All posts tagged: Sam3

“Money & Followers” Heralds the Thinking Artists on the Street in Turin

“Money & Followers” Heralds the Thinking Artists on the Street in Turin

Turin, Italy remains a hotbed for free thought and experimental art in public spaces. Despite so many inroads toward capitalizing on the radical movement of street art in recent years, this part of Italy has been fertile soil for the ornery, complicated, political, and eclectic artistic impulses that first drew us to this scene. A summer show of street art veterans and more recent talents at the newly germinated NISBA Studio may be staking positions that have gotten lost in a scene sometimes awash with commercial brands and self-dealers. The studio calls itself an “observatory on contemporary society, a strategic place,” and says it is a venue and platform “within which connections are born between enthusiasts, visitors, collectors, companies, public and private administrators.”

Turin’s historical significance as a vital hub for Italian, European, and Egyptian art, including the influential Piedmontese Baroque art movement and its vibrant urban art scene, adds prestige to the city and perhaps gravitas to its opinion on the evolution of the street art scene. Its position in the development of the “urban art” scene across Europe has also had an impact, with names like Blu, Ericailcane, Alice Pasquini, Ozmo, and Lucamaleonte coming to mind.

ELFO. Money and Followers. Nisba Studio. Torino, Italy. (photo courtesy of Nisba Studio)

Using an ironic phrase that is a currency in the pinched views of a social media world, the exhibition “Money and Followers” is mounted in an inclusive space with no political affiliation, say organizers, welcoming all. The show features new works by Sten Lex, the renowned Roman duo who pioneered an innovative “halftone” stencil art. At the same time, Sam3 captivates with visually striking, black anthropomorphic figures that convey a fantastical vision. Elfo, representing an Italian avant-garde in graffiti and urban art, presents his on-point technically low-fi cultural lambast. Gec explores participatory public art and societal themes through web-based production, while BR1’s impactful posters delve into tackle themes of integration, identity, migration, and globalization.

BR1. Money and Followers. Nisba Studio. Torino, Italy. (photo courtesy of Nisba Studio)
SAM3. Money and Followers. Nisba Studio. Torino, Italy. (photo courtesy of Nisba Studio)

SABATO 10 e DOMENICA 11 GIUGNO 2023
DALLE ORE 14 ALLE 20
NISBA STUDIO
Via Po 25 (interno cortile)
Torino

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Urvanity Madrid Diary 5: Selections From Urvanity Art Fair

Urvanity Madrid Diary 5: Selections From Urvanity Art Fair

This week BSA is in Madrid to capture some highlights on the street, in studio, and at Urvanity 2019, where we are hosting a 3 day “BSA TALKS” conference called “How Deep Is the Street?” Come with us every day to see what the Spanish capital has happening in urban and contemporary.

“Urvanity seeks to explore and thus imagine possible future scenarios for this New Contemporary Art,” they say boldly in the manifesto for this art fair/cultural platform in Madrid. A thrilling nexus is created here in this college campus of architecture where art from the streets is evolving in such ways that it is invited to come in from the street.

Isaac Cordal. SC Gallery. Urvanity Art Fair 2019. Madrid, February 2019. (photo © Jaime Rojo)

Whatever your perspective is on this evolution, we encourage the conversation – which usually contains elements of tribalism (various), resistance, acceptance, even euphoria. During breaks from hosting the BSA Talks this weekend we are also skipping and swerving through the crowds to look at the art that galleries have on offer.

Anthony Lister, Marion Jdanoff and Victor Ash. Urban Spree Gallery. Urvanity Art Fair 2019. Madrid, February 2019. (photo © Jaime Rojo)

Here we offer a very quick sample of some items that have caught our eye, looked fresh, or were indicative of larger movements in the so-called “scene”. And we use the word “scene” very loosely, because there is really not such thing as a homogeneous scene, only a constellation of them which are intersecting, coalescing, and redefining themselves. Some pieces are remarkable.

Here is the past, existing side by side with the future.

Jan Kalab. MAGMA Gallery. Urvanity Art Fair 2019. Madrid, February 2019. (photo © Jaime Rojo)
Miss Van. Fousion Gallery. Urvanity Art Fair 2019. Madrid, February 2019. (photo © Jaime Rojo)
Okuda. The Rainbow Mountain Installation. Detail. Urvanity Art Fair 2019. Madrid, February 2019. (photo © Jaime Rojo)
Okuda in collaboration with his mother. The Rainbow Mountain Installation. Detail. Urvanity Art Fair 2019. Madrid, February 2019. (photo © Jaime Rojo)
Hendrik Czakainski. Urban Spree Gallery. Urvanity Art Fair 2019. Madrid, February 2019. (photo © Jaime Rojo)
Dmitri Aske. Ruarts Gallery. Urvanity Art Fair 2019. Madrid, February 2019. (photo © Jaime Rojo)
D*Face. Stolen Space Gallery. Urvanity Art Fair 2019. Madrid, February 2019. (photo © Jaime Rojo)
Dan Witz .Wunderkammern Gallery. Urvanity Art Fair 2019. Madrid, February 2019. (photo © Jaime Rojo)
Dan Witz .Wunderkammern Gallery. Urvanity Art Fair 2019. Madrid, February 2019. (photo © Jaime Rojo)
Pro176. Swinton Gallery. Urvanity Art Fair 2019. Madrid, February 2019. (photo © Jaime Rojo)
Sabek. Swinton Gallery. Urvanity Art Fair 2019. Madrid, February 2019. (photo © Jaime Rojo)
Sam3. Doppelganger Gallery. Urvanity Art Fair 2019. Madrid, February 2019. (photo © Jaime Rojo)
2501 .Wunderkammern Gallery. Urvanity Art Fair 2019. Madrid, February 2019. (photo © Jaime Rojo)
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ESCIF, BLU, SAM3, More Join “SenseMurs” as Activists Protecting “La Punta”

