All posts tagged: San Francisco

Upper Playground and FIFTY24SF Gallery Present: “THE HEAVIEST” – A collection of new work by KMNDZ (San Francisco, CA)

KMNDZ
brooklyn-street-art-KMNDZ-FIFTY24SF- GalleryUpper Playground and FIFTY24SF Gallery are proud to present a collection of works by Los Angeles based artist and graphic designer, KMNDZ. The exhibition will run from April 7th – May 19th with an opening reception being held at 7pm on April 7th.

KMNDZ’s personal artwork has consistently drawn from his own experiences and the honesty of his work his gained as much notoriety as it’s form. For ‘The Heaviest,’ KMNDZ builds upon a quote from Bob Marley, “Every man thinketh his burden is the heaviest.” Taking from this quote a sense of faith and purpose, KMNDZ has constructed the personal works that make up this show. Playing with the mediums of wood and found paper he has constructed a variety of small and medium panel works which have given his artwork a chance to have fun and breath a new life.

brooklyn-street-art-KMNDZ-FIFTY24SF- Gallery-preview

ABOUT KMNDZ:
A successful leader in the graphic design community, this Los Angeles based artist, has worked for some of the world’s premier design agencies and top entertainment companies. With brands like MTV Networks, Universal Pictures, Microsoft, Lexus, Disney, and Activision populating his resume, Johnny has built an impressive portfolio of both artistic and technological accomplishments in the world of graphic design and new-media. However, first and foremost, Johnny is an artist. He attributes his success in commercial design as a direct result of his passion for art. KMDNZ is about both the past and the future. “Anyone who’s ever touched a Mac, knows that the keystroke combination ‘command’ + ’z’ = ‘undo’. After using it day in and day out at work, I started wishing that I had an ‘undo’ action for everyday life. We’ve all done things that we wished we hadn’t, and said things that we would like to take back.” Rodriguez’s personal work is quite different from his commercial endeavors. When he sits down to paint, he puts aside the pressures of mass appeal and commercial accessibility, and instead focuses on creating art for himself. Drawing from his own life, his paintings are filled with memories of family and friends, religious undertones, and iconic elements. A recent piece features a drawing of an audio cassette embedded into a hand grenade. This represents a tough look back at the time when his father left their family to fight a war in Nicaragua, and left only an audio recording to explain his actions. Other paintings depict the biblical stories of Jonah and King David. Yet another deals with a strange coincidence that reminds him of a close relative that recently passed away from cancer. “I’m overwhelmed by the reaction that I’ve received about my art. I paint about the things that have meaning in my life, and it’s amazing to know that it touches others. The messages are simple. Love GOD, Be honest to yourself. Hold yourself accountable for your actions. Never forget. And live your life fully without wishing to hit ‘KMNDZ’.”

The Heaviest will run at FIFTY24SF Gallery from April 7th – May 19th, 2011.

FIFTY24SF Gallery Contact Information:
Gallery Hours: Wednesday-Sunday from 12-6 P.M. and by appointment
Address: 218 Fillmore Street, San Francisco, CA 94117
Contact: Amanda Krampf / Phone: (415) 252-9144 / Email: Amanda@UpperPlayground.com

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Fun Friday 03.18.11

Fun-Friday

BKLN -> LNDN , Skewville is one of the High Rollers Now

If you lucky enough to be in London today, are looking for a good time, and are not afraid of possibly losing a limb go to High Roller Society and experience the art magic of Brooklyn Street Artist SKEWVILLE.

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Click on the link for more details http://www.brooklynstreetart.com/theblog/?p=19318
Also check out this delicious interview with Adam on Vandalog this week.

HIGH ROLLER SOCIETY 
10 Palmers Road 
LONDON E2 0SY

Fresh Stuff from Skewville, Catching Up With Skewville, An Introduction to Skewville, Skewville Shows Us How It’s Done

Vanna, I would like to Buy a Vowel for Ben Eine

Brooklyn-Street-Art-WEB-EINE-SF-ScreenStill-March2011Or maybe just a hyphen. Check out this new mini-vid following the progress of Mr. Eine by a certain Spencer Keeton Cunningham.

