All posts tagged: Pangeaseed Foundation

1UP Graffiti Crew Takes A Dive To Save The Oceans

1UP Graffiti Crew Takes A Dive To Save The Oceans

If art that is also vandalism is destructive then Artivism is meant to be something more constructive in the balance – even a polar opposite. For those of us who prefer to see the world holistically, the graffiti / Street Art continuum globally has always held wildly opposing instincts and missions simultaneously, neither specifically negating the other and none to be overlooked.

1UP. SeaWalls Festival / PangeaSeed Org. Nusa Penida, Bali. (photo courtesy of 1UP Crew)

The term Artivism has been around about 20 years, some saying it gained currency with artists helping the Zapatistas in Chiapas in the 90s. In the Street Art world, we’ve been witnessing its used by those artists and organizations who would like to distinguish the intent of the artist as something with a social/political goodness at its core.

It’s a generally positive trend, although one has to be as critical of it as any; because our marketing-soaked modern consciousness knows that terms like these can quickly be adopted/adapted to whitewash/greenwash so many initiatives. In practice, artists have espoused politics in their street murals and less-official works for decades before we began branding it artivism.

1UP. SeaWalls Festival / PangeaSeed Org. Nusa Penida, Bali. (photo courtesy of 1UP Crew)

The Pangeaseed initiative has been encouraging artists to put their best flipper forward for a few years when organizing painting festivals that center on aquatic themes, and notorious Berlin-based vandals 1UP Crew have actually taken the plunge in a spectacular way here in Nusa Penida, a small island off the gorgeously scenic Bali.

1UP. SeaWalls Festival / PangeaSeed Org. Nusa Penida, Bali. (photo courtesy of 1UP Crew)

“It took us a while to figure out what we can do, but we did it,” says a 1UP spokesperson about the cage they designed and built beneath the blue. “The world’s first underwater 3D installation that we hope will serve as an artificial coral reef to help regenerate corals and marine life.” It also is a giant “1Up” tag, although this one is down.

Perhaps all this communing with nature is slowly turning the attitudes of notorious vandals. “Please take care of your environment!,” they say without a trace of irony, “One United Power! One Love!” As usual, we discover that the graffiti/Street Art conversation is not always conveniently black and white.

Sometimes it is green, or aqua.


1UP. SeaWalls Festival / PangeaSeed Org. Nusa Penida, Bali. (photo courtesy of 1UP Crew)
1UP. SeaWalls Festival / PangeaSeed Org. Nusa Penida, Bali. (photo courtesy of 1UP Crew)
1UP. SeaWalls Festival / PangeaSeed Org. Nusa Penida, Bali. (photo courtesy of 1UP Crew)
1UP. SeaWalls Festival / PangeaSeed Org. Nusa Penida, Bali. (photo courtesy of 1UP Crew)
1UP. SeaWalls Festival / PangeaSeed Org. Nusa Penida, Bali. (photo courtesy of 1UP Crew)
1UP. SeaWalls Festival / PangeaSeed Org. Nusa Penida, Bali. (photo courtesy of 1UP Crew)

Special thanks to: Pangeaseed Foundation and Seawalls Festival Bali team.
Photos by @martincolognoli & @trax51

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Nevercrew Destroys Natural Wonder in New Zealand

Nevercrew Destroys Natural Wonder in New Zealand

“Disposing machine n°2”


Because there is still an ongoing environmental crisis in our oceans and because sea mammals do not have Instagram accounts (flippers are too clumsy for those little texting buttons), we are here again with you to discuss a new mural by Nevercrew painting in Gisborne, New Zealand.

Nevercrew. Disposing machine n°2”. Seawalls Tairāwhiti project by PangeaSeed Foundation. Gisborne, New Zeland. (photo courtesy of Nevercrew)

“Human habits and politics are modifying the natural balance, sometimes in direct and visible ways, sometimes in more underhanded and indirect ways,” say the art duo Christian Rebecchi about Pablo Togni,“and sea mammals are powerlessly suffering this imposition that’s embodied in the increasing of temperatures, water pollution, interferences in their habitat, swings in the ecosystems, hunting, and more.”

Created with the Pangeaseed Foundation, the Hawaii-based not-for-profit, public art program that has created nearly 300 murals with 200 international artists in 14 countries to bring to the streets a message about ocean conservation, this whale is part of the Nevercrew vocabulary.

