All posts tagged: Royce Bannon

Don’t Call it a Comeback

Thursday night it was a true gathering of the tribes –

Old Skool, Art Skool, Graff Crews, Street Art, Hipsters, Hip-Hop, Electro, Blue-haired, Blue themes, Critics, Kids, Collabo’s, Lolitas, Lotharios, Murals, Markers, Canvasses, Cans, Wheatpaste, Stickers, Sculpture, and Script. This might just be what community looks like. Every where you turned, the senses were flooded, and cellphones and electronic gadgetry were revealed for what they lack in the competition for connectedness and D.I.Y. inspiration.

Surpassing many of the street art group shows of the past few years, this one was obviously very organic and full of love, rather than hype.

When Afrika Bambaataa and Soul Sonic Force finally picked up their mikes and Martha Cooper broke off from signing books with Henry Chalfant to expertly weave with her camera, the crowds’ momentum was already in full swing. No one can doubt that this scene, whatever label you care to give it, is on fire right now and the creative spirit is at work in the belly of the people.

Good luck tracking it’s trajectories.

Thanks to the Combine and the talented Jazz Beaulieu for the images below:

[svgallery name=”Work To Do Jazz Belieu”]

Other shots from the show……

Royce Bannon

Super K8

Sabeth718

Luna Park

Becki Fuller

“Work To Do” is at 112 Greene Street in Soho, NYC, and runs through April 16.

More info – Endless Love Crew

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Street Art Community Draws Crowd in Soho: “Work To Do” Opens

With lines longer than an hour, you would think you were going to a JOB FAIR,

“Work to Do” opened last night at The Combine for the inauguration of the arts space at 112 Greene Street, courtesy of big-hearted visionaries Steve Loeb and John Robie, and curators Royce Bannon and the Endless Love Crew.

More details later, but here are a few pics from the opening that shows off the skillz of street and graff artists from North Brooklyn and beyond. The show is up until April 16, maybe longer judging from the incredibly high interest we’re seeing.

Barricades, Bouncers, Guest Lists? Welcome to Manhattan Peepul. (photo Steven P. Harrington)

Barricades, Bouncers, Guest Lists? Welcome to Soho Peepul! (photo Steven P. Harrington)

Ponytail, Plaid, Colt (photo Steven P. Harrington)

Ponytail, Plaid, Colt (photo Steven P. Harrington)

(photo Steven P. Harrington)

Royce Monsters on the Column (photo Steven P. Harrington)

Props to Royce (Royce Bannon at "Work to Do")(photo Steven P. Harrington)

Props to Royce (Royce Bannon at "Work to Do") (photo Steven P. Harrington)

Pufferella answers the question about who's gonna do all this work.(Pufferella and Matt Siren) (Photo Steven P. Harrington)

Pufferella answers the question about who's gonna do all this work. (Pufferella and Matt Siren) (photo Steven P. Harrington)

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Week in Images 03.16.09

The Streets are coming alive again after a long bitter winter.  Also here are some sneak peeks at the “Work to Do” show opening on Thursday.

MBW

"Are you sure it isn't time for a 'colourful metaphor'?", asked Spock Monroe (MBW) (photo Jaime Rojo)

Foreshadowing of Souplines (Exyzt)(photo Jaime Rojo)

Foreshadowing of soup lines (Exyzt)(photo Jaime Rojo)

You fly the dirigible, I'll look out for the authorities.(Hotel Venado, Nick Walker) (photo Jaime Rojo)

You fly the dirigible, I'll keep an eye out for the authorities (Venado, Nick Walker) (photo Jaime Rojo)

NohJ works in Color at "Work to Do" (NohJ Coley) (photo Jaime Rojo)

NohJ works in Color at "Work to Do" (NohJ Coley) (photo Jaime Rojo)

Which way? (Chris from Robots Will Kill)(photo Jaime Rojo)

Time's Up! - from "Work to Do" (Chris from Robots Will Kill) (photo Jaime Rojo)

C.Damage gets Up at "Work to Do" (photo Jaime Rojo)

C.Damage gets Up at "Work to Do" (C.Damage) (photo Jaime Rojo)

