All posts tagged: San Francisco

Fifty24SF Gallery Presents: Pez and Joshua Blank “You Can’t Win” (San Francisco, CA)

Fifty24SF Gallery

"You Can't Win" Image Courtsy of the Gallery

"You Can't Win" Image Courtsy of the Gallery

For Immediate Release
July 26th, 2010

FIFTY24SF GALLERY PRESENTS:
“You Can’t Win”
by PEZ AND JOSHUA BLANK

FIFTY24SF Gallery present’s “You Can’t Win” by PEZ and Joshua Blank, featuring collaborative works and zines by both artists. The title of the show, “You Can’t Win,” has roots in the year 2001 when PEZ and Joshua lived in San Francisco and collaborated on a zine by the same name. Both owned very little more than their bicycles and cameras and would set off on adventures with marginal characters in hopes of making and finding the inspiration for art; and the zine itself became a part of this adventure. Documenting tragic, erotic and peculiar situations, this culminated in the “You Can’t Win” zine. In 2004, Joshua moved to New York City to pursue fashion photography, and the zine lost momentum. After individually refining their talents and pursuing photography zines on their own, PEZ and Joshua’s reconvened in San Francisco last year, and this show marks the revival.

Although the work that PEZ and Joshua were accomplishing during 2001 went largely un-noticed, in retrospect the immediacy and relevancy of what they were doing is easily evident. Their work, unbeknownst to them, played an integral part in the larger graffiti movement of the past 25 years and has been recognized by the bigger players in the movement for its honesty and innovativeness; Shepard Fairey has even remarked that “Pez, a bike messenger, has crushed every city he’s live in…” Rediscovering these pioneering artists and bringing them to the public’s attention through these new works is what makes You Can’t Win one of the more exciting exhibitions at FIFTY24SF Gallery this year. The show runs from August 6th – August 25th with an opening reception occurring on Friday, August 6th at 7:30PM.

“We were and are both very depressed individuals and do not really view ourselves as really fitting into any group, but as persons who kind of sit on the cusp of several. More as loners than anything else.”
-PEZ and Joshua Blank

ABOUT THE ARTISTS:
PEZ – In the late 90’s PEZ worked as a bike messeneger in NYC and would frequently use pay phones around Manhattan to contact his dispatcher and quickly became inspired by the DIY advertisements posted in the display windows. Pez began to create his own photocopied ads as an innovative take on graffiti art. He is widely recognized around the world as one of the earliest sticker taggers in the history of graffiti, following in the footsteps of the legendary and infamous graffiti artists, Cost and Revs. He documented his experiences in NYC with his Nikon FM2 35mm camera, and continued to post his stickers and other printed work around NYC. His zine, Kollision, combined NYC graffiti and bike messenger culture, featuring his photographs, found objects and the work of his friends. Today, Pez continues to make stickers and publish photography zines. He has done design work for HUF, Ever Gold Gallery, The Flop Box, and Stay Gold. Pez has exhibited in New York City, San Francisco, Los Angeles, Portland, and Tokyo.

JOSHUA BLANK – During the turn of the century Josh was attending San Francisco Art Institute studying painting and film when he dropped out of school to move to Paris for six months to live in an abandoned building. When he returned to the US he began teaching himself photography and was reunited with Pez who he had met many years before in NYC. In 2004 Joshua moved back to New York City where his focus shifted to youth and street fashion photography. He also worked for Smack Mellon Gallery and began to do art handling for galleries and museums around New York and attended the Photography Program at Parsons the New School for Design where he received his BFA. During this time he continued to draw but kept his work private and would never show it to anyone. In late 2009, he moved back to San Francisco to photograph his friends and embark on new projects that seemed impossible in NYC. He has worked as a photo journalist and news writer in the Bronx and has shot assignments for Time Out New York, Toast Magazine, and has  contributed photos to several issues of Vice. He also worked as a product and party photographer. He has exhibited his work in New York, San Francisco, Los Angeles, Miami, Austin and in Paris.

brooklyn-street-art-pez-joshua-blank-fifty24sf-gallery

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Images of the Week 07.11.10

Brooklyn-Street-Art-IMAGES-OF-THE-WEEK_05-2010

Our weekly interview with the street; this week featuring Aahus, Bortusk Leer, Brett Amory, Chris Stain, Don John, Elle, and Nick Walker

