All posts tagged: Pobel

BSA Images Of The Week: 09.15.24 / Dispatch From Berlin

BSA Images Of The Week: 09.15.24 / Dispatch From Berlin

Welcome to BSA’s Images of the Week!

Culturally, artistically, and socially, Berlin never stops thrilling, surprising, and offering fresh perspectives. Though artists continue to discuss the rising cost of living and the slow disappearance of key clubs and cultural hubs, there’s still an undeniable fervor for new art and new participants are still shaking things up.

Witness the crowded museum and long lines of youth and middle-aged people, as well as some octogenarians at the Urban Nation opening here called “Love Letters to the City,” which is the main reason we’re here for a few days. The speeches, the beer, the energy, the high-quality installations and the questions they pose, the street fair with parkour and bBoys and bGirlz, rappers, kids tagging their names in aerosol at an open class, the exhibition boxing matches… It was a legit, diverse program, free of corporate overload, and with real talk on gentrification, the environment, and social and financial inequality. Once again, it proves that when art institutions take risks, they can give street art, graffiti, and urban art the respect they deserve.

While the debate still pops up about whether museums should even host street art and graffiti, there are smart and sharp pros teaming up with artists to push the conversation forward, broaden the topics, and bring more people into the mix. In the end, they’re archiving a small slice of this massive, chaotic global art movement – so future generations can get a glimpse of it, reflect on it, and maybe even get inspired.

While right-wing movements are reshaping politics here, leading to stricter border policies and longer lines at the airport, Berlin remains fiercely committed to its ragged, rebellious spirit of protecting individual liberties and free expression. The ironies are hard to miss: just two blocks from the Bulow Street Fair, a family-friendly block-long event celebrating what is officially illegal art on the street and political concerns may dominate conversations, Berlin hosts Folsom Europe, the largest festival for leather and fetish enthusiasts, raging freely for four days with five stages and a “puppy parade”. It’s a vivid contrast—on one hand, they’re tightening borders, and on the other, this is a celebration of personal freedom.

Also, it’s more entertaining than a boring football match. Thousands of (mostly) men parade down Fuggerstraße in neighboring Nollendorfstraße, stomping through the streets in various ensembles—militaristic oppressor, master and servant, or dog and owner themes. Regardless, most will be at brunch with hangovers the next morning. If a drunken one gets disorderly, the police are advised not to threaten with handcuffs. The festival attire may range from severe, almost fascist looks to outfits with a more playful fierceness, like brightly colored hazmat suits or firefighter uniforms. At the lower end of the fetish festival fashion spectrum are the guys who just threw on a leather vest or a pair of Doc Martens—and the “bought it at the mall” crowd are in one-piece leather or rubber jumpsuits with Hoxo sneakers, like race car drivers heading to the grocery store.

At Folsom, you can pick up everything from whips, paddles, original artwork, and adult toys to bratwurst, pretzels, beer, French fries (pommes), and meat skewers. There are also plenty of vegan and vegetarian options available. What’s most remarkable and admirable about the tough, perpetually unimpressed Berliners is that they’ve seen it all before and hardly take note. They go about their business—picking up Saturday groceries, maybe a bunch of flowers, or fetching their kid from Taekwondo class. They take their dog to the park to enjoy the sunny, chilly September weather. Everyday folks in the neighborhood wait patiently at the crosswalk, alongside a cluster of muscular men with mustaches and leather, sometimes greeting one another, but mostly unfazed by each other’s presence.

The current street art and graffiti—what’s been sprayed or pasted up recently—never fails to impress, even when you’re not entirely sure what it’s about. We’re happy to be here and to share some of it with you.

Here is our weekly interview with the streets, this week featuring Invader, 1Up Crew, Hera, Pobel, Nat At Art, One Truth, Natrix, Roffle, LAYD, T Tan Box, Rise, Petite Agite, Maxim, and PZE.