ESCIF, BLU, SAM3, More Join “SenseMurs” as Activists Protecting “La Punta”

AYÚDANOS A DEFENDER LA HUERTA Y PARAR LA ZAL – Help Us to Defend the Garden and Stop the ZAL.


Street Artists in Valencia, Spain are using their work to reclaim land for a people’s agenda.

BLU. Detail. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Street Artist Escif organized with other artists to fight the commercial development of seaside land in Valencia last month. With the help of other socially responsible artists including Aryz, BLU, Borondo, Escif, Anaïs Florin, Hyuro, Luzinterruptus, Daniel Muñoz “SAN”, Sam3 and Elías Taño, Escif and local organizers are publicly pushing a message that shows the local council what it means when citizens are engaged.

According to the organizers La Punta is a hamlet of orchards and gardens located in the south of the city of Valencia where more than 15 years ago the “Logistics Activities Zone” (ZAL) project of the Port of Valencia decided to chase hundreds of people out of this land to give to developers as a new port initiative.

BLU. Detail. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Well, that failed spectacularly, probably because funding fell through due to the global financial crisis, and 15 years later development has not happened. The land has begun to evolve and return to its more natural state and a local farm economy has sprouted up. Meanwhile city planners are hoping they can conjure up another way to use these public lands for private profit.

But grassroots organizers say they want the public/private predatory folks to step back and let citizens decide what to do with this area. Thanks to this new “SenseMurs” public art initiative that is drawing a lot of critical eyes to the matter, more citizens may actually get a seat at the table. Well organized and great communicators, on March 10 and 11 the artists and activists gave tours of the murals of SenseMurs, called a press conference, threw a concert, and opened the doors to other citizens for their participation in the process.

BLU. Detail. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

“Within this context, neighbors and associations are trying to bring attention to this reality in order to negotiate with the Administration and start a public participation process,” says the art collective Luzinterruptus in an email, “where it will be decided how these lands will be used and to mend the injustices committed against the neighbors so another chance is given to the deported families to return and work the lands of l’Horta de la Punta.”

Enjoy these shots of the installations from Martha Cooper and two from Juanmi Ponce, starting off with the one and only BLU.

BLU. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Escif. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Escif. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Because there are lettuces!

From Escif’s Instagram:

A: ¿ Porqué HAY LECHUGAS ?
B: Pues porqué alguien plantó semillas en esta tierra fértil, les puso agua y dejó que el sol hiciese su trabajo. Imágino que es un ciclo natural. La tierra es generosa y muy prospera. A poco que la cuides, te regala lechugas como estas.
A: No me refiero a eso. Mi pregunta es porque escribes la frase HAY LECHUGAS.
B: Ah! …pues porque hay lechugas!

Hyuro. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Borondo. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Borondo. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Aryz. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Aryz. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Sam3. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

SAN. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

SAN. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

Luzinterruptus. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Juanmi Ponce)

Luzinterruptus. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Juanmi Ponce)

Elías Taño. SenseMurs. La Punta, Valencia, Spain, March 2018. (photo © Martha Cooper)

 


SenseMurs participating artists: Blu, Luzinterruptus, Aryz, Hyuro, SAN, LIQEN, Anaisflorin, Eliastano, Sam3, Escif


To learn more about the project please go to RECUPEREM LA PUNTA / Valencia, Spain
Recuperem La Punta, aturem la ZAL and La Punta.

 


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Exposing Politics and Scholarship at “Open Walls Conference 2016” Barcelona

Exposing Politics and Scholarship at “Open Walls Conference 2016” Barcelona

Screenings, workshops, and talks – and murals of course.

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Sixe Paredes. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

These are the markings of at least some of the increasingly serious Street Art / Urban Art festivals that have emerged in the last few years thanks to calls for genuine scholarship and the creation of academic frameworks to help us understand something that began as a grassroots form of expression in the mid and late 20th Century.

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Muretz. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

Open Walls Conference in Barcelona this year featured new public artworks by Dumar NovYork, Fasim, Muretz, Roc Blackblock, Sam3, Sheone, Sixe Paredes, and Syrup; a relatively small roster of artists compared to larger commercial festivals – and one that is heavily weighted toward local talents.

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Sixe Paredes. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

But as an artist, researcher and educator in the fields of graffiti and street art, Javier Abarca will tell you that this fourth edition of Open Walls Conference holds the “conference” aspect on center stage, with heated debates about the politics of art in public space – and private space for that matter.

This years’ debate had as its central argument the propriety of bringing Street Art into the exhibition space, how, and under what circumstances. Among the questions posed were whether it is ethical to bring urban art into the museum or whether the arts true nature is to live out its natural life wherever it has been painted illegally.