LA MOCA “Art In the Streets” Coming

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JR “The Wrinkles in the City 2011″  Photo Courtesy © MOCA

Apparently there is some kind of art show coming up on the west coast in April. Don’t know if you will be doing laundry or shopping for potted plants in the area at the time, but thought we’d let you know just in case you’re interested in this sort of thing.

ARTINTHESTREETS

MCGEE

Barry McGee, Houston Street and the Bowery, New York, 2010, photo by Farzad Owrang courtesy MOCA.

Art in the Streets will showcase installations by 50 of the most dynamic artists from the graffiti and street art community, including Fab 5 Freddy (New York), Lee Quinones (New York), Futura (New York), Margaret Kilgallen (San Francisco), Swoon (New York), Shepard Fairey (Los Angeles), Os Gemeos (Sao Paulo), and JR (Paris). MOCA’s exhibition will emphasize Los Angeles’s role in the evolution of graffiti and street art, with special sections dedicated to cholo graffiti and Dogtown skateboard culture. The exhibition will feature projects by influential local artists such as Craig R. Stecyk III, Chaz Bojorquez, Mister Cartoon, RETNA, SABER, REVOK, and RISK.

More HERE

A special emphasis will be placed on photographers and filmmakers who documented graffiti and street art culture including Martha Cooper, Henry Chalfant, James Prigoff, Steve Grody, Gusmano Cesaretti, Estevan Oriol, Ed Templeton, Larry Clark, Terry Richardson, and Spike Jonze. A comprehensive timeline illustrated with artwork, photography, video, and ephemera will provide further historical context for the exhibition.

Os Gemeos With a Sharp Eye and Steady Hand and Dreamlike Imagination

Monica Canilao; You Light Up My Life

Have you ever found that perfect dinette set thrown away on the sidewalk, except that the veneer has been chipped off because the table was used as a vegetable cutting board, and two of the chairs are missing legs? Ever have a grandiose Aunt who sees the end coming and thinks that you would be the perfect recipient of her mid-century shlock loveseat or crusted poly lampshade? Ever explored a haunted house that is about to fall on you and crush you to death?

Brooklyn-Street-Art-Still-from-Chandelier-by-Monica-Canilao

A look at this chandalier by artist Monica Canilao just makes you happy. She has some ideas about what you might be able to do with those things you involuntarily have to drag home from the street. She and some friends made a cool chandelier that has an audio component when it is rotated.

Check out more of Monica’s work here.

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Fifty24SF and Upper Playground Present: INSA “More” (San Francisco, CA)

“More”
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FIFTY24SF Gallery in Association with Upper Playground presents:
“MORE” – A collection of new work by INSA

SAN FRANCISCO, CA [1.28.11] — Upper Playground and FIFTY24SF Gallery are pleased to announce London-based graffiti, conceptual, and fine artist INSA’s first solo exhibition in San Francisco opening on February 3rd, 2011. The exhibition is appropriately titled, MORE.

Within the new body of work in MORE, INSA explores themes of aspiration and expectation, wants versus needs, and happiness versus success in his most comprehensive study to date. Using exaggerated symbols of sexuality representing the commodification of both everyday life and underground subcultures, INSA examines the illusions of seduction while employing his own iconic brand of aesthetic allure to draw the audience in. INSA’s new work revels in lurid excess, embracing the insatiability of consumerism and highlighting the duplicity of morality and enjoyment.

