We made it! But it was a rough few days just finished with storms and rain and snow and high winds and flooding and downed trees around New York and its environs. Similarly, as one surveys the chaos reigning in Washington, one must not be blinded by the sound and fury and has to measure what foundations are being broken and what soil is being eroded during this deliberate and man-made storm. Also Tax Payers, You’ve Been Scammed.
Here’s our weekly interview with the streets, this week featuring Below Key, Bond TruLuv, Bunny M, Combo, Crash, Eleonora Arosio, Faith XVVII, Free the Bunny, Imraan Christian, Jaeraymie, Lamkat, Little Ricky, Manyoly, Olek, Ollio, PAM, Paper Skaters, RAD, SK, Specter, and UFO907.
A lot of people thought so, and the rise of commercial festivals and commissioned public/private mural programs probably brought more artists to more walls than in recent history. Judging from the In Box, 2016 is going to break more records. Enormous, polished, fully realized and presented, murals can hold a special role in a community and transform a neighborhood, even a city.
But they are not the “organic” Street Art that draws us into the dark in-between places in a city, or at its margins.
We keep our eyes open for the small, one-off, idiosyncratic, uncommissioned, weirdo work as well, as it can carry clues about the culture and reveal a sage or silly solo voice. It also just reinforces the feeling that the street is still home to an autonomous free-for-all of ideas and opinions and wandering passions. For us it is still fascinating to seek out and discover the one-of-a-kind small wheatpastes, stencils, sculptures, ad takeovers, collages, and aerosol sprayed pieces alongside the enormous and detailed paintings that take days to complete.
The main image above is from a vinyl subway advertisement that was high-jacked and we published it in February of this year on our Images of the Week posting. It’s small, personal, and very effective as you can see someone suspiciously similar to Batman is jumping out of the mouth of someone looking awfully similar to Hedwig of “Angry Inch” fame.
Of the 10,000 or so images photographer Jaime Rojo took in 2015, here are a selection 140+ of the best images from his travels through streets looking for unpermissioned and sanctioned art.
Brooklyn Street Art 2015 Images of the Year by Jaime Rojo
Brooklyn Street Art 2015 Images of the Year by Jaime Rojo includes the following artists;
365xlos43, Amanda Marie, Andreas Englund, Augustine Kofie, Bisser, Boijeot, Renauld, Bordaloli, Brittany, BunnyM, Case Maclaim, Casg, Cash4, CDRE, Clet, Cost, Curve, Dain, Dal East, Dan Budnik, Dan Witz, David Walker, DeeDee, Dennis McNett, Don Rimx, Ricardo Cabret, LNY, Alex Seel, Mata Ruda, Don’t Fret, Dot Dot Dot, ECB, El Mac, El Sol25, Ella & Pitr, Eric Simmons, Enest Zacharevic, Martha Cooper, Martin Whatson, Ever, Faile, Faith47, Findac, Futura, Gaia, Gilf!, Hanksy, Hellbent, Hot Tea, How & Nosm, Icy and Sot, Inti, Invader, Isaac Cordal, James Bullough, Janet Dickson, Jef Aerosol, Jilly Ballistic, Joe Iurato, John Fekner, Le Diamantaire, Li Hill, LMNOPI, London Kaye, Low Brow, Marina Capdevilla, Miss Van, Mr. Prvrt, Mr. Toll, Myth, Nafir, Nemos, Never Crew, Nick Walker, Nina Pandolofo, Old Broads, Oldy, Ollio, Os Gemeos, Owen Dippie, Paper Skaters, Pet Bird, Kashink, Smells, Cash4, PichiAvo, Pixel Pancho, QRST, ROA, Ron English, Rubin415, Saner, Sean 9 Lugo, Shai Dahan, Shepard Fairey, Sheryo & The Yok, Sinned, Sipros, Skewville, Slikor, Smells, Sweet Toof, Snowden, Edward Snowden, Andrew Tider, Jeff Greenspan, Specter, Stray Ones, Sweet Toof, Swil, Willow, Swoon, The Outings Project, Toney De Pew, Tristan Eaton, Various & Gould, Vermibus, Wane, Wk Interact
Happy Halloween everybody! It’s a scary time on the streets and artists are always giving us disturbing and comical reasons to be frightened – it’s like we need some catharsis to help us process personal and world events. Whether it is Freddy Krueger or just a classic old bobbing skull, the specter of our fears and fantasies is alive and well just around the corner.
Street Art festivals are popping up like mushrooms across the globe, bringing murals, not street art, to cities primarily as a means of injecting life and culture into a community or business district. When we travel to see these walls we also like to check out the local organic spots off the beaten path where real street art and graffiti can run wild.
