As the ‘Nice Surprise’ Street Art Festival wrapped up, Pobel’s impressive mural on Stavanger silos brought a bit of theater and activism to the fore. With a short lead time and a lot to learn, this first-time run festival was a heartfelt invitation to twelve talented artists from around the world, asking them to share their creativity from a variety of different vantage points in the street art/graffiti parlance with folks in Stavanger. It’s been a journey of unveiling and discovery, and here at BSA, it’s been our pleasure to travel alongside, capturing every mural and sharing it with you. Today, we give you a one-stop recap of all the pieces from the first ‘Nice Surprise’ festival.
We want to say thanks to Atle Østrem, Pøbel, Tore Pang, Izabell Ekeland, and Stine Oliversen for their gracious hospitality, enthusiasm, and attention to detail. We also wish to express our gratitude to Ian Cox, Tor Ståle, and Ludvig Hart for sharing their photographs with us. Thank you also to the great people we talked with on the streets and at our formal presentation at the theater. Perhaps we’ll see you next year!
New York is drying out after the most intense storm we can remember just clobbered us on Friday. The loss of life, property, and minds that can happen when two months of rain falls in one day is hard to describe. Because we are such a dirty city, you can imagine the plume of detritus that got flushed out to sea, viewed from above. Our hearts go out to fellow New Yorkers who really suffered as a result of this pounding storm.
Here is our weekly interview with the street: this week featuring Nychos, No Sleep, Optimo NYC, Huetek, Zexor, Mike Makatron, Tempt, Lango, Viva Che Man, Carly Ealy, 2DX, Sucioe, and Colder.
This week, we found ourselves amidst the vibrant energy of Los Angeles, uncovering hidden gems and reconnecting with old friends. One highlight was a visit to Roger Gastman’s dynamic ‘Beyond the Streets’ gallery, which celebrated its first year with a captivating show featuring Tim Conlon, HuskMitNavn, and Pose. A thrilling moment was when we had the privilege of moderating a panel that featured the artistic brilliance of Layer Cake’s duo – Patrick Hartl and Christian Hundertmark (C100), the iconic Chaz Bojórquez, recognized as the godfather of graffiti and the epitome of California Chicano artistry, and our host, the ever-passionate artist and activist, Shepard Fairey. The venue buzzed with artists and connoisseurs, each directly or deeply ingrained in the world of art in the streets. And as LA’s streets echoed with the spirit of Mexican Independence Day, the youthful beats of Mexican music star Peso Pluma serenaded us from passing cars. Truly, a week to remember.
Here is our weekly interview with the street: this week featuring Shepard Fairey, Vhils, Invader, Keith Haring, Nychos, El Mac, Add Fuel, Praxis, Hueman, Estevan Oriol, Hijack, Tempt, David Howler, Loks Angeles, Kook, Madre, and Downtown Daniel.
Nychos, the distinguished Austrian illustrator, urban artist, graffiti artist, and muralist, has gained international acclaim for his incisive and scientifically anatomical creations exhibited across numerous cities worldwide. Born during the early 1980s, his surrealist style gradually took shape, evolving through a process of experimentation enriched by influences stemming from hunting, heavy metal, tattoo culture, and associated subcultures. Nychos consistently taps into his profoundly introspective nature and a yearning to deconstruct objects to unravel their inner workings.
While participating in the inaugural Nice Surprise Festival in Stavanger, he presents “The Girl with the Tiger Tattoo,” a work imbued with profound personal significance. In a departure from his customary practice, Nychos even composed an Ode dedicated to this piece, a novel endeavor for the artist. While some may find themselves taken aback by the thematic content of his latest creation in this particular town, Nychos is well aware of the discerning nature of this audience, which has long celebrated the presence of exceptional artworks in the public realm.
Expressing his sentiments on his Instagram page, Nychos declares, “Stavanger has undeniably etched a special place in my heart.”
