All posts tagged: MOMA

Barbara Kruger Brings the Battleground to NYC This Summer

August 16, 2022 Artists

Pop Quiz: What’s black and white and red all over?

A newspaper of course!

Also, it is an uncomfortable and tastily iconic collage or screen installation by American contemporary artist Barbara Kruger, who is treating you this summer to two shows; one at David Zwirner Gallery in Chelsea and one at the Museum of Modern Art (MoMA) in midtown.

Barbara Kruger. Detail. David Zwirner Gallery. Manhattan, NYC. (photo © Jaime Rojo)

She reveals an utter sensitivity to the implication of individual words as well as phrases. Whether it’s the pithy bromides of yesteryear, the entreaties of advertising copy, the humble brag of a politician-preacher, or the casual misogyny of a rapper, it catches Kruger’s eye and ear and she brings it to you in bold direct graphic style.

“Your Body is a Battleground” is a fact that rears its head in ways that shock and dismay, year after year. But the battleground she skirmishes upon most often is the modern mind – attacked on all sides today by a propagandist media and an ever more invasive ad business that has encroached on your most personal desires and decisions.

Barbara Kruger. David Zwirner Gallery. Manhattan, NYC. (photo © Jaime Rojo)

Thankfully she has often put her large blasting siren texts on the city street – where everyday people can encounter them, interact with them, ponder them. The body of Krugman’s work is an indictment, and one that has helped countless fans perhaps to sharpen and focus their own critiques of slogans, campaigns, art world word-salad, and white papers from so-called “think tanks”. If there ever was a university for nationwide mass media studies and literacy, Kruger would be Dean.

It’s good to see a large collection of works together. At both Zwirner and MoMA your are flooded with options to see and consider. Some of the images or texts have gotten caught in a zeitgeist that passed, but much of it is deliciously on target, timeless in its critique. With direct and sly placement, Kruger is plainly hoping to be instructive on how to reexamine the manner in which we are gradually formed, seduced, shoved into obedience by images, words, associations, and emotions.

Here she is in the repetitive pounding messages, the mix of blinking photo and text collages, the large-scale monochrome images overlaid with text, the reliable Futura Bold and Helvetica Extra Bold, the bars of black, white, and red.

*Barbara Kruger: Thinking of ~~You~~. I Mean Me. I Mean You.* Museum of Modern Art. Manhattan, NYC. (photo © Jaime Rojo)

Barbara Kruger: Thinking of ~~You~~. I Mean Me. I Mean You. Is currently on view at the Museum of Modern Art in NYC until January 2023. Click HERE to find more information.

Artists Continue to Fight for Affordable Housing in NYC

January 18, 2018 Artists

They’re not coming here to dine at the Olive Garden or take a tour through the Target.

They’re here for “Hello Dolly”, “Hamilton”, and “Cats”. They’re here for Billie Joel at the Garden, “Springstein on Broadway” and the “David Bowie” opening at the Brooklyn Museum. They’re here for the virtual reality exhibition “Celestial Bodies” at the Museum of Sex, Picasso and Marina Abramović at MoMa, and the 34,000 items in the Met’s Costume Institute. They’re here for Jazz at Birdland, punk at Manitobas, the singers at Joe’s Pub and dancing at “The Dirty Circus” party at House of Yes in Bushwick.

Whether its EDM or country music, Ai Wei Wei or Shepard Fairey, they’re reading about the arts from writers in the The New York Times, ArtForum, Hyperallergic, Time Out, The Village Voice, Daily News and right here.

Brooklyn Skyline. (photo © Jaime Rojo)

The creative economy of artists, actors, dancers, musicians, photographers, curators, designers, art directors, architects, producers, writers, authors, painters, poets, coaches, trainers, teachers, filmmakers, lighting designers, stage designers, software programmers, prop makers, furniture designers, singers, chefs, hairdressers, makeup artists, fashion designers, and yes, Street Artists all are the contributors to the valuable cultural lifeblood of New York City.

And all of these people need a place to live and work, to create, to practice, to try and fail, and to try and succeed.

They also need to be able to pay the rent. That has been less and less and less possible in the last three decades at least with skyrocketing prices chasing low and medium income people from one neighborhood to the next.

These cultural creators have been moving from abandoned neighborhood to neglected neighborhood – in the process most often making the neighborhood more desireable – and then pushed out by the real estate investors. An effort to stem this unfair, brutal and insulting process, activists and artists created The Loft Law, which saved thousand artists in the 1980s and 1990s and it protected many Live/Work creative spaces and the cultural richness of the City that Never Sleeps. A second wave of Live/Work spaces were given protection via Albany in 2010 in a 2nd Loft Law that covers creatives who brought neighborhoods around the city like Williamsburg and Bushwick back to life as desireable creative meccas.