Followers of the artist will be familiar with some of the themes displayed in MORE. INSA, constantly involved in interesting new projects, recently gained worldwide attention for his piece “Anything Goes When It Comes To (S)hoes,” (more commonly referred to as his “Elephant Dung Heels”) which were exhibited at Tate Britain in London. He has also been a pioneer in the world of graffiti on the Internet with his visually stunning, labor intensive “Gifitti.” This is all in addition to INSA”s continuing insatiable need to cover any surface with his signature “Graffiti Fetish” pattern.

MORE will feature 9 new provocative works, with INSA utilizing media such as sculpture and lights adding to the “glamour” of his work. The exhibition will also feature an exclusive SF edition of INSA’s classic “Heel” print and a selection of photographic prints.

MORE will run at FIFTY24SF Gallery from February 3rd, 2011 – February 28th, 2011.

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FIFTY24SF Gallery Contact Information:
Gallery Hours: Wednesday-Sunday from 12-6 P.M. and by appointment
Address: 218 Fillmore Street, San Francisco, CA 94117
Contact: Amanda Krampf / Phone: (415) 252-9144 / Email: Amanda@UpperPlayground.com

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White Walls Gallery Presents: Eine “Greatest” (San Francisco, CA)

Eine
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Opening Reception: Saturday, March 12, 2011 7-11pm

Exhibition on view through April 2, 2011

San Francisco, CA-White Walls gallery is pleased to present, ‘GREATEST’ a solo exhibition by London-based artist, Ben Flynn a.k.a. EINE. The opening reception for ‘GREATEST’ will be held on Saturday, March 12, 2011 from 7-11 PM. The exhibition will be on view from March 12, to April 2, 2011 and is free and open to the public.

‘GREATEST’ is an art exhibition by the artist, Ben EINE, that will utilize both gallery and public space as a two-tiered platform for the artist’s visual expression. EINE’S work is a large-scale study of the shape and structure of the 26 letters found in the modern English alphabet in varied typefaces, color configurations and word arrangements. In the public spaces of San Francisco, EINE will be painting each letter of the alphabet on various walls around the city. A further ten canvases of his work using spray paint, acrylic, and glitter will be on display at White Walls gallery.

In an effort to engage the community through the creation of public artwork, EINE will be painting the entire alphabet throughout the city of San Francisco over the course of several weeks on walls and shutters. This public execution of street art aims to offer viewers a more participatory role in the observation and evaluation of artistic creation. All members of the community from collectors and appreciators to first-time viewers are invited to partake in the dynamic program of events that surround this ambitious undertaking. White Walls gallery will be producing a schedule of live installations, a continually updated map of works as they appear around the city, a public artist talk, and an evening of film screenings related to EINE’S art.

Rooted in the subcultural practice of graffiti, EINE moved into the more socially acceptable expression of street art in the early 2000s as a way to become a full time artist creating public works that were perceived as more legitimate. However, his fundamental art practice has essentially remained the same–he continues to paint words and letters on walls on the street. Letters either appear alone, on shutter fronts, or as words on walls such as ‘scary’, ‘vandalism’, and ‘monsters’ rendered in bright and amiable colors. In this way he turns negative words into positive ones. The contrast of jovial shapes and colors with dark sentiment is also a tongue-and cheek nod to the artist’s furtive and taboo origins as a graffiti writer.

The street art component of ‘GREATEST’ is complimented by a selection of works to be displayed inside the gallery. These works are part of EINE’s continual exploration of letters and words as his quintessential format for aesthetic inquiry. EINE’s studio process involves a layering of stencils onto the primed and painted canvas. Re-envisioning basic Victorian typographical structure, he begins with vintage hand-printed wood block fonts, reworking and refining them until he is inspired to cut the final stencil. This working methodology marks the continual evolution of the font by the artist’s hand.

In the early 2000s, EINE began a symbiotic collaboration with the street artist, Banksy. The artists worked and exhibited together for several years traveling to Australia, Berlin, Vienna and Denmark where Gallery V1 held the Banksy vs. EINE show in 2003. EINE also collaborated with Banksy on the famous Palestinian Wall project.