Get in, get out, no one gets hurt. Our few days in Miami were full of adventure on the street and at parties and receptions for artists. The party rages on tonight and this weekend at the fairs and in the galleries and bars and streets of course, but our last events were interviewing Faile onstage at Wynwood Walls last night, going to the Museum of Graffiti 2nd Anniversary party/opening for FUZI, and, well there was this thing with Shepard Fairey and Major Lazer and a guy proposing marriage to his girl before the crowd…
But really, where else but Wynwood do you see Blade and his lovely wife Portia on the street, or sit with Ron English and his son Mars on folding chairs directly on the street in front of his new pop-up, or have a hug with ever-sunny Elle in front of her lift, or hide in the shade with seven 1UP dudes across the street from their massive new space piece, or talk with Ket in the back yard with “Style Wars” playing on a large screen behind him and the DJ while a florescent colored Okuda marches by, or chase Lamour Supreme while he tries a one-wheel skateboard around a parking lot, nearly crashing into Crash who is in his cherry picker with Abstrk painting a wall? The dinner at Goldman Properties Monday night? Dude.
Faile. Artists Panel. Wynwood Walls/Goldman Global Arts. Wynwood, Miami. December 1, 2021. (screengrab courtesy of Wynwood Walls)
We’re not really name-droppers, you know that, but honestly it was like a family reunion dinner with perfectly punctilious attention to detail over at Wynwood Walls this week – after two years of Covid fears killing everyone’s buzz. We saw Daze, Shoe, PichiAvo, Bordalo II, Jonone, Shepard Fairey, 1Up, Add Fuel, Case MacClaim, Nychos, Faile, Martha Cooper, Nika Kramer, Mantra, Ken Hiratsuka just to name a few – cavorting with collectors, cultural workers, fanboys, journalists, bloggers, academics, critics, bankers, gallerists, curators, museum people, real estate folks, photographers, dancers, silk climbing aerialists and hustlers of many flavors – and all the class of ’21 artists whom Jessica Goldman invited to paint this year. A Miami mélange, we’ll call it.
Faile. Artists Panel. Wynwood Walls/Goldman Global Arts. Wynwood, Miami. December 1, 2021. (screengrab courtesy of Charlotte Pyatt)
We were even having dinner with Martha when a local stencilist named Gregg Rivero sat in an empty chair at the table with us to offer an array of small stencil works featuring graphically pornographic scenes – to choose from as a memento of Miami indubitably. Naturally, we carefully perused his entire collection of 20 or so spread-eagles, doggie-styles, Shanghai-swans, Mississippi-missionaries, Dutch-doors, bobbing-for-sausages, and lord-knows-what-else. After careful consideration and we each selected a favorite stencil and he autographed it. Just not sure what room to hang it in…
Faile. Artists Panel. Wynwood Walls/Goldman Global Arts. Wynwood, Miami. December 1, 2021. (screengrab courtesy of Wynwood Walls)
Our treasured part of the Miami art vortex ’21 was meeting some BSA fans and Faile fans mixed together at the artist talk hosted by Peter Tunney at GGA Gallery last night. An action-packed hour of pictures covering their 35 year friendship was on offer for the assembled – focused mainly of course on their 22 year professional career. What an amazing career of image-making it is too – and even though we were prepared, there are always surprises with such dynamic dudes who have parlayed an illegal street art career into a well-respected and pretty high profile career with intense collectors and fans of their simplest silk screens and works on paper to their wood puzzle boxes, wood paintings, toys, ripped paintings, and their very new, completely radical approach that breaks their own mold for this “Endless” exhibition. And need we say it, Faile have already released a number of NFTs of course – which some in the audience didn’t know that Faile had – but could have guessed since Faile pioneered interactive digital games that accompanied their analog works as early as 2010 when most people still didn’t even have a smart phone.
But we digress. Back in New York now and it’s grey and cold and unwelcoming, and of course we love it. Thanks Miami! See you soon.
