Here is our weekly interview with the streets, this week featuring City Kitty, Degrupo, Eternal Possessions, Dirt Cobain, RX Skulls, Le Crue, IMK, Outer Source, Sluto, ICU463, Manuel Alejando, Sule Cant Cook, Cheer Up, Jacob Thomas, Urban Ninja, 613 Hawk, and LeCrue Eyebrows.
Welcome to BSA Images of the Week! Set your clocks forward an hour!
Guess you can’t bite a graffiti artist and expect to make bank – without getting bitten. This new Nekst campaign on the Manhattan streets appears to have Claudia Schiffer and Anna Nicole Smith putting their best face forward, aside from the streams of wrinkles caused by the wet wheat paste. Time is a cruel mistress, even as our nostalgic memories of the 90s are suddenly aflame when seeing these large-scale posters and images on the catwalk named New York.
This takes the fashion labels’ accused theft of Nekst’s tag to a new level – and back to the street, where the best fashion houses traditionally find creative inspiration. The deceased graffiti writer was bold in his command of high-profile spots, and his output was profligate, giving him a reputation that current writers still pay homage to a decade after his passing. With the fashion label Guess, Inc. publicly traded, one wonders if this restyling of their brand in a fashion capital will hit them in the ticker, especially when it appears they directly ripped their style from a self-made artist/vandal and took it to the cash register.
This act highlights the ongoing debate about the street’s raw, authentic creativity and the fashion industry’s appropriation tactics. The situation questions the consequences for a major brand like Guess, primarily when the originality in question stems from the underground art world.
As Daniel Cassady from ARTNEWS and Deborah Belgum from WWD illuminate, the recent uproar in the street art/graffiti community is not merely about the misuse of street credibility but a deeper infringement on street artists’ intellectual and cultural property. Cassady discusses the blatant replication of Nekst’s signature by Guess, bringing to the forefront the fashion industry’s recurrent pilferage from street art’s raw, unfiltered energy without due homage or consent. Meanwhile, Belgum adds a familial and emotional layer, highlighting the distress caused to Nekst’s family by the unauthorized commercialization of his legacy, an act they describe as “horrifying.”
In a city where the lines of art, fashion, and identity blur, these incidents prompt us to question the ethics of inspiration versus theft. As we showcase these charged visuals, we invite our readers to ponder the fine line between tribute and exploitation in the ever-evolving narrative of street art. This is not merely about images on a wall or polished cotton; it’s a testament to the indelible impact of artists like Nekst on the fabric of urban culture and the complexities of their posthumous relationships with the commercial world.
Did you catch the celebrities singing in Central Park last night before the rains of Hurricane Henri reached New York? Talk about electricity in the air! New York is a magnet for a pretty face, it would appear, and a grizzly or wild one too; and our street art proves it. Just a quick survey of murals in Brooklyn this week turns up many a fun face.
Here’s our weekly interview with the street, this week featuring Adam Fujita, Anthony Zpadilla, CP Won, Damien Mitchell, David Puck, Dwag Star, Jeyde, Lorenzo Masnah, Mister Alek, NotBanksy, Numak1, Outer Source, Outer Source, Reme821, Sef01, Sipros, United Crushers, and Vers718.
Last week we brought you the first annual Jersey City Mural Festival with generously scaled murals and unbridled color. Muralism isn’t new but mural festivals are now a dominant vehicle or platform of expression on the streets where artists get up and create community. We have always championed the cause of the artist and cheer when they are given the opportunity to work – better even if they get properly paid for the work that they do.
That said, we still admire the small, uncommissioned, one-off pieces, and we’ve always documented that in whatever city we go to: In a way, that is what we actually consider to be street art. Unsanctioned and undercover, you’ll discover the most curious missives as you hike from mural to mural. Don’t miss them! Enjoy.
Here’s our weekly interview with the street, this week featuring 7 Souls Deep, Adrian Wilson, Below Key, Drecks, Early Riser NYC, Ghaston Art, Hiss, Lunge Box, Miyok, Modomatic, Mort Art, Night Owl, Outer Source, Timothy Goodman, Tyler Ives, and Turtle Caps.
Its an exciting time for art in the public sphere right now in NYC as Roger Gastman and his huge team are seriously preparing 100,000 sf of space in Williamsburg to completely blow away graffiti and Street Art fans alike this week with Beyond The Streets. Meanwhile the city is pumping full of at least 50 sanctioned and unsanctioned World Pride murals, Garrison Buxton pulled off the 9th Welling Court grassroots mural festival in Queens, Joe Ficalora brought Rick Ross and a host of Street Artists to Bushwick for a block party, MadC was in town hanging with Crash, Joe Caslin and Tatyana Fazlalizadeh were putting up new pieces with L.I.S.A. Project yesterday, Queen Andrea finished her commercial Houston Wall gig, and a lot of ad hoc illegal and legal graffiti and Street Art is in full effect in all five boroughs. When it comes to art in the streets, New York says ‘Bring it!’
yeliner, Jason Naylor, John Ahearn, JPO, MadC, MeresOne, Misshab, Outer Source, Queen Andrea, Ramiro Davaro-Comas, SacSix, Sonni, Tonk Hawaii and The Drif.
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