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From Left to right: Elena Gayo, Christian Omodeo, Jorge Rodriguez-Gerarda and Javier Abarca during the panel discussion at the Open Walls Conference 2016. Barcelona, Spain. (photo © Enrique Escandell)

For fans, collectors, curators and artists in the Street Art world, this will sound like a familiar debate in light of an exhibition this spring in Bologna, Italy that was controversial to some because it contained illegal works taken from an abandoned factory.

The “Banksy and Co.” exhibit sparked a revolt by the artist Blu, who made a splendid show of his own by destroying others of his public artworks and inspiring the support of kindred painters to assist him, with some even holding a counter exhibition.

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The audience at the panel discussion during the Open Walls Conference 2016. Barcelona, Spain. (photo © Enrique Escandell

Says Abarca, who moderated the debate, “This year’s focus shifted on the very contentious topic of the conservation of public art pieces produced without permission, resulting in an extremely intense three-hour discussion in a packed auditorium where two opposed visions on the topic were scrutinized.”

On panel were one of the exhibition’s curators Christian Omodeo, along with artist Jorge Rodríguez-Gerada, and Elena Gayo, whom Albarca calls, “a prominent Spanish restorer and head of a think tank that for the last two years has developed a set of ethical parameters for the conservation of street art pieces.”

We all benefit from examinations and cogitations such as these, and it is good to see a level of popular support to attend discussions, panels, and lectures that help shape and codify our understanding of such a widespread art movement/practice.

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Sheone. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

In addition the conference featured a publishing fair called “Unlock“, which was dedicated to graffiti and street art and gathered close to sixty publishers from Europe and America, a first for the field, say the organizers. Another first, they say, is the academic study of the British artist Banksy launched here in book form as Banksy: urban art in a material world, by Ulrich Blanché.

Finally the fair featured a lecture by British journalist Marcus Barnes, “who nearly went to jail last year for publishing a graffiti magazine,” says Abarca, as well as “a breathtaking reading of What Do One Million Ja Tags Signify? by Brooklyn artist and author Dumar NovYork.”

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Sheone. (CLICK ON IMAGE TO ENLARGE). Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

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Sam3. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

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Sam3. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

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Syrup. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

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Syrup. (CLICK ON IMAGE TO ENLARGE). Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

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Fasim. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

 

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Dumar NovYork reads from his book “What Do One Million Ja Tags Signify” at Unlock during the Open Walls Conference 2016. Barcelona, Spain. (photo © Javier Abarca)

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Scenes from Unlock the first Street Art Publishing Art Fair as part of the Open Walls Conference 2016. Barcelona, Spain. (photo © Enrique Escandell)

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Scenes from Unlock the first Street Art Publishing Art Fair as part of the Open Walls Conference 2016. Barcelona, Spain. (photo © Enrique Escandell)

 


 

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!


 

This article is also published on The Huffington Post.
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Happy New Year 2015 – BSA Readers Choice Top 10

Happy New Year 2015 – BSA Readers Choice Top 10

Happy New Year to All! Thank you for inspiring us to do our best and to those of you who continue to support our personal art project / cultural examination, we extend our gratitude more than ever.

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Begun as an enthusiastic discovery of what was happening in a few neighborhoods in New York, we continued to expand our view into more cities around the world last year and into the history and future of the scene. We also aimed to provide you with a critical platform for examination of the street art/ graffiti / public art/ contemporary art continuum with interviews with artists, curators, collectors, organizers, observers and thinkers in the street, studio, gallery, and museum – trouble makers and taste makers alike.

In the end, it’s your observations and the conversations on the street that are most important. As we begin the year with over 300K fans, friends, and followers on social media platforms and 225 articles on the Huffington Post (thanks HuffPost team!), we feel like we get a valuable good survey of current opinions heading our way daily.

With in-depth interviews, investigative articles, opinion infused examinations, plain celebratory reverie, occasionally silly non-sequitors, and public appearances where we get to meet you, we get a good analytical look at an ever-evolving movement, glittery polish and warts and all.

As the new year begins we take a look back at the top stories chosen by BSA Readers in the last 12 months. Among them are two takeover pop-up shows in soon-to-be demolished buildings, a story about commercial abuse of artist copyrights and the effort to fight back, a street art community’s response to the sudden death of an activist street artist, a Street Art tourist trip, and a few inspirational women, men, and Mexican muralists.  Even though we published at least once a day for the last 365 days, these are the most popular pieces, as chosen by you, Dear BSA Reader.

10. Exploring Lisbon as a Street Art Tourist

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Os Gemeos / Blu (photo © Stephen Kelley)

9. Kara Walker and Her Sugar Sphinx at the Old Domino Factory

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Kara Walker. The artist portrait in profile with her sugary sphinx in the background. (photo via iPhone © Jaime Rojo)

8. Women Rock Wynwood Walls at Miami Art Basel 2013

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Fafi (photo © Martha Cooper for Wynwood Walls)

7. A Sudden Secret Street Art House Party in Manhattan

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Icy & Sot (photo © Jaime Rojo)

6. Niels Shoe Meulman Balancing “Unearthly” Paintings

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Niels “Shoe” Meulman. Process shot. (photo © Adele Renault)

5. It’s All the Rage, Street Artists Filing Lawsuits Left and Right

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4. Shok-1 Street Art X-Rays Reveal a Unique Hand at the Can

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Shok-1 (Photo © Jaime Rojo)

3. 12 Mexican Street Artists Stray Far from Muralism Tradition In NYC

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Sego (photo © Jaime Rojo)

2. Army Of One, Inspiration To Many : Jef Campion

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Army Of One AKA JC2 (photo © Jaime Rojo)

1. Graffiti and Street Art Lock Up “21st Precinct” in New York

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Pixote in action. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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BSA Images Of The Week: 10.05.14

BSA Images Of The Week: 10.05.14

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School’s back in session, the Jews just celebrated a new year, Kobra painted new portraits of Warhol and Basquiat in Williamsburg, and if you were at Brooklyn Museum last night you got to see Street Artist and muralist Don Rimx and us live – and us with markers in our hands looking completely lost.