Yes, this is one of the stories about gentrification – and yes, protection of affordable space for artists is not more important than affordable apartments for every single New Yorker. There are many programs afoot put in place ( please see: Mayor de Blasio Announces City Secured More Affordable Housing in 2017 Than in Any Prior Year.)

But that’s not why we’re writing today.

We’re writing to support all artists who give to this city and would like to assure that our elected officials, landlords, and the Loft Board remember their responsibility to respect and protect the rights of tenants, their families, their children, their grandchildren, brothers, sisters, aunts, uncles, mothers, fathers.

Many tenants in the last couple of years have questioned whether the protections afforded under the Loft Law are being run over roughshod or ignored altogether, according to many artists you’ll speak with. There are accusations that hard-won rules are being skipped over, artists are being coerced, that clearly defined processes are being foreshortened and rammed through without input.

It’s an old story, a swinging of the pendulum of justice toward the people and away from the people, but one that needs to be righted occasionally. At this moment, with the Mayor so clearly expressing a desire to protect the rights of the New York creative industry for affordable safe loft Live/Work spaces, it seems possible.

Here is the press release for a protest by 475 Kent tenants today at the meeting of the New York City Loft Board.

475 Kent tenants are asking that you ALL come out and support them.
Loft Board Meeting
2:00 PM
January 18, 2018
New York City Loft Board
22 Reade Street, 1st floor
New York, New York

Kraftwerk At MoMA

April 16, 2012 Artists, Events, Features, Germany, Manhattan, Museum, NYC, Performance

Stylized Leaders of the Computerized Electronic Revolution at MoMA

First as D.I.Y. experimenters and visionaries, then leaders in a nearly empty field, then as inspiring catalysts for man-machine marriage, Kraftwerk paved the way for millions of musicians, programmers, DJs, rappers, and fans to integrate a mechanized electronic precision into the modern musical oeuvre. At a time when the youth movement was peacing out and getting high with arena rock and disco, Kraftwerk was turning itself into robots and its vinyl platters were getting play in New York house parties as an ideal futuristic soundtrack to integrate with lyrics, riffs and samples. With New Wave, House, and Techno music all spawned with those same programmed beats, voices, and influences, now in the 2010s we acknowledge that a wide spectrum of musical categories, recordings, and performances contain a significant part of Kraftwerk’s digital DNA.

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

A teenager in the early 80s listening to Man Machine and Computer World would have thought that Kraftwerk were geekily impressing each other with their sweeping vision of a future daily existence where people and robots interact via smart electronic devices and programs. Not only did each year afterward bring us many steps further into their outlandish computerized vision, it may be that they partially ushered it in with their undulating funky precision and robotic wit. And so it is in New York now that “Kraftwerk Week” is blowing away a roomful of people who are holding up their personal glowing rectangles toward the stage at the Museum of Modern Art. Over the course of 8 consecutive nights they appear as slightly human robots to perform one of their albums in it’s entirety, followed by a very satisfying collection of favorites.

The retrospective Kraftwerk 1 2 3 4 5 6 7 8 brings a vision of the current band members poised before their master controls while 3-D visuals crisply fly into your face with elements of aerospace, rail travel, and the pumping machinations of human propelled progress. Swelling pulsating vistas are punctuated by text and funnily low-tech robotic movements – all infused with a sense of classical European styling. As pure and total fans we were extremely lucky to have attended one of the performances and we felt like witnesses to an historic event that testified to the influence of 4 decades of experimentation but also displayed a delightfully stellar quality of skill and performance.

Naturally, these photos were shot on our personal hand-held computers.

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

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Chris Jordan : A Bold Light Artist Hits Iconic Icelandic Church

April 4, 2012 Artists, Events, Features, Iceland, On the Street, Reykjavik, Street Art Festival

Rafmögnuð Náttúra: The Hallgrimskirkja Church in Reykjavik, Iceland

It’s not that light artist Chris Jordan didn’t find the sweeping supersonic jet-shaped façade of the church inspiring. He just wanted to make it visible again to the people in town.

Hallgrímskirkja, the Lutheran church in the center of Reykjavík, with it’s soaring steeple and outstretched wings it has been an architectural icon since it’s completion in 1986 and anyone first laying eyes on the largest Icelandic church is usually impressed by it’s command and design. And yet, somehow even pivotal architecture can disappear before our eyes due to familiarity and it may take a visionary talent like Jordan to bring it back to our attention with animation, mapping, color, and pattern.

