All posts tagged: Pez

BSA Images of the Week: 12.08.24 / Miami X NYC

BSA Images of the Week: 12.08.24 / Miami X NYC


In New York and Miami and across the U.S., stories of legitimate struggles with the healthcare system are a constant backdrop to everyday life. Someone you met can’t afford insurance. Someone else is battling their insurer to approve a critical procedure. Surprise medical bills arrive for your girlfriend without warning. Your coworker avoids the doctor altogether because the costs are prohibitive. Teachers face medical bankruptcy, parents delay surgeries, and families turn to GoFundMe campaigns to defray crippling medical costs not covered. Meanwhile, seniors ration medication, cutting pills in half to make them last. It’s a system where multi-billion-dollar corporations, shielded by their (paid) influence over government, operate with impunity, leaving the sick ill-equipped to challenge them.

This backdrop of frustration likely fueled the sharp sarcasm and bitterness that erupted in conversations on social media and on the street after the UnitedHealthcare CEO was shot and killed on a Manhattan sidewalk this week. A young man in a hoodie fled the scene on a bicycle. Hundreds, no, thousands of responses on platforms like Twitter included jabs such as, “My empathy is out of network” and “Thoughts and prior authorizations.” UnitedHealthcare’s Facebook page was inundated with thousands of comments mocking the company’s public statement of sorrow. Many appeared to post pictures of family members or rejection notices they received from United Healthcare, their addresses blacked out.

To be clear, ‘denial of care’ is not just a business or policy practice; it is a systematic design rooted in contempt for people. These practices profoundly impact millions of people, possibly you and your family.

Now, five days later, the FBI joined the NYPD search for the suspect, who is believed to have left New York. Yet in laundromats, bars, and online forums, some people quietly invoke phrases like “snitches get stitches,” a colloquialism from hip-hop culture discouraging cooperation with law enforcement.

Critics in the media have rightly denounced the ethics of vigilante justice. At its core, vigilantism threatens to unravel societal order. Yet, so does a society that lets a profit-driven industry determine which sick lives are worth saving. The bitter truth is that for many, the system already feels unraveled.


Miami, we love you. This week was great at Wynwood Walls and Museum of Graffiti, and in the streets of Wynwood. The new STRAAT Catalogue is shipping on Christmas – and our Editor in Chief is one of the authors along with great folks like Carlo McCormick, Christian Omodeo, and Charlotte Pyatt. Most importantly, we cannot tell you how much we enjoyed meeting BSA readers and receiving your feedback and support. There are so many talented, creative, brilliant minds on this trip, and we like meeting each and every one. Don’t be shy! Thank you sincerely.

Shout out to our hosts at MOG Alan Ket and Allison Frieden, to David Roos from STRAAT, and to artists Nina Falkhoff, and HOXXOH.

Here’s our weekly conversation with the street, this week in New York and Miami, featuring: Retna, Adele Renault, Inkie, Werds, Pez, Astro, HOXXOH, Zimer, Kern, 1457 Wave, Juju the Frog, Trek86, Ishmael Book Art, Shey Lunatic, KTAN086, Code-E, and Z. Veiz.

ASTRO in Wynwood, Miami. (photo © Jaime Rojo)
KTANO86 in Wynwood, Miami. (photo © Jaime Rojo)
Shev Lunatic in Manhattan, NY. (photo © Jaime Rojo)
Shev Lunatic in Manhattan, NY. (photo © Jaime Rojo)
ZIMERNYC in Manhattan, NY. (photo © Jaime Rojo)
ZIMERNYC in Manhattan, NY. (photo © Jaime Rojo)
Trek86 & Ishmael Book Art in Wynwood, Miami. (photo © Jaime Rojo)
Trek86 & Ishmael Book Art in Wynwood, Miami. (photo © Jaime Rojo)
Trek86 & Ishmael Book Art in Wynwood, Miami. (photo © Jaime Rojo)
Trek86 & Ishmael Book Art in Wynwood, Miami. (photo © Jaime Rojo)
Juju The Frog in Manhattan, NY. (photo © Jaime Rojo)
Juju The Frog in Manhattan, NY. (photo © Jaime Rojo)
1457Wave in Wynwood, Miami (photo © Jaime Rojo)
INKIE in Wynwood, Miami. (photo © Jaime Rojo)
Z.VEIZ in Wynwood, Miami. (photo © Jaime Rojo)
WERD and friends in Wynwood, Miami. (photo © Jaime Rojo)
Adele Renault in Wynwood, Miami. (photo © Jaime Rojo)
Adele Renault in Wynwood, Miami. (photo © Jaime Rojo)
HOXXOH in Wynwood, Miami. (photo © Jaime Rojo)
KERN in Wynwood, Miami. (photo © Jaime Rojo)
CODE-E possibly painted Jay-Z’s imitation of Basquiat in Wynwood, Miami. (photo © Jaime Rojo)
PEZ in Wynwood, Miami. (photo © Jaime Rojo)
This is an advertising campaign for the soon-to-be-released Bob Dylan’s biopic “A Complete Unknown” starring Timothée Chalamet. They could have asked French street artist Jef Aerosol, who has stencilled Dylan on city walls for years.(photo © Jaime Rojo)
This is an advertising campaign for the soon-to-be-released Bob Dylan’s biopic “A Complete Unknown” starring Timothée Chalamet. (photo © Jaime Rojo)
This is an advertising campaign for the soon-to-be-released Bob Dylan’s biopic “A Complete Unknown” starring Timothée Chalamet. (photo © Jaime Rojo)
RETNA in Wynwood, Miami. (photo © Jaime Rojo)
Untitled. (photo © Jaime Rojo)
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An Enchanted Painted Forest in SANT ADRIÀ