But that’s not nearly all the action this week; Gaia was in the Rockaways, Dain showed up in BK, the old Os Gemeos was “unveiled” on Houston Street, Nychos was in Hamburg, Nick Walker was in Yonkers, Ludo was readying his big solo show in London, we marked a year since Banksy hit NYC, students were in the streets in Hong Kong, ebola showed up in Texas, banks are being cracked open by cyber hacks, the US has begun another war, the new SNL is almost unwatchable, and you better start thinking about your Halloween costume.

Other than that, not much is happening.

Here’s our weekly interview with the street, this week featuring $howta, Apples on Pictures, Conor Harrington, Dain, EKG, Funky13, Jack the Beard, Jeff Huntington, Jesse James, Matthew Reid, Mr. Prvrt, Os Gemeos, Pyramid Oracle, Ramiro Davaros-Coma, Sam3, Square, Stikman, and What Is Adam.

Top Image >> EKG and Stikman collaboration. (photo © Jaime Rojo)

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MR. PRVRT for The Bushwick Collective. (photo © Jaime Rojo)

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Not sure if this is true. Jack the Beard (photo © Jaime Rojo)

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Brazilian twins Os Gemeos are back on the Houston Wall after a long hibernation under a constructed cover that hosted Shepard Fairey, Faile, and a petite litany of others. So if you missed this the first time around and you are in NYC go and take a look before the wall comes down. (photo © Jaime Rojo)

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Os Gemeos. Otavio and Gustavo. They painted the mural on a hot day on July 10, 2009. (photo © Jaime Rojo)

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New work from Dain has recently appeared in Soho and parts of Brooklyn. (photo © Jaime Rojo)

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A portrait of Maya Angelou; a collaboration between Jesse James and Jeff Huntington for Annapolis, Maryland’s first Street Art Festival. (photo © Jesse James)

““I think that the courage to confront evil and turn it by dint of will into something applicable to the development of our evolution, individually and collectively, is exciting, honorable.” ~ Maya Angelou ~

Facing Evil With Maya Angelou (Full Show)

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Ramiro Davaros-Coma (photo © Jaime Rojo)

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An Unknown Artist made this original piece from duct tape in Brooklyn. (photo © Jaime Rojo)

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What Is Adam? Apparently a pipe-smoking duck sailor. That’s what. (photo © Jaime Rojo)

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Square is back with this melting facade (photo © Jaime Rojo)

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Another melting facade, this time from Conor Harrington for The L.I.S.A. Project. (photo © Jaime Rojo)

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Sam3 in Rome, Italy for Wunderkammern Gallery. (photo © Giorgio Coen Cagli)

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Apple On Pictures (photo © Jaime Rojo)

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2 Face Work (photo © Jaime Rojo)

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2 Face Work with Ai Wei Wei in the center. (photo © Jaime Rojo)

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Matthew Reid (photo © Jaime Rojo)

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$howta (photo © Jaime Rojo)

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Pyramid Oracle for The Bushwick Collective (photo © Jaime Rojo)

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Funky13 (photo © Jaime Rojo)

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Untitled. Reflection. Flatiron Building. Manhattan, NYC. Fall 2014. Via Instagram @jaimerojoa (photo © Jaime Rojo)

 

 

 

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Exploring Lisbon as a Street Art Tourist

Exploring Lisbon as a Street Art Tourist

“Street Art Tourism” Is Capturing More Attention

Eco-tourism is so popular for vacation travelers right now. You know, treading light and your carbon footprint and all that. Then there is Plastic Surgery Tourism for those whose nose is slightly twisted or who otherwise feel your personal epidermal brand could use a “refresh”. For half the price of back home why not travel to a fashionable cosmetic surgery destination and you won’t have to worry about someone seeing you buying brie at Balducci’s with a bandaged beak.

Liposucation anyone?

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Erica Il Cane (photo © Stephen Kelley)

In the wake of the global growth of interest in art in the streets, one form of tourism that may soon be blowing up could be graffiti excursions, street art sightseeing, or even mural journeying. New York has been a magnet for years for aerosol artists calling us to help them hit up walls while they are on “spraycation”, but this is just the opposite.

You may wish to plan your trip abroad hunting the elusive wheat-pastes, stencils, fill-ins, hoping to capture an exotic local throwie. And why not take a few selfies with your favorite works by Street Artists that you only previously saw on Instagram?

Street Art photographer Stephen Kelley went on his own art safari last month in Lisbon, Portugal with his fiancé and he checked out a lot of the work that has been organized during the past couple of years by the internationally known local VHILS and some of his friends in a project entitled Underdogs.