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

From his home in New Yorks’ Chinatown, Jordan, who teaches interactive design at Baruch College and New York University, talks about his work in the same way that Street Art is often credited in the urban environment: art as activation. “Activating is about changing people’s perceptions of overlooked or invisible spaces. A building can become an archetype, invisible, like for a New Yorker, for example, the Statue of Liberty. You look at it, and it disappears into the thousands of times you’ve already seen it. So for me, this light project was so exciting because here’s this massive landmark church that this whole town can’t see anymore.. made completely fresh and new. To see that reflected back at me through the faces of viewers was exhilarating.”

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

That observation perhaps was the pinnacle of his Icelandic experience in February when he camped out in front of the church over four days in the back of a box truck with his collaborator Marcos Zotes, a handful of computers, three projectors, and a low budget. Together they created a series of site-specific video performances that brought to life Zotes’ idea for a project called Rafmögnuð Náttúra.

The two had met while Jordan was performing his 24 hour timelapse of Hurricane Irene inside an engineered cloud at New York’s Bring to Light Festival last October. Zotes asked if Jordan would like to collaborate on a project to illuminate the 150 foot wide façade of a church in for the Winter Lights Festival in Iceland. Since Jordan has over the last decade created installations appearing at MoMA, The New Museum, The Whitney, The Museum of Natural History, The Chelsea Museum, in Times Square, and many unusual places in between, he had a good idea what cool stuff he would like to do. With the free help of other artists, software designers, and even NASA, Jordan brought a mind-blowing façade to the church that Zotes had only imagined.

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

“We collaborated on how we could, with a very limited budget, create something spectacular for the festival,” explains Jordan. “We knew that the majority of the budget would be going for projectors so we called our friends up to help us with creating animation sequences that could be mapped to the facade, in triple-HD resolution.”

“We developed a workflow and a template for each animator to follow; then compiled the animations together into a final 15-minute composition. In addition, I contacted friends at NASA for solar imaging data, and created animations using graphic and solar elements. The dream was to have northern lights over the building with the accompanying solar data displayed. Although the solar and earth weather didn’t collaborate, the animations of the sun in a dark cold city on this Norse façade were very appropriate and powerful.”

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Jordan’s work over the years has included explorations into memory, and elements of photography, film, interactivity, and projections. We talked with Jordan about traveling to Iceland, transparent ideas, the importance of community, and what a light artist has to go through to reactivate an icon.

Brooklyn Street Art: Can you talk about the trip to Iceland?
Chris Jordan: We went to Iceland with just one day before the opening. The Icelandic people were incredibly accommodating, and set up three massive projectors inside a box truck, with a massive piece of glass mounted on it. The box truck became our projector-heated cabin in the center of Reykjavik for four days. Location is everything! It was a great setup. The projectors were aligned and from there I mapped the content using the software MadMapper by Garage Cube. Garage Cube are also friends of mine and they helped me troubleshoot the tech issues the day before. The opening event had the band For a Minor Reflection accompany us, right after the mayor of Reykjavik introduced the festival to the audience.

But the day before this we went through myriad technical issues. Many times I thought this was going to either look horrible, or crash altogether. There was no budget for a backup computer, or to test the entire setup beforehand. Luckily, Iceland has an early sunset, so we gleaned a couple crucial extra hours to configure everything. The mapping was completed literally seconds before the mayor spoke. It all went off smoothly and the people that braved the intense horizontal-downpour cheered.

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Brooklyn Street Art: You managed to transform a landmark into a completely different light using your creativity. Doesn’t that feel pretty powerful?
Chris Jordan: Yes. It was pretty fantastic we were able to do this on such a small budget. It absolutely required a community to make happen. When our main computer failed, the Icelandic underground came to the rescue. One person there offered graphics cards he’d had in a drawer. Another brought us snacks from a nearby cafe. That community effort is really what made this project powerful for me.

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Brooklyn Street Art: You were given no budget whatsoever, aside from a plane ticket and 3 projectors. How do you plan for a live performance with the inevitable technical issues?
Chris Jordan: Years and years of failure. I read an Edison quote the other day, “If you want to succeed, double your failure rate”. I’m also a huge proponent of transparency, modularity, and scale. These tenets allow me to see unique solutions to problems, and find compelling solutions. Light art is still maturing as a public medium, as last November’s Occupy Wall Street “Bat-signal” projections attest. It’s a wide-open field for creative expression.

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Brooklyn Street Art: Without revealing your trade secrets, is it true you plan to introduce more community interaction into your future work?
Chris Jordan: Always. There’s an axiom I live by: “There is no art without politics”. You either choose to engage it, or you choose political apathy. This ties in with ideas around real-time performance and feedback. I hate the word “rendering”, as it equates to “pouring concrete” on ideas that demand continuing dialog. “Trade secrets” imply hoarding of knowledge. I only want to work with transparent ideas and accessible technologies that ‘spotlight’ the individual’s role in society through creativity. I try to live an open-source life.

