All posts tagged: NohJColey

Dan Witz “Dead Serious” : “Back Talk” Conversation

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To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from Dan Witz.

Something you want the world to know about you: “Originally, back in the late 70’s, when I first started painting on the street, even though I was dead serious about it, I thought of street art as a sort of hobby, as something enjoyable I did for myself on the weekends. This is the real reason why I kept at it for all those years before street art became fashionable: not because I thought of myself as some kind of pioneer or anything, but because I was having so much fun.”

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Dan Witz (photo © Jaime Rojo)

Read “Back Talk: A conversation with Dan Witz” on Juxtapoz: http://www.juxtapoz.com/Features/back-talk-a-conversation-with-dan-witz

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Fun Friday 07.15.11

Fun-Friday

Fun Friday stories this week:

1. Multicolored Disappearing Horizon on Williamsburg Bridge
2. CAKE on Juxtapoz : New “Back Talk” Conversation
3. Street Artist TES One Gets Down with Ice Cube for a Print

Multicolored Disappearing Horizon on Williamsburg Bridge

It’s summer and people are taking to the streets with their art. If you have taken a stroll or skateboard ride across the Williamsburg Bridge recently, you’ve seen a public art installation entitled “Baji Lives!”.

(VIDEO STILLS)

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In this short film by Danielle Barbiari, five friends show how a collaborative project can also come alive with very modest resources and some elbow grease.

“During the wee hours of a warm summer night, several friends conspired to bring color to the Williamsburg Bridge. Inspired by the unique vantage point offered by this public space, Baji Lives! responded with a site-specific composition that accentuates the spatial dynamics of the pedestrian pathway. This piece is an offering to those who use the bridge”

CAKE on Juxtapoz : New “Back Talk” Conversation

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To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from CAKE.

Artists you admire:
Tomma Abts, Jenny Saville, Olga Romashuk, Kathe Kollwitz, Herakut, Polina Soloveichik, Alice Neel, and Edvard Munch are my tops.”

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CAKE (photo © Jaime Rojo)

Read “Back Talk: A conversation with CAKE” on Juxtapoz:http://www.juxtapoz.com/Features/back-talk-a-conversation-with-cake

Street Artist TES One Gets Down with Ice Cube for a Print

Tes One has done a new print with Ice Cube to raise awareness and funds for The Minority AIDS Project.The proceeds from the limited edition artwork will benefit the project.

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Tes One Signing his print of Ice Cube (copyright Tes One and Rareink)

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brooklyn-street-art-ice-cube-rareinkIce Cube (photo © RareInk)

RareInk and ICE CUBE partner to deliver music fans original, authentic autographed works of art from their favorite recording artists created in conjunction with a collective of fine artists from around the world.


Expanding the interaction with fans of my music by offering limited edition, signed artwork that they are able to share and enjoy with their friends and family is something I feel my fans deserve,” said Ice Cube, who in addition to being the RareInk’s first artist will serve as the company’s strategic advisor.

Click on RareInk’s site for more information regarding the sale of the prints and how to purchase the art.

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C215 “Back Talk” Conversation

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To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from C215.

A few words that sum up your philosophy on life: “Trying to turn ugly sh*t into art when possible.”

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C215 (photo © Jaime Rojo)

Read “Back Talk: A conversation with C215” on Juxtapoz: http://www.juxtapoz.com/Features/back-talk-a-conversation-with-c215

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How & Nosm “Back Talk” Conversation

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To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from How & Nosm.

One reason you make art: “When we started out as Graffiti writers in 1988 it kept us busy and productive instead of just getting into trouble and being street kids. Then eventually we did it for the fame and to become one of the best in our little city in Düsseldorf, Germany. Over the years this has changed and now it is an everyday thing that is part of our lives. We make art because it gives us an inner calmness and relaxes us when we paint and see the outcome of each created piece of art, yet another reason might be the urge to have to do it. At the same time it is the habit after so many years that gives us the constant drive to evolve our art work.”

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How & Nosm (photo © Jaime Rojo)

Read “Back Talk: A conversation with How & Nosm” on Juxtapoz:http://www.juxtapoz.com/Features/back-talk-a-conversation-with-how-and-nosm

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Anthony Lister “Back Talk” Conversation

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Brooklyn-Street-Art-Juxtapoz-Anthony-Lister-Back-Talk-Street-Art-Saved-My-LifeTo introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from Anthony Lister.