An Enchanted Painted Forest in SANT ADRIÀ

Urban environments continue to evolve and adapt to the exigencies of population growth caused in part by the exodus of people from rural areas to metropolia around the world. Structural features of infrastructure previously thought of as “modern” is now simply eyesores as people aim to incorporate imagery and symbols of natural beauty and human warmth. “Calming” solutions in otherwise noisy and congested streets and boulevards in megacities include the reclaiming of space and “greening” of areas that were once reserved for motorists.

Eloizaga. EL BOSC ENCANTAT DE SANT ADRIÀ. Barcelona, Spain. (photo © Lluis Olive Bulbena)

City leaders and urban planners more often now work with arts organizations to create a new visual landscape for our cities – by creating art programs to beautify spaces. One such project is in the municipality of Sant Adrià de Besos in the Spanish city of Barcelona.

According to the description, translated from Catalan to English on the organizer’s IG account, (@elbosc_encantat_c31), the project is “An open-air mural art museum. An impressive creative forest is formed by more than 200 columns that support the C-31 on its way through the municipality of Sant Adrià de Besos. A unique project in the world with the participation of local and international artists”. The project, while impressive, is not unique, as artists and organizations have been using highway support pillars to paint murals in cities all over the world as reported HERE, HERE, HERE, HERE, and HERE.

Anna Blu. EL BOSC ENCANTAT DE SANT ADRIÀ. Barcelona, Spain. (photo © Lluis Olive Bulbena)
DMC (Darryl McDaniels) by Akore. EL BOSC ENCANTAT DE SANT ADRIÀ. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Grand Master Flash by Akore. EL BOSC ENCANTAT DE SANT ADRIÀ. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Alberto de Blobs. EL BOSC ENCANTAT DE SANT ADRIÀ. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Poncho. EL BOSC ENCANTAT DE SANT ADRIÀ. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Pez. EL BOSC ENCANTAT DE SANT ADRIÀ. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Pez. EL BOSC ENCANTAT DE SANT ADRIÀ. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Felipe Pincel. EL BOSC ENCANTAT DE SANT ADRIÀ. Barcelona, Spain. (photo © Lluis Olive Bulbena)
ELISENDA SOLÀ-NIUBÓ. EL BOSC ENCANTAT DE SANT ADRIÀ. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Emilio Cerezo. EL BOSC ENCANTAT DE SANT ADRIÀ. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Aleshy. EL BOSC ENCANTAT DE SANT ADRIÀ. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Kimo Osuna. EL BOSC ENCANTAT DE SANT ADRIÀ. Barcelona, Spain. (photo © Lluis Olive Bulbena)
Maga. EL BOSC ENCANTAT DE SANT ADRIÀ. Barcelona, Spain. (photo © Lluis Olive Bulbena)
EL BOSC ENCANTAT DE SANT ADRIÀ. Barcelona, Spain. (photo © Lluis Olive Bulbena)

The project EL BOSC ENCANTAT DE SANT ADRIÀ, is curated by Zosen and Juanki, and it began in 2016. It is carried out in collaboration with the Sant Adriá City Council and the Asociación Cultural El Generador, with the support of TRAMmi, it is part of the HOP Sant Adrià-Art Urbá.”

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BSA Images Of The Week: 01.20.19

BSA Images Of The Week: 01.20.19

Brexit deadlock is like a thorn in the side of the UK people this week, Trump is shutting down the US government partially here for almost a month (to celebrate 2 years in the White House?), the ‘Yellow Vests’ are striking through France for the 10th weekend, its going to get very cold tonight in New York, and your cousin Marlene is back from the local Women’s March with fire in her eyes and hope in her heart. As usual, the streets are alive with Street Art and graffiti, and we’re bringing it to you.

Here’s our weekly interview with the street, this time featuring 2501, Add Fuel, BirdCap, BustArt, C3, City Kitty, Cranio, Duster, Edu Danesi, Fafi, Frances Forever, Jaeryaime, Kram, LMNOPI, Mark Jenkins, Neon Savage, Os Boys, Pez, Rx Skulls, Sickid, Tatiana Fazlalizadeh, UFO 907, and Zaira Noir .

