All posts tagged: Rome

NEMO’S “Mafia Capitale” on a Pork Slaughterhouse Outside Rome

NEMO’S “Mafia Capitale” on a Pork Slaughterhouse Outside Rome

Oh, don’t be maudlin, dearies, it’s just a lengthwise naked man whose head is being sliced off into gold medallions.

Nemo’s is back on BSA with a new piece of a man in pieces.

Mafia Capitale speaks to what the Italian Street Artist says is a confluence of organized crime, human trafficking, and a former pork slaughterhouse.

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NemO’S process shot. Rome, Italy. (photo © courtesy of NemO’S)

The ex factory is home to many immigrant families who took it over a few years ago to make homes inside; without permits, electricity, heat, water. In 2012 two imaginative film directors became conduits of creativity and christened it the Metropoliz Space and introduced interactive art projects to draw the newly formed community together and provide artful diversions.

Mafia Capitale is both the name of Nemo’s new piece and the organized crime group in Rome newspapers for the last 15 years who stood accused of a variety of crimes such as “extortion, usury, bribery, false billing, fraudulent transfer of assets, money laundering and other crimes,” says the artist.

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NemO’S process shot. Rome, Italy. (photo © courtesy of NemO’S)

Most significant to this painting is the crime organization’s alleged profiting from trafficking immigrants. Nemo’s says that one of them was reportedly caught on a wiretap saying, “do you realize how much I can earn on immigrants? Drug trafficking doesn’t make this much! …”.

The stories Nemo’s can tell you are intricate and dizzying, and again his mural is painful and truthful – and a little bit funny. Don’t you admire the ladder on top of the car?

Before we go, please look at the video series created by Giorgio De Finis and Fabrizio Boni of Metropoliz Space to see the immigrants creating a new life inside this old factory and the intersection with art and imagination – and a space rocket. It’s worth your time.

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NemO’S process shot. Rome, Italy. (photo © courtesy of NemO’S)

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NemO’S. Rome, Italy. CLICK ON IMAGE TO ENLARGE (photo © courtesy of NemO’S)

“I created Mafia Capitale on na outside wall of Metropoliz and it’s a self-financed project, built without permits and sponsors,” says Nemo’s.  “The project was wanted and curated by Giorgio De Finis e Michela Pierlorenzi.”

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Thomas Canto at Wunderkammern; Abstractions and Graffuturism in Space

Thomas Canto at Wunderkammern; Abstractions and Graffuturism in Space

For his first Italian solo show Still Lifes of Space Time, Thomas Canto is creating a site-specific installation at Wunderkammern and hoping to take the audience into a more participatory experience of dimension. Using video projection mapping the planes intersecting and turning will produce a 3 D effect inside the gallery that may evoke how a pedestrian experiences the navigation of an urban environment. Though not explicit in the show’s description, you will see similarities to the current Street Art movement some are calling graffuturism.

 

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Thomas Canto. Still Lifes of Space Time. Wunderkammern Gallery, Rome, Italy. (photo © Wunderkammern)

Canto told Alessandra Ioalé in Street Art Attack last year that he learned about color and gesture through graffiti and by looking at the work of graffiti artists like Futura 2000, Lokiss, Mode 2 and other American graffiti legends. “Quickly developing interest for other tools and techniques, I was soon to deviate, switching from spray-can to brushes, from wall to canvas whilst keeping urban themes drawn from graffiti, “ he said.

“The oversized shapes of the tags will mutate in vortexes and abstract universes and the walls will turn into infinite cities.” In addition to his early graffiti influences he says he draws influences from Constructivism, Suprematism, Op Art and Urban Art.

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The linear construction process: The artist in action on the wall for a client (photo © courtesy Robin Soulier Consulting)

Canto’s abstractions and entangled framed planes work well outside as much as the gallery and he created installations last year for the Nuit Blanche in Paris the Outdoor Urban Art Festival in Rome. The French artist will also present new mixed media artworks of painted wood and canvas incorporating nylon wires and plexi-glass boxes and a limited edition lithograph will be released along with a critical essay by Achille Bonito Oliva.