The image below was taken in Wynwood, Miami. At the panel, with Faile, they talked about the process of making their art and one of the subjects was about ripping up posters from the street…. – and how their original name was Alife. Two blocks away we found these ripped posters advertising Alife.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening participants at Festival Asalto 2020: 1. Nychos “1111” 2. Meet Vhils / Leaders in Action Society 3. Jauria / Pack David De La Mano with Nicolás Almada Luraghi and Enzo Rosso
BSA Special Feature: Nychos Begins Again at “1111”
Life has its mysterious and unexpected ways of grabbing our attention. Austrian street artist, fine artist, and epic muralist Nychos may have been too busy to see the cycles he was in until, finally, a devastating physical and emotional series of events brought him to a baseline truth.
In some ways, his search was perhaps being played out before our eyes for those who experienced his art over the last decade: A relentless dissecting and peering into the contents and physical inner workings of the animal world and humans extended to metaphor as well – slicing apart and examining icons, monsters, dinosaurs, and pop culture detritus too. His works could often be accompanied by a certain clinical gore, a brightly illustrated and fascinating horror, a stylish rage, a riveting trauma, a gorgeously gut-wrenching drama.
Today, he tells us part of his journey that involves destruction and pain, of rage, release, clarity, and finally a healing. Brave, as ever, he shares it with us. Like all of us, these painful lessons will shape the path he forges into the future. We are thankful. And we wish him the best.
Nychos “1111”
Meet Vhils / Leaders in Action Society
A broader autobiography is given here by Portuguese street artist Vhils of growing up in a suburban part of Lisbon surrounded by the leftist politics of his supportive family and community in the 1990s at a time of great discord and difficult changes in society. “Graffiti is a game within a group of people who understand the language,” he says in one of the most succinct descriptions ever.
Jauria / Pack David De La Mano with Nicolás Almada Luraghi and Enzo Rosso
Neglected buildings often access and summon elements of your imagination. You may conjure scenarios of how people lived in, worked in, interacted in the rooms and hallways, and windows. Sometimes hearing music like this in an abandoned place gives the impression that it is literally pulling spirits of the past forward, filling the air with the music of the life, the life of the music. Harpist Nicolás Almada Luraghi and violinist Enzo Rosso here finely weave the silk and the lace that surely graced this space. Street artist David de la Mano not only adorns but brings walls to life with his flat figured illustration style and storytelling.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. “Dinner For Few.” A short film by Nassos Vakalis. 2. NYCHOS. Five Weeks Of Rabbit Eye Movement 3. Futura X Wynwood Walls. Chop ’em Down Films 4. Shok1 in St. Petersburg, Florida
BSA Special Feature: “Dinner For Few.” A short film by Nassos Vakalis.
“Those who eat their fill speak to the hungry of wonderful times to come,” an applicable bromide for all those folk who got the big Trump tax cut last year. Meanwhile, you are rationing your insulin.
“(The capitalist machine” solely feeds the select few who eventually, foolishly consume all the resources while the rest survive on scraps from the table. Inevitably, when the supply is depleted, the struggle for what remains leads to catastrophic change.”
NYCHOS. Five Weeks Of Rabbit Eye Movement
A road-trip film is an ideal vehicle for mythmaking and definition of persona, especially when accompanied by timely music choices and distracted stares into the burned horizon. This amber-tinged panoply of rockstar travel shots, nomadic spraycation side trips, behind-the-scenes production, off-the-grid hippy encampments, rusted detritus sculpture, post-apocalypse signposts, and the energized, intensely industrious, exquisite dissection of Nychos that puts his oeuvre under the microscope and behind the looking glass. Alternately elegant and violent, this is a laboratory sweep of imagined scenarios that can make the mind cavort with fear and lust, toil and soil, pensive thought and power chords, ready to be sliced and peered into.
Futura X Wynwood Walls. Chop ’em Down Films
A
brief look at Futura as he recounts his revisiting of a mural he made in Miami.
Calling to the fore his inspired abstractions that first set him apart from the
pack in the late 70s/early 80s, it’s a treasure to see engaged with his past,
his process, his futura.
Shok1 in St. Petersburg, Florida for Shine Mural Festival.