Artists you admire: “The ones that do it for love and discovery.”

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Anthony Lister (photo © Jaime Rojo)

Read “Back Talk: A conversation with Anthony Lister” on Juxtapoz: http://www.juxtapoz.com/Features/back-talk-a-conversation-with-anthony-lister

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BSA Presents “Street Art Saved My Life : 39 New York Stories”

FOR IMMEDIATE RELEASE

May 15, 2011

Brooklyn Street Art Presents Street Art Saved My Life : 39 New York Stories in collaboration with ThinkSpace Gallery, an art show to exhibit at C.A.V.E. Gallery in Venice (LA), California on Friday, August 12, 2011.

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Street Art Saved My Life : 39 New York Stories heralds the new highly individual character of stories being told on the streets of New York by brand new and established Street Artists from all over the world. Steven P. Harrington and Jaime Rojo, founders of BrooklynStreetArt.com focus on this flashpoint in modern Street Art evolution by curating a strongly eclectic story-driven gallery show with 39 of the best storytellers hitting the streets of New York.

Street Art Saved My Life : 39 New York Stories, the gallery show, accompanied by an LA street wall series by selected artists and a public panel lecture and discussion, intends to stake out the New Guard in street art while recognizing some powerful near-legendary forerunners.

The mainly New York lineup exhibits talent from other parts of the US and internationally (Australia, France, UK, Canada, Israel, Germany) and it is as steely, idiosyncratic and storied as the New York scene itself, including Anthony Lister, Adam Void, Broken Crow, C215, Cake, Chris Stain, Clown Soldier, Creepy, Dan Witz, El Sol 25, Ema, Faile, Futura, Gaia, Gilf!, Hargo, Hellbent, How & Nosm, Imminent Disaster, Indigo, Judith Supine, Kid Acne, Know Hope, Ludo, Mark Carvalho, Miss Bugs, Nick Walker, NohJColey, Over Under, Radical!, Rene Gagnon, Skewville, Specter, Sweet Toof, Swoon, Tip Toe, Troy Lovegates AKA Other, Various & Gould, and White Cocoa.

The staunch individualists in Street Art Saved My Life : 39 New York Stories give voice to the evolution of the Graffiti, Mash-Up, and D.I.Y. movements that birthed them; creating an eccentric, highly individual, and raucous visual experience on the street. With widely varied backgrounds, techniques, and materials at play, “The Story” is the story. With truths as diverse and difficult as the city itself, each one of these artists is a part of a fierce, raw, new storytelling tradition that is evolving daily before our eyes.

Show Name: Street Art Saved My Life : 39 New York Stories
Location: C.A.V.E. Gallery, 1108 Abbot Kinney Blvd, Venice, California 90291
Date: Opening reception Friday August 12, 2011
Duration: August 12 – September 4, 2011.
Online Press Release: http://mim.io/692a11
Contact: Info@BrooklynStreetArt.com

Presented by Brooklyn Street Art in collaboration with ThinkSpace and C.A.V.E
Curated by Steven P. Harrington and Jaime Rojo of BrooklynStreetArt.com

Brooklyn Street Art is proud to collaborate with ThinkSpace Gallery and C.A.V.E. Gallery. Please note that the show will be at C.A.V.E. Gallery. Thank you.

Thinkspace Art Gallery www.thinkspacegallery.com
6009 Washington Boulevard, Culver City, CA 90232 (310) 558-3375
Wed – Fri 1PM-6PM Sat 1PM-8PM contact@thinkspacegallery.com

C.A.V.E. Gallery (location of the show) www.cavegallery.net
1108 Abbot Kinney Boulevard, Venice CA 90291, (310) 450-6560
Wed – Sun 12PM-6PM or by appointment info@cavegallery.net

Steven P. Harrington and Jaime Rojo are founders of BrooklynStreetArt.com and co-authors of Brooklyn Street Art and Street Art New York, both by Prestel Publishing (Random House). Harrington and Rojo are also contributing writers on street art for The Huffington Post.

