Here in downtown New York the heated public discussions over a planned community center serving Muslim New Yorkers has been greeted by hip-hop mogul Russell Simmons from his apartment windows to viewers on the street.
Seeing these various symbols of many of the world’s belief systems is a helpful reminder to those who have forgotten that all are welcome here to worship whatever God they believe in. They are also free to not worship anything. After the marauding hoo-ha crowd returns to it’s cave, perhaps a review of the US Constitution is in order.
Despite the recent violent acts by some, NYC is a living breathing example of how many many different cultures live every day side by side in peace. Regardless of our personal opinions about someone’s religion, in this country you are free to follow it, practice it, espouse it. Um, next question?
Poster Boy Releases Book
Interestingly, the person/collective that goes by the name Poster Boy are touting the constitution as a rallying point for organizing also. Coupled with the official release of the new book of art by PB in four cities this weekend, the events will serve as a launch for a legal defense fund for artists.
Culminating weeks of prep, “Mutual Discrepancy” goes up, with both artists feeling good about street art in the new year.
(SEE Nicolas Heller Film of the installation at End of this Posting)
On Friday two young and hungry New York Street Artists combined their artistry, critical intellects, and kinetic energy (and questionable dancing skills) to help define street art for a new generation on the cusp of the 2010’s.
In an age of shifting definitions in the art world,the Street Art world, and, well, the whole freakin’ modern world,you can take heart to know that the kids still know how to have fun, and some of them are willing to work their butts off in pursuit of a vision.
On a 30 foot by 8 foot luhan-wood billboard in Brooklyn, Gaia and NohJColey brought their A Game to the street and auspiciously stretched the definition of wheat-pasted smart-aleck wall-wrecking.
The wall is curated by Brooklyn Street Art for Espeis Outside Gallery.
Both New Yorkers, they communicated since Thanksgiving via email while Gaia was in school in Baltimore. They traded sketches, ideas, pictures, opinions – and when Gaia’s winter vacation started, they hung out at each other’s studios and kitchen tables planning the collaboration. Both guys had labored over their hand drawn and hand painted pieces for few weeks, so when it was game day, it really felt more like graduation.
It was cold on the street yesterday, but no one cared and the mood was celebratory. NohJ even refused to eat because he was too excited to put his work up – eventually he did eat though.
Horsing around and doing bike tricks and break/dip/jerk dancing of course was a periodic pursuit by galloping Gaia so the work got interrupted by Major Lazer and Free Gucci once in a while. We think it was the cup of coffee that pushed him over the edge – you might as well give him a dumptruck of cocaine – the kid was jumping around like a long-tailed-cat in a rocking-chair convention.
Meanwhile, on a totally different wavelength, NohJ was chilling to ear-blasting jazz from Art Blakey and the Jazz Messengers – giving him a valium-nuanced, snappy kind of gait.
Brooklyn Street Art:They really look like animals from over here Gaia:Yeah they don’t look like sh*t when you’re close to them.
Brooklyn Street Art: It looks like you did some mirrored lambs heads. Gaia: Yeah. I did this mural in Baltimore which was a bear head and then a cow head on another wall, and all the kids at the pre-school thought that the bear was either a seal or a dog.
Brooklyn Street Art: I thought that big bear you did looked like a woodchuck. NohJ: I always know what your animals are though.
Brooklyn Street Art:So why did you use this ochre color, usually you use just black and white. Gaia: NohJ and I had talked about something that would tie everything together and make it a little more continuous. I figured I’d just do the color ochre to tie in with the rest of his pieces, so it would make it a little bit more congruous or fluid between the two of us.
Brooklyn Street Art:What’s this additional paint layer you are putting into the background on the wood right now? NohJ: Basically it’s to add dimension. That’s it. Gaia: And texture… NohJ: I mean the wood has texture but.. Gaia: It’s a trope. Brooklyn Street Art: A trope? Gaia: What were we calling it before? Distressed! It’s a distressed trope. It’s a trope of distress. NohJ: I like the border on the far right, it’s getting into the “Sepia Zone”.
Brooklyn Street Art: NohJ, what’s the New York Stock Exchange logo thing on the little screen? NohJ: He’s a stock broker. He’s like totally f**king obsessed with trading stocks. He cares nothing about family. He has a new-born son, he cares nothing about it. He just wants to trade stocks. That’s pretty much what it’s about.
All the added elements, the watches, the hands with the glass of wine and the cell phone, those are what the person is drawn to and pretty much what they care about on a daily basis. Now there is a lamb, a mutated creature in their midst. But they are so caught up with the pristine life that they’re unable to embrace something or someone that is different.
Brooklyn Street Art:Are people going to know what this piece is about? NohJ: Probably not. Brooklyn Street Art: Are you going to try to tell them? NohJ: I think it’s open. Gaia: Well the internet always serves as a wonderful place of clarity
Brooklyn Street Art:Your styles are so different from one another. Do you feel like it was difficult to collaborate on a piece? Gaia: Uh, no, not at all. NohJ: Not really.
Gaia: I actually like when you have collaborations when you have an initial idea and there isn’t too much communication between the two collaborators because then you don’t too much overthink it and it starts to fall apart. You don’t get constipated, you just do your thing. NohJ: I felt a bit constipated, in the beginning. Gaia: I mean it’s always tough to begin something. NohJ: I only felt that way because I’m working with your lamb and I’m like, “What kind of imagery works well with a lamb?” Gaia: That’s interesting because I knew exactly what I was going to do – two lambs. And you had to do a response to that. I don’t know if that’s fair. NohJ: Yeah it’s fair.
Brooklyn Street Art: Well somebody had to start the process. Gaia: Yeah, I guess. I’m just always a little sensitive about collaboration because of school. Brooklyn Street Art:It’s because you’re a sensitive fella. Gaia: I don’t know, I try to be. It’s my….it’s how I get girls. NohJ: Oh that’s how you do it. Gaia: That’s how I do it. NohJ: Ahhhhhh, maybe I should. Gaia: No man, you’re always like back in the corner, you’re like the whisperer guy with the girls. NohJ: But that’s sensitive too.
Brooklyn Street Art:Where did you learn all your break dancing skills? Gaia: I can’t break dance, I wish I could break dance. Brooklyn Street Art: What is that dance you just did in front of your piece? Gaia: It’s dipping. Brooklyn Street Art: Dipping! Gaia: It’s like L.A. sh*t. Brooklyn Street Art: It’s like “Baltimore” Dipping? Gaia: Yeah Baltimore Dipping. Brooklyn Street Art: It’s like a dipping sauce dance! Gaia: I wish I could f**king break dance. That would be awesome. I’m gonna learn.
THE FINAL PIECE “Mutual Discrepancy” by NohJColey and Gaia
Brooklyn Street Art:Uh-Oh, here comes NohJ with a 40 ounce and two cups. Gaia: Oh here it comes, double cups! Brooklyn Street Art: None for me. If I start now I’m in bed by nine. NohJ: I’ve been busting my ass for this. Gaia: You have been.
<<< > >>>>>> <<> <<< > >>>>>> <<>
Here is “Mutual Discrepancy” the short film by Nicolas Heller, a NYC/Boston filmmaker who likes to explore personalities on the street.
An aspiring director, Nicolas worked with Gaia on a short over the summer of 2009 and is in the process of doing a documentary on him. You can a short video he did of Gaia and see some of his other film work at NicolasHeller.com. Many thanks to Nick for his skillz.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
Salute to Freedom of Religion (and from it)