Jaeryaime in Wynwood, Miami. (photo © Jaime Rojo)
UFO 907 (photo © Jaime Rojo)
A Mark Jenkins installation in Wynwood, Miami. (photo © Jaime Rojo)
A Mark Jenkins installation in Wynwood, Miami. (photo © Jaime Rojo)
Duster (photo © Jaime Rojo)
Never 2501 (photo © Jaime Rojo)
Never 2501 (photo © Jaime Rojo)
Never 2501 (photo © Jaime Rojo)
Edu Danesi. Wynwood, Miami. (photo © Jaime Rojo)
Unidentified Artist (photo © Jaime Rojo)
Os Boys (photo © Jaime Rojo)
LMNOPI x City Kitty (photo © Jaime Rojo)
Neon Savage x City Kitty x C3 x Rx Skulls (photo © Jaime Rojo)
Fafi (photo © Jaime Rojo)
Bird Cap. Wynwood, Miami. (photo © Jaime Rojo)
Add Fuel. Wynwood, Miami. (photo © Jaime Rojo)
Pez x BustArt x Kram x Zaira Noir. Wynwood, Miami. (photo © Jaime Rojo)
Cranio. Wynwood, Miami. (photo © Jaime Rojo)
Hand painted sign at the NYCLT for #expandtheloftlaw in Williamsburg, Brooklyn (photo © Jaime Rojo)
Sickid with Frances Forever on the right and Tatiana Fazlalizadeh on the left. (photo © Jaime Rojo)
Untitled. Wynwood, Miami. December 2018. (photo © Jaime Rojo)
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BSA Images Of The Week: 12.04.16

BSA Images Of The Week: 12.04.16

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Of course it was not all about spectacle this week in Miami, but about tribes and community as well. Many conversations with artists on the street and at openings revolved around this chaotic/fearful time we are living in – and it seemed like if you weren’t discussing the incoming president and offering predictions about what fresh hell this time will bring, you were trying hard to avoid the topic altogether.

There were talks this week about activism or the lack of it on the street, relevance of the work of artists in the body politik, paint supplies, ladders, Tindr, licensing, how Pete Rock and CL Smooth blew everybody away late Friday night with the Bushwick Collective, how murals are not to be confused with Street Art and Street Art is not to be confused with graffiti and of course the evergreen “Is Street Art Dead?” – which has popped up as a topic about every 3 months since it was coined. Answer: no sight of it yet, but we’ll let you know if it stops mutating and shapshifting and re-defining itself. Promise

Without repeating some of the images from our previous postings this week, here’s our weekly interview with the street, this week featuring 2Alas, Bordalo II, Caratoes, Cleon Peterson, CRASH, Dan Witz, D*Face, Don Rimx, Evoca, Fluke, Hoxxoh, Jules Muck, L’Atlas, Okuda, Pez, Shepard Fairey, Shida, Shok1, and Sipros.

Bordalo II for Uninhibited Mural Festival 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Sipros for Mana Urban Arts Projects x The Bushwick Collective. Wynwood, Miami. (photo © Jaime Rojo)

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Sipros for Mana Urban Arts Projects x The Bushwick Collective. Wynwood, Miami. (photo © Jaime Rojo)

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Okuda. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Okuda. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Fluke. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Dan Witz. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Crash. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Cleon Petterson for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Cleon Peterson for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Cleon Peterson for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Evoca1 for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Don Rimx for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Shok1 for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Shida for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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PEZ for Uninhibited Mural Festival 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Shephard Fairey for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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L’Atlas. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Jules Muck. Wynwood, Miami 2016. (photo © Jaime Rojo)

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D*Face for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Hox Xoh for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Unidentified Artist. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Unidentified Artist. Wynwood, Miami 2016. (photo © Jaime Rojo)

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2alas for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Caratoes for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

 

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“I’m In Miami Bitch”, Andrew Kaufman photographs Wynwood

“I’m In Miami Bitch”, Andrew Kaufman photographs Wynwood

A. It has a good name, and
B. It’s the way Wynwood feels every year during Art Basel and this self published book by photographer Andrew Kaufman captures the excitement unpretentiously.

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Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

In the fall of 2012 Kaufman began walking the streets with camera in hand in what used to be called “El Barrio”, shooting the murals of the international Street Art magnet called the Wynwood District. The previously low-income and light manufacturing neighborhood had been transforming itself as a destination in the shadow of the decade old art fair across the water in Miami Beach. He discovered artists from in town and around the world painting walls side by side and a palpable thrill in the air in this 20 square block public space like none he had previously experienced.

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Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

“Every year in late November artists from around the world descend on the streets of Wynwood to remake the façade of almost every building, overhead door and nook or cranny where paint could be applied,” he says in this image packed softcover. He doesn’t try to romance it, he just lays it open for you to take a look and to possibly feel what it was like for him for a few weeks talking to artists, interviewing locals and pilgrims and internationally known names as they painted, listened to music, traded stories, passed a joint, ate barbecue, and got distracted by the bikinis, parties, hammocks and lawn chairs.