In 2010 the Prime Minister David Cameron presented President Barack Obama with a piece of EINE’s work as a gift. This diplomatic exchange between the world powers catapulted EINE’s work into the limelight on both sides of the Atlantic. GREATEST will be EINE’s first show in the US since his work was given to President Obama.

EINE is a London-based artist whose career started over 25 years ago when he tagged anything he could get his hands on. Although EINE’s work was initially illegal, he created a distinct typographical style that has made him one of London’s most ingenious and original street artists. His work has been exhibited in Los Angeles, New York, Toyko and throughout Europe. His painting commissions have also taken him worldwide with trips to Israel, Australia, South Africa and India. EINE was invited to take part in Banksy’s Cans show in London. After EINE worked with Banksy he joined ‘Pictures on Walls’ where he worked as their resident silkscreen artist and produced prints for their artists including Mode 2, and Banksy. He recently exhibited at The Carmichael Gallery of Contemporary Art in Los Angeles.

White Walls Gallery is the premiere West Coast destination for urban art. Combined with the Shooting Gallery just next door, this 4,000 sq ft space is one of the largest art galleries on the West Coast. Justin Giarla founded the gallery in 2005 with a commitment to furthering the urban art movement that stems from street art and graffiti art. Named for its plain white walls, we take a backseat to the real focus: the art.

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White Walls Gallery Presents Dan Witz New Works: What The %&#@? (WTF) (San Francisco, CA)

Dan Witz
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Opening Reception: Saturday, January 08, 2011

Exhibition Dates: January 08 –February 05, 2011

SAN FRANCISCO, CA- October 24, 2010 –White Walls is pleased to present What The %$#@? (WTF), an exhibition by prolific Brooklyn-based artist, Dan Witz. The WTF exhibition will be showcasing the artist’s Dark Doings series, both inside the gallery as well as on the streets of San Francisco. Witz is known for using his mastery of the visual deception of trompe-l’oeil and photorealistic painting techniques to create conceptual visual pranks, producing a definitive and unparalleled street art practice. The artist’s debut San Francisco solo show will be comprised of approximately 30 mixed and digital media works in custom framing hand-created by the artist. The opening reception for What The %$#@? (WTF) will be held at White Walls on January 08, 2011 from 7-11 PM. The exhibit will be on display through February 05, 2011 and is free and open to the public.

Dan Witz’s integrity in expressing beauty through subversion and an enduring interest in realism has sustained the artist a copious 30-year career. Known for his hyper-realistic paintings, Witz challenges himself to keep representational painting relevant in the postmodern era and digital age. This challenge commands that the artist must continually grow and experiment in his art practice which has contributed to him being cited as one of the most progressive and influential painters of our time. Witz’s paintings are meticulous studies of light and it is through these subtleties of light that a sense of spatial dimension takes form. The presence of light becomes more delicate as it illuminates Witz’s subjects of quiet nightscapes and interiors and in stark contrast to his scenes of ominous mosh pits and animal frenzies. The artist’s career as a classical painter has risen while simultaneously championing an original take on street art. His street pieces surpass mere visual messages; rather they are witty puns and conceptual pranks that he integrates into urban environments. A master of the visual deception of trompe-l’oeil, Witz ironically provokes his viewers by placing shockingly unnoticeable art on city walls.

I’m trying to exploit our collective tendency towards sleepwalking by inserting outrageous things right out there in plain view that are also practically invisible. My goal is to make obvious in your face art that 99% of the people who walk by won’t notice. Eventually when they stumble upon one or find out about it I’m hoping they’ll start wondering what else they’ve been missing.