2nd in a row from Chop ‘Em Down Films, this look at the technique of Shok1, who reveals the world through his brilliant mastery of x-ray and fantasy, is a rare treat and a great way to close this week’s survey.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. 10 Year Challenge : Doug Gillen Takes It 2. Tavar Zawacki: Mixing Colors In A Parking Garage in Wynwood. 3. NUART 2018 / RE-CAP: Space is The Place
BSA Special Feature: Doug Gillen of FWTV takes the 10 Year Challenge:
Inspired by a meme (what else could be more 2019) Doug Gillen decides to to an inexact comparison of where selected Street Artists have changed and remained the same since 10 years ago. The big ones apparently are staying ahead by going bigger and perhaps developing entire marketing divisions, possibly in danger of being bloated. Elsewhere we see true evolution.
Tavar Zawacki: Mixing Colors In A Parking Garage in Wynwood. Video by Chop ’em Down Films.
Perhaps in a continued effort to bare it all, Tavar Zawacki (formerly Above) takes off his shirt in Miami and tells us about the importance of color to him.
NUART 2018 / RE-CAP: Space is The Place
“You can view it in a museum and it still feels like Street Art, but is the place of the museum the same as the space of the street,” Professor Alison Young from the University of Melbourne poses the question on the docks of Stavanger, Norway. In face, says Nuart, space is the place that determines the ultimate impact an artistic intervention can have.
From cave carvings in Angoulême in western France 27,000 years ago to your daily, perhaps hourly selfie on a cell phone today, our desire to depict the figure is as much a reflection of the artist and their times as it’s sitter.
A new show at MUCA Munich (Museum of Urban Contemporary Art) opening today invites 30 primarily Street Artists to choose a significant reference portrait of any historical time, country of origin, or artistic movement and interpret their inspirations into a portrait.
Whether drawing influences from Vermeer, Courbet, or Lucien Freud, each artist ultimately represents their own life experiences in their choice of subject and the technique of portrayal. Perhaps that is why curator Elisabetta Pajer has asked each of the artists to give us a statement with their work to help put it into context. Pajer tells us that she looks at the collection of works and the statements create a ‘harmonic mosaic’ of these figurative and written testimonies.
“These artists have sought out inspiration from many mediums that portraiture finds itself interpreted within,” says Pajer. “Taking their themes and inspiration from classical paintings, sculpture, film, theater, photographer, interactions, culture, religion, and science. Exhibiting a great understanding of the complexity of self-reflection with art as the catalyst.”
We’re pleased to be able to present some of the artists and their own words here.
Andreas Englund
Andreas Englund. Tripping. IMAGO. MUCA Munich. (photo courtesy of the artist)
TRIPPING
Media: Oil on canvas
Size: 116 x 90 cm
-Statement
“I chose to tribute my artwork to the ‘‘Portrait of a smoking man’’ by Anders Zorn 1860-1920 – Swedens most internationally acclaimed artist. Born in my home region and very inspirational when it comes to his sketchy technique. By doing my own version of this masterpiece with my superhero, I have learned more about ‘‘the great Zorn’’ and his technique.”
Martha Cooper
Martha Cooper. Futura 1983. IMAGO. MUCA Munich. (photo courtesy of the artist)
FUTURA 1983
Media: Archival pigment print
Size: 50,8 x 76,20 cm
-Statement
“This is a 1983 photo of Futura, a legendary New York City graffiti writer, with a classic can of Krylon spray paint. Thirty-five years later, Futura is still spray painting and I am still taking photos of graffiti writers.”
Icy + Sot
Icy & Sot. Under The Water Light. IMAGO. MUCA Munich. (photo courtesy of the artists)
UNDER THE WATER LIGHT
Media: Stencil spray paint on canvas
Size: 91,5 x 123 cm
-Statement
“This portrait is part a series we created reflecting on the relationship between human and nature. Nature plays a big role in human lifespan, but nowadays people have distanced from nature. With this work, we want to show humans closer to nature and pay a tribute to it.”