Deeks and Celso and Infinity from (photo Jaime Rojo)

Deeks and Celso and Infinity from "Work to Do" (photo Jaime Rojo)

Picasso What? from "Work to Do" (photo Jaime Rojo)

Picasso What? installation from "Work to Do" (photo Jaime Rojo)

Royce Seems to be Fine from "Work to Do"(Royce Bannon)(photo Jaime Rojo)

Royce Seems to be handling it well, don't you agree? From "Work to Do" (Royce Bannon) (photo Jaime Rojo)

(Veng from Robots Will Kill) (photo Jaime Rojo)

Wait, I'm still thinking. From "Work to Do" (Veng from Robots Will Kill) (photo Jaime Rojo)

Stikman at "Work to Do" (photo Jaime Rojo)

Stikman at "Work to Do" (photo Jaime Rojo)

I know what YOU are thinking. You men are all the same.(Za) (photo Jaime Rojo)

I know what YOU are thinking. You men are all the same.(Za) (photo Jaime Rojo)

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“Work to Do” is on Schedule for March 26 at The Combine

Collaboration is the Piece
Collaboration makes the total Piece (collage and design Anna Robie, photos Jazzmine Beaulieu)

Royce Bannon and the Endless Love Crew

have been working hard and probably playing a little too, and the group show they have engineered is a quick primer on what street art is looking like at the moment in Brooklyn, and elsewhere. The show inaugurates a hallowed creative space for artists in Soho and christens it with a new name, The Combine, at 112 Greene Street in Soho.

The theme of the show, “Work to Do” pays a tribute to words and works of the new president in this land, and Afrika Bambaataa has written a new song with the same name, which he’ll be performing when he reunites with the Soulsonic Force at the opening.

See more about the show and our interview with Royce here.

“We have to work like our future depends on it, because it does” – Barack Obama

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Fountain Art Fair Rocks the Boat

Brooklyn Galleries are in the House(boat) on the Hudson

From the moment you jog across the roaring West Side Highway and dodge the racing rollerblader lane

to step onto the lurching dock, the Fountain Art Fair let’s you know that it’s not going to be a typical ride. In it’s third year, the unofficial Anti-Armory floating fair on Pier 66 features independent and non-traditional and street artists and their works.

Ahoy, Matey!

9 galleries are participating this year, including a Glowlab fund-raising mini-gallery that’s helping street artist Swoon mount a new floating spectacular exhibit in the sea, this time it will navigate the Adriatic Sea from the Karst region of Slovenia to Venice, Italy in May of 2009.  Artist Greg Haberny takes over the entire McCaig Welles booth with a cacophonic explosion of patriotic symbolism and corporate indictments in a decidedly not tongue-in-cheek installation called “The Donkey Party Game”. And AdHoc uses their wallspaces to spread the love of color, pattern, symbols and the police state with floor to ceiling installations done by Peripheral Media Projects (PMP).

Sure to entertain, the fair, mounted on a floating barge with an insecure-looking infrastructure, is by turns perplexing and powerful, frank and beguiling… just what you might expect from places that favor the art renegades.

Artists like Maya Hayuk, Royce Bannon, and infinity are part of the

Artists like Maya Hayuk, Royce Bannon, and infinity are part of the Swoon flotilla benefit. Raffle tickets are being sold to win a custom Swoon piece. (photo Steven P. Harrington)

The Donkey Party Game installation really rocks the houseboat.  Artist Greg Haberny

The Donkey Party Game installation really rocks the houseboat. Artist Greg Haberny (photo Steven P. Harrington

Police, Crowns, Purple Heads... the unusual fair (Peripheral Media Projects) (photo Steven P. Harrington)

Riot police, Crowns, Purple Heads... the unusual fair (Peripheral Media Projects) (photo Steven P. Harrington)

For more on Fountain take a look at NY1’s local news story

Fountain Art Fair

Participating Galleries

Ad Hoc Art – Brooklyn
Definition Gallery – Baltimore
Front Room – Brooklyn
Glowlab – New York
Leo Kesting – New York
McCaig-Welles – Brooklyn
Soundwalk – New York
Stuart Shepherd – New Zealand
Vagabond Gallery – New York

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First Splash from the “Street Crush” show

A Kisser-Packed Spectacular

Martha Cooper “Next I caught the L out to Greenpoint where Alphabeta was having a very cool (or should I say hot?) Valentine’s bash complete with a Kissing Booth and Strippers.”