The What The %$#@? (WTF) series is named for the universal reactions it often inspires within the viewer. For this street art project, Witz is installing his Dark Doings pieces on walls beside highway ramps and interchanges–bottleneck locations where traffic backs up and a captive audience develops as cars pass by at low speeds. Dark Doings is made up of digital photo prints with extensive over-painting mounted on plastic and then framed. For each piece that Witz will be showing within the gallery, a corresponding piece will be put up somewhere in the Bay Area. The artworks come in an edition of 6:3 for the street and 3 for other distribution. The street versions are unsigned, but marked with NFFS*. The asterisk indicates (on the back of the piece) *NOT FOR FUCKING SALE.

Dan Witz is an artist living and working in Brooklyn, NY and has been active as both a street and realist artist since the late 1970’s. He received his BFA from Cooper Union (1981) was awarded a National Endowment of the Arts grant (1983) as well as a fellowships from the New York Foundation of the Arts (1992 and 2000). Witz has shown nationally with Jonathan LeVine Gallery, Carmichael Gallery, DFN Gallery and internationally with Stolen Space Gallery and Addict Galley. The artist has been featured in several notable publications such as New York Magazine, Public Art Review, The New York Times, The Daily News, Newsday, The New Yorker, Harpers, and Adbusters. His first book, The Birds of Manhattan was published by Skinny Books in 1983. His second book, In Plain View, as well as a calendar, Hummingbirds, 2011, were released in 2010 by Gingko Press.

About White Walls:
White Walls Gallery is the premiere destination for Urban Contemporary art. Residing next door to its sister galleries, the Shooting Gallery, Gallery Three and 941Geary, this 4,000 sq ft space is one of the largest art galleries on the West Coast. Justin Giarla founded the gallery in 2005 with a commitment to furthering the Urban Art movement that stems from Street Art and Graffiti as well as support both established and emerging artists within the genre.

Opening Reception
Saturday, January 8, 2011 7-11 PM
Show on view until January 1, 2011

Location:
White Walls Gallery
835 Larkin St.
San Francisco, CA 94109

For More Information:
www.whitewallssf.com

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Happy New Year! BSA Highlights of 2010

Year-in-review-2010-header

As we start a new year, we say thank you for the last one.

And Thank You to the artists who shared their 11 Wishes for 2011 with Brooklyn Street Art; Conor Harrington, Eli Cook, Indigo, Gilf, Todd Mazer, Vasco Mucci, Kimberly Brooks, Rusty Rehl, Tip Toe, Samson, and Ludo. You each contributed a very cool gift to the BSA family, and we’re grateful.

We looked over the last year to take in all the great projects we were in and fascinating people we had the pleasure to work with. It was a helluva year, and please take a look at the highlights to get an idea what a rich cultural explosion we are all a part of at this moment.

The new year already has some amazing new opportunities to celebrate Street Art and artists. We are looking forward to meeting you and playing with you and working with you in 2011.

Specter does “Gentrification Series” © Jaime Rojo
NohJ Coley and Gaia © Jaime Rojo
Jef Aerosol’s tribute to Basquiat © Jaime Rojo
***

January

Imminent Disaster © Steven P. Harrington
Fauxreel (photo courtesy the artist)
Chris Stain at Brooklyn Bowl © Jaime Rojo

February

Various & Gould © Jaime Rojo
Anthony Lister on the street © Jaime Rojo
Trusto Corp was lovin it.

March

Martha Cooper, Shepard Fairey © Jaime Rojo
BSA’s Auction for Free Arts NYC
Crotched objects began appearing on the street this year. © Jaime Rojo

April

BSA gets some walls for ROA © Jaime Rojo
Dolk at Brooklynite © Steven P. Harrington
BSA gets Ludo some action “Pretty Malevolence” © Jaime Rojo

May

The Crest Hardware Art Show © Jaime Rojo
NohJ Coley © Jaime Rojo
The Phun Phactory Reboot in Williamsburg © Steven P. Harrington

June

Sarah Palin by Billi Kid
Nick Walker with BSA in Brooklyn © Jaime Rojo
Judith Supine at “Shred” © Jaime Rojo