Nick Walker Mariachi Behind Bars (Photo © Jaime Rojo)

Nick Walker Mariachi Behind Bars (Photo © Jaime Rojo)

Brett Amory in San Francisco (Photo © Julianne Yates)

Brett Amory in San Francisco (Photo © Julianne Yates)

Morning Coffee. Street Art. Music. Cigarrettes. (Photo © Jaime Rojo)

Morning Coffee. Street Art. Music. Cigarettes. (Photo © Jaime Rojo)

Bortusk Leer (Photo © Jaime Rojo)

“Me likes ice cream in summertime.” Also you’ll notice that someone has helpfully begun labeling pieces on the street as “Street Art”, which is a valuable service to the artists and the community.  Bortusk Leer (Photo © Jaime Rojo)

On a recent visit to Albany we visited and old historic mill building where Chris Stain had put this stencil a year ago. Still looking great. (Photo © Jaime Rojo)

On a recent visit to Albany we visited an old historic mill building where Chris Stain put up this stencil a year ago. Still looking great. (Photo © Jaime Rojo)

Brett Amory in San Francisco (Photo © Jualianne Yates)

Brett Amory in San Francisco (Photo © Julianne Yates)

Elle (Photo © Jaime Rojo)

Tickled pink by this new pig from Elle (Photo © Jaime Rojo)

A very small stencil of a cupula and sun set. (Photo © Jaime Rojo)

A very small stencil of a cupula and sun set. (Photo © Jaime Rojo)

Don John stencil in Aarhus, Denmark. (Photo © Don John)

A new Don John stencil in Aarhus, Denmark.

Nick Walker playful street doodle. (Photo © Jaime Rojo)

An unusual Nick Walker street doodle. (Photo © Jaime Rojo)

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GAIA in San Francisco – In the private and public gallery

Energetic and dancing animal Gaia has been banging up the tenderloin in San Francisco. If you are in the area be sure to check out his show “The Reinvention of Nature” at Gallery Heist and some of the pieces appearing in the street too with buddies like Blek Le Rat and Hugh Leeman.

"The Architect II" 24" x 24" Color pencil drawing on Lennox paper by Gaia at Gallery Heist in San Francisco (photo courtesy Gallery Heist)
“The Architect II” 24″ x 24″ Color pencil drawing on Lennox paper by Gaia at Gallery Heist in San Francisco (photo courtesy Gallery Heist)

Gaia's rooster on the right along with Hugh Leeman, Eddie, Blek le Rat and DYV. (photo courtesy the artist)

Gaia's rooster on the right along with Hugh Leeman, Eddie, Blek le Rat and DYV. (photo courtesy the artist)

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From Right Coast to Left: The Street Art Players Overlap Sometimes

Somebody just sent us this shot of a favorite wall for Street Artists in San Francisco’s Mission District – and the thing that strikes me is it’s similarity to a big abandoned place in Soho just above Canal in Manhattan. Looks like you can see some of New York’s street artists as easily crossing the Golden Gate as the George Washington.

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Let’s see now, there’s Gaia on the left, Sean Desmond, Hugh Leeman, Shepard Fairey….

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Blek Le Rat, “ABOVE” and “HUSH” at White Walls/Shooting Gallery in SF tonight

Props to Blek Le Rat, who started doing street art in Paris 3 decades ago -and is pointed to as an inspiration by everyone from Banksy and Fairey to a posse of new stencil artists.

Blek spraying one of Le Rat's on the facade of White Walls Gallery (photo ©Mike Cuffe)
Blek spraying one of Le Rat’s on the facade of White Walls Gallery (photo ©Mike Cuffe)

I remember him telling me how hard it was for him to get anyone’s attention when he first came to New York in 1987 with his portfolio. He even sprayed a stencil on the sidewalk in front of Gagosian Gallery – to no discernible result. Gallerists absent-mindedly thumbed through his portfolio pieces and told him there wasn’t much interest in his work. So, hang in there kids, there is room for everybody, if you are persistent.

Blek is opening tonight with HUSH and ABOVE, two more high quality artists with roots in the street art scene, with the addition of starting in graffiti.