Hrag Vartanian “Nothing like a blindfolded burlesque dancer twirling a hola-hoop in front of a wigless drag queen..

It’s kind of hard not to have fun when you are surrounded by art, artist, homies, kissers, and ladies with sequined tassles hanging from the ceiling.

Fun Valen-Times, a perfect street art/ graffitti marriage, and a mash-up of cultural influences swirling around that may not have happened since chocolate met peanut butter. No time to go into it all right now so here’s a few pics to sate your appetite.

But it is never too early to express a heartfelt Thank You to all the street artists, the burlesque performers, the djs, the projectionists, the electronic drummers, the kissing booth builder, the Kisser volunteers, and the family of Alphabeta.

Aiko (Detail)

"Girls Can Play" by Aiko (Detail)

Jes

Kissing Booth Happy; The show reflected in Jess's smile.

"Girl With No Thumbs" (Detail) by Broken Crow

"The Girl with No Thumbs" (Detail) by Broken Crow

Nasty Canasta and Mimi the Clown (photo Steven P. Harrington)

Nasty Canasta and Mimi the Clown (photo Steven P. Harrington)

"Wild In the Street" (detail) by Jef Aerosol

"Wild in the Streets" (detail) by Jef Aerosol

Jus

Kissing Booth Fun

ti

Tigger! and Madame Voulez-Vous debate the necessity of clothing.

s

"Sex Sells" (detail) by Royce Bannon

Harvest

Harvest Moon flies above the crowd (photo by Kat)

ti

"Mam'zlle de mon reve!!" (detail) by Titi from Paris

crowd

What did he just say? I can't look, but I can't stop staring.

Clams

Clams Casino Elegance

The gallery is open till the 28th!

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“Work to Do” show at 112 Greene Street

Royce Bannon and a diverse team of talented street artist/graff writers are taking the challenge seriously: Revive the artists’ space in Soho that boasts a proud history and restore it to the constructive, collaborative, democratic roots of a real artists’ community; one that will have a mission of giving back, as well as re-establishing a laboratory for discovery.

These are times for bold actions of hope, and all hands are on deck for a show opening this month called “Work to Do” at 112 Greene Street in Soho, a place that first flourished in the years before the Reagan Revolution.

Read the Brooklyn Street Art Post for this event here

A Monstrous Welcome to a New Era for 112 Greene Street (Royce Bannon)

A Monstrous Welcome to a New Era for 112 Greene Street (Royce Bannon)

Endless Love Crew

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“Street Crush” coming up Feb 13 at Alphabeta

Whassup Brooklyn!

This show is going to be off the hooker.

It’s for all the fans, that’s you. 42 artists, that’s all we gotta say, and lots of fun because it is all about community, and creativity, and love.

You’ll be hearing more about it as we get closer – in the meantime read all about it here in the calendar.

And In Preparation for Street Crush…

And for those of you who will want to be practicing up on yer def mooves for the Ladaays of the Eightaaays – here is an instructional video below. Stand up in front of your computer please and practice according to the directions.

I only needed like two minutes and I totally got it. Some other people (no names please, people) may want to view it in it’s entirety.

“Street Crush” Press Release Here

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“Street Crush” Street Art Show at AlphaBeta

STREET CRUSH:
Sexy New Work from the Street Artists
You Have a Crush On.

A Show for the Fans.

“Street Crush” a Brooklyn Street Art show and party, featuring brand new work by 42 street artists, 4 dazzling Street-Tart burlesque performers, and a Kissing Booth will be thrown at AlphaBeta in Greenpoint, Brooklyn on Friday, February 13th, 2009.