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“Suicidal Tendencies” by NohJColey, Interactive Sculpture With You as Saviour

Street Artist NohJColey continues to stretch his character studies and symbol-heavy storylines and build them into ever more interactive street sculpture. Not content with laborious hand cut and colored wheat-pasted flat pieces, his stuff on the street for almost a year has more dimension and engagement. Naturally, people interact with it and pretty quickly pieces are missing. Maybe it’s curiosity or maybe a Lower East Side messenger needed something to lock his bike to, but here are a couple of images of the piece as it first appeared in Manhattan, where the central form  can be adjusted to simulate the figurative and literal falling that can happen in a life.

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“Suicidal Tendancies”, by NohJ Coley

Like the protagonist in Don DeLillos Falling Man, Coley’s character could be a metaphor for so many in New York who are losing jobs, wages, and a frayed social net that once prevented them from hitting the pavement.  While DeLilos book begins at the Twin Towers during a “time and space of falling ash and near night,” and the vision of office workers jumping out of the buildings, the simulation NohJColey creates here pertains to the plight of  bankers, latinos and those affected by mental illness. With American society as a burning building, this piece is entitled “Suicidal Tendencies” and the passerby can actually participate by preventing one man from jumping to his death, see another jumping in front of a train, and witness the anguished expression of the third at the base who has sadly succeeded in his pursuit.

Below are images taken yesterday of the installation, with parts already missing. While the complete story is not told with what remains, somehow they are still interactive.

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Coley spoke to Brooklyn Street Art about the stories behind the three chapter piece:

“I’m currently working on a series of interactive sculptures that are focused on recognizing mental illness.
Suicidal Tendencies, which is the first of the three is of course concentrated on suicide. The main figure is a stock broker who is unable to continue existing after the stock market has crashed. So, with his office windows ajar he jumps out. He is partially in purgatory and partially in what we know as existence.

When interacting with Suicidal Tendencies the main objective is to prevent two of the three subjects from committing the act of suicide. When in front of the main figure the viewer is meant to pull the subject up, averting the subject from committing the act of suicide. The succeeding figure is a Hispanic activist that turns to suicide after becoming exhausted with the notion of Hispanics being treated unjustly in the US. So, after another unsuccessful demonstration he comes to the conclusion that he wants to jump in front of a moving train. The main objective with the activist is to prevent the smaller figure from jumping in front of the moving train. The tertiary figure is a young college student that is too far gone to be redeemed.”

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NohJColey (photo © Jaime Rojo)

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NohJColey (photo © Jaime Rojo)

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NohJColey (photo © Jaime Rojo)

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A local resident approached while we were shooting the installation to remark that the entire piece was there the day before, and he disapproved of whoever had removed part of it because he really liked it.   NohJColey (photo © Jaime Rojo)

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PANTHEON Opens On Street, Skewville Gives a Review

The PANTHEON show in the windows of the former Donnell Library across from MoMA on 53rd Street in Manhattan opened with a lot of fanfare and excitement on Saturday night. Within minutes of the unveiling of the giant windows there were clusters of tourists and art fans and regular New Yorkers gathering around the brightly lit windows to inspect the collection of a small sampling of the work by graff and Street Art artists during the last 40 years in New York.

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The huge and amazing installation by the 907 Crew entitled “907 Was An Inside Joke”, taken by Super Kate NYC. See more of her pics on her Flickr site here. (image © SuperKateNYC)

At the Hilton across 6th Avenue a packed lounge of artists and press and honored guests and looky-loos were milling around and celebrating the opening while a live streaming discussion of the event and interviews with organizers and artists took place on screens and online. The grassroots organized and run show will be open to the public for the next week and a half, 24 hours a day.

One of the peeps on the street looking at the show was wiseacre Ad Deville of Skewville (below), who posed in front of PANTHEON and offered this succinct assessment.

