All posts tagged: San Francisco

Zio Ziegler: Primitive, Bizaare, Theatrically Punchy in San Francisco

May 10, 2014 Artists

Californian artist Zio Ziegler has a number of murals throughout San Francisco and Los Angeles – anthropomorphic figures and animals full of pattern, caught mid-action and almost exclusively in black and white. Primitive, bizaare, and theatrically punchy, the illustrative work by this RISD grad has been translated across all sorts of surfaces like hats, sweatshirts, tee-shirts, sneakers, corporate offices and luxury cars over the last decade, and his fine art work is landing in many collections. Currently enjoying his first European solo exhibit at Antonio Colombo Arte Contemporanea Via Solferino in Milan, he is still doing big murals back home like this new one in the Hayes Valley district of San Francisco.

Thanks to Gareth Gooch, who organized this wall for Ziegler and who shares with BSA readers his photos of the installation.

brooklyn-street-art-Zio-Ziegler-Gareth-Gooch-San-Francisco-web-1

Zio Ziegler. (photo © Gareth Gooch Photography)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Brock Brake Photographs at Shooting Gallery Tonight in San Francisco

March 15, 2014 Artists

In the tradition of modern street photography, Brock Brake is finding places for you to get access to. Sometimes these are physical locations, like under a cavernous underpass and skateboarder hangout at the moment when a police officer is looking at you. Other places are more luminous and ethereal – a singular plane overhead framed by high rise angles flat against the sky. No matter the place he takes you, there is a certain emotional power and a singularity of the experience as you travel in the urban landscape.

Brock Brake “Roger’s Hand” (photo © Brock Brake)

Featured tonight as one of the new artists who have been in the White Walls / Shooting Gallery ecosystem, it is good to see a talent developing and getting recognition among his peers. Brock has contributed his photos focusing on others work in the streets here on BSA a number of times, so it is a pleasure to see these shots that highlight his unique perspective.

If you are in San Francisco tonight, check out his photos at this very strong group show celebrating the 11th anniversary of the Shooting Gallery that surveys the contemporary and street influenced artists who have made this spot hot for more than a decade.

Brock Brake “Jesse and Cop” (photo © Brock Brake)

Brock Brake “Roger” (photo © Brock Brake)

Brock Brake “Night Plane” (photo © Brock Brake)

Brock Brake “Fog” (photo © Brock Brake)

Shooting Gallery’s 11 year anniversary show An Even Eleven opens today in San Francisco, CA. Click HERE for more details on this show.

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“Major Minority” ; The Great Gathering of a Tribe

March 13, 2014 Artists, Interview

Poesia and EKG Talk to BSA about an Audacious Survey

A new show organized by Poesia, a San Francisco based graffiti artist and founder of the site Graffuturism, pulls together one hundred or so artists from eighteen countries with the goal of mapping one constellation in the cosmos – a global survey of urban artists that hopes to articulate a body of aesthetics he’s calling Othercontemporary. And why not? Audacity and vision are qualities these times call for and if successful could lead to a clearer understanding of the trends, techniques, practices, and narratives underlying what has been happening on the streets for the last half century.

Kwest (photo © Brock Brake)

With New York artist/historian/semiotic explorer EKG as a guide, the two have been synthesizing their findings and discovering the genuine firing of synapses that indicate they are uncovering the electrical impulses that have made graffiti / street art/ urban art feel so completely relevant to the last two generations. A “Major Minority” hopes to chart the course for the third.

Mags (photo © Brock Brake)

Poesia invites you here to take a look at some of the pieces that will be on display, as shot by Brock Brake. Brooklyn Street Art asked Poesia and EKG about the survey and to make some conjecture about the way forward.

Brooklyn Street Art: Each generation and movement is defined and labeled by its participants, peers, and observers. In your treatise on this moment and this collection of artists you say that Stefano Antonelli coined the term Othercontemporary to perhaps set it apart from Contemporary. Why does this term sound appropriate to you?
Poesia: I had initially used the term Neo-Contemporary. After a brief discussion amongst some peers Stefano mentioned this term – it seemed the most accurate out of the terms being discussed. I feel it’s important because it starts a conversation about something other than contemporary art, and describes rather bluntly our separation from contemporary art, yet defines the contemporary nature of our art form. I have grown tired of comparing what we do to contemporary art, maybe this term will get people talking about something more present.