BROOKLYN, NY-BrooklynStreetArt.com and AlphaBeta are thrilled to be hosting a timely and sexy show of brand new art by veteran and rookie street artists who are on the scene today redefining our ideas of street art. Working around themes of “Love, Sex, and the Street”, well-known street artists like Aiko and Jef Aerosol dig deep for fresh takes on gritty street ardor alongside relative whipper-snappers like Cake and Poster Boy.

In addition to a salon-style show, the opening party will feature live art collaborations and installation.

Full Press Release HERE

THE STREET ARTISTS You Have a Crush On

An unprecedented killer lineup of many of 2009’s best in one Brooklyn location, “Street Crush” will run from February 13 until February 28 and will feature work from an artist list that includes:

Aakash Nihalani, Abe Lincoln Jr., Aiko, Anera, Bortusk Leer, Broken Crow, C. Damage, Cake, Celso, Charm, Chris Uphues, Creepy, DirQuo, Ellis Gallagher A.K.A. (C)ELLIS G., Eternal Love, FauxReel, FKDL, General Howe, GoreB, Imminent Disaster, Hellbent, Infinity, Nobody, Jef Aerosol, Jon Burgerman, Matt Siren, Mimi the Clown, NohJColey, Pagan, PMP, Poster Boy, Pufferella, Pushkin, Chris from Robots Will Kill, Col from Robots Will Kill, Veng from Robots Will Kill, Royce Bannon, Skewville, Stikman, The Dude Company, Titi from Paris, and U.L.M.

STREET CRUSH SHOW OPENING INFORMATION

Friday, February 13, 2009, 7-12 pm
Press Preview by appointment

Location: Alphabeta, 70 Greenpoint Avenue
Greenpoint Brooklyn, New York 11222
Suggested Donation: $8

For more information on Brooklyn Street Art and to see images of the “Street Crush” artworks in the days before the show please visit http://www.BrooklynStreetArt.com

CONTACT: Crush@BrooklynStreetArt.com

THE PERFORMERS

To entertain the Opening Party street art fans, exotic passions will be alerted with Street-Tart Burlesque performances by 4 of today’s award-winning NYC burlesque artists – thrilling, titillating, and Twitterpating the audience in the back-room gallery at AlphaBeta. The rollicking rollcall includes Nasty Canasta, Clams Casino, Harvest Moon, and your MC, Tigger!

THE KISSING BOOTH

A funky loveshack built by artist and set-designer J. Mikal Davis and lorded over by Madame Voulez-Vous, will awaken furtive crushes in the crowd AND raise funds for Art Ready, a mentoring program created by SmackMellon Gallery to serve NYC High School students who are interested in the arts.

For more Information about the Art Ready program for New York City high school students, please visit: http://www.smackmellon.org/education.html

MUSIC

Live DJ sets by DailySession.com will be pumping and streaming live from the “Street Crush” event over the internet all night.

The featured Street Crush DJ will be Jessee Mann, a Williamsburg hottie and self-professed music nerd who plays weekly at Bembe and has mooved booties all over the whirl.

Look out for a special performance by electronic drummer Kamoni, who flagellates the street-sin out of you with a solo live audio collateral collage of beats, sounds, and samples on stage. yeow!

AFTER PARTY AT COCO66 NEXT DOOR

Immediately following the “Street Crush” show opening, guests are invited next door to continue celebrating their new found love at Coco66 and the 68 bar/restaurant, where the booty-shaking music continues and site-specific installations by 2 Brooklyn projection artists, SeeJ and SuperDraw, will blow minds with their original forays into the next horizon on street art.

BIOS OF THE PERFORMERS

DJ Jesse Mann

Jesse’s musical style encompasses all that is soulful and funky, incorporating familiar sounds with obscure forgotten classics and upfront remixes. In a single DJ set he can travel effortlessly between vintage funk and disco to Afro-Latin grooves, house, techno, hip-hop, and everything in between.
His DJing career has taken him far and wide in the last nine years; Paris, Berlin, Vienna and England, to San Francisco, Miami, and Puerto Rico. He has played at many of NYC’s biggest and most revered clubs, its most chic and exclusive lounges, and its most intense underground parties. Favorites include APT, Cielo, Limelight/Avalon, Love, Sullivan Room, Hotel QT, Socialista, Goldbar, Lunatarium, 3rd Ward, Cabaret Sauvage (Paris), Batofar (Paris), Watergate (Berlin), Roxy (Vienna). Currently Jesse is resident DJ at Bembe weekly with the BodyMusic party.