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Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

In a down-to-earth way Andrew steers clear of grandiosity or otherwise put a self-serving spin on the scene. He learns just by asking questions and taking photos, with highlights including conversations with Kenny Scharf, DAZE, and BooksIIII Bischof, who lays bare the conflicting feelings of local graff writers who had already been organizing and slamming walls organically for a handful of years before the real estate developer Tony Goldman brought his economic heft to flood the scene with international Street Artists.

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Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

The rapid change that neighborhood has undergone the other 11 months of the year has created rifts between the locals and the well-heeled newbies, and its good that Kaufman gives airtime to those perspectives as well, diplomatically describing the power struggles as “growing pains”. While some characterizations may be a bit naïve at times with statements like “there are no curators, no rules,” he still captures the near spiritual  peregrination of idealist artists from around the US who hop trains and buses or hitch-hike to a warm sunny climate at the end of November with little more than a desire to find a wall to paint and a couch to crash on.

I’m in Miami Bitch is a personal account of the zoo and the spectacle and an historical capture of a moment on an evolutionary timeline that will become more valuable as the inevitable cultural seachange in this Miami neighborhood takes place and the presumptive commodification and gentrification runs its full course. For the moment you can still catch the crazy collaborative creative magic yourself just by showing up. But if you can’t, Kaufman is happy to share his sense of magic with you.

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Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

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Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

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Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

Included in the book are works by Cite, Crayola, Dabs and Myla, Ewok, Pia, Fumerosim, Pose-MSK, Aimer, Patch Whiskey, La Paneilla, Kenny Scharf, Blink, Torek, Daze, Pez, Gorey, and about 50 more artists. For more information about I’m in Miami Bitch, cliek HERE.

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Fun Friday 10.26.12

1. Perfect Storm “Big Freedia” Coming
2. Kid Acne, “Damn Straight” (Vienna)
3. Blue Dog at Michael Mutt (NYC)
4. “Las Calles Hablan” Group Show (Barcelona)
5. SANER Has “Catharsis” at New Image (LA)
6. Saner “Catharsis” Teaser # 2 (VIDEO)
7. Jeff Frost “Modern Ruin” Preview (VIDEO)
8. See No Evil 2012 (VIDEO)

Happy Friday NYC. Halloween is in full effect on the streets and there are people in costume at bars, at art parties, galleries, and in the corner deli throughout this weekend as we get ready for the Frankenstorm that is on it’s way from the South, West, and North. And from New Orleans another storm system called Big Freedia is set to hit on Halloween at Brooklyn Bowl. Watch the skies for this perfect storm – Ya’ll get back now!

 

Kid Acne, “Damn Straight” (Vienna)

This week Kid Acne has been led by his small army of sword-wielding women to Vienna, Austria for his solo show at Inoperable gallery with mono prints, graphite, screenprints, qatercolor, and more. The Kid says that the show will also feature a limited print “honoring the worlds first Graffiti Artist, Kyselak“, an Austrian who painted during the early 1800s. “Damn Straight” is now open.

Kid Acne on the streets of Brooklyn. (photo © Jaime Rojo)

For further information regarding this show click here.

Blue Dog at Michael Mutt (NYC)

With canine pragmatism, the Street Artist Blue Dog 10003 describes the rules of the street: “You put up and if people like it they take pics or poach it. If it sucks they slap over it.” Not sure how it applies to the rules inside the gallery ; “Re Tail Blue’s” is now open to the general public at the Michael Mutt Gallery in Manhattan.

Blue Dog 10003 (photo © Jaime Rojo)

For further information regarding this show click here.

“Las Calles Hablan” Group Show (Barcelona)

In support of a forthcoming documentary of the same name, Las Calles Hablan is the first exhibit by Mapping Barcelona Public Art and it is tracing the evolution of street art in Barcelona since the death of Franco. While this collection is not exhaustive, it gives an overview. Presented by MBPA at the Mutuo Centro de Arte, the show includes: Debens, Tom14, Kenor, Pez, Kafre, Alice, SM172, Ogoch, BToy and Gola. Now open.

Pez in Miami. (photo © Jaime Rojo)

For further information regarding this show click here.

SANER Has “Catharsis” at New Image (LA)

“I visited Oaxaca a lot when I was growing up because my mother is from there, and certain traditions which they carried out there really caught my attention.,” says Mexican Street Artist Saner as he talks about his youth and the rich influences that can be traced in his work. Medvin Sobio curates Saner’s new show “Catharsis” at New Image Art Gallery in West Hollywood, CA. A cultural and stylistic fusionaire, Saner is clearly poised to influence many – Saturday night it is the place to be in LA.

Saner in Miami for Wynwood Walls. A collaboration with Sego. Detail. (photo © Jaime Rojo)

For further information regarding this show click here.