Thanks to Mike Cuffe at Warholian for sharing some of his pictures with us.

Hush uses graff and fine art elements - it's all fair game - along with Japanese graphic novels.
Hush uses graff and fine art elements – it’s all fair game – along with Japanese graphic novels.

The artist "Above" is self-referential here, taking his heaven pointing arrows that one typically sees hanging over your head and creating very
The artist “Above” is self-referential here, taking his heaven pointing arrows that one typically sees hanging over your head and creating very highly polished reworkings of national flags.

Everybody bring your camera!  (Blek Le Rat) (photo © Mike Cuffe)
Everybody bring your camera! (Blek Le Rat) (photo © Mike Cuffe)

Visit White Walls Gallery for more information:
Blek le Rat’s website:
ABOVE:

HUSH FLICKR:
http://www.flickr.com/photos/warholian/sets/72157623965436282/
“Passing Through” runs from May 1st – June 5, 2010 at the Shooting Gallery in San Francisco.

Blek le Rat FLICKR:
http://www.flickr.com/photos/warholian/sets/72157623966423988/
“Faces in the Mirror” runs from May 1st – June 5, 2010 at White Walls Gallery in San Francisco

ABOVE FLICKR:
http://www.flickr.com/photos/warholian/sets/72157623841942229/
“Transitions” runs from May 1st – June 5, 2010 at White Walls Gallery in San Francisco

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Video: SF Street Art Fans Talk about Their TWO New Banksy Pieces

Can you imagine that sometimes street art is actually cause for celebration? Yeah, me too. Since the two new pieces by street artist Banksy showed up in San Francisco yesterday, people are flocking to the neighborhoods they appeared in – snapping pictures, posing with them, licking them. The resulting observations are very entertaining in themselves, and even people vaguely aware of the artist’s work weigh in with authority.

The video blogger, artist, and street art fan Michael Cuffe, (founder of Warholian.com) jumped out of his sneakers when his sister Kat called him to say that she thought she just saw a Banksy in her neighborhood of Chinatown and she snapped a picture.

Kat Cuffe poses with Banksy
Kat Cuffe poses with Banksy (photo © Mike Cuffe)

Says Cuffe, “My sister would only be calling in case of an emergency, but I was tired and was going to let it go to voicemail. She didn’t leave me one. Suddenly a text appears that says…’You’re not going to believe this, but I think I just found a Banksy.’ Not to critique my sister too much, but I figured she wouldn’t know a Banksy from a Shepard Fairey so I asked her to take a photo. She did, sent it to me, and I literally jumped out of bed throwing on whatever clothes I could find. I called her back, got the location, and said ‘HOLY SH*T, you found a F***ing Banksy!’ “

That picture was the first posted on the web, as far as we can tell, so Kat gets a prize of some sort.  Since then Michael and his team have been “burning the midnight oil” to get up a small video documentary of the new Banksy pieces that appeared in their beloved San Francisco yesterday.

Sleep deprived Cuffe, who spent 24 hours awake to capture this event and make the video, rhapsodizes about that moment he arrived to the site, “As I walked up to it in the late morning light of San Francisco’s Chinatown, it stood there alone… and it was one of the most beautiful things I’ve ever seen.”

See more pictures on his FLICKR page:

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Telemarketers Mr. Jago and Will Barras

I was a telemarketer for one day when I was eighteen years old. Actually it was half a day. I never came back from lunch.

We were living through a different recession and I had no practical skills and almost zero job experience and no college education.  That’s why I even considered the job – desperation for bar money and phat threads.  All I remember was sitting on a folding metal chair inside an O-configuration of folding banquet tables in a room looking down to the street with my black telephone, my phone number list, my order form, and my script.

We were selling tickets for the Shriner Circus and we were supposed to stress what a great philanthropic organization they were and how the kids were just thrilled. I didn’t know what a Shriner was, and I didn’t care either.  I tentatively dialed people on my list and had a big lump in my throat and my hands were shaking and I would take the slightest hint of rejection personally, like an anvil had come smashing through the ceiling directly onto my head.  So, around the third time someone said “NO”, I was emotionally destroyed and my nerves were numb and scarred for life.  Wimp.  I know.  Things haven’t gotten a whole lot better in the self-confidence area, if you want to know the truth.