Download his mixes at:
http://www.jesse-mann.com/mixes.html

Live Electronic Drumming

Kamoni
Kamoni is a Brooklyn based sound designer, live performer and sonic experimentalist. His work encompasses everything from live electronic shows to commercial music production and sound library development. Kamoni has acquired numerous credits on TV, film and animation soundtracks while consulting with music software pioneers such as Ableton and Native Instruments. He launched Puremagnetik in 2006 and his work has been featured in Electronic Musician, Sound on Sound, XLR8R, Remix, Computer Music, Knowledge, Keys and numerous other publications.

See an example of Komoni’s work here: http://www.youtube.com/watch?v=PBPSRJAaubg

Street-Tart Burlesque Performers

Tigger!

Tigger! (the MC) is The Original Mr. Exotic World! – Best Boylesque 2006 at The Burlesque Hall of Fame in Las Vegas. Winner of Four Golden Pastie Awards including “Performer Most Likely to Get Shut Down by the Law” and “Most Unpredictable Performer.”, and “the King of Boylesque.” The New York Times called him a “hysterical and acrobatic man in drag,” Next Magazine called him “the taboo-defying dynamo,” and San Francisco tried to ban his striptease.

Tigger! has a MySpace page here:
http://profile.myspace.com/index.cfm?fuseaction=user.viewProfile&friendID=16832866

Nasty Canasta

Nasty Canasta is the co-producer of Pinchbottom (“Best Burlesque in NYC” – NY Magazine, “Most Innovative” – Miss Exotic World Pageant) and the impresario behind Sweet & Nasty Burlesque. Her performances combine classic burlesque, pop culture, and a theatrical sensibility to create a dazzling mummery of perplexing proportions. The reigning Cheese Queen of Coney Island, Nasty is, quite possibly, too damn clever for her own good.

Nasty Canasta can be found here:
http://www.nastycanasta.com/

Harvest Moon

Harvest Moon otherwise known as the Sultry Siren of Burlesque has been sauntering on burlesque stages since 1995. She has performed in Sydney, Paris and many cities in the US. She is founder of award-winning troupe, The Cantankerous Lollies. In the summer of 2008, Harvest toured the Netherlands and Italy in a special showcase of American Burlesque “Cabaret New Burlesque”. From her homebase in New York City she continues to push the frontiers of modern Burlesque with each new act.

Miss Harvest Moon’s website is here:
http://missharvestmoon.com/

Clams Casino

Clams Casino has been called a “Burlesque Queen” by the New York Times, and is the proud winner of the awards for Most Comedic and Most Innovative at the 2008 Miss Exotic World Pageant in Las Vegas. Clams is the co-producer of the Gameshow Speakeasy at the Slipper Room, AM Gold at Coney Island, Killer Queen Burlesque and Borderline Burlesque:Midnight Madonna Madness at the Zipper Factory, and many other pop-culture obsessed burlesque shows around New York City and the Eastern Seaboard.

Miss Clams Casino can be found here:
http://www.missclamscasino.com/home.html

PREVIOUS EVENTS from BrooklynStreetArt.com

An on-going celebration of the creative spirit, BrooklynStreetArt.com presents “Street Crush” as the 4th street art event thrown in the last 10 months.
Previous events include;

* April 2008: a benefit street art auction of work by 27 street artists at Ad Hoc Art in Bushwick that raised money for the youth and family creative arts and mentoring programs of Free Arts NYC (www.freeartsnyc.org) and launched the book “Brooklyn Street Art” published by Prestel worldwide and authored by Steven P. Harrington and Jaime Rojo.

See highlights on Youtube:http://www.youtube.com/watch?v=OP3by_SolwA

* May 2008: a street art showcase of 10 street artists at Fresh Kills in Williamsburg also benefiting Free Arts NYC,

* Sept 2008: “Projekt Projektor”, a first-ever curated show of projection artists as street artists in a live show by 6 projection artists on the side of the Manhattan Bridge and the Pearl Street Triangle during 2 nights of the Dumbo Arts festival on September 26 and 27.