Slicer (photo © Brock Brake)

Brooklyn Street Art: Take a guess and swing the bat wide, why has the established art world taken so long to give recognition to the urban artist?
Poesia: Canonization usually takes place long after the genuine moments of art movements, or when they are at their peak. Its no different even in today’s Internet era, even with all the information at their fingertips academics won’t ever understand why a 12 year old child and a 50 year old adult writes on walls. Its easier to make use of their MFAs by extending the reach of the contemporary art conversation than it is to look at society and to try to understand the writing on the walls.

Hellbent (photo © Hellbent)

Brooklyn Street Art: Has something happened in the last 5-10 years that has caused so many urban/street/graffiti artists to make more geometric and abstract work that usually avoids the organic, figurative, and pop? Any idea what is driving it?
Poesia: It’s a culmination – one of those things where maybe all the right ingredients are there and it happens.

Graffiti, being an abstract art form in its nature, lends itself to pure abstraction. Experimentation with the letterform usually takes place more with color and shape than it does conceptually or from a representational perspective. Additionally with the birth of Street Art it opened up the playing field a bit. Artists now were forced to compete visually with representational imagery on walls. It has allowed many artists to leave letterform and the rectangular space of a piece or even “wild style”. The horizontal rectangle was replaced with the square or vertical rectangle – that also pushed for the evolution of the artist.

Silvio Magaglio (photo © Brock Brake)

Brooklyn Street Art: What will a viewer begin to realize when looking over the constellation of works in this show?
Poesia: That painting is alive, and urban art seems to be the most relevant embodiment of this. This post-historical art form seems to be sending a message that there is something left in the visual image and its power. The goal was to show the widest spectrum possible from figurative to minimal in the area of Urban Art and I think we accomplished that.

Silvio Magaglio (photo © Brock Brake)

Brooklyn Street Art: Can you speak about the “unique participatory and non-exclusionary nature” of urban/street/graffiti art practices?
EKG: Graffiti/Street Art (here defined as the public surfaces they affix themselves to, the container superseding the content, the medium as the message) is a broadcast channel that will not exclude anyone who wants to participate. Anybody with a passion to be seen and heard can broadcast on the graffiti/street art wavelength, as long as they are driven to take the risk of breaking the law in order to make their aesthetic statement.

When someone illegally transmits a signal on a public surface, aka a wall or monitor, there is no editorial hierarchy, no censorship board, no review panel, and no proofreaders. It is an individualistic and anarchistic means of expression. In order to transmit your mark, you don’t have to pay anyone, you don’t have to ask for permission, you don’t have to take a vote, you don’t have to take into account anyone else’s approval or opinion about your message.

At heart, graffiti/street art are visual civil disobedience, no matter the initial conscious intention of the mark maker, although a combination of action and intention can make the mark more meaningful to the receiver once they learn more about the broadcaster.

Vsod (photo © Brock Brake)

Brooklyn Street Art: “Illegal” and “transgressive” are two root words that reappear in your discussion of the collection. Did this movement germinate from anti-establishment sentiments, marginalized populations?
EKG: Doing anything illegal can be considered transgressive, but, more specifically for this discussion, illegal aesthetic manifestations are a minor infrastructural irritant that accrue a massive semiotic tumescence of cultural weight.

Currently incarcerated under the simplistic and myopic legal category defined as vandalism, aka criminal mischief, illegal aesthetic manifestations should instead be interpreted as more of a cultural statement than actually being a debilitating crime that selfishly and meaninglessly attacks a particular individual or society as a whole, as has been promoted by institutional authorities protecting the status quo.

The Original Writers discovered that Graffiti was a powerful means to: express rebellious dissatisfaction on political, economic, societal and cultural levels; define one’s identity as a powerful entity that was omnipresent, by proxy omniscient; delineate physical and semiotic territories that were theirs as opposed to their foes or society at large; connect with other members of their age group to form alternative communities of like-minds; and gain recognition with their peers and the public overall.

Like the seers who were channeling the oracles of our time, the old school original writers instinctually discovered an art form that continues to engage and challenge our global culture. Fifty years later the movement is still kept alive inside and outside by practitioners of all ages, styles, and intentions. Graffiti is no longer perceived as merely vandalism perpetrated by megalomaniac antisocial teens, but a positive and powerful cultural change agent practiced by conscious objectors of all ages.

Drew Young (photo © Brock Brake)

Brooklyn Street Art: Specifics please: please place an artists name next to each of the following word whose work comes to mind.

Poesia: Okay, here are examples.