HERA. Detail. (photo © Jaime Rojo)
HERA. Detail. (photo © Jaime Rojo)
1UP Crew (photo © Jaime Rojo)
Unidentified artist. (photo © Jaime Rojo)
T Tan Box (photo © Jaime Rojo)
Invader (photo © Jaime Rojo)
JAYD (photo © Jaime Rojo)
ROFFFE (photo © Jaime Rojo)
Natrix (photo © Jaime Rojo)
Nat At Art for Urban Nation Museum Berlin. (photo © Jaime Rojo)
PZE (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
MAXIM. Detail. (photo © Jaime Rojo)
Maxim (photo © Jaime Rojo)
Pobel (photo © Jaime Rojo)
One Truth (photo © Jaime Rojo)
Unidentified artist (can’t read the signature) (photo © Jaime Rojo)
Petite Agite (photo © Jaime Rojo)
Rise (photo © Jaime Rojo)
Untitled. Berlin. September, 2024. (photo © Jaime Rojo)
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Modest Stencils to Towering Facades: Pøbel’s Path to Creation, Curation, Community

Modest Stencils to Towering Facades: Pøbel’s Path to Creation, Curation, Community

A Personal Stencil Evolution Continues

Pøbel embarked on his street art journey by fashioning modest stencils in his studio, yet now he conquers towering facades with bold prominence. A cornerstone of this year’s Nice Surprise Festival in Stavanger, Norway, Pøbel stands as an artistic powerhouse, well-versed in history and the global network of his peers. With summer’s curtain not yet drawn, he teasingly hints at the possibility of one more Nice Surprise, a cunning twist up his sleeve.

Pøbel. Ethos. Bryne, Norway. (photo © Jaime Rojo)

A quarter-century after he embarked on the quest to master the art of stencil-making, sparked by the electric resonance of his favorite band Rage Against the Machine and their fervent political lyrics, Pøbel has transmuted stencils into instruments of advocating for social justice and an array of politically/socially charged perspectives, painted boldly on the street canvas, sometimes within the lines of legality, and occasionally elsewhere.

Pøbel. Ethos. Bryne, Norway. (photo © Jaime Rojo)

Delving briefly into this captivating stencil narrative, you unearth the DNA of Pøbel and an entire generation of street artists intertwined within. It all began with a Che Guevara stencil that fueled Pøbel’s desire to craft his own. This iconic image was heavily wielded by Rage et al. during the 1990s – its origins tracing back to the fervent student uprisings in Paris in 1968, a time of civil upheaval driven by a collection of factors encompassing political, societal, and economic dimensions. Thus, the link between activism, outlaw street art, and the stenciled story is as vivid as his colors.

Courtesy art.salon

The original photograph of Che, immortalized by Alberto Korda as ‘Guerillero Heroico,’ was transformed into a stencil by Jim Fitzpatrick, yielding 1000 posters disseminated to student movements and marches advocating against the establishment and imperialism during the late 1960s. Yet, an unsavory tale emerges as well – Gerard Malanga, anointed Warhol Superstar, poet, and photographer, propagated counterfeit Warhol canvases bearing multiple renditions of this very image, consorting with a European gallery to peddle them without Warhol’s knowledge or consent. “Warhol was alerted and claimed the piece – and its royalties” (Warholstars | WikiArt). Regrettably, our story shows that a similar shadowy side has weaved through the contemporary art story over the past century. As an artist, Pøbel certainly has tales to share.

The original stencil that inspired Pøbel to learn how to make a stencil with its creator, Jim Fitzpatrick
This early take on the Covid crisis landed the artist in newspapers and websites around the globe. Pøbel. Bryne, Norway. (photo © Jaime Rojo)

Pøbel wields his artistic prowess like a clandestine truth-seeking missile launcher, propelling thought-provoking explosives and orchestrating silent symphonies in his unfiltered dialogue with the social and political arena. Not a seeker of confrontations, he jestingly beckons you to ponder because he believes that issues like inequality, consumerism, corporate dominion, and our fragile environment deserve a closer look. It’s not that he shies away from commercial ventures; he prefers to provoke pondering with his initiatives.

