All posts tagged: NeverCrew

BSA Images Of The Week: 10.29.17

October 29, 2017 Artists, BSA Images Of The Week

Halloween this year is on a Tuesday so its hard for people to know when exactly to celebrate it – we had 20 or so Trick-or-Treaters Saturday night so that tells you the kids vote in this part of Brooklyn.

Of course with the folks we have running the White House, every day feels like Halloween. “Here, I’ll trick you with this POPULIST costume, and my treat will be to take whats left of your middle class chocolate.”

Trick or Trick!

It doesn’t help that Tabloid TV loves the “Zombies on Parade” – they are like sugar addicts dancing for eyeballs and advertising dollars.

But from a Street Art and public performance perspective, New York is a thrill, a regular monster mash! The East Village parade 2017 on Tuesday will have puppets, 53 bands performing different types of music, dancers, artists, and thousands of New Yorkers in costume. Be safe out here ya’ll.

Here’s our weekly interview with the streets, this week featuring Karl Addison, Bifido, City Kitty, Denis Ouch, Don Rimx, Elliott Routledge, Julien de Casabianca, Julieta, Lungebox, Nevercrew, Outings Project, Revok, Sipros, Strayones, and TurtleCaps.

Top image: Elliott Routledge (photo © Jaime Rojo)

Revok – MSK (photo © Jaime Rojo)

Denis Ouch (photo © Jaime Rojo)

Portraits of a clown king. Denis Ouch (photo © Jaime Rojo)

Strayones brings out Cat In The Hat. (photo © Jaime Rojo)

Sculptural Street Artist Strayones tells us that the story represented here is a critique of “how business people and wealthy men are making us step over the edge into the abyss”.

Nevercrew. “Dimensional recipe”. Los Angeles. Part 1 (photo © Nevercrew)

“Dimensional recipe” is a series of three interconnected mural paintings realized in Los Angeles (USA), curated by AnneLaure Lemaitre (FatCap), 2017.

About the work:

This is a work about mankind’s relation with creation, about the mutual influences between creativity and reality and the anthropological loop
that originates from this continuous correlation. It is about the feeling of being part of a system, of being a participant and being able to view it from a certain point of view, for what it is and for what it could be.”

Nevercrew. “Dimensional recipe”. Los Angeles. Part 2 (photo © Nevercrew)

Nevercrew. “Diposing Machine”. Melano, Switzerland. Part 1 (photo © Nevercrew)

“Disposing Machine” is the new mural from Nevercrew in Melano, Switzerland for Artrust. Their statement:

“Habits, attitudes, principles and awareness are conditioned by reality, and reality is conditioned by the perception everyone has of it. The position of humankind in its environment, in its World, is at the same
time part of its nature and a point of view from which to perceive it.

Systems are then interpretations, a way to give human shape to
something that’s not necessarily made for it, as well as a way to decide
which shapes to give and how to read them. As reality could be built and
altered by systems, so nature could then risk to be detached from
human sensing; an human reconstruction of something that exists
outside this given shape but that still is directly subjected to each action
that’s made on it.”

This image of Dreamers reminds us of our grandfathers and grandmothers and the stories of refugees all over the world overcoming obstacles to make a better life. (photo © Jaime Rojo)

Dom Rimx (photo © Jaime Rojo)

Collaboration between Bifido and Julieta in Lecce, Italy. (photo © Bifido)

The Italian Street Artist Bifido and Spanish artists Juelieta completed this fantastical work in Lecce, Italy this week for the 167 Art Project. Bifido tells us that the title is “First Fire” and it “talks about the possibility to love each other in a fantastic way, and it focuses on the importance of play in our lives.”

Collaboration between Bifido and Julieta in Lecce, Italy. (photo © Bifido)

Turtlecaps . City Kitty (photo © Jaime Rojo)

An atmospheric Addison Karl . “Okchamali Nebulae”. Washington, DC. (photo © Addison Karl)

Lungebox (photo © Jaime Rojo)

One question: what is a furring channel? Sipros for The Bushwick Collective. (photo © Jaime Rojo)

Outings Project in Paris. (photo © Julien de Casabianca)

Unidentified artist (photo © Jaime Rojo)

Untitled. Brooklyn, NY. October 2017. (photo © Jaime Rojo)

BSA Images Of The Week: 10.01.17

October 1, 2017 Artists

Clearly we cannot bury our heads in the sand anymore, for those of us who are tempted to. We try to make light of things here or at least add levity, but right now many of our community in NYC are desperately worried about family members in Puerto Rico, and aid has not been getting to them after the storm.

While it is a relief for many to find that Trump is actually one of the most ineffective leaders in terms of getting major legislation or many of the pillars of his anti-everybody-except-the-rich agenda passed, that same ineffectiveness puts citizens in harms way – as appears to be happening right now on that island of US citizens of 3.4 million. When 55% of the island doesn’t have drinkable water, you know a human disaster is close. Meanwhile Trump is tweeting from his golf course in New Jersey to insult a mayor on the island.