Activist: Boniface Mwangi
Idealist: Moneyless
Geometric: Nawer
Minimal: Christopher Derek Bruno
Expressionist: Jaybo Monk

Askew (photo © Brock Brake)

Brooklyn Street Art: Sometimes it appears that the street is providing the stage for an explosion/implosion of all other historical art movements coalescing and deconstructing and recombining and mutating before us. Perhaps it’s because the street is reflecting society and we are all drinking from the Internet River. Maybe we’re witnessing a true globalism. You can say the movement on the street has roots in graffiti, and we would agree. But is it even possible to make sense of what is happening right now?
Poesia: I can only be a participant in this moment and hope to engage the conversation in real time versus when it won’t matter anymore. I think Urban Art is one of many emerging art forms that have been bubbling on the surface for a while now. As the generation shift takes place we will be accepted at the moment when we are irrelevant, as so many art forms before us. This makes today more important than tomorrow. I don’t know if I have the capability to make sense of it all, but I appreciate every second of it.

Bezt Etam (photo © Brock Brake)

Vincent Abadie Hafez Zepha (photo © Brock Brake)

Thiago Toes (photo © Brock Brake)

Sat One (photo © Brock Brake)

Katre (photo © Brock Brake)

Sowat (photo © Brock Brake)

Gilbert1 (photo © Brock Brake)

Dem189 (photo © Brock Brake)

Bom.k (photo © Brock Brake)

Borondo (photo © Brock Brake)

“A Major Minority” opens this Friday, March 14 at 1AM Gallery in San Francisco, CA.

Click HERE for more details on this show.

The Full Essay “A Major Minority” Group Exhibition by Poesia and EKG can be found HERE.

The interview answers from EKG were edited for length – please see his full responses on his Facebook page HERE.

We would like to thank Brock Brake for his excellent photos of the art and to Poesia and EKG for their thoughtful and insightful answers to our questions.

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13 for 2013 : James Prigoff “Complexity of Apex in San Francisco”

December 30, 2013 Artists

Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and commemorate the year as we finish it is to bring you 13 FROM 2013 – Just one favorite image from a Street Art or graffiti photographer that brings a story, a remembrance, an insight or a bit of inspiration to the person who took it. For the last 13 days they will share a gem with all of us as we collectively say goodbye and thank you to ’13.

Few people can claim to have the actual historical knowledge of the modern day graffiti age that James Prigoff does. To put it another way, he wrote to us a few months ago to tell us about a celebration he attended this year celebrating the 40th anniversary of Hip-Hop, a cultural movement that began when Jim was 46.

An internationally respected photographer, artist, author, and lecturer on the subject of worldwide urban murals, his seminal 1987 book “Spraycan Art” with co-author Henry Chalfant is considered one of the the earliest published books on aerosol art, graffiti practices and street culture.

Asking Mr. Prigoff to chose just one image is like asking Paul McCartney to pick one song – the volume and depth of knowledge is hard to condense for today’s age of short-attention spans. But he’s a champ and this one is his choice for 2013.

Apexer. San Francisco, CA 2013 (photo © James Prigoff)

A complexity of styles in an Historic SF Location

~ James Prigoff

From a historical point of view, we must remember that modern day Graffiti started with the most rudimentary tags. Few, if any, of the writers had any sense of calligraphy. As more and more youth began to participate in street writing, style began to enter their thinking. Among the very early style masters, Daim from Germany and Ernie from Brooklyn began creating complex 3-D styles that made their hand writings as distinguishable as Impressionist artists like Monet and Matisse. 3-D styles have been adopted by many writers worldwide, but Apex has taken the creation to a new level of sophistication combined with an exceptional sense of color.

Also significant is the location of the painting, on the back of a large building, that is part of the Stephenson parking lots in San Francisco. This was the home of Psycho City for over ten years, before it was buffed and had been named for a great Dug One piece. Psycho City was a west coast “Hall of Fame” where writers would come from countries all over the world. It was also a non-permission venue. As times have changed, the two large pieces that are there now are part of a permission renaissance to upgrade the area through the use of Graffiti (Urban) Art … a la Wynwood in Miami and others.

Psycho City is a place of a thousand memories; The Zulu Nation event where the visiting policeman found his car completely tagged on returning to it, the celebration of “OAKLAND DREAM” one of the legendary names in west coast graff, Brett Cook’s “Dizney’s” political pieces, Nate and Omen’s (MPC) blockbuster walls, HEX (LA) and Omega’s piece that didn’t last eight hours before someone buffed it, ad infinitem.