You go exploring partly out of respect for the roots of this rapidly evolving art practice – It was the graffiti writers, Situationists, radical hippie students, culture jammers, political anarchists and all manner of freewill installationists who brought us to this moment where cities are almost pleading for murals.
You also hike into tunnels, abandoned lots, underpasses, and neglected former industrial sectors because that is where you know the scene will be alive with experimentation, the spark of discovery, and a splash of old-school in-your-face rebellion without censorship.
For teens and 20-somethings of a certain disposition there’s nothing like grabbing some cans on a sunny Saturday and slaughtering a burned out bus with paint. Even better if its in the middle of a decommissioned military training site used by testosterone raging paintballers with guns full of color ducking behind concrete facades in camouflage fatigues. Amid the clouds of aerosol and bonfire smoke you find these paintings in the ruins, the remaining signs of an un-wasted youth.
According to locals people all the way from Stockholm and Gothenburg travel to paint at this 18,500 square meter former training facility for the Swedish armed forces. It’s built to mimic a real city to practice urban warfare training with rudimentary buildings, marked streets, and below ground tunnels to crawl though. No one remembers when it was first built but it was closed in 1989, left for hikers, berry pickers, and x-urban explorers to discover.
“The traces of bonfires most likely are from paint ballers having a barbecue during their games,” says one of our guides named Anders, “or possibly they’re for heating their hands during winter games.” Either way the aerosol tags, characters, paintings, and occasional wheatpastes are still popping up and fresh ones ride alongside some now decades old.
So nevermind the prickers and the poison ivy and take a hike off the path and see some free-range artworks in their naturally unnatural environs – directly to you from Sweden.
Scandinavia is taking their mural festivals seriously thanks to buoyant economies, arts programming support, and a growing global appreciation for art in the streets in general. Included in the list of recent festivals are Denmark’s Galore(Copenhagen) and We Aart (Aalborg) and Sweden’s Artscape (Malmö) as well as the more graffiti-inflected Örebro, Helsinki’s Arabia and of course the one-kilometer long graffiti/Street Art slaughter that accompanies the mammoth music festival Roskilde.
This month humbly began No Limit in the small city ofBorås, Sweden, and artist / curator Shai Dahan hopes to enliven the daily views for this population of 66,000 with his curated collection of international artists from street / graffiti / fine art backgrounds.
An artist and entrepreneur who moved here from New York three and a half years ago, Dahan has been rallying local building owners and government institutions to aid in his idea of mounting a show on walls in the city that emulates the success of such festivals elsewhere.
“I’ve been on quite a journey and accomplishing this project has been something I have been working on personally for over a year,” he says. With participation and funding from the city of Borås, No Limit this month invited and hosted artists from countries such as The Netherlands, Brasil, France, Italy, Germany, Poland, Spain and Sweden and included artists like Natalia Rak, ETAM Cru, Peeta, ECB, The London Police, Kobra, Ollio, Ekta, Carolina Falkholt, Issac Cordal and one of the earliest Street Art stencilists, Blek le Rat.
“And best of all, we had no bad weather. The day Natalia landed (she was the first to arrive) the sun came out, and it stayed out until the very last day,” says Dahan of the festival that he deemed “phenomenal” and included guided tours for over 200 people at a time.
“After everyone left, it began raining, ” he smiles.
For countries that have a so-called “zero tolerance” for illegal art or any kind like Sweden, mural festivals like these effectively circumvent the rigid approval process that typically characterizes public art projects and many make inroads into engaging public space with art in a new way that is emblematic of a vibrant global movement. It may be a tenuous line to walk, but more cities seem willing to embrace this swing of the pendulum with art in the streets.
Some artists are always on the lookout for abandoned construction projects or buildings that the owners leave empty after they can’t afford to live in them, pay for the maintenance, or taxes. Developers start projects and run out of funding because their backers pull out or the economy goes into the ditch. Sometimes the developer never had the intention of finishing the job, or their backers pull out, someone gets hurt on the project, or they cannot get the necessary permits, or are in jail. The spaces feel haunted, empty, full of echo; sometimes remaining features contain remnants of stories of people you imagine lived there or worked there. Other times the empty incomplete shells contain pieces of possibilities, grand dreams for the imagined future never realized.
Shai Dahan spent some sweet time with his Swedish homies Ekta and Ollio painting and pasting and exploring one sunny recent afternoon at a secret hidden location deep in the woods of “Smorgasland’, as Shai calls it. This abandoned spot has some nice grey industrial concrete that will add to the character of the pieces as the structure decays, molds, rusts, rots, is overgrown and overtaken by the trees and moss. Here are some new shots of the finished pieces exclusively to BSA readers.