Saner “Catharsis” Teaser # 2 (VIDEO)

Jeff Frost “Modern Ruin” Preview (VIDEO)

See No Evil 2012. Street Art Way of Life (VIDEO)

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MBPA Presents: “Las Calles Hablan” A Group Exhibition and Film Screening. (Barcelona, Spain)

Las Calles Hablan

Mutuo Centro de Arte. Carrer de Julià Portet, 5. (Metro: Urquinaona)
Opening : Thursday, 25 October, 20hr 
Works from Debens, Tom14, Kenor, Pez, Kafre, Alice, SM172, Ogoch, BToy and Gola. 
Music : DJ Rocketman
Sneak preview of the Las Calles Hablan documentary.

Las Calles Hablan, the first exhibit by Mapping Barcelona Public Art, is about the evolution of street art in Barcelona. The opinions on graffiti go in many different directions – love, hate, indifference. This exhibit welcomes all opinions, inviting everyone to see and learn more about their community and how graffiti can be a compelling element for a visual discussion. Barcelona, like many cosmopolitan cities, has a rhythm, a natural beat that carries and communicates its personality: the very soul of the place. It carries the mood but also embraces the history in the streets. This vibrant energy has attracted many graffiti artists from around the world to live and work, documenting the life and soul of the city on its walls. here because of this energy.

After the death of Franco in the 1970s, Barcelona evolved into a bohemian, cultural city creating a place and environment where the people could reclaim their space, their culture and language. Over the next decades, the city flourished with street art freedom: graffiti along the city walls, music in every corner. During this urban cultural renaissance, artists created a public gallery where the people could enjoy a city which is flourishing with artistic expression. The street art of this time often provoked playful interchanges or posed political, economic or cultural questions. There was a public conversation between the artists and the people in the streets.

Other cities, like Rio de Janeiro and Buenos Aires, developed and embraced their rich street art scenes to the extent where this urban art has become a part of their cultural identities. However, recent changes to the local laws in Barcelona have tightened restrictions on street art, increasing fines and limiting the spaces where street art can be shared with the people. Las Calles Hablan aims to open up the dialogue in the community about the value of street art by providing information on the various barrios and their history since the fall of Franco, a history of the graffiti scene in Barcelona during that same time period, and sharing photographs of work from various local graffiti artists along a timeline. We encourage and invite an open discussion about the graffiti scene.

Documentary

For the opening, there will be a never before seen documentary film, with footage of incredible graffiti areas in Barcelona, as well as interviews with artists, a street art gallery owner and others in the know. Justin Donlon and Sylvia Vidal are producing this fresh inspirational and educational view of the streets of Barcelona.

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Images of the Week 01.22.12

Welcome to our weekly interview with the street, this week featuring Destroy All Design, En Masse, False, Goel, Lisa Enxing, Logan Hicks, NTAS 1979, Pez, Pink Clouds, Ron English, and this snappy new one from VINZ that was set free in Williamsburg last week.

You can tell she’s cold. Know how? Vinz (photo © Jaime Rojo)

A camoflauged buck from Ron English grazes before a streetscape by Logan Hicks for Wynwood Walls. Miami (photo © Jaime Rojo)

“He is SUCH a party animal” Lisa Enxing (photo © Jaime Rojo)

Pink Clouds Yellow Bunny. Red heart bunny by unknown artist.  (photo © Jaime Rojo)

A collective mass of illustrations by En Masse in Miami for Art Basel 2011 (photo © Jaime Rojo)

NTAS 1979 (photo © Jaime Rojo)

Pez in Miami (photo © Jaime Rojo)

JR (photo © Jaime Rojo)

False (photo © Jaime Rojo)

Goel in Miami (photo © Jaime Rojo)

Destroy all Design new wall in Los Angeles  (photo © JB Jones)

Untitled (photo © Jaime Rojo)

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Images of the Week 01.08.12 Miami Special Part II

Here is the 2nd half of the Miami images we captured for you from the massive blocks long street installation party called Art Basel this year. Most of these pieces are legal, many are not. You can call them Street Art, but not all are actually on the street and many could also be classified as murals.

Now is a perfect window of opportunity to go see these as many will be buffed in the next few weeks and months, as property owners sell the buildings or decide they didn’t actually dig the art as much as they thought they would. Within a decade or so, this area in Miami will most likely be less enthused with and even hostile toward graffiti and Street Art in general, but the red carpet is laid out at the moment. Artists are flocking from all over the world to jockey for walls, hoping to be seen by potential fans and collectors, or at least to hang out with peers and make new friends. This is a moment on a timeline and, for right now, the colors, patterns, textures, messages and lucid dreams are pulsating on walls everywhere; a mountain of creativity set free.

So here are more than 50 images in our interview with the street, this week featuring 2501, Adjust, AM, Andrew Schoultz, Art Basel 2011, AWR, Bask, Ben Eine, Bik Ismo, Buff Monster, C215, Chris Stain, Clown Soldier, Col, Cope, Dabs&Myla, Des, Ema, Emo, Entes Pesimo, Ethos, Ever, Florida, Gaia, Interesni Kazki, Jade Uno, Jaz, Joe Iurato, Liqen, Miami, Michael DeFeo, Neuzz, Nomade, Nomads, Nunca, Pancho Pixel, Pez, PHD, Pi, el Pancho, Primary Flight, Remote, Retna, Roa, RONE, Shark Toof, Shiro, Smells, Spagnola, Stormie Mills, Vhils, Wynwood Walls, and Zed1.