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Thomas Canto. Still Lifes of Space Time. Wunderkammern Gallery, Rome, Italy. (photo © Wunderkammern)

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Thomas Canto. Still Lifes of Space Time. Wunderkammern Gallery, Rome, Italy. (photo © Wunderkammern)

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Thomas Canto. Still Lifes of Space Time. Wunderkammern Gallery, Rome, Italy. (photo © Wunderkammern)

 

Thomas Canto’s Still Lifes Of Space Time is currently on view at Wunderkammern Gallery, Rome, Italy. Click HERE for more information.

 

 An earlier project from the artist called Parallax Immersion

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Our Moment of Need: Herakut in Rome

Our Moment of Need: Herakut in Rome

Herakut is in Rome for their current exhibition with Galeria Varsi, “Santa Miseria”. A quote they use on the gallery wall is also repeated here on the exterior wall of a building for this new mural in Tor Pignattare . The duo like to collect personal stories and re-tell the moment they were relayed to them.

In this case a powerful sentiment, an observation that the human response to the suffering of another is often immediate and even overwhelming – but not always, and not sustained. We reflect on this observation drawn from another and appreciate that Herakut brings it to the fore.

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Herakut. Rome, Italy. September 2015. (photo © BlindEye Factory)

“Each individual is portrayed with the exact gaze and breath of the instant in which they narrate their experiences to the artists. This powerful moment of interaction gives viewers the chance to feel the strength of those who in life have learned to move on, to overcome their difficulties and to start living again,” says the show description.

The texts on the mural wall read;

“In our moment of need we rely on the family of humans. I wished we could remember these family bonds in our moments strength”

“Nei nostri momenti di bisogno ci affidiamo alle persone come famiglia, sarebbe bello se potessimo ricordarci di questi legami anche nei momenti di forza”.

~Herakut

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Herakut. Rome, Italy. September 2015. (photo © BlindEye Factory)

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Herakut. Rome, Italy. September 2015. (photo © BlindEye Factory)

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Herakut. Rome, Italy. September 2015. (photo © BlindEye Factory)

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Herakut. Rome, Italy. September 2015. (photo © BlindEye Factory)

This mural is part of the STREET HEART PROJECT, curated by Marta Gargiulo, Massimo Scrocca and Marco Gallotta.

Thank you to Blind Eye Factory for sharing these exclusive images with BSA readers.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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BSA Film Friday: 10.02.15

BSA Film Friday: 10.02.15

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Shepard Fairey: Natural Springs.
2. West One: Future Communication
3. Monica Canilao: Alchemy. Detroit
4. Herakut in Rome by Blindeye Factory

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BSA Special Feature: Shepard Fairey: Natural Springs.

Jersey City hosted Shepard Fairey a couple of weeks ago at MANA Contemporary and naturally he chose this huge wall with a high profile to host his image entitled Natural Springs. If you are going to do a subtle lambasting of the oil economy where better than a location visible to the millions of drivers traveling between Jersey City and Manhattan via the Holland Tunnel.

 

Shepard Fairey: A Steady Drumbeat Inside and Out on BSA

West One: Future Communication

This promo for a show with West One without words calls for the rise of a third way (or fourth or fifth) that draws connection to graffiti of our earliest days of mark-making and movements of today employing symbol, shape, line to communicate in a monochromatic mode.

 

Monica Canilao: Alchemy. Detroit

As Detroit is settled by the artists you see the movement here from other cities has reached the former Motor City in this group show featuring the spirit of D.I.Y and re-imagining our empty neglected spaces as stages for aesthetic creation. This long video advertises an upcoming group show with Monica Canilao at the center describing a vision of alchemy.