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Two Andrews talk about “From the Streets of Brooklyn”

An unprecedented show of Brooklyn street art starts off 2009 at ThinkSpace gallery.

Bam! The year has barely started and the momentum from the previous giant year for street art blows clear into January with a new show of 50 artists from the streets of Brooklyn.

ThinkSpace Gallery, a warm-hearted community space and home of rockin’ shows in L.A. since 2005, plays host to it’s brothers and sisters across the continent with a salon-style show of street artists, graff writers, a hot photographer, and live on-the-street work by the chalk artist from BK.

In the middle of the installation craziness, the curator of the show, Andrew Michael Ford (gallery director at Ad Hoc), and Andrew Hosner (co-founder of ThinkSpace), talked with Brooklyn Street Art about the show:

BSA: So how did AdHoc and ThinkSpace hook up to do this show?

Andrew Hosner: Andrew and I have been friends for a while, and met while he was still doing some curating before hooking up with the Ad Hoc crew. One day we were just shooting the s**t about some show ideas and I tossed out the idea of bringing Brooklyn to Los Angeles…

Andrew Michael Ford: I’ve followed what ThinkSpace shows for quite some time and I was always very impressed with the work. I also have always felt that the folks who run ThinkSpace and myself have very similar tastes as far as curating art goes. Something like this has been talked about or at least thought about for quite some time and when Thinkspace approached us about doing it I felt like it was the right place and right time.

BSA: Is it a kind of East-West cultural exchange?

Andrew Michael Ford: The show is about bringing a large group of Brooklyn street artists and graf writers to Los Angeles. We haven’t discussed bringing LA artists to Brooklyn but I would be open to talking about something like that for the future.

Thundercut (courtesy ThinkSpace and AdHoc)

Thundercut (courtesy ThinkSpace and AdHoc)

BSA: Brooklyn’s streetscape is pretty dense and is largely accessible by foot. Do you think the L.A. scene is more spread out? How do the two differ, in broad strokes.

Andrew Michael Ford: I have never been to LA but I heard you need a car to get anywhere out there so I assume it’s gotta be pretty spread out.

Andrew Hosner: I think you nailed it on the head, Brooklyn is much more condensed and has more of a community vibe to it I feel, whereas LA is the true meaning of urban sprawl, being one of the most spread out and varied big cities out there. There’s no real community vibe, save for lil’ pockets here and there, but the breadth of the city kind of goes against the notion of all that.

Dan Witz "Scott" from show "From the Streets of Brooklyn" (courtesy ThinkSpace and AdHoc)

Dan Witz "Scott" from show "From the Streets of Brooklyn" (courtesy ThinkSpace and AdHoc)

BSA: Maybe this is impossible to put your finger on, but what would be a couple of characteristics that distinguish Brooklyn street art from other cities in the world?

Andrew Michael Ford: For me it started in NYC. I mean, graf started in Philly but really came into it’s own in NYC. I just don’t see that kind of history anywhere else. I see the lineage of graf into street art and that is why so many graf writers have been invited to this show. It’s not just about who is doing a lot of street art. It’s about who is getting up and staying in the streets of Brooklyn regardless of tools being used. I don’t like it when street artists from other cities look at graf here in NYC as some kind of background for their work. It’s a massive slap in the face to all graf writers. Brooklyn street artists have a lot more respect for graf than street artists I have met from other cities, especially from Europe. Maybe that’s the thing that distinguishes what’s going on in the streets of Brooklyn from other places.

Imminent Disaster (earlier work) (courtesy ThinkSpace and Ad Hoc)

Imminent Disaster (earlier work) (courtesy ThinkSpace and Ad Hoc)

BSA: You are showing a LOT of artists…did you have enough (Think) Space?

Andrew Hosner: Hahaha… it will be a very packed show hung salon style, going off of color palette and style. Should look amazing, but it is going to be a visual overload for sure. Patrons will be overwhelmed by Gaia and Rachel Lowing’s thought provoking install immediately upon entering the gallery, then passing through the entry area will be met by a tidal wave of artwork, coming at them from all directions, floor to ceiling… before turning the corner into our project room in the back where Disaster’s massive undertaking will greet them.