Swoon
Swoon. Thalassa. IMAGO. MUCA Munich. (photo courtesy of the artist)
THALASSA
Media: Screenprint on paper with coffee stain and hand painting with collage mounted on board
Size: 123 × 138 cm
-Statement
“The name Thalassa is Greek word for ‘‘ocean’’, a primordial incarnation of the sea that is not often personified. Thalassa is said to have given birth to all tribes of fish in the sea. She is the pull of the sea that comes from inside the salt water in our blood. ‘Thalassa was originally created for New Orleans. It was the months after the Deepwater Horizon exploded in the Gulf in 2010, and this body of water that I’d loved since I was a child was in peril. As I drew Thalassa surging up from the water I felt her rising like a wake up call, one reminds us of our inseparability from the sea. When I stand in front of the ocean, the word that always appears first in my mind is “mother”. For me there is no mistaking the sense that the sea is our first mother.’ ”
GONZALO BORONDO & DIEGO LOPEZ BUENO
SELFIE ELVIS II
Media: Acrylic and plaster on wood – Plasma TV 50’’- Video on loop – 16:9 Digital – Color
Size: 7 panels each – 120 x 70 x 1 cm + 1 TV
-Statement
“Inspired by several passport photos found within the Marseilles “Marché aux Puches” (FR), Borondo and Lopez Bueno have designed an installation project with the title “Selfie Elvis II”. Imagination is the basis of the multimedia work with self-portraits of a man recalling the contemporary “selfie”. There are dozens of frames describing human aspects and obsessions. They have been digitally elaborated and assembled in a video by López Bueno. Borondo portrayed Elvis with acrylic on wood and applying gypsum, then scratched with sharp instruments. Faces appeared by subtraction, the absence tells about an ancestral and intangible dimension, wondering about its existence. Is Elvis looking at himself or us in that picture? And what about our images, do they look like us or they are just our dreams? Elvis is not there, Elvis is still there.”
Addison Karl
Addison Karl. Kamassa. IMAGO. MUCA Munich. (photo courtesy of the artist)
KAMASSA
Media: Bronze, edition 1 of 10
Size: 30,48 x 20,32 x 15,24 cm
-Statement
“Portraiture in context to sculpture and form – referencing the masterpieces from both European Classical and Neoclassical time periods. From a culture l mirror of taking inspiration from Gods and Goddess of the ancient world, my sculpture’s subject is focused on a contemporary Chickasaw Elder. Using portraiture as a means of Cultural Preservation but equally re-appropriating classic sensibilities of art history to a Native Cultural narrative. “
Various & Gould
Various & Gould. Trigger (Rokhaya Diallo). IMAGO. MUCA Munich. (photo courtesy of the artists)
TRIGGER (ROKHAYA DIALLO)
Media: Acrylic on canvas
Size: 200 x 140 cm
-Statement
“Our portrait of Rokhaya Diallo refers to an iconic work by Nikide Saint Phalle: The artistically revised film still “Daddy” shows the artist pointing a gun directly at the viewer. Even almost 50 years later, her eye and the muzzle of her rifle leave no doubt that she is serious about it. Anyone who sees the work feels immediately like coming into the firing line.
In our painting, the French journalist and film maker Rokhaya Diallo takes the place and – freely recreated – also the pose of Niki de Saint Phalle. Thus, an early feministic, vigorous artist of the twentieth century is followed by a modern, committed internet feminist with no less strong verve than her predecessor. Both women are even the same age at the time of the illustration. Only instead of the rifle, Rokhaya Diallo relies on her very own “weapon”, the hashtag. At first glance, it may seem more harmless than a rifle, but in times of #BlackLivesMatter and #MeToo it can be an even more powerful tool.”