Nevercrew. Disposing machine n°2”. Seawalls Tairāwhiti project by PangeaSeed Foundation. Gisborne, New Zeland. (photo courtesy of Nevercrew)

Impressive in scale, volume, and texture, the artists find new and inventive ways to permute the natural iconographic image of this massive sea creature and virtually modernize it in our minds, honoring it and elevating it to even greater relevance for a contemporary audience that is fluent in aesthetics.

By turning this god-like animal into mere elements of mechanics or body parts exposes our dim-witted appreciation for something that should instead inspire awe.How does that saying go? “The whole is greater than the sum of its parts”

Nevercrew. Disposing machine n°2”. Seawalls Tairāwhiti project by PangeaSeed Foundation. Gisborne, New Zeland. (photo courtesy of Nevercrew)

“A vision of this phenomenon, a perception of the overall issue and actual and future damage, seems hard to experience in a tangible way,” they say. “This has to pass again from human interpretation and understanding.”

“There’s a urge then to acknowledge that humankind is part of a balance together with the rest of the elements that compose Planet Earth”

Nevercrew. Disposing machine n°2”. Seawalls Tairāwhiti project by PangeaSeed Foundation. Gisborne, New Zeland. (photo courtesy of Nevercrew)

Nevercrew. Disposing machine n°2”. Seawalls Tairāwhiti project by PangeaSeed Foundation. Gisborne, New Zeland. (photo courtesy of Nevercrew)

Nevercrew. Disposing machine n°2”. Seawalls Tairāwhiti project by PangeaSeed Foundation. Gisborne, New Zeland. (photo courtesy of Nevercrew)

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Innerfields, Dourone, Le Bonnar, Dima Fatum and Ernesto Marenje in KIEV for “Art United Us”

Innerfields, Dourone, Le Bonnar, Dima Fatum and Ernesto Marenje in KIEV for “Art United Us”

New work today from many artists who are participating in the the mural program in Kiev called Art United Us. In the wake of war and threats of aggression and instability, it is admirable when an art program can be successful and project an aura of hope despite fears.

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Innerfields for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

Art United Us says they are committed to pursuing positive life-affirming goals and they ask the artists to create works that reinforce themes of peace and brotherhood/sisterhood. The murals in the city are primarily a beautification project and the areas that they appear in are naturally affected by their overall pleasant messages. Here are some of the newest ones.

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Innerfields for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

The Berlin based trio who call themselves Innerfields created this figurative piece where one person is there and the other is not, yet they are hugging. “Present” is the name of the multi-story painting and the authors remain vague about it’s possibly meanings, saying it “deals with desire and interpersonal relations.”

Certainly that arrow looks painful physically, but it may also be a metaphor for emotional pain.

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Dourone for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

Madrid based world traveler DOURONE brought his fantasy figurative portrait work to Kiev on his largest mural ever to promote “Fraternity,” he says. Our more honorable qualities of respect, freedom, and valuing diversity are being gradually eroded, says the artist in a statement.

“These aspects of life are being erased by other aspects like individualism and selfishness.” Perhaps fourteen floors of fraternity will help to re-focus viewers on our shared humanity and foster mutual respect.

 

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Dourone for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

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Dourone for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

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Olivier Bonnard for ArtUnitedUs in Kiev, Ukraine in collaboration with Artsynonym and Pangeaseed Foundation. (photo © @dronarium)

“This combines the role of Cossacks in the historical development of Ukraine and the consequences of human impact on the Black Sea,” says artist Olivier Bonnard, whose painting of a vase is in coordination with the organization named Sea Walls: Murals for Oceans. A peon to biodiversity, the deterioration of our seas and killing off of species is creating “dead zones’ where no animals can survive and the artist wants to draw attention to this.

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Olivier Bonnard for ArtUnitedUs in Kiev, Ukraine in collaboration with Artsynonym and Pangeaseed Foundation. (photo © @dronarium)

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Ernesto Marenje for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

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Ernesto Marenje for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

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Dima Fatum. Detail. ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

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Dima Fatumm for ArtUnitedUs in Kiev, Ukraine. (photo © @dronarium)

ArtUnitedUs is co-founded and curated by Geo Leros and Iryna Kanishcheva.

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