Brooklyn Street Art: What role does community play in this project and in your philosophy?
Chris Jordan: I love interacting with communities and to give them the control to create dialogue. This fascinates me, and informs my work constantly. My next long-term outdoor installation is on Governor’s Island, where I’ll be engaging the broadest spectrum of people on the planet (New York) in playing and building, using buckets and stop motion photography. For me it’s all about the community. Without it, we are making monoliths to our egos.

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan on the back of their box truck. (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” – Chris at work on his live creations. (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra”. Mission control trailer. (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

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With very special thanks to Enki for sharing this incredible photographic story.

Rafmögnuð Náttúra, a concept by Marcos Zotes created by Marcos Zotes and Chris Jordan

We would also like to recognize the other creators and contributors to the project:

Animators Thessia Machado, Noa Younse, Andrea Dart and Steven Tsai
Performer Coco Karol
Videographers Azmi Mert Erdem and Raghul Sridharan
Photographer Enki
and the music group For a Minor Reflection

The Hallgrímskirkja was designed by architect Guðjón Samúelsson

Images of the Week: 03.04.12

March 4, 2012 Artists, Berlin, Brooklyn, California, Germany, L.A., Los Angeles, Manhattan, NYC, On the Street

Our weekly interview with the street, this week including Bronco, Cindy Sherman, Dan Witz, LNY, Miyok, PK, Read, Royce Bannon, Stikman, Swoon, Trojan Horse, Various & Gould, and Who is Charlie?

LNY (photo © Jaime Rojo)

Who is Charlie? (photo © Jaime Rojo)

Stikman says go put your records on (photo © Jaime Rojo)

Dan Witz was recently in Los Angeles and Daniel LaHoda from LA Freewalls Project took him around to visit some walls. This and the following images are of his series WTF in The Arts District, The Warehouse District and the Manufacturing District. (photo © Dan Witz)

Dan Witz (photo © Dan Witz)

Swoon, Royce Bannon and a Polaroid shot of an amorous couple complete this snap shot of the dialogue on the streets of NYC. (photo © Jaime Rojo)

Read (photo © Jaime Rojo)

PK (photo © Jaime Rojo)

Miyok (photo © Jaime Rojo)

German duo Various & Gould spotted this box/crate free standing on the streets of Berlin. The crate was built to protect a very old iron gate from the harsh German winter weather. Then they got thinking… (photo courtesy of © Various & Gould)

Various & Gould. Back at their place they build a horse head with a wooden frame and covered it with cardboard. (photo courtesy of © Various & Gould)

Various & Gould. And with the help of BRONCO and Studio Nura they transformed the box into an Art Deco Trojan Horse! (photo courtesy of © Various & Gould)

Various & Gould. “Trojan”, Berlin 2012 (photo courtesy of © Various & Gould)

We are very excited about the great, talented and hugely influential artist Cindy Sherman current exhibition at MoMA. (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

Fun Friday 10.14.11

October 14, 2011 Amsterdam, Art Fair, Artists, Brooklyn, California, Gallery, L.A., Los Angeles, Manhattan, NYC, Opening, The Netherlands, U.K.

1. MONIKER in London
2. CASH FOR YOUR WARHOL with Garage
3. Dabs & Myla with Shea&Ziegler from London
4. D*Face with Stolen Space
5. Able and Baker Gallery from Cologne: Ben Aine. ROA. Pure Evil. Herakut. Rero.
6. AIKO with Andenken Gallery from Amsterdam
7. AIKO Solo Show at PURE EVIL (London)
8. Word to Mother solo show “Essence of Adolescence” Friday Stolen Space Gallery
9. “Ok, Enough, Goodbye”, film at MOMA
10. How and Nosm solo show “Achtung!” Saturday at Known Gallery (LA)
11. WRONA at Pandemic Saturday (Brooklyn)

MONIKER in London

Let’s all head to Shoreditch in East London this weekend for the Moniker International Art Fair, where there will be new stuff from a bunch of Street Artists . In addition, some of the galleries at the fair are having openings back home. Here are some of the exhibitors to help you find your way:

CASH FOR YOUR WARHOL with Garage

Cash For Your Warhol. (photo © Jaime Rojo)

Dabs & Myla with Shea&Ziegler from London

Image from Dabs and Myla in Los Angeles at ThinkSpace Gallery 2011 (photo © Jaime Rojo)

D*Face with Stolen Space

Stolen Space Gallery will be having a print release of ‘Going Nowhere Fast’ By D*Face on Saturday 15th at 11 am at Moniker Art Fair.

Image of D*Face in Los Angeles 2011 (photo © Jaime Rojo)

Able and Baker Gallery from Cologne: Ben Aine. ROA. Pure Evil. Herakut. Rero.