Fintan Magee
Fintan Magee The Removalist. IMAGO. MUCA Munich. (photo courtesy of the artist)
THE REMOVALIST
Media: Canvas and acrylic on wall installation
-Statement
“The portrait has been ripped off the canvas and dragged across the ground and projected onto the wall. The artist has destroyed the canvas and made the portrait ephemeral, rendering it worthless and unsellable. The work comments on the commodification of artwork and the uneasy and paradoxical relationship between artist and the financier of his artworks. With street art becoming increasingly commoditized and contributing to gentrification this work doesn’t aim to make any grand statements on how art should or shouldn’t be produced, only highlight the illusionary, absurdist and contradictory image the art industry presents of itself.”
VHILS
VHILS. Matta. IMAGO. MUCA Munich. (photo courtesy of the artist)
MATTA
Media: Bas-relief carving on plasterboard mounted on metal structure
Size: 181 x 120,5 x 34 cm
-Statement
“Resorting to a bas-relief carving technique, applied here to a free-standing structure of plasterboard, this piece is a homage to the work of Gordon Matta-Clark, which became a major influence on me after I first saw it at an exhibition in Portugal, in 2002. Matta-Clark was one of the first artists to look at the urban space as a space of creation and reflection on the human condition in the contemporary times we live in. Those are the considerations I try to translate in my own work too, reflecting about the human condition in the contemporary times we live in.”
Andrea Wan
Andrea Wan. Being Of Light. IMAGO. MUCA Munich. (photo courtesy of the artist)
BEING OF LIGHT
Media: Ink on paper
Size: 50 x 70 cm
-Statement
“Fascinated by the lively and dynamic landscape in the paintings of native Canadian Artist Emily Carr, I chose one of her most renown works, Indian Church (1929) as the subject of reinterpretation. Seemingly more accurate than a realistic approach, Carr’s abstraction of nature elements not only communicated to me that nature is vast and subliminal but also ever-changing in form and expression. The white church which stands calmly in the midst of the mystical environment inspired me to personify the subject as a being who is in tune with all that’s around her.”
DALeast
DALeast. FIII. IMAGO. MUCA Munich. (photo courtesy of the artist)
FIII
Media: Acrylic on canvas
Size: 100 x 80 cm
-Statement
“A still moment of Fiii standing in the windy land, which is existing inside the transitory gathering of the particles of the magical net.”
IMAGO: A History of Portraits opens today at MUCA Museum of Urban And Contemporary Art. Munich. Curated by Elisabetta Pajer the show runs until November 2018.
IMAGO is a show dedicated to the history of portrait: over 30 artists from five different continents are invited to pay homage and interpret a portrait in their medium of their choice. IMAGO aims to lead visitors through different artistic eras, helping discover the international history and evolution of the portrait.
Artists include:
Jef Aerosol
ASKEW ONE
Borondo
Vesod Brero
Martha Cooper
DALeast
Paola Delfin
Anna Piera Di Silvestre
Andreas Englund
Evoca 1
Ricky Lee Gordon
Hubertus Hamm
Handiedan
Icy&Sot
Addison Karl
Know Hope
Klone Yourself
Fintan Magee
Mario Mankey
Marco Mazzoni
Antony Micallef
Miss Van
Nychos
Sepe
David Shillinglaw
Søren Solkær
Sten Lex
SWOON
TelmoMiel
TWOONE
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening :
1. Nychos “Wilhelmine von Bayreuth”
2. RETNA X Vhils in Echo Park
3. TRAV MSK
4. OKUDA; FALLAS VALENCIA 2018
BSA Special Feature: Spotlight on Chop’em Down Films
We continue to watch and admire the filmmaker Zane Meyer as he follows the artists in the Street Art and related scenes, bringing his own definitive perspective to the story, often transforming it into something more.
With a background in SoCal skater culture and a nomadic rolling approach to capturing the internal adventure, Meyer is bringing his full potential to this game. He’s down distinctive audio as well, adding timbre, humor, jolting alarm and soul. His company Chop’em Down Films is celebrating its first decade and he’s moving into his 4th and its exciting to think what the next ten hold for this director full of vision.