Norway controversially put down Freya the walrus, but Pøbel argues it would not have happened if she had been better armed. Pøbel. Stavanger, Norway. (photo © Jaime Rojo)
Pøbel. Stavanger, Norway. (photo © Jaime Rojo)

It could be the fusion of bold contours and sometimes vibrant hues meld with punchlines that pack an unexpected wallop? A sprinkle of humor, an occasional conceptual sculpture, and whimsy don’t hurt either – remember that time he merrily buried a bus in the sand? The very bus that vexed the populace in Vardø, a quaint town where he had just wrapped up another curated street art extravaganza named Komafest. Much like ‘Nice Surprise,’ it showcased luminaries whose art practice is respected and whose reputations have aged well – the likes of Conor Harrington from Ireland, Vhils from Lisbon, and Stephen Powers from the concrete jungle, New York, for example. Amidst final-party revelry at a bar, a tipsy conversation spiraled into a sandy escapade come dawn, birthing a chain of events that culminated in a sudden public art installation, even coaxing the mayor to partake in the unauthorized spectacle.

Pøbel. Vardo, Norway. (photo © courtesy of the artist)

The vertical sculpture became a time capsule, a repository for ephemera and memories generously contributed by the community. “At one point, when we were finished, I was at the bar and this mature woman was coming over and, she began reaching out to my hand and I shook her hand and she was like, ‘thank you very much, thank you for everything.’ And I’m like, ‘no problem’ and I was going to take away my hand,” he recollects. “Then she grabbed really firm with purpose, and she said something like, ‘I don’t think you understand, thank you’. And then there was this tear coming down.” Moments like these are etched in his memory. Spontaneous as it was, the bus idea resonated deeply with the community in a way he never could have foreseen.

Pøbel. Vardo, Norway. (photo © courtesy of the artist)

Artist, curator, activist, mischievous spirit, and consensus-seeker, Pøbel wears many hats, and his work has kindled both admiration and critique in his homeland, Norway. Just as art takes myriad forms, eliciting a spectrum of reactions, here are some Pøbel pieces we encountered and a couple that perhaps eluded us during our sojourn in this vibrant enclave, where brisk gusts of Nordic air meet astute minds.

The wonderful world of Bryne, where he grew up. Pøbel. Bryne, Norway. (photo © Jaime Rojo)
Pøbel. Bryne, Norway. (photo © Jaime Rojo)
Pøbel. Bryne, Norway. (photo © Jaime Rojo)
Pøbel. Vardo, Norway. (photo © courtesy of the artist)
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Tamara Alves, a Car Engulfed in Flames – Nice Surprise Festival – Stavanger

Tamara Alves, a Car Engulfed in Flames – Nice Surprise Festival – Stavanger

Graffiti history and contemporary creativity merge this summer during the inaugural run of the Nice Surprise street art festival in the Norwegian city of Stavanger. Join BSA as we celebrate the city’s 900-year milestone with a new cadre of artists and programming that continues the modern heritage of this city on the North Sea with a season of new street art and graffiti.

Tamara Alves. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)

“go on baby… burn a while”

Born in 1983, Tamara Alves is a Portuguese visual artist and illustrator based in Lisbon. Holding a degree in Arts from ESAD-IPL and a master’s in Contemporary Artistic Practices from FBAUP, she considers her figurative work as a form of activism in the streets.

Here in Stavanger, for the Nice Surprise festival, she creates a monochromatic scene enlivened by a burning car – an object she has used before to symbolize love, a relationship, a mutilating crash of the heart. The body is engulfed in flames while the figure stares at it dispassionately, possibly with red-rimmed eyes. Alves gives this mural the name “go on baby… burn a while”.

Tamara Alves. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)

Her artwork weaves a visceral narrative, celebrating the raw, primal vitality of intense emotions and the transformation of connections. Through interactions between human and animal figures and natural landscapes, her universe embodies love in its rawest form – intertwined with wounds, pain, tears, but also pleasure, joy, and ecstasy. At times, her visual soliloquies resemble wildflowers thriving in the wilderness.

Since the early 2000s, Tamara Alves has participated in numerous projects, group and solo exhibitions, and impactful street art interventions. Her unmistakable presence has established her as one of Portugal’s most notable street artists, and her schedule of mural painting is seemingly overflowing.