Herakut in Rome by Blindeye Factory

Promoting their gallery show in Rome the german duo Herakut created this wall in Tor Pignattare forte  STREET HEART PROJECT, curated by Marta Gargiulo, Massimo Scrocca and Marco Gallotta.

“In our moment of need we rely on the family of humans. I wished we could remember these family bonds in our moments strength”
Herakut.

“Nei nostri momenti di bisogno ci affidiamo alle persone come famiglia, sarebbe bello se potessimo ricordarci di questi legami anche nei momenti di forza”. Herakut.

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BSA Film Friday 07.17.15

BSA Film Friday 07.17.15

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Roma Street Art Tribes as Captured by Dioniso Punk

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BSA Special Feature: Roma Street Art Tribes as Captured by Dioniso Punk

Gwen Stacy Parts I and II

Disorderly, discordant, and richly chaotic, these two videos are centered around the Italian street art paintings and artists whom you will recognize from our earlier postings on community/gallery organized urban art programming – but within the context of historical art publicly displayed, peoples movements, patronage, fascism, the classics.

Dioniso Punk allows everyone to talk – neighbors, artists, organizers, curators, public philosophers, elected officials, psychologists, sociologists, entrepreneurs, posers, professors, historians, students, an opera singer, the petite bourgeoisie, international visitors and hapless puzzled opinionated locals.

Discussions at panels cut into impassioned discussions by senior women in the courtyard or didactic examinations in the street – some for illustration, others for whimsy, none to be ignored. More of a fact finding mission than cogent analysis, you may find it difficult to follow the narrative and so it is better to let go and allow yourself be battered by the insights and observations delivered with the jumpy cuts and uncompleted thoughts and discussions, preferring instead to sink into the tribe of the humans, here selectively displayed for your pleasure and hopefully, edification.

(turn on the CC (closed captioning) if you do not speak Italian)

 

Featuring interviews with Solo, Gaia, Diamond 0707, Maupal, Best Ever, Bol23, Jerico, Guerrilla Spam Sen One, Sabrina, Dan, Stefano Antonelli (999 Contemporary,) Marta Ugolini (Galleria Ca’ D’Oro), Agathe Jaubourg (Pasolini Pigneto), Alìn Costache (YUT!), Edoardo Martino (Villaggio Globale), and Eleonora Zaccagnino (Acid Drop).

Special Guests: Mp5, Alice Pasquini, Mr. Thoms, Jessica Stewart, Sandro Fiorentini (La Bottega del Marmoraro).

Murals by Blu, Roa, Borondo, Etam Cru, Space Invaders, C215, Hogre, Herbert Baglione, Sten & Lex, JB Rock, Ernest, Pignon-Ernest, Etnik, Axel, Avoid, Sbagliato, Jim Avignon, Fin DAC, Jef Aerosol, Seth, Zed1, Ericailcane, Clemens Behr, Caratoes, Momo, Derek, Bruno, Kid Acne, Mto, Alexey Luka, Tellas, Moby Dick, Philippe Baudelocque, Mr. Klevra, Lucamaleonte, Diavù Kocore, Agostino Iacurci, Danilo Bucchi, Jaz, Desx, Reka, Lek & Sowat, Hopnn, Matteo, Basilé Alberonero, Ex Voto, Andreco, Moneyless, Nicola, Verlato, Ludo, L’Atlas, Escif, and Pepsy Zerocalcare.

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BSA Images Of The Week 05.31.15

BSA Images Of The Week 05.31.15

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So here’s our weekly interview with the street, this week featuring A Visual Bliss, Amok Island, Banjo, BD White, Betty Page, Corografico, D7606, Daek, Deal9, El Sol 25, Likes, Maupal, Nepo, and QRST.