July

Interview with legend Futura © Jaime Rojo
Os Gemeos and Martha Cooper © Jaime Rojo
Skewville at Electric Windows © Jaime Rojo

August

Specter Spot-Jocks Shepard Fairey © Jaime Rojo
“Bienvenidos” campaign
Faile studio visit © Jaime Rojo

September

BSA participates and sponsors New York’s first “Nuit Blanche” © Jaime Rojo
JC2 © Jaime Rojo
How, Nosm, R. Robots © Jaime Rojo

October

Faile “Bedtime Stories” © Jaime Rojo
Judith Supine © Jaime Rojo
Photo © Roswitha Guillemin courtesy Galerie Itinerrance

November

H. Veng Smith © Jaime Rojo
Sure. Photo courtesy Faust
Kid Zoom © Jaime Rojo

December

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Ernesto Yerena: Art Without Borders

Ernesto Yerena knows about borders. The Mexican-American has been crossing them since he was born on the national border in tiny El Centro, CA. Now the 24 year old is crossing the border from Obey Giant studio assistant to featured artist in his first solo show at White Walls Gallery in San Francisco this Saturday.

brooklyn-street-art-ernesto-yerena-todd-mazer-11-10-3
Photo © Todd Mazer

For the past few months Ernesto has been at work in his garage/studio in Los Angeles preparing. With help of the talented photographer Todd Mazer, we get to see these exclusive images of Ernesto finishing his final piece for the show, “Ganas 20/20”.

For someone with an acute eye and the sensitivity of an artist, growing up in a border town 15 minutes from Mexicali, daily life in such a culturally rich and tumultuous environment can also be a wellspring of inspiration. The mundane, daily crossing over the border after school as a boy to visit with his grandmother and family in Mexicali, gave him insight into the complex lives of families who just happen to be geographically sprouted along an invisible political dotted line. Today that dotted line has razor wire that cuts everyone it touches.

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Photo © Todd Mazer

Ernesto began some cutting of his own when he received a stencil cutting set for his tenth birthday from his grandfather. During time away from his business painting cars and doing auto-body repair, his father encouraged the boys’ painting projects and showed him how to cut stencils. As a youth Ernesto felt motivated and supported by his family to go to art school and sharpen his artistic skills.

As he got older, the geopolitical realities of the harsh cultural and social landscape where he was growing awakened his intellectual curiosity and desire to better understand his social surroundings.

A teen listening to his own bi-national music collection including Public Enemy and Mexican rockers Mana, he got a better handle on the underlying racism and social inequities that plague the American landscape. When his artistic chops got him an opportunity at age 19 to work alongside Shepard Fairey, the street artist known for frequently incorporating social justice and political themes into his work, Ernesto found a stronger voice.

Ernesto’s world of two countries, difficult border life, socially conscious music, a deep interest in history and human rights have prepared him to face, as an artist, the recent fierce issue of immigration in this country and in Arizona in particular. In collaboration with Shepard he produced, at his imprint “Hecho Con Ganas” or HCG,  one of the posters that protesters in Arizona have used as a tool to denounce the racist and demonizing rhetoric coloring the immigration debate as well as SB1070, a bill that codifies racial profiling into law.

This Saturday night Ernesto crosses another invisible border as the White Walls Gallery provides a space for his new work in his first solo show.

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Photo © Todd Mazer

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Photo © Todd Mazer

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Photo © Todd Mazer

brooklyn-street-art-ernesto-yerena-todd-mazer-11-10-9
Photo © Todd Mazer

brooklyn-street-art-ernesto-yerena-todd-mazer-11-10-10
Photo © Todd Mazer

brooklyn-street-art-ernesto-yerena-todd-mazer-11-10-12
Photo © Todd Mazer

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Photo © Todd Mazer

Click on the link below to visit Ernesto’s “imprint” HCG (Hecho Con Ganas)

Hecho Con Ganas

Ernesto’s solo show “Ganas 20/20” Opens this Saturday, November 13 at the White Walls Gallery in San Francisco. The gallery is located at 835 Larking Street. San Francisco, CA. 94109

Thanks again to photographer and videographer Todd Mazer for these images he shot exclusively for Brooklyn Street Art.