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907 Crew “907 was an inside joke” Detail  (photo © Jaime Rojo)

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907 Crew “907 was an inside joke” Detail  (photo © Jaime Rojo)

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NohJColey. “Before Columbus” Detail  (photo © Jaime Rojo)

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NohJColey. “Before Columbus” Detail  (photo © Jaime Rojo)

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Fun Friday 04.01.11

Fun-Friday

1. Birdsong ZINE Benefit
2. Nomade on LA Freewalls
3. 10th Anniversary of Robots Will Kill in Philadelphia Tonight
4. PANTHEON Opens in Manhattan on the Street Tomorrow
5. EL Celso Closing Party Saturday at Pandemic
6. Spring is Just Around the Corner!  Time For Wedding Planning!
7. GAIA Does Giant Martha Cooper Tribute in Chicago
8. BSA Was in the Newspaper Yesterday
9. Happy April Fools! Insane German Synth Pop “Razor Scooter” Video
10. Banksy Revealed as Nude USC guy having sex on the roof

Birdsong ZINE Benefit – Support Your Local ZINE – Tonight at Brooklyn Fireproof

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The Birdsong Zine birthday party and benefit — celebrating 3 years of the Brooklyn artist small collective that produces birdsong among other zines, celebrate with a print show and sweet live music.

art: featuring limited edition $20 prints by a group of artists who have contributed to, or who have been interviewed by, birdsong over the past three years: Blanco, Cara Fulmor, Cat Glennon, Elizabeth Hirsch, J. Morrison, Julia Norton, Joey Parlett, Danielle Rosa, Will Varner, and Michelle Yu
When: Friday, April 1st. Doors at 8pm, bands start at 9pm
Where: Brooklyn Fire Proof,119 Ingraham St @ Porter Ave, Brooklyn (Morgan L)
Why: $$$ goes to offset some of the cost of producing birdsong #15, a Brooklyn-based full color bi-annual lit/art/interview zine.

Nomade on LA Freewalls

Haven’t seen these fellers in action before, now, have ye?  Bunch of black blobs on their faces though. Did you see the pictures of the final installation here a couple of days ago?

10th Anniversary of Robots Will Kill in Philadelphia Tonight

And if you find yourself in Philly today and want to have a good time and experience great art and excellent company head over to the Vicent Michael Gallery where RWK Art Collective is celebrating their 10th Anniversary of art making

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At the Robots Will Kill show will be this piece “Winter Flower” by Veng RWK

PANTHEON Opens in Manhattan on the Street Tomorrow

Curators Daniel Feral and Joyce Manalo invite you to go window shopping this Saturday April 2 to view and buy the art on display on the windows of the old Donnell Library across from MOMA for their exhibition PANTHEON: A History of art from the streets of New York City.  See some detail pics from the show here:

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907 Crew. Detail. “907 Was an Inside Joke” (Photo © Jaime Rojo)

PANTHEON:
A history of art from the streets of New York City

Windows exhibition runs April 2-17, 2011
On view 24 hours a day

EXHIBITION LOCATION
chashama at the Donnell
20 West 53rd Street, b/w 5th & 6th Avenue
New York, NY 10019 (across from MoMA)

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Image Credit: GRAFFITI & STREET ART diagram by Daniel Feral is a 75th Anniversary celebration of Alfred H. Barr’s CUBISM & ABSTRACT ART diagram.

EL Celso Closing Party Saturday at Pandemic

Pandemic will be hosting a closing party for their El Celso show tomorrow night (1/2) from 7-11pm

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It’s your last chance to dance like a maniac in their exclusive…El Celso Mini Discoteca.

Pandemic
37 Broadway (between Wythe and Kent)

Brooklyn, NY 11211
(917) 727-3466

pandemicgallery@gmail.com

Spring is Just Around the Corner!  Time For Wedding Planning!

Fools rush in …. where angels fear to tread. Enjoy some of these inspiring Photoshopped delights from romantic Russia and your friends at Sad And Useless

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GAIA Does Giant Martha Cooper Tribute in Chicago

Pawn Works and Maxwell Colette Gallery recently hosted New York Street Artist GAIA in Chicago for his “Resplendent Semblance” show and helped him find some walls, like this one in an image from the Pawn Works site, which doesn’t mention that the original image is a photograph from Martha Cooper.  Ms. Cooper’s Remix show prep begins in earnest today as she touches down in LA to start installing the her photos and the 50+ original works by graffiti and street artists who have reinterpreted them.  Brooklyn-Street-ARt-WEB-Copyright-Pawn-Works-Gaia-Chicago

Image of GAIA piece courtesy and copyright of Pawn Works

From our piece with Chris Stain, Billy Mode, and Ms. Cooper a couple of weeks ago:

Brooklyn Street Art: Oh yeah! Gaia is doing that one for this show!
Chris Stain:
He is?  Cool, that’s cool.
Brooklyn Street Art:
Well he loves doing birds, and feathers, and animals.
Chris Stain:
Well Gaia’s a bird brain, that kid, so it makes sense.