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Os Gemeos . Blu (photo © Stephen Kelley)

Underdogs is an international working platform based in Lisbon, Portugal that aims at creating space within the contemporary art scene for artists connected with the new languages of urban visual culture,” say the organizers, and they have curated a program of some large-scale pieces around the city in an intelligently grand and contextual manner that makes them seem like the installations have been there for decades, not a handful of years. Urban or contemporary, it has serious fans.

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Os Gemeos . Blu. Detail. (photo © Stephen Kelley)

Today Mr. Kelley shares with BSA some of the shots he got during a relatively short trip to Lisbon, along with some of his experiences and observations.

“In preparing for the trip we used the Underdogs project as one of the references for the map,” he says. “I was able to convince my travelling partner and fiancé to rent an apartment in the Bairro Alto area. This was a good central point for the spots I wanted to hit. We were only in town for 3 days so I had to balance your standard tourist locations with my off-the-beaten-path art spots.  She appreciates the work and is incredibly patient but I can only get away with dragging her into so many back alleys and train tracks.”

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Os Gemeos . Blu (photo © Stephen Kelley)

“Immediately after leaving the airport the taxi unintentionally drove us by a block-long Os Gemeos, Blu, Sam3, Ericailane, and Lucy Mclauchlan mural.  We told the taxi driver that I was in town to shoot art in the streets and in buildings.  He mentioned I should check out this street where a group of artists painted a series of murals about the local government administration.  I put that on the list,” says Kelley.

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Lucy McLauchlan . M-Chat (photo © Stephen Kelley)

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Sam3 (photo © Stephen Kelley)

“We decided to take a taxi to the area where I had located some C215 work.  The taxi driver asked why we were going to that location/area,” says Kelley. “Once we arrived at the location I brought him with us to show him the art.  He was incredibly impressed with the C215 mural I showed him and said he’d bring driving in town for 25 years and had never been on that street or never seen the artwork.”

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C215 (photo © Stephen Kelley)

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C215 (photo © Stephen Kelley)

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C215 (photo © Stephen Kelley)

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Skran01 . Tape (photo © Stephen Kelley)

“One evening in town we took a ferry over to Almada with a great view of the 25 de Abril Bridge (the same architect who designed the Golden Gate Bridge),” says Stephen. ” You can walk up the coast toward the bridge and there are two quaint eateries that make for a perfect sunset meal or drink.  The waterfront is covered with graffiti and is a good representation of the art in the area.”

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PISD (photo © Stephen Kelley)

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Artist Unknown (photo © Stephen Kelley)

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Yesh (photo © Stephen Kelley)

As with any vacation, planning your means of transportation is key – and Kelley and his girl realized Lisbon is not quite as pedestrian friendly as other cities, mainly because of the topography. “One of the first spots we hit was the harbor area for the Pixel Pancho and Vhils collaborations. After that, with intentions to continue to explore, we had our first encounter with the hills of Portugal,” he says. “The taxi driver had reminded us that Portugal is the city of seven hills. He was not kidding, walking the streets of Lisbon is no joke and a workout and a half.  We quickly realized public transit or taxi was the best way to see Lisbon.”

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Vhils and Pixel Pancho masterful collaboration. (photo © Stephen Kelley)

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Vhils and Pixel Pancho (photo © Stephen Kelley)

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Vhils and Pixel Pancho. Detail. (photo © Stephen Kelley)

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Vhils and Pixel Pancho (photo © Stephen Kelley)

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Pixel Pancho (photo © Stephen Kelley)

Like most tourists on vacation, the events that make the most impact may be the unplanned surprises, like actually seeing work in progress. Stephen explains, “One day we started to head toward the Belem Tower and a How Nosm mural. On the way we ran into Vhil’s in progress working on a water tower outside the World Photo Press exhibition at the Museu da Electricidade.  I tried to wait for more action shots but he was taking a break and I couldn’t wait.”

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Vhils work in progress. (photo © Stephen Kelley)

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Vhils work in progress. Detail. (photo © Stephen Kelley)

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Vhils and Crono collaboration. (photo © Stephen Kelley)

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Vhils and Crono. Detail. (photo © Stephen Kelley)

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How & Nosm (photo © Stephen Kelley)

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How & Nosm. Detail. (photo © Stephen Kelley)

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Gregos (photo © Stephen Kelley)

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Copy Art © (photo © Stephen Kelley)

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Artist Unknown (photo © Stephen Kelley)

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Artist Uknown (photo © Stephen Kelley)

“I also recommend taking a trip up to the castles in Sintra.  It’s a 30-minute train ride from the center of Lisbon.  The castles are breathtaking and shouldn’t be missed.  Sintra was one of the highlights of the entire stay.  The train ride also gave me an opportunity to see all the trackside graffiti that is quite common in Europe.  The highway and train graffiti are very common, which was much different than what I am accustomed to in the US,” says Kelley.

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Dope (photo © Stephen Kelley)

 

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also published on The Huffington Post

 

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Hitnes at Boombarstick: Street Art in Croatia

50 points awarded for the name: Boombarstick !

Also, baby goats in your promo video melts even the meanest graff writers heart, so another 25 points for that. (see adorable video below)

In fact, if you look through all the walls and materials and listen to the voices of the organizers, you find a serious consideration of humor as a force for creativity, so we’re pretty close to a perfect score of 100 with this original and inviting concept for a city Street Art festival.

