It’s always a fun week when The New York Times quotes Brooklyn Street Art, like today’s riveting analyses of one New York celebrity outlaw everyone can agree upon, Flaco the Owl. So this week, we will not insult the corporate legacy press because we are in league with them, obviously.
Here is our weekly interview with the street: this week featuring Faile, Homesick, Below Key, Degrupo, UNO, Dirty Bandits, Pear, MeresOne, Qzar, BG183, NYC Hooker, Tats Crew, Albertus Joseph, Rari Grafix, Notice, Toney, Fear, Horn, Lare, and OTM Crew.
Rocking this little neighborhood since 2009, The Welling Court Mural Project in Queens, New York brought a bevy of old skool and new again this summer to add to the collaborative art project that cheers the locals and thrills visitors. By now, you could call it historic, with writers from the OG crowd like Tats Cru, Lady Pink, John Fekner, and Chino giving their best alongside a slew of newbies in the mural art scene. Alison Wallis is the sole director these days, and her roots with the graffiti and street art community go deep, which means a well of trust is involved.
As she scans the list of artists who have given of themselves to this neighborhood for more than a decade in this community project, Wallis writes in the manifesto: “with early career, mid-career, and burgeoning young artists to help foster beauty of all life, peace, and support for all people of any race, belief, and/or sexual identity around the globe.” Once again it is good to see the many ways a community can join together in an evolving and inspiring collective statement that integrates positive social change via the culture of street art.
Jesus it’s rough out there! Throwing a frisbee could cause a heart attack in this heat wave. This situation is like the polar opposite of a winter snowstorm that forces everyone to stay inside their apartments. Believe it or not, in this city we have such extremes. We gave you Trump and we also gave you Bernie Sanders, for example.
Trying to think happy thoughts on the street despite the crushing debilitating heat and we are greeted by a mopey Gen Z guy carrying a sign that says “this is the coolest summer of the rest of your life”. Thanks, Senor Killjoy.
The good thing, and we insist on concentrating on these good things, is that New York is positively swimming with gorgeous young things who are traipsing through the streets in barely there gear and you don’t even need to buy pot to get high now because the streets are swirling with it. Also, you can buy pot anywhere; in a curbside truck, on a brownstone stoop, from a Nigerian guy out of a suitcase on the sidewalk on Canal street, even at your grandma’s Saturday canasta match.
$100 two years ago is worth only $85, but our parks are still free and full of leafy trees and concerts and theater and city pools are staying open extra hours to cool off. Burning Spear, UB40, Animal Collective, Sharon Van Etten, The Decemberists, Khruangbin, Erykah Badu, Shakespeare in the Park, anybody? We always sit on a blanket outside the gate and enjoy the music nonetheless – you can too. Also, as a reminder, we are not at war with each other – all us different races and religions. That’s all a huge lie on the TV machine. New Yorkers actually like each other.
Our street art as usual is off the hook. This week it seems a little bit cuddly, to tell the truth.
Here’s our weekly interview with the street, this week featuring: Rambo,Hiss, Dirty Bandits, Modomatic, Neon Savage, Muckrock, You Are Not Alone, Third Rail Art, Rari Grafix, OH!, Drama, and Banksy Hates Me.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