Nychos “Wilhelmine von Bayreuth”
Because Nychos is all about the soaring chopping power chords of metal in audio and the slicing apart of animals, people, and brand icons visually, this deliciously controlled mahem is almost going to make you feel guilty for the joy to take watching it. But why?
RETNA X Vhils in Echo Park
Getting it right again, this sampling of the voice of white authority praises and insults simultaneously. Laid against the swagger of Retna and Vhils triumphantly astride their wall, the happy horror of it all comes to life in one minute flat. A sports analogy via colonialism, “The Autumn Wind” is meant to talk about the lore of football as narrated by John Facenda, but in this context the battle is artists against the elements and the wall.
TRAV MSK
Mystery and stories of the city cloak this narrative of letterist Trav MSK as he interpolates the nighttime blinking of messages against the sky, and the quick movement of shadows just outside your periphery. Suddenly its a defiant act of staged vandalism across walls of photography and illustration in a gallery like setting, and a boxtruck tag of the paint sponsor’s name.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening :
1.”6th Street Blow Out” Brian Barneclo
2. Gonzalo Borondo “Cenere” (Ash) 3. ARIA: Gonzalo Borondo 73 Figure Animation
4. Rallitox : Ritual Artistico-Científico Para Acabar Con la Adicción a Los Móbiles
BSA Special Feature:”6th Street Blow Out” Brian Barneclo
“The guy in the car is like, ‘Get the fuck out of the way,’ and the guy on the street is like, ‘This is my home, this is where I live.’
A great piece of storytelling from artist Brian Barneclo as he makes observations on his city of San Francisco, his life there, his art. Naturally he has to try to make sense of the voracious market forces of gentrification on the people who get trampled underneath. There only a decade, the muralist and painter feels the rapid change and the violence of forces that radically redefine what neighborhoods were and what they become.
“Push came to shove and my rent got doubled,” he says. Directed by Jeremy McNamara, the tectonic (or in this case TECHtonic) shifts are remarkable and remarkably heartless as Barneclo takes us to this most storied intersection in San Francisco.
Gonzalo Borondo “Cenere” (Ash)
Borondo keeps it open for you, he provides the stage, the staging area, the proscenium, the altar, the emanating light, the associations and memories you have with your belief system, or lack of one. During his artist residency with residency Pubblica curated by Carlo Vignapiano and Elena Nicolini in May, the Street Artist (among other things) creates a journey as much as a destination in this intimate chapel. The video by Gerdi Petanaj captures this and perhaps a little more.
ARIA: Gonzalo Borondo 73 Figure Animation
The video animation of ARIA in collaboration with Studio 56Fili for Altrove Festival is composed of 73 figures photographed at different times of the day to catch different light and then digitally edited to create the movement.
Rallitox : Ritual Artistico-Científico Para Acabar Con la Adicción a Los Móbiles
First, it would be helpful for you to know that Street Artists and absurdist Rallitox likes to spread confusion. And we have proudly published his street interventions for a number of years.
Secondly, he has some bonified strategies for freeing ourselves from the enslavery of our digital devices.
In this video he presents an artistic ritual to end the addiction to the mobile phone and all the social networks and applications that have you absorbed life. With a few simple steps you can become an independent person free of all ties.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening :
1. Giorgio Bartocci. Architettura Liquida in Sardinia
2. Nychos – Aussie Haze 3. I’m a TWEET
BSA Special Feature: Giorgio Bartocci. Architettura Liquida in Sardinia
An all day, into the night July fever dream from Milan based Giorgio Bartocci, the sexy beat and gently sweeping camera work brings this liquid architecture further alive as he interacts graphically with the static urban structure. Hand on the can for two decades, Bartocci integrates the brush deftly in Iglesias, Sardinia, channeling currents of emotion and intellect with a welcome series of organic forms that mirror the sometimes chaotic character of the city.
Nychos – Aussie Haze
Cocksure and performative aerosol doctor Nychos is blazing away in an Aussie Haze, bringing you up the lift in Sydney and Melbourne to catch waves of heat and witness hammer-strength skillz.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