Mercifully, the art is also good.

Hitnes. Boombarstick. Vodnjan, Croatia. (photo © Swen Serbic)

All things considered, this ZERO edition (not 1st) of the Croatian festival that features a solid selection of international (mostly European) Street Artists along with local and regional musicians was very successful. The city is called Vodnjan/Dignano situated in the peninsula and county of Istria. It prides itself on its multicultural patrimony and the festival was meant to convey the artistic and cultural point of view that it has. Says Marco Contardi, one of the volunteer organizers, “The festival stands as a link between Istria and Europe, encouraging a reciprocal fruitful connection.”

Hitnes. Detail. Boombarstick. Vodnjan, Croatia. (photo © Swen Serbic)

So we’ll be bringing you some exclusive images of the pieces that Street Artists completed during Boombarstick. The first here is by Rome’s Hitnes, who completed this flight of imagination among the strong and well worn roots of the old city. He uses aerosol, brush, pencils, and whatever else brings out the detail in his alternate reality, which often meditates on the animal kingdom and a sense of magic.

Look forward in coming days to new exclusive photos of the completed pieces on BSA from some of the participants in this unique festival who include Franco Manzin, Phlegm, OKO, Sam3, Giorgio Bartocci, Hitnes, Eme, Ufocinque, Interesni Kazki, NeSpoon, Miron Milic, and Liqen.

Hitnes. Boombarstick. Vodnjan, Croatia. (photo © Swen Serbic)

 

Click HERE for more information about Boombarstick.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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“Wall & Frames”, Today’s Street Artists, Tomorrow’s Masters

There is an uneasy reluctance among some artists in the graffiti and the Street Art community to let themselves be seen hanging with art collectors or even entering galleries sometimes because they might lose credibility among peers for not being ‘street’ enough. Seeing well manicured men in pinstripes and shrieking birdberry women with tinted/straightened/plumped everything looking at your shit hanging on a wall and asking vaguely patronizing questions about it like you are an exquisite curiosity could make you go out and slice their tires after downing a few white wines.  Not surprisingly, “keeping it real” sometimes translates to keeping it out of private collections.

Even as there is an every-growing recognition of art and artists who work sometimes illegally in the street, it’s a sort of high-wire act for anyone associating with art born in margins, mainly because it forces one to face the fact that we marginalize.

Sociological considerations aside, over the last decade there is a less traditional definition of Street Artist entering the fray. The graffiti scene originally boasted a sort of grassroots uprising by the voiceless and economically disempowered, with a couple of art school kids and the occasional high-minded conceptualist to mix things up. It’s all changed of course – for myriad reasons – and art in the streets takes every form, medium, and background. Now we see fully formed artists with dazzling gallery careers bombing right next to first time Krinks writers, graffiti writers changing gears and doing carefully rendered figurative work, corporations trying their hand at culture jamming (which isn’t a stretch), and all manner of Street Art referred to as an “installation”.

A new book by Maximiliano Ruiz called “Walls & Frames”, just released last month by Gestalten, presents a large collection of artists who have traversed the now permeable definitions of “street”, gallery, collector and museum. Admittedly, this may be a brief period of popularity for Street Art, if the 1980s romance with graffiti is any indication, but there is evidence that it will endure in some form.  This time one defining difference is that many artists have already developed skill, technique, and a fan base. Clearly the street has become a venue, a laboratory for testing and working out new ideas and techniques by fine artists, and even a valued platform for marketing oneself to a wider audience.

A spread of work by Conor Harrington in “Walls and Frames”.

The resulting work, whether hanging on a nail inside or painted on a street wall, challenges our previously defined boundaries. The current crop of street art stars and debutantes, many of the strongest whom are collected here by Ruiz, continue to stay connected with the energy of the street regardless of their trajectory elsewhere. Some are relatively new, while others have been evolving their practice since the 70s, with all the players sliding in and off the street over time. The rich and varied international collection is remarkable and leaves you wanting to see more work by many of the artists. All considered, “Wall and Frames” is a gorgeously produced book giving ample evidence that many of today’s artists in the streets are tomorrow’s masters, wherever they practice.

Augustine Kofie in “Walls and Frames”.

 

Sixe in “Walls and Frames”.

Remed in “Walls and Frames”.

Anthony Lister in “Walls and Frames”.

Judith Supine in “Walls and Frames”.

Alexandros Vasmoulakis in “Walls and Frames”.

D*Face in “Walls and Frames”.

Interesni Kazki in “Walls and Frames”.

Jorge Rodriguez Gerada in “Walls and Frames”.

M-City in “Walls and Frames”.

 All images © of and courtesy of Gestalten and Maximiliano Ruiz.