Top image above >>> QRST (photo © Jaime Rojo)

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BD White trolls the selfie addicted sort. The subject on this image seems too old to be either Adonis or Narcissus but you get the point. (photo © Jaime Rojo)

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Banjo. Speaking of being addicted to selfies…and Narcissus for that matter we call her “Vanity”. (photo © Jaime Rojo)

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Deal9…a totally different world from the one above… you draw the conclusions. (photo © Jaime Rojo)

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D7606…was Betty Page a feminist? (photo © Jaime Rojo)

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El Sol 25. Cleo certainly was…but then she fell for a Roman… (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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Daek. Detail. (photo © Jaime Rojo)

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Amok Island (photo © Jaime Rojo)

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Amok Island (photo © Jaime Rojo)

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Nepo and Corografico collab. (photo © Jaime Rojo)

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Likes (photo © Jaime Rojo)

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A Visual Bliss (photo © Jaime Rojo)

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Maupal painted the map of a fictional town on a Wall in Rome. (photo © Maupal)

Maupal created this fictional town on wall in Rome this month, and here he gives you a tour:

“As you can see from the picture, in #soulcity, life is depicted as it is a small city surrounded by “the river of death” (il fiume della morte ). To enter the burg, you have to pass though the only one entrance of the town, the Arco della nascita, “the Arc of birth” signed by an arrow. The Muro del parto (“the offstring-wall”) divides what is life from what is not.

From the moment when one comes to the world, there is only a single one way road that he/she can take, the Boulevard of Childhood (viale dell’Infanzia). From that point onwards, everybody can choose their own path to follow from several routes available. The choices that individuals make at this point will shape their personality throughout their adulthood. As a consequence of the experiences one makes in life, and at a certain time in their life, a person may lean towards one neighborhood that will suit them in that moment but not necessarily want to remain there for life.

For this reason, I didn’t simply name the streets, I included some infrastructures in the varying regions of #soulcity. In addition, I also delimited thematic boulevards. From adolescence on, some people choose to take the boulevard of the culture and reach the University (symbolized by a golden brain) and the airport of freedom. Some others follow the boulevard of perdition and get forced into the “liars jail” – il carcere dei bugiardi. Others choose the artistic path leading to the Creativity museum or the lunapark of surreal or turn to the boulevard of religious believe.

Whatever one’s choices in life, love is the core of life. For this reason, I put it as the only one square of the #soulcity, as well as the biggest crossing point of life and neighbourhoods. The fontain of infinite is the symbol with the sex statue is the key of life.

I believe that life is based on one’s choices and experiences, but family, society and memories have a weight, too. With this purpose, I also created three shortcuts such as the sentiero dei rimproveri (“the shortcut of reproaches”) in the parents’ park (which could lead one to the boulevard of arts) and the grandparents’ playground with the lake of memories. Finally, the shortcut fuga dei cervelli pushes the young generations’ inventive to fly away from one’s country to get a better future abroad.

This last element is a strict reference to my other street artpiece named #esodati, in which I depicted Romulus and Remo with trolleys, searching for a better future abroad. (see foto attached “#esodati foto ufficiale”).

Finally, I am conscious that life is also limited by the length of time one has on this earth and no matter what path you choose, death is at the end of every way. For this reason, the whole city is surrounded by the River of Death, il Fiume della Morte. Making the right choices in life may help you be remembered after death through your life’s work and actions, which is possible by crossing the different bridges in town.”

The wall is part of a slaughterhouse building complex and is shared between the MACRO Testaccio Museum of Contemporary Art and the Architecture Department of Roma3 University.

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Maupal painted the map of a fictional town on a Wall in Rome. Detail. (photo © Maupal)

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Maupal painted the map of a fictional town on a Wall in Rome. Detail. (photo © Maupal)

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Maupal painted the map of a fictional town on a Wall in Rome. Detail. (photo © Maupal)

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Untitled. Brooklyn, NY. May 2015 (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Dulk Illustrates Out on a Limb in Rome

Dulk Illustrates Out on a Limb in Rome

Antonio Segura Donat, aka Dulk is an illustrator and graphic designer from Valencia, Spain who is now also known in many cities for his painting in the street. Since copying images in encyclopedias as a kid, he continues to love drawing and painting animals, exaggerating their features and personalities to tell fantastical stories. While he is part of a graffiti crew called Wildcans and he did some writing for a while as a teen, he remains more committed to his work as an illustrator these days.

