In the past two decades, Asbury Park, New Jersey, has undergone a dramatic transformation, evolving from a struggling, economically challenged city into a pleasantly eclectic one. This shift, driven by gentrification, has attracted a wealthier demographic, including professionals and artists from nearby New York City, drawn by affordable housing, a revitalized waterfront, and the promise of a burgeoning cultural scene. For many, it has become a trendy, artistic destination.
The Wooden Walls Project, launched in 2015, has been central to its evolution, thanks to Jenn Hampton and Porkchop of Parlor Gallery. A slew of artists—officially and unofficially curated— have regaled Asbury Park with many large-scale murals and street art installations. This week, you’ll see a few examples of work we caught down by the beach as summer slowly burns toward fall.
We’re also regaled by a few other pieces we’ve caught recently elsewhere.
Here is our weekly interview with the streets, this week featuring Logan Hicks, Joe Iurato, Greg Lamarche, Beau Stanton, Hyland Mather, Ellena Lourens, Porkchop, Bradley Hoffer, H Kubed, Amberella, ONEQ, Ray Geary, Cameli, and Leaf 8K.
Happy Memorial Day Weekend! – we are smack in the middle of it today.
Colloquially thought of as the first weekend of summer in the US, it is also the first weekend when there are lifeguards at the beach. Since New Yorkers love to head to the Jersey Shore (no offense Coney Island) we thought we’d regale you with some fresh shots this week of cool murals on the boardwalk in Asbury Park, New Jersey.
Most of these are part of the “Wooden Walls” a program created by Jenn Hampton, co-director of Parlor Gallery, who tells us that it was inspired by the destruction of a hurricane here that pulled up so much of the wooden boardwalk that is iconic to the shore experience here.
“I started doing it after Hurricane Sandy because they were all these boards up from the devastation,” she explains. “It kind of reminded me of when you go into an artists’ studio and there are little excerpts of paintings that the artist is working on. Some may feel sad because they see unfinished paintings – but for people who are creative it creates excitement because it is about ‘what’s to come.’”
She’s always trying to bring art
to the public space, so this devastation prompted her to write proposals to
start the program and it worked. “It’s weird that it took a natural disaster
for me to get funding for an art project!” she laughs. Five years of steadily
growing the list of artists, the project now includes local, national, and
internationally recognized street artists.
Wooden Walls producer Angie
Sugrim says that this project is as personal as it is public. “Jenn
and I both feel a deep sense of stewardship in our community and this project
and all it entails are our way of giving back and helping to grow what we love
about our town. We both are eternal believers in the power of art and seeing it
help to transform Asbury Park.”
“I try to curate it from
the eyes of a six-year-old and a 20-year-old and a 80 year-old – because we get
such a diverse crowd on the boardwalk,” says Hampton. “I just want to make sure
that there is art in that spirit of creation next to the ocean. I think that
there is something really poetic about.”
Time and the elements have begun
to fade and weather the walls, but she thinks it just adds character.
“I think people get too
attached to public art,” she says. “The impermanence of it makes it really
special and you have to see it and engage with it – Mother Nature will take it
back when it wants!”
So here’s our weekly interview with the street (or boardwalk), this time featuring Ann Lewis, Art of Pau, Beau Stanton, Dee Dee, Fanakapan, Haculla, Hellbent, Indie 184, James Vance, Jessy Nite, Joe Iurato, Lauren Napolitano, Lauren YS, Logan Hicks, London Kaye, Porkchop, RC Hagans, Rubin 415, and Shepard Fairey.
*The classic 1973 album from Bruce Springstein, “Greetings from Asbury Park, NJ” – more HERE
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