All posts tagged: Pink Power

BSA Images Of The Week 09.02.18 – Artmossphere Biennale 2018

BSA Images Of The Week 09.02.18 – Artmossphere Biennale 2018

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It’s been a packed couple of weeks between traveling to Moscow for the Artmossphere Biennale 2018 and immediately hopping to Leipzig, Germany for the magnificent Monumenta opening. Our heads are full of stories and conversations and images in two distinctly different scenes that somehow are still completely connected. Can’t tell if its euphoria or relief or jetlag but this Sunday is a dizzying day of taking account and being really thankful to be involved with an astounding amount of talent and camaraderie in the Graffiti/Street Art/Urban Art community that is connecting people around the world.

Here are our images of the week this time around; some selections from the Thursday night Artmossphere Biennale 2018 in Moscow, featuring 108, 1UP, Adele Renault, Bill Posters, BLOT, Canemorto, CT, the DOMA Collective, Egs, Faith XLVII, Faust, Finsta, Hyland Mather, LOT, Lucy McLauchlan, Lyall Sprong, Martha Cooper, Pablo Harymbat, and Pink Power.

Canemorto. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Faust. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Faith XLVII . Lyall Sprong. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Finsta. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Finsta. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Martha Cooper . Adele Renault. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Martha Cooper . Adele Renault. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

1UP Crew. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

1UP Crew. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Pablo Harymbat. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Hyland Mather. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

108. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

CT . 108. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

DOMA Collective. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Lucy McLauchlan. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

EGS. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

BLOT. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Pink Power. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Bill Posters. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Sabina Chagina. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

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BSA Curates at 3rd Artmossphere in Moscow 2018: Open Call For Artists

BSA Curates at 3rd Artmossphere in Moscow 2018: Open Call For Artists

BSA founders Steven P. Harrington and Jaime Rojo are part of the Curatorial Team for the 2018 Artmossphere Biennale and today BSA is pleased to announce the “Open Call” for artists to apply.

The Street Wave Art Biennale, Artmossphere. Open Call for artists.

Paulo Ito at work on his installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

Artmossphere is the only Russian biennale that focuses primarily on Street Art and its corollary practices, with the first two launching in 2014 and 2016. You may remember the full coverage BSA had in 2016 at the Moscow Manege;

60 Artists at a Moscow Street Art Biennale: “Artmossphere 2016”

Among the artists participating on previous editions of Artmossphere have been people like The London Police, Brad Downey, Claudio Ethos, Agostino Iocurci Miss Van, L’Atlas, Sickboy, Jaz, Nespoon, Martha Cooper, Remi Rough, Alexey Luka, Remed, Li Hill, Jessie and Katey, Moneyless, El Tono, and many others – but clearly you can see that the quality and diversity in practices and backgrounds is well represented here.

L’Atlas at work on his installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

For the 2018 edition of the biennale we will be curating the program along with some of our respected peers internationally in this field and collectively we are asking artists to consider what it means to be “Offline”. So much of graffiti and Street Art’s roots extend back to a practice of making work for a largely local audience that is limited to geography.

Today much work in public space is conceived of, at least in part, for its ability to traverse to audiences on social media, blogs, video, and all manner of digital platforms. As we constantly are flooded with online Street Art, is it possible to be ‘Offline”?

Sepe at work on his painting for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

The 2018 main exhibition will take place in the Excise Storehouse of Winzavod Centre for Contemporary Art in Moscow from August 30th to October 17th. Additional special exhibitions will be held in the Red and White Halls, as well as in the art cluster outdoor territory.

The open call is open to Russian and international artists and applications with projects exploring this year’s theme will be reviewed by an international jury consisting of Steven P. Harrington and Jaime Rojo, co-founders of BrooklynStreetArt.com and curators at Urban Nation Museum of Urban Contemporary Art (UN), Peter Ernst Coolen, curator of the Amsterdam Street Art Museum, Cedar Lewisohn, curator of the Street Art project in Tate Modern, Ethel Seno, researcher of street art and curator, Anna Dimitrova, curator of Adda Gallery, Paris and MTN Gallery, Barcelona, and Nikolay Palazhchenko, the founder of the Winzavod Centre for Contemporary Art in Moscow.

To take part in the biennale, Artmossphere artists should submit their portfolio and their project application for the biennale before June 18th, 2018. All the projects should be made exclusively for the biennale. Click here for all details.

Wes21 at work on his installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

Katie and Jesse at work on their installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

Pink Power at work on her installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

M-City at work on his installation for the 2nd Edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)

Krzysztof “Proembrion” Syruc at work on his painting for the 2nd edition of Artmossphere. Moscow 2016. (photo © Jaime Rojo)




#ARTMOSSPHERE #BKSTREETART

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BSA Images Of The Week: 05.14.17

BSA Images Of The Week: 05.14.17

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As New Yorkers (and the world) discuss whether Trump will self-combust, start a war, take control as a dictator, be revealed as a Russian operative, or be impeached, some things are for sure – every day the reputation of the US is sustaining damage among friends and allies, billionaires are grinning like Cheshire Cats and US citizens are feeling insecure as hell.