New York City Council Speaker Melissa Mark Viverito is on top of the situation but cannot countenance the response from the feds: “I wanna cry. This is worse, not better, 10 days in. And Sr. Trump’s fragile ego is what is driving policy. Criminal.” she says in her latest tweet

At the recommendation of Lee Quinones, a proud New Yorker, Puerto Ricano, and NYC train writer of the 1970s and 1980s – here are some charities you can contribute to:

United for Puerto Rico

The Empire State Relief and Recovery Effort for Puerto Rico

Community Foundation of the US Virgin Islands

Here’s our weekly interview with the streets, this week featuring Adam Fujita, CB23, Ces53, City Kitty, Dan Witz, Dirty Bandits, GIZ, Jazz Guetta, Kafka is Famous, MRVN, Myth, NeverCrew, Smart, Stray Ones, and Such.

Top image: Adam Fujita . Dirty Bandits (photo © Jaime Rojo)

Kafka Is Famous (photo © Jaime Rojo)

Dan Witz (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

MRVN (photo © Jaime Rojo)

Ces53 . Smart . Giz . Such. The Bushwick Collective. (photo © Jaime Rojo)

Giz. The Bushwick Collective. (photo © Jaime Rojo)

Such. The Bushwick Collective. (photo © Jaime Rojo)

Ces53. The Bushwick Collective. (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

City Kitty (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Jazz Guetta. The Bushwick Collective. (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Stray Ones (photo © Jaime Rojo)

Myth (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

cb23 with friends. (photo © Jaime Rojo)

Nevercrew in Kiev for Art United Us. (photo © Nevercrew)

Mind The Heart Project (photo © Jaime Rojo)

Utitled. The Last Picture. Hudson River, NY. 2017 (photo © Jaime Rojo)

BSA Film Friday: 08.25.17

August 25, 2017 Artists

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Fin DAC and ‘Shukumei’ on a Rooftop in San Francisco
2. Nevercrew in Satka
3. Dabs & Myla in L.A.
4. Miedo in Barcelona for 12 + 1 Project

BSA Special Feature: Fin DAC on a Rooftop in San Francisco

On an expansive rooftop in rainy/sunny/rainy San Francisco, Street Artist Fin Dac brings to life ‘Shukumei’, an ebullient and mysterious muse. The film is largely a stop motion record of the work set to music, but did you notice how much dexterity and effort goes into this precision play when you are working at this angle, basically painting the floor? The remarkable integration of the glowing skylight orb, dramatically revealed, imparts the figure a mystical dimension as well.

Video editing by Tonic Media, Soundtrack by Mombassa/Lovechild, and shout out to Ian and Danielle at Rocha Art and Missy Marisa, model.

Nevercrew Papers Over a Bear in Satka

As we wrote in June “Never Crew is in the Ural Mountains in Satka, Russia with a message about man’s disconnection with nature. Their murals often contain one large animal, and this time a bear takes center stage – rather papered over by industrial “progress,” perhaps?”

Dabs & Myla in L.A.

Spreading their brand of cosmic love in Los Angeles the Australian born duo Dabs and Myla a interspersed here painting amongst some retro footage of this city famous for its plasticity. Video by Zane Meyer from Chop ’em Down Films.

Miedo 12 Paints “Nothingness More Than Infinite” in Barcelona

The well known Valencia-based graffiti writer Miedo 12 paints with the 12 + 1 Project here with a touch of aerosol existentialism – something that may happen to you as years tumble by. For this wildstyle master the action and fire is captured adeptly by videographer David B Rock.

Never Crew Brings the Bear in Satka, Russia

June 7, 2017 Artists

Never Crew is in the Ural Mountains in Satka, Russia with a message about man’s disconnection with nature. Their murals often contain one large animal, and this time a bear takes center stage – rather papered over by industrial “progress,” perhaps?

NeverCrew. “Baring Machine” Satka Street Art Festival. Satka, Russia. May 2017. (photo © NeverCrew)

The Swiss-based duo say we have developed systems of working against nature that “lead to an emotional and intellectual detachment where everything becomes acceptable also when it’s damaging, where there’s no more perception of consequences and so no more perception of reality.” The new large scale mural appears in a city that was founded on an iron mine and now is organized around an immense magnesite quarry that burrows deep into the earth’s crust.

NeverCrew. “Baring Machine” Satka Street Art Festival. Satka, Russia. May 2017. (photo © NeverCrew)

Perhaps that is the inspiration for the name of the large piece called “Baring Machine,” playing on the spelling of ‘bear’ and the machinery of extraction. A smaller related mural work nearby features tool sets involved in the digging and extraction process.