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Dulk at work. (photo © @blindeyefactory)

Dolk says he says he “enjoys creating characters and stories based on his own dreams and everyday events, mixing fact and fiction, with a touch of pop surrealism,” according to his bio, and with these kind of skills you can easily imagine how Dulk will be doing a children’s book one of these days, as it appears that his work originates with a childlike imagination. In fact he and his brother illustrated a book based in Brussels a few years ago that gives a better idea of his small-scale drawing talent.

Here you can see Dulk’s initial outlines on the wall before his inhabits them with color and volume. The new wall is part of “Street Heart,” a project sponsored by the 5th Municipality of Rome, curated by Marta Gargiulo and Varsi Gallery along with Massimo Scrocca and Marco Gallotta.

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Dulk at work. (photo © @blindeyefactory)

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Dulk at work. (photo © @blindeyefactory)

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Dulk at work. (photo © @blindeyefactory)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Etnik’s Geometric Forms Popping Off in Rome

Etnik’s Geometric Forms Popping Off in Rome

Furthering his examination of geometric forms interacting in a multi-dimensional field, Etnik creates this new mural in a Roman neighborhood in full view from your terrace. The cube forms emanate forward from a central gravity mass toward the viewer, popping off the enormous sky-blue canvas.

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Etnik. Street Heart. Rome. April 2015. (photo © Blind Eye Factory)

The wall is part of a project sponsored by the 5th Municipality of Rome Capital, on a building at Via Bartolomeo Perestrello. Initiated by a gallery in Tor Pignattara, be sure to check out the video of Etni in action at the end of the post.The “Street Heart” project is curated by Marta Gargiulo and Varsi gallery along with Massimo Scrocca and Marco Gallotta.

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Etnik. Street Heart. Rome. April 2015. (photo © Blind Eye Factory)

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Etnik. Street Heart. Rome. April 2015. (photo © Blind Eye Factory)

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Etnik. Street Heart. Rome. April 2015. (photo © Blind Eye Factory)

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Etnik. Street Heart. Rome. April 2015. (photo © Blind Eye Factory)

 

 

Etnik in Rome from Blindeye Factory

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Hitnes Hits Piazza San Basilio for SANBA in Italy

Hitnes Hits Piazza San Basilio for SANBA in Italy

Sanba is a program engaging the built public environment of suburban Rome with the aesthetics of the modern Street Art and muralism movement. For the last two years under the curation of Simone Pallotta, Sanba has found new locations for painting in the public sphere and engage in the cultural and civic building senses as well, with a goal toward engaging community. The large facades painted by international artists are not just a “Street Art event”, hopefully, says Pallota.  “The murals are a light bulb, a figurative outpost to a daily commitment made of culture and participation,” he says.

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Hitnes (photo © Blind Eye Factory)

Here are five huge walls facing a public square that long ago began its decline. The artist Hitnes created works that would engage the neighbors, including young and old, to stand together and discuss the works – in effect bringing the outside space alive rather than simply one you pass through.

“The animals and the plants of his work live with the colors of the buildings, pink shades of an old red that is there from the 1950s. Animals, both terrestrial and marine, are hovering and flying all around the  trees with thin trunk, the marine pines that cover the neighborhood and that Hitnes uses to contextualize his work,” says Pallotta.