Image of Herakut in Los Angeles, CA (photo © Jaime Rojo)

AIKO with Andenken Gallery from Amsterdam

Image of Aiko in downtown Los Angeles, 2011 with LA Freewalls Project. (photo © Jaime Rojo)

For full details, schedule of events and venues for Moniker International Art Fair click on the link below:

http://www.brooklynstreetart.com/theblog/?p=25420

AIKO Solo Show at PURE EVIL (London)

AIKO’S solo show “Unstoppable Ways” at Pure Evil Gallery opens today from 6 to 9 pm

Aiko at work on a wall in Los Angeles Arts District for LA Freewalls Project (photo © Jaime Rojo)

For more details regarding this show click on the link below:

http://www.brooklynstreetart.com/theblog/?p=25406

Word to Mother solo show “Essence of Adolescence” Friday Stolen Space Gallery

‘Essence of Adolescence’ is an enlightening glimpse into the artist’s visually obsessed mind. Word To Mother invites the viewer to take a glimpse of his inner mindscape. An outward manifestation that combines references drawn from his childhood and the visual stimulation that he absorbed; cartoons juxtaposed with more serious emotive thoughts and fears that face him as an adult living and painting in East London.

Word to Mother. Los Angeles 2011. (photo © Jaime Rojo)

For more information regarding this show click on the link below:

http://www.stolenspace.com/section.php?xSec=3

“Ok, Enough, Goodbye”, film at MOMA

Rania Attieh and Daniel Garcia will be on hand to answer questions when they screen their new film “Ok, Enough, Goodbye” at The Museum of Modern Art in New York City this weekend.

Rania Attieh and Daniel Garcia. “Ok, Enough, Goodbye” Still from the movie.

The screenings with the Auteurs in attendance will be held this weekend on Friday and Saturday.

For more information about times and tickets please click on the link below:

http://www.brooklynstreetart.com/theblog/?p=25441

How and Nosm solo show “Achtung!” Saturday at Known Gallery (LA)

How and Nosm in NYC 2011 (photo © Jaime Rojo)

For more information regarding this show click on the link below:

http://www.brooklynstreetart.com/theblog/?p=25158

WRONA at Pandemic Saturday (Brooklyn)

Wrona solo show “Pretty Horrible” opens on Saturday at Pandemic Gallery in Williamsburg, Brooklyn where there is always assured a good time.

For more information regarding this show click on the link below:

http://www.brooklynstreetart.com/theblog/?p=25446

Rania Attieh & Daniel Garcia Screen their new film “OK, Enough, Goodbye” At The MoMA (Manhattan, NYC)

October 13, 2011 Artists, Events, Manhattan, NYC

Ok, Enough, Goodbye

Okay, Enough, Goodbye

2011. Lebanon/USA/UAE. Written and directed by Rania Attieh, Daniel Garcia. With Daniel Arzrouni, Nadime Attieh. Okay, Enough, Goodbye is a caustic coming-of-age story about a man pushing 40 who lives with his elderly mother. Using her complete dependence on him as an excuse, he has refrained from making a life for himself—until one day when, without warning, his mother moves to Beirut. Attieh and Garcia’s debut feature is an incisive deconstruction of manhood and a graceful meditation on inertia, loneliness, and cowardice. Winner of the Black Pearl at the 2010 Abu Dhabi Film Festival. 93 min.
MoMA FILM SCREENINGS:

Introduced by Attieh, Garcia

Friday, October 14, 2011, 7:00 p.m.

Theater 2 (The Roy and Niuta Titus Theater 2), T2

Saturday, October 22, 2011, 5:00 p.m.

Theater 1 (The Roy and Niuta Titus Theater 1), T1

The Museum of Modern Art

11 West 53 Street New York, NY 10019
(212) 708-9400 | Contact Us | Hours

Images of the Week 06.12.11

June 12, 2011 Artists, Brooklyn, BSA Images Of The Week, California, L.A., Los Angeles, NYC, On the Street, Week in Images

Our weekly interview with the street, this week featuring 130, BAST, Dark Clouds, David Flores, Enzo & Nio, Mare 139, Skewville, Twenty, and Veng.

Skewville and Bast did this new Brooklyn boom box for Bushwick Open Studios last week (photo © Jaime Rojo)

And this week Skewville was picked as a clue for the “Great Urban Race” a marathon-cum-treasure-hunt dress up in a costume and jog through New York event. (photo © Jaime Rojo)

Speaking of Skewville, if you are in Brooklyn next weekend for Northside Open Studios and the Crest Fest 2011 and the Northside Music Festival be sure to see the brand new giant 100 foot Skewville wall unveiling in Williamsburg and come to the afterparty thrown by NOS, Crest and BSA in Greepoint. We’ll be sending out a big announcement about all the street artists involved this year (including some surprises) – so get on our newsletter and we’ll be sure to send you an invite. Great Street Art in Brooklyn!