We’re not sure if locals will directly appreciate what could be interpreted as an indirect critique – but what the hell, once the earth is exhausted and the money is gone, someone may relish this sentiment. “This is a place that well represents the relation between mankind and nature,” the duo says in a statement, “the proportion between them and especially a connection based on the use of resources, on which are built the local life and structures.”

NeverCrew. “Baring Machine” Satka Street Art Festival. Satka, Russia. May 2017. (photo © NeverCrew)

NeverCrew. Satka, Russia. May 2017. (photo © NeverCrew)

NeverCrew in Hong Kong for “Discordant”

April 18, 2017 Artists

“…our collective obligations towards our environment.”

You wouldn’t think the phrase would need to be said, yet it sounds revolutionary in a consumer-driven, market-driven society. The Swiss duo NEVERCREW are clear in their intentions.

As ever.

Nevercrew “Discordant” Above Second Gallery. Hong Kong. 18th March – 22nd April (photo © Jaime Rojo)

The Discordant exhibition is still running at Above Second gallery in Hong Kong and these images we captured there encapsulate the discordance. Nature versus man. Our desire for convenience, our disregard for the gifts the Earth gives, our total dependence on it nonetheless.

“Discordant emphasizes the juxtaposition of mechanical and natural elements to portray a world where mankind and nature, economy and environment, are constantly at odds with one another,” they say in the press release. They go on to comment on “the exploitation of natural resources, pollution, and particularly overproduction and mismanagement of waste as ‘a signal of an imbalanced relationship with the natural system.’ ”

Nevercrew “Discordant” Above Second Gallery. Hong Kong. 18th March – 22nd April (photo © Jaime Rojo)

The gargantuan garbage bag and the fish, the cloud of broken construction mater floating above the gift of wildlife, the ruthless slicing through mechanically of the whale.

It makes you think things like, “Who the hell do we think we are?” as we contemplate NEVERCREW’s “examination of humankind’s core struggle to strike a balance between the demands of lifestyle, efficiency and our collective obligations towards our environment.”

Nevercrew “Discordant” Above Second Gallery. Hong Kong. 18th March – 22nd April (photo © Jaime Rojo)

NeverCrew “Discordant” Is currently open to the public at Above Second Gallery in Hong Kong. The exhibition ends this Saturday, April 22nd.

NeverCrew in Delhi: “See Through / See Beyond” Tells Story of Alienation

February 6, 2016 Artists

Switzerland‘s NeverCrew just completed two murals at the end of January for St+Art India in New Delhi that are connected thematically, though separated by a few kilometers. That geographical distance is intended to indicate time and loss of memory, they say, as the conceptual bases for “See Through / See Beyond” speaks to the loss of identity that colonized societies experience as their roots slowly fade over time.

brooklyn-street-art-NEVERCREW-Delhi-2016-web-5

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

In this case, the story is linked to the British Empire imposing upon the Indians but it could just as easily apply to any displacement of a culture’s roots and history.

“The man finds himself with no history, unable to distinguish the outlines of his surroundings, without memories that make him aware and without reference points that make him conscious of his actual position,” says Pablo, one of the two members of NeverCrew. The disconnection here is embodied by the space man, floating above the surface of an odd moonscape, adrift and unable to establish connection.

Perhaps his name is Major Tom.

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016. (photo © Never Crew)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

Malik and “Note” Bring 17 Street Artists to a Swiss Prison: “4661m2”

November 2, 2015 Artists

It’s the ultimate captive audience for your artwork. That wasn’t the original intention for this Swiss prison mural project called 4661m² but it is one of the outcomes – and one of its myriad ironies.

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. (photo © Jaime Rojo)

Initiated by Aarau-based graffiti/street/fine artist Malik in May of 2012, the project eventually corralled 17 Street Artists, all but one from Switzerland, to enter the confines of the new high security Lenzburg Prison to paint murals on exterior walls, courtyards, hallways, and common areas.

“I was looking for a new challenge and a new and exciting project where I could show my art,” says Malik and while the 18 month project originated with his vision of getting a nice wall for himself, quickly the project grew far beyond his expectations to become an educational, sociological meditation on the penal system, the appropriate role of art within it, and our collective humanity.

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artists featured on this page: Malik, Note, Benjamin Solt. (photo © Jaime Rojo)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Malik, Note at work. (photo © courtesy of 4661m²)

With help from partner artist Claude “Note” Luethi and funding from the “Lenzburg Prison Christmas Fund,” the successful mural program has also led to a short documentary this spring and the brand new release of a handsome tome by the two documenting a cross section of the images and the human experience as told by artists, prisoners, prison employees and even the director.

“The exterior wall is always also an interior wall. How we view it depends on our relative position,” says author and cultural scientist Johannes Binotto, in the forward to 4661m² – Art in Prison. The number is both the name of the project and the the quantity of concrete that the paintings eventually covered. In his examination of crime and punishment and our relationship to it, Binotto brilliantly uses the wall as metaphor from multiple perspectives by way of illuminating the ramifications of being inside or outside of any given wall throughout one’s life.