In New York, his “hometown”, we found this article from the Bronx Weekly to be full of informative responses from every day neighbors like the ones you see on the street and in the subway, at the laundromat, in the grocery store. Protests against him and his policies keep happening and more are planned; According to this piece in AM New York we’ve already had demonstrations this year outside Trump Tower, Trump International Hotel and Tower, at the Stonewall National MonumentBattery Park, Tompkins Square Park, Washington Square Park, Times Square and outside Kennedy Airport.  And of course, we had Melissa McCarthy as Sean Spicer riding his podium through Midtown on Friday morning.

With this as a backdrop, its amazing that more Street Art isn’t overtly political. But what most of us are worried about these days isn’t specifically political – its our lives. And the street always has its way of reflecting us back to ourselves.

Here’s our weekly interview with the streets, this week featuring: Aito Katazaki, City Kitty, Crash, Crime Scene, drsc0, Extinct Species, Felix Semper, GM.145, Himbad, Megzany, Pink Power, Raf Urban, SacSix, Stikman, and Xors.

Top image: Himbad for East Village Walls. (photo © Jaime Rojo)

Pink Power for East Village Walls. (photo © Jaime Rojo)

Crash for Coney Art Walls 2017. (photo © Jaime Rojo)

GM . 145 Extinct Species. (photo © Jaime Rojo)

GM . 145 Extinct Species. (photo © Jaime Rojo)

City Kitty (photo © Jaime Rojo)

Crime Scene (photo © Jaime Rojo)

Megzany (photo © Jaime Rojo)

Japanese Street Artist Aito Kitazaki for East Village Walls. (photo © Jaime Rojo)

Felix Semper (photo © Jaime Rojo)

Raf Urban (photo © Jaime Rojo)

Abe and SacSix keeping it real for East Village Walls. (photo © Jaime Rojo)

drsc0 (photo © Jaime Rojo)

Xors for East Village Walls. (photo © Jaime Rojo)

Stikman (photo © Jaime Rojo)

Untitled. Manhattan, NYC, May 2107.  (photo © Jaime Rojo)

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Artmossphere Dispatch 2 : Li-Hill, M-City, and Invisible Walls

Artmossphere Dispatch 2 : Li-Hill, M-City, and Invisible Walls

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This week BSA is in Moscow with you and Urban Nation for Artmossphere 2016, the 2nd Street Art Biennale, a group exposition introducing 26 Russian and 42 foreign artists who were shaped by street art in some way. Also present are international curators, museums and galleries who have significantly intersected with urban art in recent years.

Startlingly similar in theme to the multidisciplinary exhibit about borders and boundaries curated by Raphael Schacter this spring in St. Petersburg, Artmossphere has asked artists to think about and address the “invisible walls” in contemporary life and societies.

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Li-Hill. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

The themes are understandable of course, and perplexing to us all as walls are falling down rapidly while the foundations of new ones are taking shape. Catalyzed perhaps by the concept/practice of so-called “globalization” – where capital flows easily and humans are restricted – we are all examining the walls that are directing our lives.

Artist Li-Hill says his piece “Guns, Germs, and Steel” directly relates to the divisions between civilizations due to a completely uneven playing field perpetuated through generations. Inspired by the 1997 trans-disciplinary non-fiction book by Jared Diamond, Li-Hill says he combines it with pieces by the Russian sculptural group called “The Horse Tamers”. Together the forms represents mankind’s “ability to harness power of the natural world and to be able to manipulate it for its advantage.”

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Wes21. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

“The horse is one of the largest signifiers and is a catalyst for advancement in society because it has been for military use, for agriculture, for transportation,” he says.

“It was the most versatile of the animals and the most powerful.” Here he painted a mirror image, balanced over a potential microbial disaster symbol, and he and the team are building a mirrored floor to “give it this kind of infinite emblem status.”

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Pink Power. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

With 60+ artists working simultaneously throughout this massive hall, walls are the imperative for displaying art, supporting it, dividing it. Many are being built in this exhibition hall as we speak. These are the visible ones. With so many players and countries represented here, one can only imagine that there are a number of invisible walls present as well.

Afloat in the middle of some of these walled areas M-City from Poland is choosing to be more direct thematically in his three dimensional installation of plywood, plaster, aerosol and bucket paint, and machine blown insulation.

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M.City. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

“It is an anti-war piece,” he says, and he speaks about the walls between nations and sense that it is a losing battle of dominance that ensures everyone will be victim.”

“It’s kind of a monster who destroys arms,” he says of the lording figure who crushing tanks below. “He is destroying the tanks – but at the same time he is also a destroyer. So it’s a big circle. Nothing positive can come out of this. There is always someone bigger.” M-City tells us that the piece is inspired by the political situations in Europe today and the world at large.

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Remi Rough work in progress. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

For our part, we’re impressed by how quickly these walls are going up and the relative calm that the teams of artists and installers are working under, even as the deadline of the opening of this years’ Artmossphere draws perilously close.

See you tomorrow!

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L’Atlas. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

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Krzysztof “Proembrion” Syruc. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

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Johannes Mundinger. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

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Galo. Artmossphere. Moscow International Biennale of Street Art. (photo © Jaime Rojo)

 

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