Skewville and Bast from a slightly different angle. (photo © Jaime Rojo)

Looks like Bast tried his hand with the fire extinguisher (photo © Jaime Rojo)

Well known graffiti artist Mare 139 created this sculpture for El Museo’s Bienal: The (S) Files 2011 at El Museo del Barrio. This window installation is right across the street from MOMA (photo © Jaime Rojo)

Mare 139 entry for El Museo’s Bienal: The (S) Files 2011 at El Museo del Barrio. (photo © Jaime Rojo)

Dark Clouds (photo © Jaime Rojo)

David Flores work in progress in Los Angeles. (photo © Carlos Gonzalez)

David Flores in LA just completed this piece paying homage to a rebel. With good cause. (photo © Carlos Gonzalez)

130 (photo © Jaime Rojo)

AM (photo © Jaime Rojo)

This sticker reminds us of Kara Walker work. We are not sure if the MEMO tag was an original part of the work (photo © Jaime Rojo)

Enzo & Nio continue with their series of Girls and Guns (photo © Jaime Rojo)

Pardon me, I seem to have something stuck in my eye. Unknown (photo © Jaime Rojo)

An unknown artist tried to fend the mini heat wave this week by process of sublimation (photo © Jaime Rojo)

An angry Mr. Potato head type. Unknown (photo © Jaime Rojo)

A teaming mass of people during the one-day sale at Macy’s? Constituents at Representative Anthony Weiner’s office getting ready to give him a piece of their minds about his Sexting? The crowd getting off the roller coaster at Coney Island? This unknown street artist hand draws dozens of faces on steno pads and then wheat paste them together on walls. (photo © Jaime Rojo)

Street Artist 2wenty in Los Angeles at night thanks to Carlos Gonzales. (photo © Carlos Gonzalez)

Hey, why the long face? Veng of RWK continues to work on the Vandevoort Place wall in Bushwick. More photos of the work still in progress below (photo © Jaime Rojo)

Veng RWK (photo © Jaime Rojo)

Veng and the amazing technicolor dreamcoat. (photo © Jaime Rojo)

Veng RWK (photo © Jaime Rojo)

Untitled. Photo © Jaime Rojo

Fun Friday 04.01.11

April 1, 2011 Artists, Brooklyn, Events, Gallery, Manhattan, NYC, On the Street, Opening, Philadelphia

1. Birdsong ZINE Benefit
2. Nomade on LA Freewalls
3. 10th Anniversary of Robots Will Kill in Philadelphia Tonight
4. PANTHEON Opens in Manhattan on the Street Tomorrow
5. EL Celso Closing Party Saturday at Pandemic
6. Spring is Just Around the Corner! Time For Wedding Planning!
7. GAIA Does Giant Martha Cooper Tribute in Chicago
8. BSA Was in the Newspaper Yesterday
9. Happy April Fools! Insane German Synth Pop “Razor Scooter” Video

10. Banksy Revealed as Nude USC guy having sex on the roof

Birdsong ZINE Benefit – Support Your Local ZINE – Tonight at Brooklyn Fireproof

The Birdsong Zine birthday party and benefit — celebrating 3 years of the Brooklyn artist small collective that produces birdsong among other zines, celebrate with a print show and sweet live music.

–art: featuring limited edition $20 prints by a group of artists who have contributed to, or who have been interviewed by, birdsong over the past three years: Blanco, Cara Fulmor, Cat Glennon, Elizabeth Hirsch, J. Morrison, Julia Norton, Joey Parlett, Danielle Rosa, Will Varner, and Michelle Yu

–bands: Sweet Tooth Nelson + Jess Paps, Baby Alpaca, Hunter, Little Victory

When: Friday, April 1st. Doors at 8pm, bands start at 9pm

Where: Brooklyn Fire Proof,119 Ingraham St @ Porter Ave, Brooklyn (Morgan L)

Why: $$$ goes to offset some of the cost of producing birdsong #15, a Brooklyn-based full color bi-annual lit/art/interview zine.

Flier: http://farm6.static.flickr.com/5094/5500993586_760caca9fc_b.jpg

Nomade on LA Freewalls

Haven’t seen these fellers in action before, now, have ye? Bunch of black blobs on their faces though. Did you see the pictures of the final installation here a couple of days ago?