BSA Was in the Newspaper Yesterday

Yes we geeked out to see Brooklyn Street Art in the AM New York newspaper yesterday morning! Plus we were all over the fact that NohJColey and El Sol 25, two of the newest talents on the street got some props. Oh yeah, and that guy Shepard.

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See it in the online version here.


Happy April Fools! Here’s An Insane German Synth Pop “Razor Scooter” Video



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PANTHEON : A Photo Essay

PANTHEON: A history of art from the streets of New York City is a labor of love.

This Saturday the PANTHEON mounts a show seen from the street, bringing visual story from the last 40 years of graffiti and Street Art alive in a space that once housed a city library across from the Museum of Modern Art on 53rd Street.  Like the real shows we follow on the public thoroughfare, this one is also open 24 hours a day.

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An ambitious project spearheaded by Daniel Feral and Joyce Manalo, PANTHEON is truly grassroots, an academic and historic presentation by people who love it and study it and create it. Funded by modest personal contributions to their Kickstarter campaign, the show’s mission is to foster future understanding of how graffiti and Street Art has claimed a place as catalyst in the culture through it’s own wild and wooly evolution on the margins and in the mainstream.  A small selection of some of the players on this now global scene, the resulting exhibit aims to be an un-hyped insight into the experience by people who are more concerned with the art than who collects it.

As their media partner, BSA got a behind the scenes peek at many of the pieces that will be shown and here is a photo essay by our own Jaime Rojo. These rich and storied detail shots will hopefully incite your imagination and peak your interest to check out the street show in person.

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907 Crew. Sadue, Gen2, Oze108, Droid, Goya, UFO “907 Was an Inside Joke” Detail (Photo © Jaime Rojo)

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907 Crew. Sadue, Gen2, Oze108, Droid, Goya, UFO “907 Was an Inside Joke” Detail (Photo © Jaime Rojo)

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907 Crew. Sadue, Gen2, Oze108, Droid, Goya, UFO “907 Was an Inside Joke” Detail (Photo © Jaime Rojo)

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907 Crew. Sadue, Gen2, Oze108, Droid, Goya, UFO “907 Was an Inside Joke” Detail (Photo © Jaime Rojo)

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907 Crew. Sadue, Gen2, Oze108, Droid, Goya, UFO “907 Was an Inside Joke” Detail (Photo © Jaime Rojo)

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Infinity. Detail (Photo © Jaime Rojo)

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Abe Lincoln Jr.  Detail (Photo © Jaime Rojo)

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Adam VOID. Detail (Photo © Jaime Rojo)

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Cake. Detail (Photo © Jaime Rojo)

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Cake. Detail (Photo © Jaime Rojo)

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Cassius Fouler.  Detail (Photo © Jaime Rojo)

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Darkclouds.  Detail (Photo © Jaime Rojo)

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Ellis G. Detail (Photo © Jaime Rojo)

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Faro. Detail (Photo © Jaime Rojo)

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Freedom. Detail (Photo © Jaime Rojo)

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Matt Siren. Detail (Photo © Jaime Rojo)

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OverUnder. Detail (Photo © Jaime Rojo)

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John Ahearn. Detail (Photo © Jaime Rojo)

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Rigoberto Torres. Detail (Photo © Jaime Rojo)

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Jordan Seiler. Detail (Photo © Jaime Rojo)

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NohjColey. Detail (Photo © Jaime Rojo)

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Quel Beast Detail (Photo © Jaime Rojo)

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Royce Bannon. Detail (Photo © Jaime Rojo)

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Stikman.  Detail (Photo © Jaime Rojo)