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Hitnes (photo © Blind Eye Factory)

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Hitnes (photo © Blind Eye Factory)

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Hitnes (photo © Blind Eye Factory)

To learn more about SANBA Walls please click HERE

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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“Big City Life Rome” Part II

“Big City Life Rome” Part II

An update to the “Big City Life Rome” posting in February, here are the remaining murals in the neighborhood of Tomarancia. Produced and curated by 999Contemporary Gallery, these March walls are of equal size and dimension as the previous ones, bringing to mind the swatches of cloth sometimes used to create a quilt. Included here is new work from Caratoes, Jericho, Matteo Basile, Danilo Bucchi, SatOne, Pantonio, and Clemens Bher. The international group of artists have diverse styles, but the quality is high!

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Jerico (photo courtesy © 999 Contemporary Gallery)

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Jerico (photo courtesy © 999 Contemporary Gallery)

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Jerico (photo courtesy © 999 Contemporary Gallery)

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Caratoes (photo courtesy © 999 Contemporary Gallery)

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Caratoes (photo courtesy © 999 Contemporary Gallery)

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Caratoes (photo courtesy © 999 Contemporary Gallery)

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Matteo Basile (photo courtesy © 999 Contemporary Gallery)

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Matteo Basile'(photo courtesy © 999 Contemporary Gallery)

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Matteo Basile does a red faced portrait of Ai Weiwei (photo courtesy © 999 Contemporary Gallery)

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Danilo Bucchi (photo courtesy © 999 Contemporary Gallery)

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Danilo Bucchi (photo courtesy © 999 Contemporary Gallery)

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Danilo Bucchi (photo courtesy © 999 Contemporary Gallery)

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SatOne (photo courtesy © 999 Contemporary Gallery)

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SatOne (photo courtesy © 999 Contemporary Gallery)

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SatOne (photo courtesy © 999 Contemporary Gallery)

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Pantonio (photo courtesy © 999 Contemporary Gallery)

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Pantonio (photo courtesy © 999 Contemporary Gallery)

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Pantonio (photo courtesy © 999 Contemporary Gallery)

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Clemens Bher (photo courtesy © 999 Contemporary Gallery)

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Clemens Bher (photo courtesy © 999 Contemporary Gallery)

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Clemens Bher (photo courtesy © 999 Contemporary Gallery)

Click here to see our Part I of the coverage.

We wish to thank Stefano Antonelli at 999Contemporay for his diligence on getting us the material to make this article possible. To see all the completed walls and more details on the project and the participating artists click HERE.

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“Big City Life Rome” Exclusive Shots of All the Walls

“Big City Life Rome” Exclusive Shots of All the Walls

The first thing you’ll notice is that all the walls are the same size. For “Big City Life Rome” all of the artists were given equally large walls for their murals, which is good because you avoid fights that way. We have seen a few festivals where there are heated discussions about which artists have what walls, how large or small they are, and where they are located. This sort of uniformity is rather unique in that way.

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Seth (photo courtesy © 999 Contemporary Gallery)

The second thing you may notice is that there are only men here. Even the children in photos on the website are male. There may be a couple of females on the Street Art scene here, but this is a male dominated game in Rome.

“Big City Life Rome” brings some of the names you are familiar with, and undoubtedly one or two of your favorites are represented here. Given the similar generous scale of the walls the artists have it is easier to make comparisons between the geometric minimalism of Moneyless, the calligraphic pulsating patterning of Domenico Romeo, and the metaphoric wrestling musclemen of Jaz. Each of these artists has a distinct voice and seeing them revealed over a the period of 7 week festival provides  you ample opportunity to appreciate them individually and as a group.

Our very special thanks to Stefano S. Antonelli, who curated this show for the 999 Contemporary Gallery, for sharing these exclusive images with BSA readers.