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: Ti Lain. (photo © Jaime Rojo)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Ti Lain. (photo © courtesy of 4661m²)

For graffiti writers and Street Artists, the wall has been destination, a vessel of communication, but the historical examples Binotto examines fairly mutate the wall as obstruction, unifier, protector, divider. The theme continues throughout the well-photographed and documented book with artists and organizers reflecting on, reacting to, their experience and their art practice. One every present irony is that many of these street artists undoubtedly risked arrest for painting on various city walls in their earlier days.

Opening the many doors of the prison to an unsolicited offer by Malik, the Director of the prison, Marcel Ruf, says his knowledge of Street Art and artists was admittedly limited, but he knew the place needed some color. “The corridors and work spaces were judged rather negatively by the majority of the over 7,000 visitors that came to the prison open day in May,” he says in an interview, “with most finding the premises dreary and colorless.”

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: Mizzo. (photo © Jaime Rojo)

The book gives ample space to opinions and experiences of the artists in stunning before/after shots of spaces and pieces that you can only see now if are a prisoner or employee. Even here the experiences express a range of perspectives. Most found the atmosphere constricted, oppressive, depressing. Each artist say that they felt a certain responsibility to the audience that they wouldn’t normally have and adjusted their work accordingly because these pieces will be looked upon, in some cases, for years, or the remainder of life.

Artist Daniel Zeltner says, “I thought long and hard about the mark I would like to leave on a prison, and about who would see it, how they would react and interpret it, how they would feel. It is difficult, because the painting would not only be seen by the prison guards, but also by the prisoners – I also wanted to create something I could be proud of. Therefore, it was important to me that I paint something that’s open and leaves room for interpretation.”

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: Lain. (photo © Jaime Rojo)

Ranging from abstract, figurative, and representational, to collage, illustration, and photo-realistic, the entire collection has something for many tastes, but we learn that the most critical audience was the staff of 180 who not only live with the art but the manage the daily affairs of the people who live in the facility. We learn that staff opinions on certain works are not unanimous but in general the replacement of monotonous grey is regarded as an improvement for the employees – and the new works provide visual signposts for navigating in a sometimes confusing maze of concrete.

One two page spread features the quotes from prisoners who have answered a survey about the project, the art, and the artists. Responses range from dismissive and critical, to suspicious, grateful, and laudatory.

The act of even considering the opinion of convicted criminals is offensive to the more penalizing among us, and this resistance to an art program of any sort is present throughout topics addressed and perhaps those avoided in the contributions here. These prisoners are likely serious offenders given their 23 hour restriction to their cells and opinions about their living conditions are surely contested.

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: Never Crew. (photo © Jaime Rojo)

Artist Benjamin Solt talks about briefly getting to know some of the prisoners and then questioning the wisdom of that decision. “I often chatted with them and we discussed the paintings. One of them was very open and approachable, and at some point I asked him why he was there. Just a few moments later I regretted asking.”

The austere modern brutalism of the new prison is heightened by its minimalist technological details of sensors, cameras, phone signal blocking, and iris scanning. Often participants reference disembodied voices within the compound comingling with bird songs and cow bells just outside the perimeter of the compound.

With varying degrees of discomfort and a respect for a sense of mission, the artists describe their art and their emotional and psychological responses to working in the compound. Daniel Zeltner, who worked with David Lucco on a collaborative mural in an exercise yard, describes redoing his piece nearly entirely because he was unsatisfied with the somewhat chaotic energy that he had infused it with.

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artists featured on this page: Toast and Shark. (photo © Jaime Rojo)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Toast. (photo © courtesy of 4661m²)

Onur contemplates his expected audience of primarily seniors when creating his mountain range and remarks that he felt troubled by the continuous surveillance, “I often felt watched. The knowledge that there were cameras everywhere was always at the back of my mind and as I usually work by myself in the studio this situation was quite confusing.”

Chromeo was reminded of his own previous stint in jail for doing illegal graffiti. “I found being locked in extremely difficult. Even though I wasn’t locked in this time, I struggled with the same oppressive feelings.”

For one recreation room, Malik and Note combined their painting efforts to create one continuous visual story that ignored the four planes and gives a view from the rooftops of an imaginary city at night that flows into day and subsequently spans a vast valley and stream. But bucolic scenes and sensibilities notwithstanding, their painting experience met one common description; “Intense.”

“We were surrounded by four solid concrete walls and were working in extreme heat, with continuous yakking and jeering from the inmates locked in the cells above us and all of that for four weeks, eight hours a day locked in the same room,” say the pair.

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: Mizzo. (photo © Jaime Rojo)

Among the descriptions of the exigencies of the prison and project, there are occasional sparks of institutional levity. Bruno Graber, Chief Director, shares his observations of the project and working with the artists and he inadvertently stumbles on a truism. “Seeing the artists at work was exciting. They seem to be night owls, early mornings were not really their thing.”