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Toofly. Detail (Photo © Jaime Rojo)

http://www.pantheonnyc.com/


PANTHEON:
A history of art from the streets of New York City

Windows exhibition runs April 2-17, 2011
On view 24 hours a day

EXHIBITION LOCATION
chashama at the Donnell
20 West 53rd Street, b/w 5th & 6th Avenue
New York, NY 10019 (across from MoMA)

PRESS EVENT – RSVP ONLY*
Saturday, April 2, 4-5 PM

PRIVATE RECEPTION – RSVP ONLY*

Saturday, April 2, 6-8 PM

* To attend either event, please email rsvp@pantheonnyc.com or call 646-269-9494. Location details will be announced at the latest by Saturday morning.

ARTISTS
Abe Lincoln, Jr., John Ahearn and Rigorberto Torres, Adam VOID, Cassius Fouler, Cake, Darkclouds, Droid, El Celso, Ellis Gallagher, Faro, John Fekner and Don Leicht, Freedom, Gen2, Goya, Groser, Richard Hambleton, infinity, KET, LSD-Om, Matt Siren, NohJColey, OverUnder, Oze 108, Quel Beast, Royce Bannon, Sadue, Jordan Seiler, Stikman, Toofly, UFO, and Vudu.
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Images of the Week 03.13.11

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Our weekly interview with the streets, this week featuring XAM, El Sol 25, NohJColey, ROA, Bunny M, Cruz, and ROBOTS.

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XAM “CSD Dwelling Unit 3.0” (photo © Jaime Rojo)

Last summer we began noticing unusual bird houses installed in elevated locations around Brooklyn by Street Artist XAM. Fashionable high-tech real estate options for our fine feathered friends, the smart shelters are not just another pretty space.  Each aviary domicile is designed, constructed, and installed free of charge – although rumor has it that a broker from Corcoran has tried to rent out one as “a cozy sun drenched studio with river views”.

XAM employs their Constructive Street Design process to this high-strung hangout in Manhattan  and calls it CSD Dwelling Unit 3.0. It is equipped with a solar panel, a rechargeable battery and a LED porch light that lights up at night to attract insects. Additionally it has a food storage area, passive ventilation, slopes to aid in drainage, and a “green roof” system with angles that cut down on wind resistance and create more stability for the home.

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XAM “CSD Dwelling Unit 3.0” (photo © Jaime Rojo)

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El Sol 25  (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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El Sol 25 (directly over top of Matt Siren) (photo © Jaime Rojo)

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Bunny M (photo © Jaime Rojo)

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NohJColey installs a new piece in his series of interactive sculptures in Brooklyn. A wooden piece over the figure’s head can also be separated, giving you the option of controlling either the left or right hand. (photo © Jaime Rojo)

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NohJColey. Detail (photo © Jaime Rojo)

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NohJColey. Detail (photo © Jaime Rojo)

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NohJColey. Detail (photo © Jaime Rojo)

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Cruz (photo © Jaime Rojo)

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ROA in London for a show for a show with the ROBOTS collective at the site of an old factory  (photo © Mikko Eley)

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A Black/Light installation in the Bussey building in Peckham (south of London) for the artist collective ROBOTS show with ROA and Phlegm.  (photo © Alexander Davies)


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Daniel Feral and Joyce Manalo Curate: “Pantheon: A History of Art From The Streets of New York City” (Manhattan, NY)

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PANTHEON:
A history of art from the streets of New York City

OPENING RECEPTION
Saturday, April 2, 5-7PM
Press preview with curators: 4-5PM
Exhibition runs April 2-17, 2011

LOCATION
chashama/Donnell Library Building
20 West 53rd Street, b/w 5th & 6th Avenue
New York, NY 10019 (across from MoMA)

ARTISTS

Abe Lincoln, Jr., John Ahearn with Rigorberto Torres, Adam VOID, Cahil Muraghu, Cake, Darkclouds, Droid, El Celso, Ellis Gallagher, Faro, John Fekner, Freedom, Gen2, Abby Goodman, Goya, Groser, Richard Hambleton, infinity, Ket, Don Leicht, LSD-Om, Matt Siren, NohJColey, OverUnder, Oze 108, Quel Beast, Royce Bannon, Sadue, Jordan Seiler, Skewville, Stikman, Toofly, UFO, and Vudu.