Mr. Jago and Will Barrass discuss their original gig. (image courtesy Upper Playground)
Mr. Jago and Will Barrass discuss their original gig. (image courtesy Upper Playground)

I bring this horrible memory freshly to mind because I just learned that Mr. Jago and Will Barras, two artists showing new works at FIFTY24SF Gallery in San Francisco, first met each other when they were both working at telemarketing jobs.  They both seem like they are unscarred, but sometimes these things are not obvious on the surface.

Walrus TV Artist Feature: Mr. Jago & Will Barras Interview from “The Run Up”

Mr Jago, a pioneer of the doodle, is a founding member of Scrawl Collective and a veteran in the street art movement.  Jagos interests in art and design with influences from classic Marvel comics, graffiti and hip-hop culture have help forge his unique freehand style and distinct colour palette.
http://www.mrjago.com/

Will Barras
Living and working London, Will Barras is an artist and illustrator best known for his work with the Scrawl Collective, a collaboration of artist’s centered around Bristol, UK. He has been hailed as one of the artists that best represent the skate and snowboard lifestyle.
http://willbarras.com/

“Darling,We’re Leaving!” features new works on display at FIFTY24SF Gallery from November 5 – November 24, 2009.

Learn more about these guys and the show at Upper Playground

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Dennis McNett “Year of the Wolfbat” Swarming the East Coast

Dennis McNett “Year of the Wolfbat” Swarming the East Coast

Gallery Tour Stops in Philadelphia Friday at Space 1026

Smile and the World Smiles With You (McMutt) (photo Jaime Rojo)

Smile and the World Smiles With You (McMutt) (photo Jaime Rojo)

According to the Chinese Zodiac, the Year of 2009 is the Year of the Ox, which said that I would be winning the lotto around mid-year.  Maybe I should have read the “Year of the Wolfbat” instead.  Dennis McNett seems to be having a rocking good time.

The wild animals that Dennis “McMutt” McNett brings to the streets are ferocious and savage and sometimes byzantine in carved detail.  When you turn the corner and see one of them plastered or, in the case of recent sculpture, pacing behind a chain-link fence, you are excited by it’s raw rage;  a black and white wheatpaste lino print of a snarling snow leopard with jagged pointy incisers ready to rip chunks of flesh.  Rarrrrhhh! McMutt is on a tear!

Here kitty kitty! (photo Helen Christenson)

Here kitty kitty! (photo Helen Michelson)

The “Year of the Wolfbat” tour began in New York in June and has flapped it’s webbed wings across the US, swooping in for exhibitions, artist talks and workshops along the way. The migratory flight of the Wolfbats has included shows at Fecal Face Dot Gallery in San Francisco and Thinkspace Gallery in Los Angeles.

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The swarming mass of wolfbats will next fly to the city of Wolfbrotherly love, Philadelphia Space 1026 in Philadelphia (Thursday Oct. 2) with an installation of print-derived sculpture and mural, accompanied by unique and editioned works both large and small.

Willoughby Windows project

Dennis McNett’s installation Willoughby Windows Project in downtown Brooklyn this summer (photo Helen Michelson)

A longtime head-bashing punk and metal music fan, Dennis is also a professor at Pratt here in Brooklyn, sharing his thousands of hours of experience and mastery of craftsmanship with aspiring artists of the new generation. An artist and street artist, you’ll find his wild animal kingdom wheatpastes in Brooklyn on the facade of KCDC skate shop in Williamsburg, and in the ongoing Willoughby Windows exhibit downtown.

http://www.highsnobiety.com/news/wp-content/uploads/2009/01/vans-dennis-mcnett-pack.jpg

Vans by Dennis McNett

You can also find his designs on sneakers, t-shirts, and skateboards.

Brooklyn Street Art: How many hours does it take to carve one of those giant 4’x8′ linotype blocks?
Dennis McNett: If I have no distractions and lots of coffee it usually goes very quickly once I have my drawing on the block.