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: Malik. (photo © Jaime Rojo)

Ultimately this is a group show new works by 17 artists, but you will not be free to see them, even though you are free. The many ironies are summed up in one of Binotto’s recollections.

“The knowledge that the locked spaces within the prison are blocked from our collective gaze challenges our typical differentiation between captivity and freedom. This is like the joke where the mathematician solves the task of fencing in a herd of sheep not by herding the animals together but rather by putting up the small fence around himself and then declaring ‘I define myself to be on the outside.’”

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: Daniel Zeltner. (photo © Jaime Rojo)

In fact 4661m² plays with the definitions of internal and external space so well that it throws both into question. You may reassess the role of artists, particularly street artists, in the dialogue they bring to public space as we rush from from one task to another, sometimes just keeping our heads above water.

“I always took a deep breath as I exited through the revolving door,” says Note, “I was free again – at least until what felt like five seconds later, when my iPhone began informing me of all the obligations I’d failed to meet.”

The project 4661m² – Art in Prison was curated by Malik and Claude “Note” Luethi, and involved artists including: Malik, Note, Onur, Chromeo, Shark, Ata Bozaci, Robert Proch, Nevercrew, Mizzo, Daniel Zeltner, David Monllor, Benjamin Solt, Lain, Ti, and Sarah Parsons.

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: Onur. (photo © Jaime Rojo)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: Note. (photo © Jaime Rojo)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Note. (photo © courtesy of 4661m²)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: Robert Proch. (photo © Jaime Rojo)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Robert Proch at work. (photo © courtesy of 4661m²)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: David Monllor. (photo © Jaime Rojo)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: Sarah Parsons. (photo © Jaime Rojo)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Sarah Parsons. (photo © courtesy of 4661m²)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: Chromeo. (photo © Jaime Rojo)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Malik. (photo © courtesy of 4661m²)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Never Crew. (photo © courtesy of 4661m²)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Never Crew . Mizzo (photo © courtesy of 4661m²)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Malik, Note at work. (photo © courtesy of 4661m²)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich . Malik. (photo © courtesy of 4661m²)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Malik . Note. (photo © courtesy of 4661m²)

www.4661m2.com

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This article is also published in The Huffington Post

BSA Film Friday 08.14.15

August 14, 2015 Artists

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Germen Colectivo Brings Color to a Mexican Town
2. NEVERCREW at Wall\Therapy 2015
3. JR’s Ballerina Welcomes New Film and New Condos
4. Hitnes: The Image Hunter. On The Trail Of John James Audubon

BSA Special Feature: Germen Colectivo Brings Color to a Mexican Town

It’s raw video, with no narration, slipping audio, and uncredited interviews, but it doesn’t matter because this community project in a Mexican town called Pachuca is brightly hued after 14 months of painting the hillside neighborhood by the Germ Collective.

According to Ricardo Lopez of the Associated Press

“It’s an homage to the wind: the city of Pachuca is nicknamed “la bella airosa,” a Spanish phrase that loosely translates as “the beautiful breezy city.”

Project director Enrique Gomez said the goal is to promote community integration and change the negative image of the neighborhood.

“I never thought we would have such a big impact,” said Gomez, a tattooed and goateed former gang member who turned his life around when he rededicated himself to graffiti art and muralism.

Before, he said, Las Palmitas was a sketchy area where people avoided going out after dark or interacting with each other. But as the project nears its final stages, you see people talking to each other more, children hanging out on the steep stairways that cut through the neighborhood.

“Honestly, what surprises me the most is that people are really changing,” Gomez said. “They are growing, there is more community spirit. People are taking the security of their neighborhood into their own hands.”

NEVERCREW at Wall\Therapy 2015

“Swiss-based duo NEVERCREW adorned a wall with a magnificent addition to their ongoing series of murals celebrating whales. With reflections of the Rochester skyline in the external whale, this mural is part of their current body of work, bringing attention to the preservation of these massive denizens of the deep.”

JR’s Ballerina Welcomes New Film and New Luxury Condos

This well heeled flying ballerina by JR graces the site where an eight story luxury condo is slated to land in Manhattan. A great stop action video here shows the French artist beginning the project in the bucket with DDG real estate CEO Joe McMillan and then speeding away fashionably on two wheels through busy Manhatttan traffic.

Discussing the 75 foot tall dancer in mid air, DDG, the developer who owns the site explains on their website that “JR’s interest in ballet inspired his art film Les Bosquets, which premiered at the Tribeca Film Festival this spring. His new street artwork bears a striking similarity to the image promoting the film on the Tribeca Film Festival’s website.” DDG tells The Real Deal website, “the installation will ‘remain indefinitely,’ or, at least until the condos start rising.”

Hitnes: The Image Hunter. On The Trail Of John James Audubon

Muralist and Street Artist Hitness has begun following the Audubon Trail, and is painting all along the way.