To see more of Todd Mazer work click here: http://www.flickr.com/photos/legenddairy/

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Heist Gallery Presents: “Till Death Do Us Apart” One Year Anniversary Group Show (San Francisco, CA)

Heist Gallery

brooklyn-street-art-heist-gallery

TILL DEATH DO US PART

Gallery Heist One Year Anniversary Group Exhibition

GALLERY HEIST / SAN FRANCISCO (USA)

NOVEMBER 13 – NOVEMBER 27, 2010

Opening Reception – Saturday November 13, 2010 7-11PM

Gallery Heist is pleased to announce the opening for its One Year Anniversary

Show, “Till Death Do Us Part” a group exhibition celebrating a year of work

since the gallery’s inception. The opening will be held on Saturday, November

13, 2010 from 7-11pm. The exhibition will be located at the Gallery Heist Annex

at 1036 Hyde Street.

A new venue specific to the anniversary show.

The anniversary show will present the work of emerging and established contemporary figures from the Bay Area, as well as artists hailing from New York, Los Angeles, Paris, and Melbourne.  Along with paintings, photographs, mixed media works, and video, the show will include an installation by Ryan de la Hoz and a performance piece by Adam Rozan (of the Oakland Museum), as well as musical performances by Mark Aubert and TM.

Guest curators Allison and Garrison Buxton, of AdHoc gallery in NYC, will be co-curating and co-hosting the exhibition.

Featured artists include; Brett Amory, Adam Caldwell, Seth Armstrong, Mario Wagner, David Choong Lee, Oliver Vernon, Sean Desmond, Mike Giant, Mike Kershner, Gaia, Adam Flores, Justin Lavato, Ryan De La Hoz, Henry Gunderson, Mario Ayala, Roman Koval, Adam Rozan, Maja Ruznic, Ludo, Doodles, Helen Bayly, Miso, Daryll Peirce, Deborah Yoon, Allison Buxton, Garrison Buxton, Ezra Li Eismont, Shawn Whisenant and Bunnie Reise. These artists have come to represent what is and will continue to be the ethos of Gallery Heist.

The main location of Gallery Heist, at 679 Geary Street will feature an installation that will provide  an opportunity for viewers to observe the obscured process of curating and running an art gallery.

Included in the installation will be various pieces of ephemera from the first stages of opening the gallery through the thought processes behind every show; photos, videos, notes, business cards, correspondence between the curators and artists, writers, editors, and figures within the art community will be displayed.

In conjunction with the exhibition, the artists will have access to several walls around the city to use as their canvases and to promote the show while contributing to the burgeoning local art movements. This process will be documented and displayed during the exhibition.

The exhibition will be on view at 1036 Hyde Street from Saturday November 13 – November 27, 2010. Viewing hours will be Tuesday – Saturday 4-8PM and by appointment. Gallery Heist is located at 679 Geary Street San Francisco, CA 94102.

For further information please visit www.galleryheist.com or contact Julianne Yates. info@galleryheist.com 415.563.1708

ABOUT THE GALLERY

Art is an extension of our culture and communities, serving as a vessel for the visual definition of our times. Art is not a luxury; it is a necessity.

Our mission is to foster innovative artistic expression and provide a sanctuary for the creative process and its importance and role in the redefinition of contemporary culture. Gallery Heist is a place for artists to gain exposure and develop their careers.

We encourage freedom of expression and experimentation within their work and artistic ideas. The walls of Heist will continue to house work that is representative of the contemporary generation, offering a venue for artists who challenge and analyze our social and cultural responsibility, traditions, and behaviors; specifically those who are leading the front of a conscious art movement.