Artists included are Aaron Noble, AJ Fosik, Alexandre Farto aka Vhils, Alexandros Vasmoulakis, Alëxone Dizac, Amose, Andrew McAttee, Anthony Lister, Antony Micallef, Axel Void, Basco-Vazko, Base 23, Ben Frost, Blek le Rat, Bom-K, Boris Hoppek, Boxi, C215, Cekis, Conor Harrington, D*Face, Dan Witz, Daniel Muñoz aka San, Dave Kinsey, Der, Dixon, Docteur Gecko, Doze Green, Dran, Duncan Jago aka Mr. Jago, Eine, Ekundayo, El Mac, Evan Roth, Evol, Faile, Faith 47, Fefe Talavera, Gaia, George Morton-Clark, Herakut, Herbert Baglione, Interesni Kazki, Jaybo, Jeff Soto, Jeremy Fish, Jesse Hazelip, Johnny “KMNDZ” Rodriguez, Joram Roukes, Jorge Rodriguez Gerada, Josh Keyes, JR, Judith Supine, Katrin Fridriks, Kevin Cyr, Kofie, L’Atlas, Lightgraff, Logan Hicks, Ludo, M-City, Mark Jenkins, Mark Whalen aka Kill Pixie, Maya Hayuk, Medo & Demência, Meggs, Miss Bugs, Miss Van, Morten Andersen aka M2theA, Mr. Kern, Mudwig, Nicholas Di Genova, Okuda, Patrick Evoke, Paul Insect, Pedro Matos, Peter Owen, Pose, Pure Evil, Remed, Remi/Roughe, René Almanza, Retna, Ripo, Ródez, Sam3, Sat One, Shepard Fairey, Sixe, Smash 137, Sowat, Sten & Lex, Stephan Doitschinoff, Tec, Tilt, Troy Lovegates aka Other, Turf One, Vitché;, Wendell McShine, Will Barras, and Zosen.

 

The launch; “Walls & Frames” will be presented at Gestalten Space Berlin on December 15th.

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Bien Urbain Presents “Artistic Path on (and With) Public Spaces (Besançon, France)

Bien Urbain
Brooklyn-street-art-bien-urbain-france«BIEN URBAIN» is an artistic path in a popular city center district and the University campus of Besançon – France that aims at promoting art in public spaces just next a rich historic architecture.
The invited artists, all coming from the “street art” scene, are used to work with different kinds of tools and materials to create their own pieces of art: painting, paper, pasting, wood sculpture…
Once they have taken over the place, they finally start to make their ideas come true, revealing sometimes abandoned or unused spaces!
The event will take place every year at the end of summer, invading the town block by block.
Street art spread worldwide: many websites are updated every hour, presenting new crazy artists everyday, whereas in France a small number of events tend to promote these artists

BIEN URBAIN will contribute to make people realize the power of art on our everyday life perception on museums, theaters or clubs, and also on the streets!
For us presenting such an event is a good way to question everybody on our public space using. «Where is the place for art when ads and grey walls are everywhere? How to enjoy public spaces then?»
Moreover we are very proud to promote great artists and give them the possibility/chance to travel with their art in the best conditions.

As an inaugural issue, we wanted to welcome some of our favourite artists. So we got in touch with them and gladly realize that they really looked enthusiastic about our project!
Nine European artists and an Argentinean artist will be part of the artistic crew in September 2011.

ESCIFAfter a classic graffiti life, escif has developed a beautiful and poetic way of painting the everyday life on walls. Through simple scenes, he returns the context with an «mise en abîme» process: the painting wall is not just a wall, it is a canvas where escif paints another wall!

MONEYLESSThe Italian artist known as Moneyless uses geometric tools to reveal strange spaces: abandoned landscape, woods or temporary urban zones. The tension with his sculptures and the quiet space where he makes them create an unreal, ghostly third dimension.
SAM3
Painting his large black figures all over the world, Sam3 is about to come to France for the really first time. His really sensitive work combines huge painting and introspective scene. He also has an experimental way of working on fabulous stop motion films.
NELIO, TBLR*ONE & ZEROZEDRIP

They are three French guys who love pastel colours, old wood, abandoned things, geometric shapes and urban explorations.
SAN
One of the finest spanish street artist, SAN is first of all an amazing drawer who emphasise weird walls into great and disturbing pieces of arts.

For further information regarding this art festival visit the official site:

http://www.bien-urbain.fr/

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FUN FRIDAY 04.08.11

Fun-FridayThis weekend brings a Spring bounty of delicious  Street Art related openings in many cities across this great country of ours. But FIRST, this OLD SKOOL Romanic Boogie Down Production …

Pump Up the Sculpture Jam from SAM3

Sticker Phiends in AZ

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Tempeh is a soy product and meat substitute originally from Indonesia. Tempe is a city in Arizona that is hosting the 4th giant Sticker Phiends show tonight. Stickers continue to grow in influence in Street Art and in private collections in black books and refrigerator doors and this is a cool show that gives them away and sells them. They have limited edition “Sticker Phiends” tee-shirts designed by Brooklyn street art collective Robots Will Kill. Also cold beer. Possibly tempeh too because Chris RWK is a good veggie.

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FREE HANDOUTS provided by our sponsors
ALL ART for $ale!
Limited Merch for $ale!
Drinks with ID – 21+

Opens at 8pm April 8th!
Cartel Coffee Lab
25 w. University Dr.
Tempe, AZ.
480-225-3899

Some of the names include:

Abcnt, Age, Dolla, DumperFoo, Dissizit/Slick, 123 Klan,Griffin One, Clown Soldier, Mad One, Mat Curran, MBW, 20 MG, Obey, Pez One (U.K.), Sike’, U.W.P., Seizer One

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Martha Cooper Remixed

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How & Nosm interpret Martha Cooper’s original photo from the 1970s (both photos © Martha Cooper)

The Carmichael Gallery will be throwing a memorable opening party for Martha Cooper’s REMIX show and, lazy hyperbole aside, this one is one NOT to miss.