I chose this photo because it is a fine example of the evolution from a very simple art form that has developed in many different ways to become a complexity of styles.

ARTIST: Ricardo Richey (Apex – Apexer) 2013

LOCATION: STEPHENSON PARKING LOT – COLUSA AT COLSON. – SAN FRANCISCO

#13from2013

Check out our Brooklyn Street Art 2013 Images of the Year by Jaime Rojo here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Word To Mother in the Tenderloin in San Francisco

November 25, 2013 Artists

In San Francisco for his solo gallery show that is running until December 7, the Street Artist/graffiti artist/fine artist named Word To Mother had some time to hit a truck or two and a roll down gate in the Tenderloin.

Word To Mother. San Francisco, CA. (photo © Brock Brake)

Photographer Brock Brake caught him catching a tag on a truck that collects cardboard even as he was giving the White Walls gallery truck some old-school inspired lettering. He’s been quoted as saying he was first impressed with SF’s graffiti scene when he visited with his family as a near-teen in 1996 – and work by Twist, Amaze, and Reminisce captured his imagination then even though he hadn’t had much exposure to graffiti previously.

Raised in a town along the sea in England and currently hailing from London, WTM has a soft spot for those memories of that trip and you’ll see that the brightly colored nostalgia is back in his show California Coming Home now on view.

Thanks to Brock for sharing this personal collection of shots with BSA readers as we see how the art-school trained illustrator seized a sunny day and a box full of cans to play a little.

Word To Mother. San Francisco, CA. (photo © Brock Brake)

Brock Brake is a photographer in San Francisco and a regular contributor to BSA. Recently he and his partner created an independent educational platform, ArtlyFesf, to foster the love of art to youths in the bay area.

“Our priority is to engage imagination and curiosity in young minds while teaching and building the confidence and skills necessary to bring creative ideas into realization. We help young artists discover new materials and techniques so that they can express their ideas with freedom,” says Brake.

Please visit ArtLyesf web site to learn more about this project.

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“Don’t Look At Me” Herakut Tonight In San Francisco

November 9, 2013 Artists

Hey, don’t look at me. I have no idea where the game console is. I have no idea how the cookie jar got empty so fast. I have no idea how those muddy footprints across the carpet got there. Don’t look at me.

But you can look at this! German street art/fine art duo Herakut have a new show opening tonight in San Francisco and you get an exclusive look at the preparations. A tenuous and lyrical study in duality, the two work with each other in the moment to create most of their work, a photorealistic and gestural dance that parries and plunges with darkness and humor and poetry.

“Don’t Look At Me” features one of the largest canvasses they have done so far, measuring 6’ by 10’, and it will be suspended from the ceiling and providing a powerful focal point for the Shooting Gallery.

Special thanks to photographer Derek Macario for sharing these exclusive images with BSA readers.

Herakut. Process Shot. (photo © Derek Macario for Shooting Gallery)

“Don’t Look At Me” Opens tonight at the Shooting Gallery in San Francisco, CA. Click HERE for more details.

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Steel Gives Firepower to NEKST and Lango Sees Red in San Francisco

October 22, 2013 Artists

Here’s a quick shot from Hemlock Alley in San Francisco as Steel pays an explosive tribute to Nekst and the talented tattooist Lango lets the crimson power flow like a system of veins waving like flames across the wall. The collaboration brings to life a street that looks like it otherwise may be losing some of it’s energy.

Thanks to Brock Brake for sharing these images with BSA readers. Extra points for the red water hose lying on the sidewalk that gives Lango a third dimension.

Steel and Lango. Detail. San Francisco, CA. (photo © Brock Brake)

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Meggs “Beauty In Tragedy” in the Tenderloin in San Francisco

October 17, 2013 Artists

Meggs was in San Francisco last month bringing his inner demons to a rolldown gait in the Haight – okay – actually it’s the Tenderloin but that didn’t rhyme.

The Australian Street Artist favors forms of duality, questioning our true nature, and sometimes arriving at a riotous indictment of it through a splashing fantasy superhero treatment in blood, sweat and myth. Saying that this one entitled “Beauty in Tragedy” is for his TL familia, Meggs lines are a bit more distinct and defined as if influenced by West Coast tattoo culture; he even chooses a few iconic motifs which are inked across thousands of bodies across this great land – the skull and the rose.

Our special thanks to Brock Brake for sharing these images of Meggs at work with la BSA familia.