Gallery Heist was opened in November of 2009 by twenty three year old Julianne Yates and has since become a destination for urban & new contemporary art in San Francisco. Located blocks away from the commercial galleries of downtown San Francisco’s Union Square, the gallery lies near the historical Tenderloin, which sees a demographical mix that serves as a microcosm for the whole of San Francisco.

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Fifty24SF Gallery Presents: Erica-il-Cane Solo Show “We Were Living In The Woods” (San Francisco, CA)

Erica-il-Cane

Erica-Il-Cane (Photo courtesy of the gallery)

Erica-il-Cane (Photo courtesy of the gallery)

FIFTY24SF Gallery presents We Were Living in the Woods
New Work by Erica il Cane

FIFTY24SF Gallery, in association with Upper Playground, is pleased to present a solo exhibition by Italian street muralist and fine artist, Erica il Cane, entitled, We Were Living in the Woods. The exhibition will be the second solo show that Erica has held in the United States.

As a major contributor to an increasingly progressive and elaborate street art and mural movement occurring in Europe over the past 5 years, Erica il Cane (translating to “Eric the Dog”) gained international recognition for his anthropomorphic building-sized animal murals throughout Italy and the continent. With fellow contemporaries Blu, Sam3, Escif, and San, Erica’s large-scale murals have been viewed as fine art done within the public’s view. We Were Living in the Woods will feature works on paper and on-site installations.

Born and studied in Bologna, Italy, Erica’s evolution to gallery work has seen depictions of animals in unique, human situations rendered in Victorian-like style illustrations, etchings, and short animated films. The art is often described as imagery from a dark fairy tale, in which animals are shown within the darkness of human nature, focusing on themes of alienation, satire, existentialism. Both gallery and mural work has also been hailed as influential works advocating vegetarianism and animal rights.

Erica il Cane has shown throughout Europe, including Lazarides Gallery, Banksy’s Santa’s Ghetto, the Fame Festival, and gallery shows in Milan, Rome, London, and Barcelona. He has also shown in Los Angeles and Chicago. 

 “We Were Living in the Woods” will run from November 11th – December 30th, with an opening reception on Thursday, November 11th, from 7:30PM – 10:00PM.

Relevant Links:
FIFTY24SF Gallery: http://www.fifty24sf.com/
Erica Il Cane: http://www.ericailcane.org

brooklyn-street-art-erica-il-cane-flier-fifty24sf-gallery

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Mr. Hush NYC Solo Show “Found” At The Angel Orensanz Foundation (Manhattan, NY)

HUSH

Image Courtesy of the Artist

Image Courtesy of the Artist

HUSH’ Solo Show NYC “Found”

Reception: Friday Nov. 19 7 pm 10 pm

Gallery open Nov 20 and 21 from 12 pm to 5 pm

Presented by White Walls San Francisco

Angel Orensanz Foundation For Contemporary Art

172 Norfolk St. New York, NY 10002

For guests list please email:

info@argotandochre.com

Hush’s work has been described as a sensory assault of shape, color, and character. Inspired by the portrayal of the female form in art, the artist builds up and tears down layers of paint and images as he works, “letting the canvas and marks take their own path.” The result is an enigmatic synthesis of anime, pop-infused imagery and graffiti that exposes the conflict between power and decay, innocence and sexuality, and the fusion of Eastern and Western culture. Hush continues to evolve his style with this latest batch of pieces, which merges his early anime and pop-art influenced graffiti technique with an exploration of Romanesque iconographic imagery. The new works are bigger, deeper and richer than anything he has produced to date. About the Artist: Hush is stimulated, influenced and driven by his cross cultural experiences. Having originally trained as a graphic designer and illustrator at Newcastle School of Art and Design, his work has taken him across Asia and Europe, whilst simultaneously developing his prominence as a contemporary artist. Hush now resides in the UK painting in his studio daily. EMAIL: mail@studio-hush.com

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