He began in Philadelphia and made his way to Mill Grove, which was Audubon’s first home in the US, and then moves southward to Pickering Creek Audubon Sanctuary in Easton, MD.

Keep track of him on theimagehunter.org

Direction: Giacomo Agnetti

$WALL\THERAPY 2015 : Surrealism and The Fantastic$

WALL\THERAPY 2015 : Surrealism and The Fantastic

July 29, 2015 Artists

Surreal is the way the world is portrayed across all of our devices today.

It may be the shrinking staff and budgets of newsrooms who are veering ever closer to the sensational or simply the yellow journalism and the PR-planted hyperbole that is rushing to fill the vacuum, but the presentation of our own world is becoming outlandish.

Orwell could have seen this time when war is described as a peace effort, oligarchy is called democracy, and Reality TV is anything but. Combined with rapid technological developments that produce outcomes previously only imagined, we may feel like our grip on the genuine is definitely loosening somewhat.

So fitting it is that a mid-sized US city hosts a mural festival celebrating the surreal and the fantastic in 2015.

We don’t know for sure if it was our current funhouse mirror atmosphere that drove the Wall\Therapy festival in Rochester, NY to choose this years’ themes. It may simply be a way of organizing artists whose work reflects these notions back to us and to illuminate one specific growing trend in street culture and murals.

Surely Magritte, Dali, and Ernst would be very pleased by the uptick of modern surrealists and practitioners of the bizarre, fantastical, and dream-like in galleries, in the public sphere, and throughout popular culture in recent years.

In partnership and as a cultural exchange with Berlin’s Urban Nation (UN) this year, Wall\Therapy 2015 curated this selection of international and local street artists who bring doorways and mirrors for you to step through.

We were glad to be there in person this year and relieved to see that this largely homespun venture continues to be strong and community-minded despite the very hard work that it requires to pull it off. In the face of a rapidly commercializing Street Art festival scene, not only is the grassroots rather refreshing, it is a bit surreal.

Without doubt it is fantastic.

Classic graffiti style from NYC’s Daze has always contained elements of surreality. In his three walls he sampled even more styles.”So I used a lot of influences – photo-realistic, almost cubist, there is some lettering, window panes as metaphor. I was also thinking about fabric and the way it folds, and it turned into water,” he says. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

Vexta: I’ve been doing a lot of collage as my source material – birds, abstract plant shapes, and the galaxy painted over.
BSA: She’s like an earth mother, or universal mother
Vexta: She is every woman.

Andreas Englund’s mural features his superhero vexed by a stone in his boot. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

NeverCrew’s Christian Rebecchi and Pablo Togni created a whale inside an ice whale. “We usually work with themes about the balance between humans and nature,” says Togni, “In this situation we wanted to do a piece about the balance between the elements.” Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

“She is sort of a goddess of East meets West,” says Amsterdam’s Handiedan. Wall Therapy 2015. Rochester, NY (photo © Jaime Rojo)

A highly detailed original sketch that is culled from photographs and their own staging of a model in boots, Onur and Wes21 spent many long hours into a few nights to complete their wall.
Onur: It is more of a scene than a classical mural. The wall is perfect for something like this.
BSA: So it is nature taking a bite out of its aggressor
Onur: Yes, kind of. That’s not bad. We have a sign that says beware of beaver crossing. The animals are a metaphor for something else and we are always looking for stuff like this when we are on the streets.

“We knew we had a week and we thought ‘what can we accomplish?’” says Rochester local Matt Roberts on a break from his wall with Joe Guy Allard. “I do monsters all the time and Joe does those robots. It’s a big old fight scene. I mean, who doesn’t want destruction, some mahem? I grew up on Godzilla movies and Ultraman, stuff like that. Just a lot of B-horror. I’m really into it. The new Godzilla movie is like my Crème Brulee.”

Eder Muniz. (CLICK ON IMAGE TO ENLARGE) Wall Therapy 2015. Rochester, NY (photo © @MarkDeffPhoto Courtesy of Wall Therapy)

Our deep gratitude to the Wall\Therapy Family; Ian Wilson and Erich Lehman for their invitation to participate at this edition, and to Yasha Young, director of Urban Nation and this year’s co-curator. To the artists for sharing their talent with us in such a public and generous way. To all of the volunteers including Jason Barber and Maureen Malone for their sincere dedication and attention to detail and to the production team for making certain we all had what we needed and for making our job far easier. To the photographers for sharing their work with us throughout the process. To Jonathan Binstock, Director of the Memorial Art Gallery at The University of Rochester for hosting our BSA Film Friday Live event and to Meg Colombo and Mike Besaw at MAG for helping us with everything we asked for and then more. To the city of Rochester.

Click HERE to learn more about WALL THERAPY

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This article is also published on The Huffington Post

Wall/Therapy 2015 Day 4

July 23, 2015 Artists

“Love is Sacrifice” says the calligraphic script on the new wall by Jeff Soto and Maxx242. The two words rarely appear one without the other, as any sentient being will tell you.