10th Anniversary of Robots Will Kill in Philadelphia Tonight

And if you find yourself in Philly today and want to have a good time and experience great art and excellent company head over to the Vicent Michael Gallery where RWK Art Collective is celebrating their 10th Anniversary of art making

At the Robots Will Kill show will be this piece “Winter Flower” by Veng RWK

PANTHEON Opens in Manhattan on the Street Tomorrow

Curators Daniel Feral and Joyce Manalo invite you to go window shopping this Saturday April 2 to view and buy the art on display on the windows of the old Donnell Library across from MOMA for their exhibition PANTHEON: A History of art from the streets of New York City. See some detail pics from the show here:

PANTHEON:
A history of art from the streets of New York City
Windows exhibition runs April 2-17, 2011
On view 24 hours a day

EXHIBITION LOCATION
chashama at the Donnell
20 West 53rd Street, b/w 5th & 6th Avenue
New York, NY 10019 (across from MoMA)

Image Credit: GRAFFITI & STREET ART diagram by Daniel Feral is a 75th Anniversary celebration of Alfred H. Barr’s CUBISM & ABSTRACT ART diagram.

EL Celso Closing Party Saturday at Pandemic

Pandemic will be hosting a closing party for their El Celso show tomorrow night (1/2) from 7-11pm

It’s your last chance to dance like a maniac in their exclusive…El Celso Mini Discoteca.

Pandemic
37 Broadway (between Wythe and Kent)

Brooklyn, NY 11211
(917) 727-3466

pandemicgallery@gmail.com

Spring is Just Around the Corner! Time For Wedding Planning!

Fools rush in …. where angels fear to tread. Enjoy some of these inspiring Photoshopped delights from romantic Russia and your friends at Sad And Useless

GAIA Does Giant Martha Cooper Tribute in Chicago

Pawn Works and Maxwell Colette Gallery recently hosted New York Street Artist GAIA in Chicago for his “Resplendent Semblance” show and helped him find some walls, like this one in an image from the Pawn Works site, which doesn’t mention that the original image is a photograph from Martha Cooper. Ms. Cooper’s Remix show prep begins in earnest today as she touches down in LA to start installing the her photos and the 50+ original works by graffiti and street artists who have reinterpreted them.

Image of GAIA piece courtesy and copyright of Pawn Works

From our piece with Chris Stain, Billy Mode, and Ms. Cooper a couple of weeks ago:

Brooklyn Street Art: Oh yeah! Gaia is doing that one for this show!
Chris Stain: He is? Cool, that’s cool.
Brooklyn Street Art: Well he loves doing birds, and feathers, and animals.
Chris Stain: Well Gaia’s a bird brain, that kid, so it makes sense.

BSA Was in the Newspaper Yesterday

Yes we geeked out to see Brooklyn Street Art in the AM New York newspaper yesterday morning! Plus we were all over the fact that NohJColey and El Sol 25, two of the newest talents on the street got some props. Oh yeah, and that guy Shepard.

See it in the online version here.

Happy April Fools! Here’s An Insane German Synth Pop “Razor Scooter” Video

Ad Hoc Art And Chashama Present: “Unified Love Moment” (Manhattan, NY)

October 26, 2010 Artists, Events, Gallery, Manhattan, new york, NYC, Opening

Ad Hoc Art

FOR IMMEDIATE RELEASE:

On October 29th, 2010 from 6-8pm, Garrison and Alison Buxton invite you to come celebrate the unveiling of their Unified Love Movement installation across from the MoMA at 20 West 53rd St. The Buxtons are honored to manifest their latest vision on Halloween weekend via chashama’s “Windows at Donnell” program. The exhibition runs October 29th – November 28th, 2010 and is viewable 24/7. This visual fruit is timely and ripe for viewing.
ABOUT THE INSTALLATION:

As our modern world goes totally bananas, Unified Love Movement is all about increasing unity, positivity, acceptance, growth, and, yes, love. For this installation, the Buxtons invited two of NYC’s artistic gems on board to help blow the doors off the outdated religious school bus. Leo Villareal, brilliant blinkity-blink LED maverick, and Scott Draves, creator of the mesmerizing Electric Sheep entities, lend their brilliance to the mix.

Unified Love Movement portrays four figures from four of the world’s faiths – Buddhism, Christianity, Islam, and Judaism. Each is transmitting their love, energy, and prayer to their respective godheads. Though superficial differences do exist, these religions share profound similarities at their cores, including messages of tolerance, sharing, compassion, forgiveness, and infinite love. To depict the infinite openness of the divine without overusing conventional religious references, the Buxtons chose to represent Metatron, the celestial scribe and messenger of the divine, in its sacred geometric form. Emanating from the center of the exhibit, the geometric LED array of Villareal subtly pulses cool white light while Draves’ vivid, bleeding-edge Electric Sheep projections undulate infinitely colored waves over all who choose to engage.

Unified Love Movement is the Buxtons’ foremost project to date, inviting the viewer to participate and contribute to its spiritual expansiveness by realizing the innate commonality of our human experience and then caring enough to do something about it. Perhaps we can then put our minds and hearts together to create a better world.