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Seth (photo courtesy © 999 Contemporary Gallery)

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Seth (photo courtesy © 999 Contemporary Gallery)

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Seth (photo courtesy © 999 Contemporary Gallery)

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Seth (photo courtesy © 999 Contemporary Gallery)

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Gaia (photo courtesy © 999 Contemporary Gallery)

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Gaia (photo courtesy © 999 Contemporary Gallery)

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Gaia (photo courtesy © 999 Contemporary Gallery)

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Gaia (photo courtesy © 999 Contemporary Gallery)

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Domenico Romeo (photo courtesy © 999 Contemporary Gallery)

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Domenico Romeo (photo courtesy © 999 Contemporary Gallery)

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Domenico Romeo (photo courtesy © 999 Contemporary Gallery)

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Moneyless (photo courtesy © 999 Contemporary Gallery)

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Moneyless (photo courtesy © 999 Contemporary Gallery)

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Moneyless (photo courtesy © 999 Contemporary Gallery)

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Alberonero (photo courtesy © 999 Contemporary Gallery)

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Alberonero (photo courtesy © 999 Contemporary Gallery)

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Alberonero (photo courtesy © 999 Contemporary Gallery)

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Diamond (photo courtesy © 999 Contemporary Gallery)

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Diamond (photo courtesy © 999 Contemporary Gallery)

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Diamond (photo courtesy © 999 Contemporary Gallery)

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Jaz (photo courtesy © 999 Contemporary Gallery)

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Jaz (photo courtesy © 999 Contemporary Gallery)

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Jaz (photo courtesy © 999 Contemporary Gallery)

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Mr. Klevra (photo courtesy © 999 Contemporary Gallery)

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Mr. Klevra (photo courtesy © 999 Contemporary Gallery)

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Mr. Klevra (photo courtesy © 999 Contemporary Gallery)

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Philippe Baudelocquebig (photo courtesy © 999 Contemporary Gallery)

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Philippe Baudelocquebig tracing the hand of his muse. (photo courtesy © 999 Contemporary Gallery)

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Philippe Baudelocquebig (photo courtesy © 999 Contemporary Gallery)

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Philippe Baudelocquebig (photo courtesy © 999 Contemporary Gallery)

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Reka (photo courtesy © 999 Contemporary Gallery)

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Reka (photo courtesy © 999 Contemporary Gallery)

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Reka (photo courtesy © 999 Contemporary Gallery)

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Lek . Sowat (photo courtesy © 999 Contemporary Gallery)

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Lek . Sowat (photo courtesy © 999 Contemporary Gallery)

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Lek. Sowat. “Veni, Vidi, Vinci”  (photo courtesy © 999 Contemporary Gallery)

 

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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ROA TOWERS : New Shots from UK, Belgium, Sweden, Mexico, Germany, Italy and the US

ROA TOWERS : New Shots from UK, Belgium, Sweden, Mexico, Germany, Italy and the US

We’re back with a slew of new ROA pieces as he continues to share the absolute best images with BSA readers while traveling around the globe. The Belgian street artist, who we refer to as an Urban Naturalist, continues his astounding world tour at a pace that few Street Artists can sustain. Right now he in Hawaii for Pow! Wow! but will soon be in New York for what we hear will be a rather amazing solo gallery show.

The prolific painter has so many fresh images for you that ROA is getting two days of postings on BSA this week. Today we go to London (UK), Werchter (Belgium), Bromölla and Nassjo in Sweden, Queretaro (Mexico), Schmalkalden (Germany), Rome (Italy), Lexington, Kentucky(US), and Las Vegas, Nevada (US). Accompanying some of the images is commentary from ROA about the experience, the context in which he created the pieces and the relevance of the subjects he chose to depict.

Werchter (Belgium)

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ROA. Werchter, Belgium. North West Walls. 2014 (photo © ROA)

As is often the case, ROA raises consciousness about the deleterious effects our everyday selfishness causes for the animal world, who we crow so loudly that we care about. While ROA could stay with comfortable subjects, he has demonstrated a long lasting dedication to the plight of animals that few social activists doing work on the street can sustain or have the stomach for. Coupled with the ceaseless dedication to honing his craft over the last few years, sometimes the result is so monumental that your jaw drops open.