BSA: A bit like herding cats?

Andrew Michael Ford: Not really. Honestly, everyone involved believes in this show so much and have been very supportive and helpful in putting it all together.

Matt Siren (courtesy ThinkSpace and AdHoc)

Matt Siren (courtesy ThinkSpace and AdHoc)

BSA: Will you have time to give Mr. Ford a tour of the sickest sites while he’s there?

Andrew Hosner: It’s hard to say since the focus will be our show, but hopefully on Saturday after the show has passed we will get out to see some of the hotter spots about LA to enjoy works outside. With so many coming to town for the opening, there’s a good chance we’ll be able to watch some of Brooklyn’s finest… cool thing is, all will be able to watch Ellis G. on opening night doing his thing on our block, and I can’t wait for that.

Andrew Michael Ford: I would love to see some stuff by Saber if possible. But really anything good being done would be great to check out.

Ellis G. (courtesy Ad Hoc and ThinkSpace)

Ellis G. (courtesy Ad Hoc and ThinkSpace)

BSA: The Brooklyn scene keeps evolving rapidly; what is one trend that you are seeing that is telling you about the future?

I see more and more people throwing up wheatpastes in the streets that I don’t feel are well executed or well placed. I mean, there is room for everything and I love to see what people feel they need to put up but it does worry me sometimes when I see tons of poorly crafted wheatpastes thrown all over the place with no thought to where it is being placed or the quality of the imagery they are producing. I would just like to see people take a little more time in the creation of their art and in the selection of the spots they decide to hit.

Elbow-Toe (courtesy ThinkSpace and AdHoc)

Elbow-Toe (courtesy ThinkSpace and AdHoc)

BSA: Whose work is exciting to you right now, and what does it say to you?

Andrew Hosner: I love the work of Elbow-Toe, whose work is really a statement on the state of things in our society right now. His every man piece is by far one of the most powerful and extremely well executed works of this past year. You can look at that work 20 years from now and know that it was referencing the economic struggles were going through currently, while also hinting at the 1st great depression. Powerful work.

Also very inspired by the works of Imminent Disaster, due to her strength in so many different creative outlets… Chris Stain also is someone who should be looked up to. Thought provoking work and just a great overall cat.

Stikman (courtesy ThinkSpace and AdHoc)

Stikman (courtesy ThinkSpace and AdHoc)

Andrew Michael Ford: I think that street art needs to interact with the space where it is placed (good placement is key) and it needs to engage the viewer. Working big can sometimes do this but sometimes it can be a big massive nothing. It’s tough to point to a specific artist but if I had to pick one I can say I’m really intrigued by what the artist Stikman does, as he uses a wide variety of mediums and techniques and always catches you off guard with the placement of his work. Very smart work.

Anera (image by Luna Park) (courtesy Luna Park, ThinkSpace and AdHoc)

Anera (image by Luna Park) (courtesy Luna Park, ThinkSpace and AdHoc)

BSA: What impression do you think the gallery-goer in L.A. is going to come away with about the Brooklyn street art scene?

Andrew Michael Ford: That’s a great question but sadly one that I have no answer to. I haven’t got a clue what kind of reception we will get when we arrive. I am hoping this can be a positive experience for everyone involved.

Andrew Hosner: I hope they come away feeling inspired and filled with the desire to visit the streets of Brooklyn in person, so they can experience these works as they were originally meant to be, and also feel compelled to explore the works of each in the show further, hopefully coming away with a new favorite that they will watch in the years that lay ahead.

I think many will also be surprised at the sheer breadth and quality of work on view – it is definitely an eye opener type of exhibit. Hopefully this will help to open their eyes to the beauty that is all around them in Los Angeles and abroad. So many walk through their city with blinders on, and it really is a revelation when you start to take in and appreciate the work of urban artists.

ThinkSpace Gallery

AdHoc Art

From the Streets of Brooklyn

More stuff on ThinkSpace and Andrew Hosner from the art collector blog

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