CLICK HERE FOR PRINT VERSION OF PRESS RELEASE (2 of 4)

NEW YORK – On Saturday, April 2, 2011, 35 graffiti writers and street artists will unite to reclaim the former Donnell Library as a repository of visual information on the growing world-wide phenomenon of street art. This exhibition will present an art historical timeline that is a part of New York City’s unique legacy. The artistic contribution of these cultural catalysts and preservationists from the 70’s to the new millennium will address the ever-changing urban landscape and alternative modes of producing art in the streets.

Graffiti and street art are at the crossroads of historicism.
In the last five years, museums have organized exhibitions that present graffiti and street art in a broader scope; Brooklyn Museum’s, Graffiti in 2006; the Museum of Modern Art’s laser-tagging demonstration by Graffiti Research Lab in 2008; the Bronx Museum’s, Street Life Street Art in 2008; and the Tate Modern’s, Street Art in 2008, to name a few. Although these exhibitions have legitimized graffiti and street art as an art form, this genre has not been fully resolved by the art world. At present, this contemporary art zeitgeist signals a symptomatic dystopia created between the institutionalization of this art form and its anti-institutional tenets.
PANTHEON aims to maintain the aesthetic diversity of the genre.

The forthcoming exhibition at MoCA Geffen Contemporary, Art in the Streets, will be a worldwide survey of graffiti and street art and Los Angeles’ role in the movement’s evolution. Despite its focus on Los Angeles, New York City’s graffiti and street art cognoscenti partake in their exuberance. Outside the institutional framework of museums, PANTHEON is situated within the DIY fundamentals of alternative art spaces. It is important to call attention to this space as the convergence of public and private spaces, because it informs an innovation of contemporary graffiti and street art in terms of medium, content and style.
Artists such as John Ahearn with Rigoberto Torres, John Fekner, Freedom, and Richard Hambleton independently paved the way for Skewville, Stikman, Ellis Gallagher and the various crews, ADHD, ELC, and the Grunts, to name a few

The axiom of this movement is its ubiquity in the streets of New York City. During its nascency, John Ahearn and Rigoberto Torres’ casts of everyday people adorned buildings, John Fekner’s simple large-scale text stencils politically charged brick walls, Freedom’s representational art graced tunnel cathedrals, Richard Hambleton’s silhouette paintings emotionally moved sidewalks and alleys, and Ket’s prolific tags saturated NYC’s subway cars. These artists established the tone for style, medium and content in this genre. The radical style, guerilla approach and ephemeral aesthetic of this subculture have been challenged since the 80’s and today’s artists are exploring
new ways to respond.

10 DAYS LEFT FOR PANTHEON KICKSTARTER CAMPAIGN!!!
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chashama is a 501(c)(3) nonprofit founded by Anita Durst in 1995. The organization’s mission is to support creativity in New York City by repurposing vacant properties enabling artists a space to create. PANTHEON: A history of art from the streets of New York City was awarded the former Donnell Library as an exhibition space, which is part of chashama’s Windows Program. PANTHEON is Co-Curated by Daniel Feral and Joyce Manalo along with Debra Anderson and Royce Bannon of the Advisory Committee and the collaboration of dedicated and talented individuals, most notably, Abe Lincoln, Jr., Francesco Alessandra, Maura Barry, Jennifer Diamond, Valentin Farkasch, Karla Henrick, Ebi Kagbala, Luna Park, Ashlene Nand, Dan Nguyen and Mariette Papic. Thank you to Brooklyn Street Art (media partner); Gothamist, Hyperallergic, The Street Spot, Streetsy (media sponsors); Cresent Artists (exhibition sponsor); and WM Dorvillier & Company, Inc. (structural design consultation). Image credits courtesy of the artists. Special thanks to the Woodward Gallery, NYC for the loan of Richard Hambleton’s Fountain of Youth, 1982.
For more information, please visit pantheonnyc.com or chashama.org.

For further exhibition details, media relations, Kickstarter campaign, sponsorships, and partnerships please email info@pantheonnyc.com or visit www.pantheonnyc.com. For more information about the Windows Program, please visit www.chashama.org.

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