 

Thinkspace Gallery in Los Angeles this August (photo Helen Christenson)

Dennis’s show at Thinkspace Gallery in Los Angeles this August. Says owner Andrew Hosner, “Dennis rocked our spot. One of the best installs we’ve had to date.” (photo Helen Michelson)

Brooklyn Street Art: Is it possible to develop Carvel-Tunnel Syndrome?
Dennis McNett: You mean Carvel like the ice cream?….. I’m sure if you scoop too much you could.

snake in the eye

Come quick Hilda! There is something in my eye! (Dennis McNett at Thinkspace) (photo Helen Michelson)

Brooklyn Street Art: There was recently a sighting of a prowling mountain cat in Bushwick. Have you seen this ferocious feline behind a fence?
Dennis McNett: I have seen it but I think it was a snow leopard and just like the illusive and mystical cat it is now nowhere to be found.

 

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So I’m a snow leopard, eh?  Watch me chew a hole through this fence. (photo Helen Michelson)

Brooklyn Street Art: Who are the five best heavy metal artists of all time?
Dennis McNett: Black Sabbath is timeless to me. Gwar is underrated for the amount of creative energy put into their theatrics, longevity, and mastery of the mediums of story telling, costume making, set design, character development, album cover art, comics, metal music, etc… whether you like their aesthetic or not. Slayer!!! Motorhead!!! Death!!! This list may change from day to day…. there are too many.

Gwar At Bamboozle 2009

Gwar getting ready to go to the supermarket (photo Kerosene Photography)

Creative Commons License photo credit: Kerosene Photography
Brooklyn Street Art: Now that we are in the fourth quarter, how has the “Year of the Wolfbat” been?
Dennis McNett: It was awesome to travel around and show work. I met a ton of really amazing people and was able to invoke their wolfbat. The folks at Fecal Face and Thinkspace were really generous and hospitable with their time and space. The Badlands were intense. Good times.

Some not-so-casual fans of Dennis McNett (photo Helen Christenson)

Some not-so-casual fans of Dennis McNett (photo Helen Michelson)

Brooklyn Street Art: You have referred to the Wolfbat as a spirit. Would you say that you are a spiritual man?
Dennis McNett: Wolfbats are spirits… they are kin to the great wolf Fenris who was wrongfully bond by the gods …. I started a sort of mythology of my own by resurrecting Fenris. He was killed during Ragnarok (the battle of the Gods and Giants) by Oden’s son Vitar. I rewrote the ending where his sister Hel resurrects Fenris and raises a new army. Wolfbats wake the sleeping spirit of people who need to be woken. That is their reason for coming into our dimension and world.

 

Odin and Fenris by Dorothy Hardy, published in 1909 in

“Odin and Fenris” by Dorothy Hardy, published in 1909 in Myths of the Norsemen from the Eddas and Sagas.

Brooklyn Street Art: Your creatures are violent and rageful. Should people be afraid of you?
Dennis McNett: Absolutely not. I don’t see my work as violent or rageful. I just see these characters as very alive and expressive in their gesture. I usually choose animals with some mythology behind them or that are mystical, misunderstood, or pack/family oriented.

 

Sunset blved

A Wolfbat on Sunset Boulevard (photo Helen Michelson)

From the 1026 Space gallery:

“You can expect to see a loud psychedelic woodcut landscape covering several walls of the gallery in which nature’s bass has been cranked up to 11. Duck your head walking in and make way for an entire flock of hotheaded Wolfbats swooping overhead, not to mention the supercharged eagles diving out of their path to let them through.”

Dennis in studio working on a new piece to be debuted Thursday

Dennis in studio working on a new piece to be shown Friday.

…as well as new wood carved pieces, relief cut prints, masks, oversize tapestries, leopards with serpent tails, goat heads wrapped in snakes, angry beasts, eagles fighting snakes, bats, and of course, Wolfbats.

 Wolfbat and Goat: detail of new work to be shown at Space 1026

Wolfbat and Goat: detail of new work by Dennis McNett to be shown at Space 1026

Brooklyn-Street-Art-Dennis-McNett-0909-wolfbat-small

“Year of the Wolfbat”
An installation by Dennis McNett

Show dates:  October 2nd –October 31st
Opening Reception: Friday October 2nd 7-10pm
Where: Space 1026, 1026 Arch St. Philadelphia, PA

Space 1026 Website

Dennis McNett Website Howling Print

pasting

Great thanks to BSA special correspondent Helen Michelson for her cheerful disposition and her eagle eye!

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