As with most artistic endeavors there are sacrifices to be made here as well, but the outgoing inquisitive nature of Rochester people are buoying the spirits as community members continue to visit the murals-in-progress and engage with artists and the various volunteers who keep the show going.

Li-hill kept working into the night, as did Onur and Wes21 on their mural. Li thinks he can complete it within the day – he’s a fast and expressive worker so we’re guessing he’s right. Onur and Wes21’s dynamic image will be strangely realistic, dare we say surrealistic, depicting a scene of nature’s retaliation against our domination – and their pace is perhaps more steady and deliberate.

Another outer-worldly battle is taking place between monsters and robots in the blockbuster piece by Rochester-based artists Joe Guy Allard and Matthew Robers, while also-local Brittany Williams is knocking out her first-ever mural, a portrayal of a woman blossoming in heart and mind on the streets of Rochacha.

Regardless of how late they stay working, nobody really wants to skip dinner at The Yards, the collaborative arts space where most artists check in as a home base and where they actually get to hang out instead of being spread out. Friday night the party starts a little earlier so hopefully they’ll be able to break from the painting and come out to the BSA Film Friday at 5 pm on University of Rochester campus with us.

By then we’ll probably see Vexta’s vibrant, colorful textures have and blinkering diamond field fully anchor her masked woman, but no one is yet predicting what the Brazilian Eder Muniz will do on his arrival – but most predict is will be colorful, surreal, and fantastic.

Onur . Wes21. Taking the long view to get some perspective of the wall in progress. Wall Therapy 2015. (photo © Jason Wilder/Courtesy Wall Therapy)

Andreas Englund. Process shot of a superhuman not unlike the artist. Wall Therapy 2015. (photo © Jenn Poggi/Courtesy Wall Therapy)

For wall locations, schedule of events and further details about Wall Therapy 2015 Rochester click HERE

NeverCrew, Andreas Englund, Onur Dinc, KKade, and Dot Dot Dot at Urban Nation

March 23, 2015 Artists

Street Art is this enormous moveable and on-the-move feast for the eyes and mind and heart. The players and places change, the songs and the dancing revolves, the color and texture everchanging. Exploring Street Art in Berlin is like wandering onstage at the Metropolitan Opera during Wagner’s Ring and discovering that there is a superstar DJ with lasers, a death metal band, and a poetry jam on live horses as well. Die Fledermaus meets DeadMaus meets Mickey Mouse.

Mounting a show with Urban Nation (UN) in windows and the gallery was already a feast for senses, but in addition Yasha Young invited guest performers to join in the festivities, making every movement new and many of them revelatory.

So while 12 artists from Brooklyn were mounting Project M/7 we also had the opportunity to see and meet new folks we had not seen before – The NeverCrew (Switzerland) , Andreas Englund (Sweden), Onur Dinc (Switzerland), KKade (Switzerland), and Dot Dot Dot (Norway). Actually DDD was a Nuart last year but evidently was very shy.

Today we wanted to share with you these additional dishes that were on the table at the UN feast, these talented folk deserve their own posting and we are pleased to share them with you.

Urban Nation Walls took place in conjunction with Project M7 “Persons Of Interest”. The walls are currently on view 24/7 at:

URBAN NATION
Bülowstraße 97
10738 Berlin-Schöneberg, Germany

http://www.urban-nation.net/

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Top image: Elliott Routledge (photo © Jaime Rojo)

Revok – MSK (photo © Jaime Rojo)

Denis Ouch (photo © Jaime Rojo)

Portraits of a clown king. Denis Ouch (photo © Jaime Rojo)

Strayones brings out Cat In The Hat. (photo © Jaime Rojo)

Nevercrew. “Dimensional recipe”. Los Angeles. Part 1 (photo © Nevercrew)

“Dimensional recipe” is a series of three interconnected mural paintings realized in Los Angeles (USA), curated by Anne­Laure Lemaitre (FatCap), 2017.

About the work:

Nevercrew. “Dimensional recipe”. Los Angeles. Part 2 (photo © Nevercrew)

Nevercrew. “Diposing Machine”. Melano, Switzerland. Part 1 (photo © Nevercrew)

This image of Dreamers reminds us of our grandfathers and grandmothers and the stories of refugees all over the world overcoming obstacles to make a better life. (photo © Jaime Rojo)

Dom Rimx (photo © Jaime Rojo)

Collaboration between Bifido and Julieta in Lecce, Italy. (photo © Bifido)

Collaboration between Bifido and Julieta in Lecce, Italy. (photo © Bifido)

Turtlecaps . City Kitty (photo © Jaime Rojo)

An atmospheric Addison Karl . “Okchamali Nebulae”. Washington, DC. (photo © Addison Karl)

Lungebox (photo © Jaime Rojo)

