feeding their desire for self-expression and personal activism. They began experimenting with different techniques and styles in places like Tehran, where local artists like A1one, Magoi, CK1, and Bigchiz dominated the street art scene, in turn inspiring others. As news of the emerging growth of street art in the West gained cultural currency on the Internet, the brothers were also influenced by international street artists such as Banksy, whom they looked up to as role models.
To learn more about the Martha Cooper Library at Urban Nation Museum Berlin and to continue reading the review, click HERE to go to the Urban Nation website.
A great project has just emerged from the collaboration between Urban Nation Museum and the dynamic Berlin-based street art duo Various and Gould. This new addition to the ONE WALL series has been expertly curated by Michelle C. Houston, with valuable production support from YAP. The project bears the name ‘We all belong to this community’ (Wir alle hier gehören zum Wir). At a time when xenophobia has been on the rise in many Western societies, public art has taken on a crucial role in educating and reconnecting people and communities.
What makes this project in the Berlin-Spandau district truly captivating is its engagement with local kids at a youth center through an inspiring art workshop. During this workshop, the artists introduced their mural concept and collaborated with the young participants to create captivating collages and individual portrait photos. The mural is an eclectic collage sketch that beautifully incorporates elements from the participants’ faces, effectively symbolizing a collective identity for the neighborhood.
The artists behind this remarkable piece tell us, ‘Our mural is based on a collage from our ongoing Face Time series, which we initiated back in 2015 to celebrate human diversity and question conventional beauty standards.’ Throughout the mural’s creation, the artists meticulously inscribed numerous first names on the wall, including those of workshop participants and other individuals they encountered in the neighborhood. Remarkably, the project seemed to tap into the live pulse of community sentiment as kids and adults gathered on the sidewalk below, joyfully shouting out their names to be included in the mural. A local legend named Moha even stepped in to lend a helping hand by sending lists of names up to the artists’ phones.
As Various notes, ‘When you paint a mural, it’s an exhilarating journey where every day and hour counts, and you must transform your sketch into a grand-scale masterpiece.’ It’s a process that demands intense concentration, all while under the watchful eyes of local residents. Gould adds, ‘Our playful approach might make it seem effortless, but each step of the way is filled with intensity.’ This is evident in instances such as when they found themselves stuck in a lift – and during the tumultuous, rainy hours when painting was challenging.
In essence, this mural project not only showcases the remarkable creative talents of the artists but also underscores the significance of community and diversity in the face of pressing societal issues like racism and exclusion. Their manner and message both serve as powerful reminders of the need for every member of society to feel valued and included.
Various and Gould would like to express their gratitude and extend a heartfelt shout-out to Luis Limberg for his daily production assistance and offer many thanks to their fellow artist friend, Tavar Zawacki, who joined them for a day on the cherry picker, contributing to the project’s success. Our special thanks to Sebastian Kläbsch, Luis Limberg, and @MOHA for sharing their photographs with BSA readers.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