With special thanks to all the people who helped us out, showed us around and provided insight and background, especially the good folks from Primary Projects and Wynwood Walls.

Liqen (photo © Jaime Rojo)

Liqen’s metaphoric mural of miserable corporate finance workers in a labyrinthine maze may have been the singular most powerful and timely image this year.   (photo © Jaime Rojo)

Liqen (photo © Jaime Rojo)

International star Vhils and crew created a few signature portraits using his very original method of destruction and creation, a low relief sculpture that emanates from the wall (photo © Jaime Rojo)

Rone’s model looked skyward from a few locations on the street. (photo © Jaime Rojo)

Shiro (photo © Jaime Rojo)

Now, why is that? Smells Like Junk (photo © Jaime Rojo)

ROA and Ben Eine hit up this little corner spot with Primary Flight. The unusual free-standing structure called “The Living Room” has played host to a number of graffiti, mural, and street artists over the last few years, and this year also featured a pop-up piano ensemble performance. (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

JAZ (photo © Jaime Rojo)

Neuzz (photo © Jaime Rojo)

Assume Vivid Astro Focus killed this wall last year and it still looks fresh. (photo © Jaime Rojo)

Famed duo Assume Vivid Astro Focus (photo © Jaime Rojo)

New Jersey’s Joe Iurato (photo © Jaime Rojo)

Jade Uno . Entes Pesimo (photo © Jaime Rojo)

Gaia and C215 appeared frequently with one another this year on the street. This one is bookended by some Nomade posters (photo © Jaime Rojo)

Gaia, C215 (photo © Jaime Rojo)

Bik Ismo, a custom hot rod, and of course a couple of appreciative dudes. (photo © Jaime Rojo)

Zed1 (photo © Jaime Rojo)

Despite relative domestic tranquility, sometimes Felix and Ana were not sure if they were seeing the same thing. Ever (photo © Jaime Rojo)

Retna stretched his alphabet tall, and tucked in many tributes to local friends. (photo © Jaime Rojo)

 

Interesni Kazki . Liqen (photo © Jaime Rojo)

Interesni Kazki and Liqen combined forces on this mural referencing the world wide web. (photo © Jaime Rojo)

Interesni Kazki . Liqen (photo © Jaime Rojo)

Interesni Kazki . Liqen (photo © Jaime Rojo)

Michael DeFeo lit up a desolate spot under the highway. (photo © Jaime Rojo)

Ethos (photo © Jaime Rojo)

Emo, PHD, Remote (photo © Jaime Rojo)

Emo (photo © Jaime Rojo)

Ema (photo © Jaime Rojo)

A killer repetition from Des (photo © Jaime Rojo)

Dabs & Myla collaboration with AWR (photo © Jaime Rojo)

Col on a bed of seafoam blue (photo © Jaime Rojo)

Chris Stain brought some friends from New York and Baltimore. (photo © Jaime Rojo)

This bull head popped out at discrete locations. Artist Unknown (photo © Jaime Rojo)

Bask bolted to a post. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Stormie Mills (photo © Jaime Rojo)

One of the few blatantly political pieces from Spagnola, with additional commentary added by a third party. (photo © Jaime Rojo)

This Shark Toof appears to be whispering something to Anthony Lister. (photo © Jaime Rojo)

Pixel Pancho kind of killed it.  (photo © Jaime Rojo)

Pez is on multiple surfaces everywhere. (photo © Jaime Rojo)

Nunca (photo © Jaime Rojo)

Nunca (photo © Jaime Rojo)

Cope crushed repeatedly. (photo © Jaime Rojo)

Clown Soldier stands guard at the gate. (photo © Jaime Rojo)

Buff Monster . Cope (photo © Jaime Rojo)

2501 (photo © Jaime Rojo)

Andrew Schoultz (photo © Jaime Rojo)

Andrew Schoultz (photo © Jaime Rojo)

AM (photo © Jaime Rojo)

Adjust (photo © Jaime Rojo)

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Images of the Week 01.02.12: Miami Special Part I

Ding Ding Ding! The New Year has been rung in and your head has stopped ringing, so it’s back to work – and back to Images of the Week, our weekly interview with the street. This week we’re bringing you incredible new work from Miami. In fact there is so much there since Art Basel hit a month ago that we’re gonna split it over 2 (or 3!) episodes of Images of the Weeks. With all this art on the streets surrounding you, it feels like a prosperous way to start 2012.