One question: what is a furring channel? Sipros for The Bushwick Collective. (photo © Jaime Rojo)

Outings Project in Paris. (photo © Julien de Casabianca)

Outings Project in Paris. (photo © Julien de Casabianca)

Unidentified artist (photo © Jaime Rojo)

Untitled. Brooklyn, NY. October 2017. (photo © Jaime Rojo)

Top image: Adam Fujita . Dirty Bandits (photo © Jaime Rojo)

Kafka Is Famous (photo © Jaime Rojo)

Dan Witz (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

MRVN (photo © Jaime Rojo)

Ces53 . Smart . Giz . Such. The Bushwick Collective. (photo © Jaime Rojo)

Giz. The Bushwick Collective. (photo © Jaime Rojo)

Such. The Bushwick Collective. (photo © Jaime Rojo)

Ces53. The Bushwick Collective. (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

City Kitty (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Jazz Guetta. The Bushwick Collective. (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Stray Ones (photo © Jaime Rojo)

Myth (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

cb23 with friends. (photo © Jaime Rojo)

Nevercrew in Kiev for Art United Us. (photo © Nevercrew)

Mind The Heart Project (photo © Jaime Rojo)

Utitled. The Last Picture. Hudson River, NY. 2017 (photo © Jaime Rojo)

BSA Special Feature: Fin DAC on a Rooftop in San Francisco

Nevercrew Papers Over a Bear in Satka

Dabs & Myla in L.A.

Miedo 12 Paints “Nothingness More Than Infinite” in Barcelona

Never Crew is in the Ural Mountains in Satka, Russia with a message about man’s disconnection with nature. Their murals often contain one large animal, and this time a bear takes center stage – rather papered over by industrial “progress,” perhaps?

NeverCrew. “Baring Machine” Satka Street Art Festival. Satka, Russia. May 2017. (photo © NeverCrew)

NeverCrew. “Baring Machine” Satka Street Art Festival. Satka, Russia. May 2017. (photo © NeverCrew)

Perhaps that is the inspiration for the name of the large piece called “Baring Machine,” playing on the spelling of ‘bear’ and the machinery of extraction. A smaller related mural work nearby features tool sets involved in the digging and extraction process.

NeverCrew. “Baring Machine” Satka Street Art Festival. Satka, Russia. May 2017. (photo © NeverCrew)

NeverCrew. “Baring Machine” Satka Street Art Festival. Satka, Russia. May 2017. (photo © NeverCrew)

NeverCrew. “Baring Machine” Satka Street Art Festival. Satka, Russia. May 2017. (photo © NeverCrew)

NeverCrew. Satka, Russia. May 2017. (photo © NeverCrew)

NeverCrew. Satka, Russia. May 2017. (photo © NeverCrew)

NeverCrew. Satka, Russia. May 2017. (photo © NeverCrew)

Nevercrew “Discordant” Above Second Gallery. Hong Kong. 18th March – 22nd April (photo © Jaime Rojo)

Nevercrew “Discordant” Above Second Gallery. Hong Kong. 18th March – 22nd April (photo © Jaime Rojo)

Nevercrew “Discordant” Above Second Gallery. Hong Kong. 18th March – 22nd April (photo © Jaime Rojo)

Nevercrew “Discordant” Above Second Gallery. Hong Kong. 18th March – 22nd April (photo © Jaime Rojo)

Nevercrew “Discordant” Above Second Gallery. Hong Kong. 18th March – 22nd April (photo © Jaime Rojo)

Nevercrew “Discordant” Above Second Gallery. Hong Kong. 18th March – 22nd April (photo © Jaime Rojo)

Nevercrew “Discordant” Above Second Gallery. Hong Kong. 18th March – 22nd April (photo © Jaime Rojo)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

Perhaps his name is Major Tom.

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016. (photo © Never Crew)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

NeverCrew. “See Through / See Beyond” St+ART India. New Delhi, India. January 2016 (photo © NeverCrew)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. (photo © Jaime Rojo)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artists featured on this page: Malik, Note, Benjamin Solt. (photo © Jaime Rojo)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Malik, Note at work. (photo © courtesy of 4661m²)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: Ti Lain. (photo © Jaime Rojo)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Ti Lain. (photo © courtesy of 4661m²)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: Mizzo. (photo © Jaime Rojo)

4661m² Art In Prison . Malik . Claude Luethi. Niggli Imprint. Zurich. Artist featured on this page: Lain. (photo © Jaime Rojo)

“Dimensional recipe” is a series of three interconnected mural paintings realized in Los Angeles (USA), curated by AnneLaure Lemaitre (FatCap), 2017.

He began in Philadelphia and made his way to Mill Grove, which was Audubon’s first home in the US, and then moves southward to Pickering Creek Audubon Sanctuary in Easton, MD.

Keep track of him on theimagehunter.org

Direction: Giacomo Agnetti