Tamara Alves. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)
Tamara Alves. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)
Tamara Alves. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)
Tamara Alves. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)
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Belin and Ragnar Lodbrok: Tribute to a Viking in Battle at Nice Surprise Festival – Stavanger

Belin and Ragnar Lodbrok: Tribute to a Viking in Battle at Nice Surprise Festival – Stavanger

Graffiti history and contemporary creativity merge this summer during the inaugural run of the Nice Surprise street art festival in the Norwegian city of Stavanger. Join BSA as we celebrate the city’s 900-year milestone with a new cadre of artists and programming that continues the modern heritage of this city on the North Sea with a season of new street art and graffiti.

Belin. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)

Street artist Belin grew up far from the Vikings in his home of Linares in Andalusia, Spain. 

But that doesn’t mean he can’t paint a mural tribute to one of Stavanger’s heralded Vikings, Ragnar Lothbrok, on a wall in his post-neo cubist style here for the Nice Surprise Festival.  Renowned for his exceptional photorealistic murals, this paint-wielding athletic warrior is celebrated on the street and in the gallery for his ability to create lifelike portraits that often incorporate cubism, distortion, and surrealism elements.

“Inspired by Ragnar Lodbrok, I play a Viking in battle,” he says on his Instagram.

Belin. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)

A renewed enthusiasm for the history of conquerors from this part of the world is due in part to the success of onscreen series like “Norsemen”, “The Last Kingdom”, “Vikings: Valhalla”, and simply “Vikings”. Ragnar Lothbrok holds a significant place in both Norwegian and Viking history, representing the spirit of exploration, adventure, and valor that has become synonymous with the Viking Age. His connections to Stavanger, whether historical or mythical, have added to the city’s allure as a destination for those seeking to immerse themselves in the world of Norse mythology and Viking heritage. According to some sagas, Ragnar is said to have been born in the vicinity of Stavanger, although the exact location is disputed.

Belin. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)

“Each mural is a new challenge since I love continuing to face large formats, continuing to work with the same energy as always and freehand,” Belin says of this new mural, “which is why I value my work so much. “Playing with the lines, with the space and the colors is what amuses me the most, and I think you can feel it when you see this mural.”

Self-taught, Belin holds his graffiti roots seriously, finding opportunity through experimentation and practice and has left his mark on walls and buildings across the globe. From Spain, where he has been to cities like Jaén, Madrid, Barcelona, and Malaga, to the United States with murals showcased in Miami, Los Angeles, and New York, and across Europe in France, Italy, Portugal, and Belgium, he has also ventured to Latin American countries like Mexico and Argentina. He discovers new people, cultures, and histories wherever he goes and often paints them into the composition.

But Vikings? You only find them here, bro.

Belin. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)
Belin. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)
Belin. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)
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Doze Green Spirits – Nice Surprise Festival – Stavanger

Doze Green Spirits – Nice Surprise Festival – Stavanger

Doze Green. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)

Bam!

Here’s the latest hit from the first-time street art festival Nice Surprise in Stavanger, Norway – a novel fusion of historical roots and contemporary brilliance showcased in the latest mural by the artist Doze Green. Born and bred on the vibrant streets of New York City, Green’s trailblazing journey in graffiti writing and breaking crews during the 1970s and 80s resonates deeply in the telling of this street art culture. With this modern expression as a mature visual artist today, it may strike you as a rare gift of great significance here – given his direct relationship to the foundational early days of graffiti and hip-hop.

Doze Green. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)

As an original member of the iconic Rock Steady Crew, a pioneering force in hip-hop culture, Green’s mastery in breakdancing and subway-tagging graffiti informs the bedrock of his studio practice and public artworks. Venturing into uncharted territories, Doze Green’s contemporary canvasses embody a signature style of figurative abstraction and letterforms, interwoven with metaphysical inquiries about narrative, time, and the essence of existence.

Green has described his pieces as “biological entities; a swarm of arrows coming in from infinite perspective.” In this newest creation, “Spirits of the Midnight Sun,” Green draws inspiration from Norway’s enchanting 24-hour daylight periods that grace the northern region for three months every summer.

