Odense

Tuna Hanging By Tail, Heron By a Leg, ROA By a Heart String in Denmark

June 8, 2015 Artists

Out in the open on an old grain silo in Odense Harbor the urban naturalist ROA has just completed two sides of an enormous former grain silo with suspended fowl and finfish. The hanging animals are a reminder of the wildlife and industry this coastal area of Denmark has been known for historically.

brooklyn-street-art-roa-nicolai-frank-odense-denmark-06-15-web-8

ROA. Odense, Denmark. June, 2015. (photo © Nicolai Frank)

“The harbor is being converted to a residential area,” says photographer Nicolai Frank, who shares with us these images of the 47 meter high murals. “The building will stay up though as a landmark to remember old industrial times and the main building currently houses temporary exhibitions and music festivals.”

For ROA it is another opportunity, perhaps his largest ever, to draw attention to the often marginalized species we live with, depend on, exploit, and at times celebrate. Here in plain black and white at a scale that can be seen for great distance he reminds viewers of the fish that is now being endangered by commercial over-fishing worldwide as well as a the heralded heron, one of which he saw by a small pond in a park nearby.

ROA. Odense, Denmark. June, 2015. (photo © Nicolai Frank)

We wish to thank Nicoali for sharing these exclusive photos with us. For more photos on this project please go HERE:

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Don John Does Hans Christian Andersen in Denmark

August 6, 2013 Artists

Danish Street Artist Don John is typically known for his fluorescent ferocious, if stylized, stencilled illustrations of beasts and bearded men (or combinations thereof) on the street and in doorways. Today we see a more reverent side of the artist as he completes a portrait of the Danish author and poet Hans Christian Anderson. The creator of Fairy Tales is best known world wide for his childrens stories including “The Tinderbox”, “The Princess and the Pea”, “Thumbelina”, “The Little Mermaid” and “The Emperor’s New Clothes“.

Not only that, he lived right around the corner from this new giant likeness. “He was born in Odense and the mural is located across from the house where he grew up, in the direction he is looking,” says the artist.

Don John. Odense, Denmark. (Photo © Nicolai Frank)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Asbjørn Skou “Science Fiction Archaeology” SDU / Centre for Art and Science (Odense, Denmark)

February 3, 2013 Afghanistan

”Science Fiction Archaeology”

7. feb – 2. april 2013.
Opening: Thursday february 7th. 15.00
SDU, Campusvej 55, 5230 Odense M.

”Science Fiction Archaeology” er inspireret af en forelæsning v/kemiker Kaare Lund Rasmussen. Forelæsningen omhandler forsøget på at datere et meget kraftigt meteornedslag på øen Saaremaa (tidligere Øsel) i Estland, som i lang tid har været umuligt at tidsbestemme kemisk. Projektet bringer forskeren vidt omkring: Fra kemiske målinger af strata, til lakmustest i historisk materiale, fra krateret på Saaremaa, over Tacitus Germania, Pytheas fra Massalia, Kybele – Gudernes moder, Estlands tidligere præsident Lennart Meri og den mulige oprindelse af myterne om Thule og ragnarok.

”Udstillingen er en undersøgelse af videnskabelige og mytologiske præmisser for tro, identitet og billedliggørelse, siger Asbjørn Skou”. ”Den er en form for kunstnerisk kulstof 14-prøve. Akkurat som de første kulstof 14-prøver på Saaremaa er den lige dele dokumentarisk og associativ. Den samler et sammensurium af informationer i et fluktuerende rum mellem fakta og fiktion, i et grænseland mellem kunst og videnskab.”

Udstillingen består af store collager, objekter og semifiktivt arkivmateriale. Collagerne er opbygget af udvalgt billedmateriale fra en omfattende researchproces og sammensat i overlap, udsnit og brudstykker. De enkelte collager, hvoraf den største måler 2 x 5,5 meter, er opbygget af A4-ark, der er sammensat til store vægtæpper. Objekterne tager deres udgangspunkt i det dagligdags håndgribelige. Det er materialer som flamingo, cement, isolering, træ og plastik. Objekterne er alle blevet skulpturelt modificerede, så de på en gang bekender sig til deres oprindelige materialitet, og samtidigt søger mod en anden form for stoflighed end deres oprindelse.
Arkivmaterialet består af en længere tekst, der er opsat på plancher, og som i sin form på en gang er informerende og uigennemtrængelig. De samme metoder som finder sted i opbygningen af billederne gentager sig i teksten, hvorigennem den prøver at binde det mulige og umulige sammen.”

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