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Greg Jager and a Roman Basketball Court: “Tiber Courtyard”

May 5, 2021 Artists

The sheer number of painted basketball courts that we see in the last two years makes us think there may be an evolving new category of art practice somewhere between street art, land art, billboard takeovers, and municipal public art. Clearly, a coffee table book will arrive here shortly.

Greg Jager. *Tiber Courtyard.* Rome, Italy. (photo © Roberta Ungaro)

Today we have a new project in “Valco San Paolo” by Greg Jager. The press release describes the design challenges of creating something for a population that lives on a tract of land that is “not a real neighborhood, not a suburb, not even a victim of that phenomenon that some have called beautification.”

Nonetheless, we soldier on. The artist says the result here is “Tiber Courtyard, a hybrid intervention between art and design curated by Michele Trimarchi that investigates the theme of coexistence in the public space.” Thusly, it is appropriate for “a territory made up of contradictions, multitudes, and balances.”

And you can play basketball upon it.

Greg Jager. *Tiber Courtyard.* Rome, Italy. (photo © Max Intrisano)

Tiber Courtyard is part of Cantieri San Paolo, a project of the Municipality VIII of Rome Capital with the support of the Lazio Region and produced by the cultural association Dominio Pubblico.

Images Of The Week: 10.06.13

October 6, 2013 Artists

New York was rattled by uncertainty and worry this week as all eyes turned to Washington to witness the forced governmental shutdown that was prompted by a undeniably deep resentment toward the governed. How dare the people try to protect their health and pocketbook against the vulturish free market – one that has left tens of millions of our neighbors without medical care? As a collective punishment we are now nervously marking one week without a working government.

Launched parallel with the shutdown was the startup of a new Street Art/digital campaign by a global patron saint of the 2000s repositioning on New York streets in the 2010s. Through a website about his own secret/public spraying, Banksy is creating a sort of funhouse reinvention; A winking campaign of digital manipulation of friends and detractors alike. Circumspect humor and treasure hunts have triggered a bit of a circus – and we are willingly parlaying the details and conjecture across social media with hashtags and photos and exclamation points. Reviews of the work itself range from tepid to thrilled but the sugary buzz of near daily revelations have given these events a feeling of an October surprise. If the brand can sustain interest for the the entire announced “residency” of one month it will indeed be an accomplishment, as New Yorkers are voracious consumers of culture and attention spans mimic that of the tsetse fly.

Here’s our weekly interview with the street, this week featuring B.D. White, Banksy, Blind Eye Factory, Cost, Specter, Holymafia, Judith Supine, Knarf, Mike Shine, Nychos, and Zed1.

Top image > Judith Supine (photo © Jaime Rojo)

Judith Supine. Detail. (photo © Jaime Rojo)

Judith Supine (photo © Jaime Rojo)

Zed1 (photo © Jaime Rojo)

Zed1. Detail. (photo © Jaime Rojo)

Specter in Rome. (photo © Lorenzo Gallito/Blind Eye Factory)

B.D. White (photo © Jaime Rojo)

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