So here’s our first part interview with the Streets of Miami, today featuring 2501, Above, Adjust, Aiko, Anthony Lister, B., Ben Eine, CFYW, Chu, Cope, Dabs & Myla, Dan Witz, Date Farmers, Faile, Fila, Hargo, How & Nosm, Interesni Kazki, Jaz, Jeff Soto, JR, Kenny Sharf, Kenton Parker, Know Hope, La Pandilla, Liqen, Logan Hicks, LRG, MDR, MPR, Pez, Pixel Pancho, Retna, REVOK, ROA, Robots, Rone, Saner, Sego, Shark Toof, Shepard Fairey, Spencer Keeton, Tati, and Vhils.

With special thanks to all the people who helped us out, showed us around and provided insight and background, especially the folks from Primary Projects and Wynwood Walls.

JR (photo © Jaime Rojo)

Interesni Kazki (photo © Jaime Rojo)

Interesni Kazki (photo © Jaime Rojo)

Interesni Kazki (photo © Jaime Rojo)

Interesni Kazki (photo © Jaime Rojo)

Interesni Kazki (photo © Jaime Rojo)

Interesni Kazki (photo © Jaime Rojo)

Dan Witz (photo © Jaime Rojo)

HARGO (photo © Jaime Rojo)

Shepard Fairey (photo © Jaime Rojo)

Above (photo © Jaime Rojo)

Ben Eine and Spencer Keeton (photo © Jaime Rojo)

Ben Eine (photo © Jaime Rojo)

Ben Eine (photo © Jaime Rojo)

Fila (photo © Jaime Rojo)

Know Hope (photo © Jaime Rojo)

Roa and Kenton Parker (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

Aiko (photo © Jaime Rojo)

2501 (photo © Jaime Rojo)

Pixel Pancho (photo © Jaime Rojo)

Jaz (photo © Jaime Rojo)

Shark Toof (photo © Jaime Rojo)

GAIA (photo © Jaime Rojo)

GAIA (photo © Jaime Rojo)

TATI (photo © Jaime Rojo)

RONE (photo © Jaime Rojo)

REVOK (photo © Jaime Rojo)

Anthony Lister (photo © Jaime Rojo)

Anthony Lister and Ben Eiene (photo © Jaime Rojo)

Free Humanity, Anthony Lister, Pez, Wealthy, Cope, Chu, Adjust and Revok (photo © Jaime Rojo)

Pez, MPR (photo © Jaime Rojo)

Retna, Robots, MDR (photo © Jaime Rojo)

Retna (photo © Jaime Rojo)

La Pandilla (photo © Jaime Rojo)

Sego and Saner (photo © Jaime Rojo)

Sego and Saner (photo © Jaime Rojo)

Sego and Saner (photo © Jaime Rojo)

Vhils (photo © Jaime Rojo)

Vhils (photo © Jaime Rojo)

Dabs & Myla, LRG (photo © Jaime Rojo)

Kenny Scharff (photo © Jaime Rojo)

Kenny Scharff (photo © Jaime Rojo)

Kenny Scharf did an installation for Wynwood Doors/Walls similar to his installation earlier in the year at LA MOCA.  Trailer Interior (photo © Jaime Rojo)

Kenny Scharf’s trailer interior (photo © Jaime Rojo)

Kenny Scharf’s trailer interior (photo © Jaime Rojo)

Logan Hicks (photo © Jaime Rojo)

Faile. Bast (photo © Jaime Rojo)

Faile, and a little bit of Kenny Scharf. (photo © Jaime Rojo)

How & Nosm (photo © Jaime Rojo)

Date Farmers (photo © Jaime Rojo)

b. (photo © Jaime Rojo)

Jeff Soto (photo © Jaime Rojo)

Interesni Kazki (photo © Jaime Rojo)

Interesni Kazki (photo © Jaime Rojo)

Interesni Kazki (photo © Jaime Rojo)

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Images of the Week 12.11.11

Thank you for all the excellent and splendid and wacky and warm submissions to the BSA Holiday Giveaway this week. BSA just has the smartest, knowledgeable, talented  and most badass readers! Our panel of judges will be casting their votes for the five winners soon and we’ll be revealing the winners during “12 Wishes for ’12” at the end of the month. A sincere “Thank You” to everybody (from everywhere!) who took the time and made the effort to share their personal wish and image. We value each and every one.

The bachanal of Street Art known as Art Basel washed like a typhoon over walls of Miami last weekend and more Street Artists than ever put up work before heading home to locations around the globe. By all accounts it was an overwhelming experience for many and artists, fans, photographers, and promoters are taking a little time to consider the experience and think about the ramifications for Street Arts’ direction. You may have seen a couple of postings we had as the work was going up last weekend here and here.

This week we show you a handful of somewhat reflective shots from the streets of Miami (and some from New York too). With time for consideration and after letting the aerosol settle, BSA will give you a huge overview of the whole Miami Street Art scene as it stands on January 2nd.

For now, here is our weekly interview with the streets, this week featuring Dain, Gaia, Hargo, Love Me, Need You, Pez, La Pandilla, Rone, and Spencer Keeton Cunningham. Photographs by Jaime Rojo and Geoff Hargadon.