Doze Green. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)

It is a pleasure to witness the artistic journey of Doze Green, and to see how it intertwines with the pulsating rhythm of life, art, and this modern city so far from his own. With his language of symbols and iconography, Green nods to the rich historical Nordic lore surrounding Norway’s natural wonders with much respect. The title also indicates that for the artist, the mural captures supernatural energies and mythic storytelling – through a lens of abstraction. In this context, the new work reads as an amalgamation of historical roots and contemporary vocabularies – and a reflection of the authentic voices of these streets.

Doze Green. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)
Doze Green. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)
Doze Green. Nice Surprise! Festival. Stavanger, Norway. (photo © Tor Ståle Moen)
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COVID-19 365 Days Later; Art in the Streets That Narrated a Pandemic

COVID-19 365 Days Later; Art in the Streets That Narrated a Pandemic

What the hell just happened? Has it been a year? Or has it been 10 years? Or just one long nightmare/daymare? Or has it been 10 years? Did we already ask that?

In March 2020 we awoke to a world that was transforming before all of our eyes, yet we felt so cut-off from it and each other. The first days seem so long ago as we mark the first anniversary of the pandemic. Still, the initial shock of those days resonates in our chests so strongly that we confidently talk about a collective global trauma that has indelibly marked a generation.

Pobel. Stavanger, Norway. March 14, 2020. (photo © Tore Stale Moen)

From Stockholm to Mexico City to Barcelona to Bethlehem to New York to LA, BSA brought you street art that was responding with fear, derision, critique, hope, and humor to the never-static, always evolving barrage of Covid news. Stuck inside and afraid to expose ourselves to each other, we New Yorkers became accustomed to experiencing the outdoors only through our windows, connecting with neighbors we’ve never met who were also banging pots and pans or clapping and waving and yelling.

We listened to ambulances screaming past our windows every half hour or so during those first weeks, imagining the torn families, the terrified fellow New Yorkers now being rushed to the hospital and separated from their loved ones without a goodbye, gasping for air. We wondered if we would be next.

Jilly Ballistic and Sack Six. Manhattan, NYC. March 23, 2020. (photo © Jaime Rojo)

When we did go to the streets, they were empty – or nearly. In New York this was unheard of. In this bustling, noisy metropolis, we experienced a daily disconcerting quiet. That is, until the killing of George Floyd by cops finally pushed the anger/anxiety into the streets all summer.

The deadly hotspot of New York quelled, but the fires of Covid spread west, grabbing communities who thought they would avoid impact. At the same time, local, state, and national leaders fumbled and argued or famously callously ignored the desperation of citizens, occasionally admirably filling the shoes they were elected to occupy, often misstepping through no fault of their own.

Pure Genius. Manhattan, NYC. March 23, 2020. (photo © Jaime Rojo)

We have no particular wisdom to offer you today beyond the obvious; this pandemic laid bare inequity, social and racial and class fault-lines, the shredded social net, the effect of institutional negligence, the ravages of 40 years of corporate privatization, and the power of community rising to the occasion to be in service to one another in ways that made us all more than proud.

Here are some of our favorite Covid-themed street art pieces from over the last year, a mere sampling of the artistic responses. Interspersed we paste screenshots of the daily events (via Wikipedia) in 2020 that shaped our lives, and our society.

We mourn the losses of family and friends and the broken hearts and minds in all of our communities. And we still believe in the power of art to heal and the power of love to balance our asymmetries.