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Photographs by Martha Cooper

with

Original remixes of these photographs in a range of media by Aeon, John Ahearn, Aiko, Bio, Nicer & B-Gee, Blade, Blanco, Mark Bode, Burning Candy, Victor Castillo, Cey, Cekis, Claw, Cosbe, Crash, Dabs & Myla, Anton van Dalen, Daze, Dearraindrop, Jane Dickson, Dr. Revolt, Shepard Fairey, Faust, Flying Fortress, Freedom, Fumakaka, Futura, Gaia, Grotesk, Logan Hicks, How & Nosm, LA II, Lady Pink, Anthony Lister, The London Police, Mare 139, Barry McGee, Nazza Stencil, Nunca, José Parlá, Quik, Lee Quinones, Kenny Scharf, Sharp, Skewville, Chris Stain, Subway Art History, Swoon, T-Kid, Terror161 and more.

Carmichael Gallery

5795 Washington Blvd
Culver City, CA 90232

April 9 – May 7, 2011

Opening Reception: Saturday, April 9, 6-8pm

Click on the link below for more information regarding this show:

http://www.brooklynstreetart.com/theblog/?p=19900

Cern YMI in Greenpoint by Gandja Monteiro

ROA at White Walls in SF

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Image of ROA in Salton City (© and courtesy of White Walls)

In San Francisco ROA will have his opening at the White Walls Gallery with his iconic paintings of nature’s marginalized animals in large scale. Ever the hard worker, ROA paints non stop year round all over the globe on surfaces that are challenging, like this one on the side of a mobile home. If you have only seen his art on line and if you are in San Francisco this Saturday, it’s your turn!

For more information about this show contact the gallery.

White Walls Gallery

835 LARKIN ST.
SAN FRANCISCO, CA. 94109

Phone: 415.931.1500

Chor Boogie in Washington DC

While the Rich Man Party of NO! brings the country to a halt in the Capitol, Chor Boogie will be bringing much needed healing color to Washington DC at The Fridge Gallery.

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The Fridge Gallery Presents: Chor Boogie “This Aint No Place For No Hero” (Washington, DC)

For more information about this show click on the link below:

http://www.brooklynstreetart.com/theblog/?p=19952

Chor Boogie is an artist, a conceptual genius, a street romantic, a master of illusion and technique, Chor Boogie is an original. His works can be described as having healing effects by his unique and unmatched use of color, which brings greater meaning and understanding to his works. Every vibrant piece has a story attached to it. Chor Boogie’s colorful paintings are attracting A-list celebrities, art galleries and museums. Originally from San Diego, the artist known as Chor Boogie currently resides in San Francisco but is an internationally known artist and has traveled extensively to exhibit his work around the world.

The Fridge is located at

516 8th Street, SE

REAR ALLEY

Washington, DC 20003

David Ellis and Blu in a collaboration of a loop video from 2009

Yo Son the Boyz from Queens are Comin out With New Jams Next Month!

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Fun Friday 09.03.10

Fun-Friday

Fun Friday 09/03/10

C215 and Eelus are in Brooklyn This Weekend

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Brooklynite Gallery, deep in Bedstuy, creates a certain lively tension with  two Street Art tricksters in this duo Euro show.

Parisian C215 continues to exceed expectations, which isn’t easy because he has already set them pretty high as a world class urban stencillist with  portraits that glow from within uncannily, summoning more empathy than a Jerry Lewis telethon.  The vastly more light-hearted Eelus guards the class impudent role – combining youthful humor, technologic fantasy, and a bit of antsy-lad sexual tension in his starkly popish compositions. A rewarding and rich show, “Paradise Lost” is another solid and smashing Street Art /gallery show that doesn’t compromise either one.

Kid Acne “Stabby Women” New Zine and Video

Word the heck up.The Stabby invasion is here…

Image Courtesy of the Artist

STABBY WOMEN – 52 Page Fanzine & Postcard Set, edition of 250

Stabby Women”  – a project of serendipity that started in São Paulo includes the female battalion of over five hundred Stabby Women now patrolling our streets amongst the hustle and bustle of New York, Paris, Barcelona, Munich and London – peering from the bottom of doorways, subtly patrolling their domain.

Learn more about this Kid Acne project directly from the artist here

Countdown to FAME

FAME Festival Begins This Month in Italy

A stunning array of street artists from around the world have been gathering over the summer to do large-scale and high quality installations leading up to the FAME Festival, starting September 25. Included in the lineup are JR , ERICA IL CANE , SAM3 , NUNCA , BLU , OS GEMEOS , BORIS HOPPEK , ESCIF , 108 , DALEK , NICOLA TOFFOLINI , LUCY MCLAUCHLAN , SWOON , SLINKACHU , CYOP E KAF ,DAVID ELLIS ,VHILS , BEN WOLF , WORD TO MOTHER , MOMO , and BASTARDILLA.

As told by our friends at HookedBlog.com, “The festival now is in it’s third year and is set to be bigger and better ” Read more at HookedBlog.com      (image of MOMO © HookedBlog.com)

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Shepard Fairey in San Diego for Viva La Revolucion

“The thing with Street Art is you can’t be too precious about it.  It’s ephemeral.”


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