All posts tagged: SC Szyman

BSA Film Friday: 10.05.18

BSA Film Friday: 10.05.18

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. “Wasteland Wanderers” by MZM Projects in Two Parts
2. Medianeras Murales for Contorno Urbano and  12 + 1 Project
3. Pixel Pancho X Punto Urbano Art Musuem by Owley

bsa-film-friday-special-feature

BSA Special Feature: “Wasteland Wanderers” by MZM Projects 

This week we feature a couple of new film pieces from the Ukraine based duo of Kristina Borhes and Nazar Tymoschuk which fairly present an insightful treatise on a particular flavor of Post-Graffiti. Think of it as a two volume textbook and your professors will guide you through the darkness into the light.

A Dilogy.

“The place tells you what to do,” is a poetic and truthful phrase uttered in “Night” on the relationship a vandal has to an abandoned factory, school, home, medical facility; it is spacial and alchemical.

It is also personal, says the female narrator. “The presence of their absence,” is something that every Wasteland Wanderer will be familiar with, the knowledge and feeling that others have been there before you. The work is undeniably affected, even created in response.

“The main aim of ‘Wasteland Wanderer/Night’ is to introduce the specific approach used by a particular post-graffiti community; their sentiment regarding abandoned architecture; precise work with the natural environment and consideration of architectural surroundings,” say the directors. Of the 20 artists who participated in the Black Circle Festival held in this abandoned Soviet health resort in Western Ukraine, you can see how the space is a frame and context, if not a lifeblood for many.

Part two is ‘Wasteland Wanderer/Day’, unnarrated by words but accompanied by sound, including the indistinct chatter and whispers that remain in your mind as the noise from your previous location quiets inside your head.

“Just like in real life, the voices of artists are transformed into lines and shapes on the remaining walls of wasteland. Before they left, people made their marks here. Artists in turn just attempted to re-think those marks, therefore this journey is full of recomposed stories and silent narrations.”

The range of styles is appreciable yet the palette is subdued and stark – recalling the desaturated “Homo Sapiens” documentary by Nikolaus Geyrhalter that the directors say inspired the presentation. The voices are many; clear, filtered, transitory, distinct, cryptic, diagrammatic, organic, gestural, bloated, wrapped, stripped, implied.

“Echoes, whispers, shadows, lines.”

WASTELAND WANDERERS / NIGHT

WASTELANDWANDERES / DAY

Wasteland Wanderers dilogy artists: Akey, Am-Am, Anton Varga, BGJA, CXCVIII, Don Forty, Eas, Fruits of the Lump, Kuba, Maniac, Mihail Melnichenko, Nazar Sladkovsky, Nick Viska, No Future, O.K., Orma, Raspazjan Jan, Seikon, Sewer, Serhii Radkevich (aka Teck), Serhii Torbinov (aka York), Simek, Stanislav Turina, SC Szyman, Tabu, Vave.

 

Medianeras Murales / Contorno Urbano Foundation /  12 + 1 Project

The striped MEDIANERAS gazes upon the humble sneaker as it lounges across this checkerboard floor in Barcelona. Lo-fi. Hi-Cool.

 

Pixel Pancho X Punto Urbano Art Musuem. Salem, MA By Owley

Decisive, imaginative and boldly street-debonaire in his newest project for the Punto Urbano Art Museum, Pixel Pancho still appears to have a geranium in the cranium. Enjoy the interlude by Owley.

 

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“Monument-Of-Many” Installation at Monumenta Leipzig

“Monument-Of-Many” Installation at Monumenta Leipzig


An unusual exhibition that combines works from the established to the newcomer, Monumenta was mounted by a team of about 25 people in only five weeks inside this cavernous former metalworks factory in Leipzig, Germany and now on display through mid-October for the public. A grandly soaring gesture that welcomes visitors to an austere modern re-use of the cavernous industrial hall, the space is now referred to as ‘the church’.

Flanking its grand red staircase are 100 monuments hanging on swings, a literal interpretation of the thematic “Intelligence of Many” called “Monument-of-Many”. We asked Antoine Te, who organized the monuments portion of the exhibition, to speak to BSA readers about his experience with the show, specifically what his observations have been of how people interact with the works in this unique space.

– Antoine Te –

The Monument-of-Many is a beautiful installation that consists of one hundred aerated concrete blocks that are transformed by 100 artists in the fields of visual, street and urban art to create their vision of a future city: an alternative urban space for a iconic installation.

The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

I love watching visitors’ facial expressions when entering the hall…. their eyes widen and the eyebrow rises. Then you see the head tilt slightly back to they begin looking up, with Victor Fresco’s Angry Man sculpture staring back down. It is a grand space but each concrete artwork has an intimate feeling as it appears to levitate in front of and around you, giving you room to contemplate or confess which artwork you may like or dislike, or to simply experience the old factory in a new context.

The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

This creates an interesting atmosphere in which to observe and speak to the visitors – which has been an amazing part of the exhibition. Even though all artists shared the same starting point not all have treated their monument equally. For example the artist Bea Puschkarski’s monument titled ‘reflexion’ and she covers her block with reflective mirrors, making it a piece that is frequently used for selfies.

As the hundredfold monuments quietly sway on red platforms beside the angry man,  I also noticed that visitors tend to whisper as they walk around the hall, adding to the calm environment. Some visitors choose to photograph the original Pittlerwerke machinery, the halls, the oiled rope or the yellow crane hook. However my favorite is when I hear visitors hum ‘I’m still, I’m still Jenny from the block’ when they see the Jennifer Lopez lyrics.

Christoph Voy. Jenny” The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

Ultimately the Monument-of-Many installation symbolizes a sentiment that great ideas and beauty can arise from the intelligence of many.

Antoine Te. Naturity” The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

SC Szyman. Sz Cube” The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

Teresa Braunschweig. Utopie keimt im Kopf” The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

Marshal Arts. Grave New World” The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

Hemma & Silvan. “Log-In” The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

Gomez. Ego” The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

Dino Richter. Utopia” The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

Maximilian Zeitler. 3 Turning Icons” The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

Naok Write. Material Time” The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

Alina Debski. Seeing yourself” The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

Irwin Suimuri. Neue Karni Mata” The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

The Monument-of-Many. Monumenta Leipzig 2018. Leipzig, Germany. September 2018. (photo © Jaime Rojo)

 

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