Trusto Corp. Los Angeles, CA. March 26, 2020. (photo courtesy of the artist)
Lapiz. Hamburg, Germany. March 30th, 2020. (photo courtesy of the artist)
Tag Street Art. Tel-Aviv, Israel. March 31, 2020. (photo courtesy of the artist)
Phlegm. April 6, 2020. London, UK. (photo courtesy of the artist) Phlegm created a visual diary of his experience with the Pandemic. We published his diary HERE
Don Langrend for USA Today Network. On April 13, 2020, we published a compilation of political cartoons with views on the Pandemic. Click HERE to see the whole collection.
Alessio-B. Padua, Italy. April 15, 2020. (photo courtesy of the artist)
Banksy. London, UK. April 19, 2020. (photo Instagram)
Shepard Fairey. Los Angeles, CA. April 20, 2020. (photo courtesy of the artist)
Banksy “The Girl with a Pierced Eardrum” Bristol, UK. April 23, 2020. (photo © Reuters/Rebecca Naden)
Cake Stencils. Bethlehem, Israel. May 10, 2020. (photo courtesy of the artist)
Almost Over Keep Smiling. Manhattan, NY. May 15, 2020. (photo © Jaime Rojo)
Captain Eyeliner. Manhattan, NY. May 15, 2020. (photo © Jaime Rojo)
SacSix. Manhattan, NY. May 15, 2020. (photo © Jaime Rojo)
Oliver Rios. May 15, 2020. (photo © Jaime Rojo)
Teo Vazquez. Barcelona, Spain. May 25, 2020. (photo © Lluis Olive Bulbena)
Adam Fujita. Brooklyn, NYC. May 25, 2020. (photo © Jaime Rojo)
Jorge Rodriguez-Gerada. Queens, NYC. June 2nd. 2020. (photo © Just A Spectator)
Russian Doll NY. Manhattan, NYC. June 6, 2020. (photo © Jaime Rojo)
Gianni Lee. Manhattan, NYC. June 13, 2020. (photo © Jaime Rojo)
Various & Gould. Berlin, Germany. June 19, 2020. (photo courtesy of the artists)
Sara Lynne-Leo. Manhatttan, NYC. June 27, 2020. (photo © Jaime Rojo)
Stikman. Manhatttan, NYC. June 27, 2020. (photo © Jaime Rojo)
Unidentifed artist. Brooklyn, NYC. July 18, 2020. (photo © Jaime Rojo)
De Grupo. Manhattan, NYC. August 1, 2020. (photo © Jaime Rojo)
Sticker Maul. Manhatttan, NYC. August 6, 2020. (photo © Jaime Rojo)
Fintan Magee. Queensland, Australia. August 16, 2020. (photo courtesy of the artist)
Persak. San Miguel De Allende, Mexico. August 23, 2020. (photo courtesy of the artist)
Novy. Manhatttan, NYC. August 29, 2020. (photo © Jaime Rojo)
Asbestos. Cork, Ireland. September 8, 2020. (photo courtesy of the artist)
1111 Army. Brooklyn, NYC. September 12, 2020. (photo © Jaime Rojo)
Unidentified artist. Brooklyn, NYC. September 12, 2020. (photo © Jaime Rojo)
Raddington Falls. Manhattan, NYC. September 26, 2020. (photo © Jaime Rojo)
Faust. Manhattan, NYC. September 26, 2020. (photo © Jaime Rojo)
Pure Genius. Manhattan, NYC. October 31, 2020. (photo © Jaime Rojo)
I Heart Graffiti. Manhattan, NYC. November 14, 2020. (photo © Jaime Rojo)
UFO 907 in collab with MUK 123. Manhattan, NYC. December 15, 2020. (photo © Jaime Rojo)
The Creator. Manhattan, NYC. December 28, 2020. (photo © Jaime Rojo)
City Kitty. Manhattan, NYC. December 28, 2020. (photo © Jaime Rojo)
Karma. Barcelona, Spain. January 4, 2020. (photo © Lluis Olive Bulbena)
Pobel. Stavanger, Norway. February 11, 2021. (photo © Tore Stale Moen)
Aya Brown. Brooklyn, NYC. February 27, 2021. (photo © Jaime Rojo)
Manhattan, NYC. March 06, 2021 (photo @ Jaime Rojo)
Paolo Tolentino. Manhattan, NYC. March 07, 2021 (photo @ Jaime Rojo)
Unidentified artist. Manhattan, NYC. March 07, 2021 (photo @ Jaime Rojo)

As NYC went on complete lock-down and New Yorkers were ordered to remain in their homes in complete isolation the city’s residents organically joined together in a collective 7:00 pm ritual in support to the first responders. To the nurses, doctors, paramedics, trash collectors, public transportation, police, fire fighters, supermarkets workers etc…with their services and sacrifices we, the residents of this megalopolis were able to keep out hopes for brighter days to come.

Video of four former presidents urging people to “roll up your sleeve and do your part” and get the vaccine.

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