Love Me (photo © Jaime Rojo)

Need You (photo © Jaime Rojo)

Dain (photo © Jaime Rojo)

Artist Unknown. This collage was made out of two different wheat pastes by two different artists at two different times. A side bust. The B&W photos were superimposed on the original wheat paste (photo © Jaime Rojo)

 

Here are Geoff Hargadon’s images for BSA from his adventures in Miami for Art Basel 2011.

Rone. This is a fine example of the spontaneous and unsanctioned art that takes place on the streets of Miami during the four days of Art Basel.  (photo © Geoff Hargadon)

Gaia for Wynwood Walls  (photo © Geoff Hargadon)

Spencer Keeton Cunningham paints next to Ben Eine.  (photo © Geoff Hargadon)

CFYW (photo © Geoff Hargadon)

Pez (photo © Geoff Hargadon)

La Pandilla (photo © Geoff Hargadon)

Geoff caught this cru from Atlanta working in the middle of the night. The painting is a tribute to a friend of theirs who passed away not long ago. (photo © Geoff Hargadon)

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Fifty24SF Gallery Presents: Pez and Joshua Blank “You Can’t Win” (San Francisco, CA)

Fifty24SF Gallery

"You Can't Win" Image Courtsy of the Gallery

"You Can't Win" Image Courtsy of the Gallery

For Immediate Release
July 26th, 2010

FIFTY24SF GALLERY PRESENTS:
“You Can’t Win”
by PEZ AND JOSHUA BLANK

FIFTY24SF Gallery present’s “You Can’t Win” by PEZ and Joshua Blank, featuring collaborative works and zines by both artists. The title of the show, “You Can’t Win,” has roots in the year 2001 when PEZ and Joshua lived in San Francisco and collaborated on a zine by the same name. Both owned very little more than their bicycles and cameras and would set off on adventures with marginal characters in hopes of making and finding the inspiration for art; and the zine itself became a part of this adventure. Documenting tragic, erotic and peculiar situations, this culminated in the “You Can’t Win” zine. In 2004, Joshua moved to New York City to pursue fashion photography, and the zine lost momentum. After individually refining their talents and pursuing photography zines on their own, PEZ and Joshua’s reconvened in San Francisco last year, and this show marks the revival.

Although the work that PEZ and Joshua were accomplishing during 2001 went largely un-noticed, in retrospect the immediacy and relevancy of what they were doing is easily evident. Their work, unbeknownst to them, played an integral part in the larger graffiti movement of the past 25 years and has been recognized by the bigger players in the movement for its honesty and innovativeness; Shepard Fairey has even remarked that “Pez, a bike messenger, has crushed every city he’s live in…” Rediscovering these pioneering artists and bringing them to the public’s attention through these new works is what makes You Can’t Win one of the more exciting exhibitions at FIFTY24SF Gallery this year. The show runs from August 6th – August 25th with an opening reception occurring on Friday, August 6th at 7:30PM.

“We were and are both very depressed individuals and do not really view ourselves as really fitting into any group, but as persons who kind of sit on the cusp of several. More as loners than anything else.”
-PEZ and Joshua Blank

ABOUT THE ARTISTS:
PEZ – In the late 90’s PEZ worked as a bike messeneger in NYC and would frequently use pay phones around Manhattan to contact his dispatcher and quickly became inspired by the DIY advertisements posted in the display windows. Pez began to create his own photocopied ads as an innovative take on graffiti art. He is widely recognized around the world as one of the earliest sticker taggers in the history of graffiti, following in the footsteps of the legendary and infamous graffiti artists, Cost and Revs. He documented his experiences in NYC with his Nikon FM2 35mm camera, and continued to post his stickers and other printed work around NYC. His zine, Kollision, combined NYC graffiti and bike messenger culture, featuring his photographs, found objects and the work of his friends. Today, Pez continues to make stickers and publish photography zines. He has done design work for HUF, Ever Gold Gallery, The Flop Box, and Stay Gold. Pez has exhibited in New York City, San Francisco, Los Angeles, Portland, and Tokyo.

JOSHUA BLANK – During the turn of the century Josh was attending San Francisco Art Institute studying painting and film when he dropped out of school to move to Paris for six months to live in an abandoned building. When he returned to the US he began teaching himself photography and was reunited with Pez who he had met many years before in NYC. In 2004 Joshua moved back to New York City where his focus shifted to youth and street fashion photography. He also worked for Smack Mellon Gallery and began to do art handling for galleries and museums around New York and attended the Photography Program at Parsons the New School for Design where he received his BFA. During this time he continued to draw but kept his work private and would never show it to anyone. In late 2009, he moved back to San Francisco to photograph his friends and embark on new projects that seemed impossible in NYC. He has worked as a photo journalist and news writer in the Bronx and has shot assignments for Time Out New York, Toast Magazine, and has  contributed photos to several issues of Vice. He also worked as a product and party photographer. He has exhibited his work in New York, San Francisco, Los Angeles, Miami, Austin and in Paris.

brooklyn-street-art-pez-joshua-blank-fifty24sf-gallery

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