This container construction is a permanent installation for NORTHWESTWALLS in Werchter, Belgium. He explains how he arrived at the subject when he was given this massive sculpture of shipping containers as canvas. “Thinking about this situation and the given element of the containers, my thoughts were directly connected to freight and legal and illegal animal trafficking of exotic animals: a questionable practice,” he says.

“Illegal trafficking is an ongoing crime and we all know to what it can lead, however in the context of legal trafficking I was thinking about how the colonies exported exotic animals in poor conditions to show in Victorian zoos. I also thought about the ironic repercussions of zoos today: how they export animals for breeding programs and how some species only exist in captivity anymore, which is a paradox. So this is how I got the idea to use the containers as cages and instead of using native animals, it became a pile of exotic animals.”

Schmalkalden (Germany)

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ROA. Schmalkalden, Germany. WallCome Festival. 2014 (photo © ROA)

ROA chose this bat as his entry in the WallCome Festival in Schmalkalden.

Sweden (Bromölla and Nassjo)

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ROA. Nassjo, Sweden. Nassjo Kommun. 2014 (photo © ROA)

“I took the train to Nassjo, where Nassjo Kommun invited me to paint a bird on the rooftop,” says ROA.

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ROA. Tyrannosaurus. Bromölla, Sweden. 2014 (photo © ROA)

“Malverket (the building) is a part of a ceramic factory that makes huge insulators, located in Bromölla, in South Sweden. ‘Bromölla boasts remains from the Stone Age, and even some findings of dinosaurs‘,” he says, quoting the WikiPedia page I painted a tyrannosaurus. Teresa and Jonathan invited me, and I do know you already shown the reportage of Henrik Haven, thank you for that! That was great.

London

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ROA. Shrew in Dulwich, London 2014 (photo © ROA)

“The London shrew in Dulwich,” he tells us, is actually a depiction of a shrew is stuck into a jar. “It happens a lot in nature that shrews crawl into empty beer bottles and can’t get out because of the slippery/smooth bottle end… they die and the rotten smell attrack other shrews to check out the bottle and on tier turn they become trapped in the bottle.”

ROA thanks Ingrid Beazley from the Dulwich Picture Gallery who invited him over to paint the Dulwich wall.

 

 

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ROA. Flea. London 2014 (photo © ROA)

“Another local animal from London, the flea,” says ROA.

Lexington, Kentucky, USA

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ROA. Lexington, KY. 2014 (photo © ROA)

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ROA. Lexington, KY. 2014 (photo © ROA)

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ROA. Lexington, KY. 2014 (photo © ROA)

“I also painted in the Bourbon Distillery District,” says ROA of his trip to Kentucky for the PHBTN Festival, “where I painted a chicken wing (as in Kentucky Fried…).”

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ROA. Lexington, KY. 2014 (photo © ROA)

ROME, Italy

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ROA. Rome, Italy. 2014 (photo © Lorenzo Gallito/BlindEyeFactory.com)

You may recall we did a previous posting on this bear piece when ROA first completed it.

ROA and An Orphaned Bear in Rome

Queretaro, Mexico

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ROA. Queretaro, Mexico. 2014 (photo © ROA)

ROA did a number of paintings of animals local to the area while in Queretaro for the Board Dripper Festival, which celebrated its fifth year in September. ROA would like to says thanks to Isauro for the hospitality.

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ROA. Queretaro, Mexico. 2014 (photo © ROA)

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ROA. Queretaro, Mexico. 2014 (photo © ROA)

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ROA. Queretaro, Mexico. 2014 (photo © ROA)

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ROA. Queretaro, Mexico. 2014 (photo © ROA)

Las Vegas, Nevada (USA)

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ROA. Las Vegas, Nevada. 2014 (photo © ROA)

ROA painted this horned lizard for the Life is Beautiful festival, and he extends his thanks to Rom and Charlotte.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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