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On the Shoulders of a Wizard : Os Gemeos and Mark Bode In SF

October 15, 2013 Artists

We continue our San Francisco street diaries with BSA contributing photographer Brock Brake and a mural from Os Gemeos and Mark Bodé, who together include a glorious technicolor tribute to Cheech Wizard and the illustration work of Mark’s dad Vaughn. First off a multi-colored hoodie popping through the trees with a can and “with a JADE throwie on his hat”, says Brake. Not shown are his Nekst belt buckle and a TIE button.

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Augustine Kofie “Circulations” Wall In San Francisco

October 7, 2013 Artists

Clearly operating on a different plane, graffiti writer and Street Artist Augustine Kofie continues to steadily evolve his studio practice even while hitting the occasional wall. One of the artists we featured in our Geometricks program last year, the draftsman has since been featured in his first non-US solo show in the spring at the new Open Space gallery in Paris and he just ended his most recent solo show at White Walls gallery in San Francisco.

While there preparing for “Structurally Sound”, Augustine mixed up some custom buckets of paint to realize a new mural in the Tenderloin District. Ever a conservationist, he incorporated the original Patek-Ecklon signage from the 1940s into an abstract composition, which along with his unerring palette and sharp eye, updated the landmark into his signature retro-futurist vision.

Our special thanks to photographer and BSA collaborator* Brock Brake for sharing these images with readers of Kofie installing the new wall.*

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Images Of The Week: 10.06.13

October 6, 2013 Artists

New York was rattled by uncertainty and worry this week as all eyes turned to Washington to witness the forced governmental shutdown that was prompted by a undeniably deep resentment toward the governed. How dare the people try to protect their health and pocketbook against the vulturish free market – one that has left tens of millions of our neighbors without medical care? As a collective punishment we are now nervously marking one week without a working government.

Launched parallel with the shutdown was the startup of a new Street Art/digital campaign by a global patron saint of the 2000s repositioning on New York streets in the 2010s. Through a website about his own secret/public spraying, Banksy is creating a sort of funhouse reinvention; A winking campaign of digital manipulation of friends and detractors alike. Circumspect humor and treasure hunts have triggered a bit of a circus – and we are willingly parlaying the details and conjecture across social media with hashtags and photos and exclamation points. Reviews of the work itself range from tepid to thrilled but the sugary buzz of near daily revelations have given these events a feeling of an October surprise. If the brand can sustain interest for the the entire announced “residency” of one month it will indeed be an accomplishment, as New Yorkers are voracious consumers of culture and attention spans mimic that of the tsetse fly.

Here’s our weekly interview with the street, this week featuring B.D. White, Banksy, Blind Eye Factory, Cost, Specter, Holymafia, Judith Supine, Knarf, Mike Shine, Nychos, and Zed1.

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I:AM Gallery Presents: BASK “New Collection of Works” (San Francisco, CA)

July 4, 2013 Afghanistan

BASK

1AM is excited to unveil a new collection by Ales BASK Hostomsky this Friday, July 5th, 6:30-9:30pm. “Übermensch” will showcase works depicting children painted as superheroes on found and weathered surfaces that exhibit an energetic urban art aesthetic. You won’t want to miss the installation and art opening on Friday!

http://1amsf.com/2013/07/02/basks-new-collection-opens-in-sf-this-friday/

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Zio Ziegler. (photo © Gareth Gooch Photography)

Zio Ziegler. (photo © Gareth Gooch Photography)

Zio Ziegler. (photo © Gareth Gooch Photography)

Zio Ziegler. (photo © Gareth Gooch Photography)

Zio Ziegler. (photo © Gareth Gooch Photography)

Zio Ziegler. (photo © Gareth Gooch Photography)

Zio Ziegler. (photo © Gareth Gooch Photography)

Brock Brake “Roger’s Hand” (photo © Brock Brake)

Brock Brake “Jesse and Cop” (photo © Brock Brake)

Brock Brake “Roger” (photo © Brock Brake)

Brock Brake “Night Plane” (photo © Brock Brake)

Brock Brake “Fog” (photo © Brock Brake)

Poesia and EKG Talk to BSA about an Audacious Survey

Kwest (photo © Brock Brake)

Mags (photo © Brock Brake)

Slicer (photo © Brock Brake)

Hellbent (photo © Hellbent)

Silvio Magaglio (photo © Brock Brake)

Silvio Magaglio (photo © Brock Brake)

Vsod (photo © Brock Brake)

Vsod (photo © Brock Brake)

Drew Young (photo © Brock Brake)

Askew (photo © Brock Brake)

Bezt Etam (photo © Brock Brake)

Vincent Abadie Hafez Zepha (photo © Brock Brake)

Thiago Toes (photo © Brock Brake)

Sat One (photo © Brock Brake)

Katre (photo © Brock Brake)

Sowat (photo © Brock Brake)

Gilbert1 (photo © Brock Brake)

Gilbert1 (photo © Brock Brake)

Dem189 (photo © Brock Brake)

Bom.k (photo © Brock Brake)

Borondo (photo © Brock Brake)

An internationally respected photographer, artist, author, and lecturer on the subject of worldwide urban murals, his seminal 1987 book “Spraycan Art” with co-author Henry Chalfant is considered one of the the earliest published books on aerosol art, graffiti practices and street culture.

Asking Mr. Prigoff to chose just one image is like asking Paul McCartney to pick one song – the volume and depth of knowledge is hard to condense for today’s age of short-attention spans. But he’s a champ and this one is his choice for 2013.

Apexer. San Francisco, CA 2013 (photo © James Prigoff)

Word To Mother. San Francisco, CA. (photo © Brock Brake)

Word To Mother. San Francisco, CA. (photo © Brock Brake)

Word To Mother. San Francisco, CA. (photo © Brock Brake)

Word To Mother. San Francisco, CA. (photo © Brock Brake)

Word To Mother. San Francisco, CA. (photo © Brock Brake)

Word To Mother. San Francisco, CA. (photo © Brock Brake)

Word To Mother. San Francisco, CA. (photo © Brock Brake)

Herakut. Process Shot. (photo © Derek Macario for Shooting Gallery)

Herakut. Process Shot. (photo © Derek Macario for Shooting Gallery)

Herakut. Process Shot. (photo © Derek Macario for Shooting Gallery)

Herakut. Process Shot. (photo © Derek Macario for Shooting Gallery)

Herakut. Process Shot. (photo © Derek Macario for Shooting Gallery)

Herakut. Process Shot. (photo © Derek Macario for Shooting Gallery)

Herakut. Process Shot. (photo © Derek Macario for Shooting Gallery)

Herakut. Process Shot. (photo © Derek Macario for Shooting Gallery)

Herakut. Process Shot. (photo © Derek Macario for Shooting Gallery)

Steel and Lango. Detail. San Francisco, CA. (photo © Brock Brake)

Steel and Lango. Detail. San Francisco, CA. (photo © Brock Brake)

Steel and Lango. Detail. San Francisco, CA. (photo © Brock Brake)

Steel and Lango. Detail. San Francisco, CA. (photo © Brock Brake)

Steel and Lango. Detail. San Francisco, CA. (photo © Brock Brake)

Meggs (photo © Brock Brake)

Meggs (photo © Brock Brake)

Meggs (photo © Brock Brake)

Meggs (photo © Brock Brake)

Meggs (photo © Brock Brake)

Os Gemeos pay tribute to Nekst and Jade in San Francisco. (photo © Brock Brake)

Os Gemeos collaborate with Bode in San Francisco. Detail. (photo © Brock Brake)

Os Gemeos collaborate with Bode in San Francisco. (photo © Brock Brake)

Os Gemeos collaborate with Mark Bode in San Francisco. (photo © Brock Brake)

Our special thanks to photographer and BSA collaborator Brock Brake for sharing these images with readers of Kofie installing the new wall.

Augustine Kofie. San Francisco, CA. (photo © Brock Brake)

Augustine Kofie. San Francisco, CA. (photo © Brock Brake)

Augustine Kofie. San Francisco, CA. (photo © Brock Brake)

Augustine Kofie. Detail. San Francisco, CA. (photo © Brock Brake)

Augustine Kofie. Detail. San Francisco, CA. (photo © Brock Brake)

Augustine Kofie. San Francisco, CA. (photo © Brock Brake)

Top image > Judith Supine (photo © Jaime Rojo)

Judith Supine. Detail. (photo © Jaime Rojo)

Judith Supine (photo © Jaime Rojo)

Judith Supine (photo © Jaime Rojo)

Zed1 (photo © Jaime Rojo)

Zed1. Detail. (photo © Jaime Rojo)

Our special thanks to photographer and BSA collaborator* Brock Brake for sharing these images with readers of Kofie installing the new wall.*