Garrison and Alison extend a special, huge thank you to chashama and MMT for their very generous support of this project, which would not have happened without them. The contributions of many keep the world lively.
{http://chashama.org / http://mmt.com}

An injustice to anyone is an injustice to everyone. As above, so below. Love eternal.

Many thanks and our best to you.

The Buxtons

Phun Phactory 10 Years Later, a Reunion on The Street

June 23, 2010 Artists, Brooklyn, Events, new york, NYC, Queens

Last weekend the Phun Phactory returned to New York’s streets for an aerosol infused celebration of Old Tymers – and a promise for the future.

Brooklyn-Street-Art-WEB-Phun_Factory-June-2010-copyright-Steven-P_Harrington-L1090269

The original graff spot of the same name was founded in 1993 by Pat DiLillo and the pioneering aerosol artist Michael “Iz The Wiz” Martin, who recently passed away. Created as a safe place to promote legal aerosol art in New York City, the Phun Phactory allowed many a newcomer to practice and perfect their skills in a supportive environment, frequently working side by side with veterans. The Queens factory building in Long Island City across from MoMA/PS1 became a free public outdoor art exhibit and is considered a landmark. The original site, now known as 5 Pointz, passed from their hands by the end of the decade.

Brooklyn-Street-Art-WEB-Phun_Factory-June-2010-copyright-Steven-P_Harrington-L1090273

Saturday a large corrugated metal wall, 3 sides of a block in an industrial site in North Brooklyn, feted newbies and old skoolers to “Old Tymer’s Day”, a gathering of aerosol artists who began riding trains and spraying tags during a time in the city’s recent history when the hand-lettered graffiti style defined the urban environment and spawned an international youth culture infatuated with all things New York City. Brooklyn-Street-Art-WEB-Phun_Factory-June-2010-copyright-Steven-P_Harrington-L1090275

Because of we’re kind of ignorant about graffiti at BSA, rather than concentrate on too many individual pieces and artists, we wandered the scene meeting people and listening to the DJ beats, soaking in the sun, and feeling a little bit of the magic. It was a hot and humid day and most people moved slowly to endure the heat, enjoying hanging out, trading stories, talking about technique, walking over to the barbecue, and taking a seat behind the wheel of a classic convertible. The vibe was nice and the feeling of community and creativity was in the air.

Brooklyn-Street-Art-WEB-Phun_Factory-June-2010-copyright-Steven-P_Harrington-L1090292

Jeremy Vega, the Director of the Phun Phactory, says that very soon a new Phun Phactory will headquarter itself in Williamsburg and will make available more than 500,000 square feet of public space for artists of all mediums to showcase their artwork legally. Judging from the number of young people we saw hanging out Saturday, the new generation will be in attendance.

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This crew of stylish people spontaneously jumped together for a photo as soon as they saw the tripod. In front of this piece by CANO were Boltism, KCONE, Atom, CANO, Vic, and Chino.

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Brooklyn-Street-Art-WEB-Phun_Factory-June-2010-copyright-Steven-P_Harrington-L1090302-cropped

Sitting on a loading dock, these two stayed cool and did tags in a black book. They said their names are Mary Kate and Ashley.

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The barbecue was open and working, and one guy was making mixed fruity drinks in a blender! Sharp knife too.

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Had a really nice conversation with this guy, who was waiting for his 18 year old son to bring by his paint so he could start his piece. His name is Zord AKA ZD, G+F, TDT, Tns, R+W, MPC. He said he was the king of the BMT, J and M lines circa 1985-1990. We discussed his Kiss action figure collection that got thrown away, Satanism, addiction, opinions on the differences between graffiti and street art, film school, and peace and love.

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This was an impromptu (and shaded) area for blackbooks, which people brought to be signed and traded back and forth discussing.

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Nothing like a robot dance and some heavy metal air guitar for fun on a Saturday.

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The Phun Phactory

Phun Phactory on Facebook

Phun Factory Returns – This Time in Billyburg

June 12, 2010 Brooklyn, new york, NYC, On the Street

Saturday is Ol Tymers Day – but not at Yankee Stadium.

The Phun Phactory to Convert Williamsburg Industrial Zone into the World’s Largest Outdoor Mural Art Gallery.

The graffiti art pioneers, those who painted in the train yards in the 1960’s, 70’s and 80’s will come together to kick-off the new Phun Phactory and commemorate the life of legendary artist Iz The Wiz.This event is being curated by artists 2ILL and Blade and will feature more than 50 celebrated old school writers all painting on location.

The Phun Phactory Aerosol Art Corp. will re-launch this summer, converting the Williamsburg, Brooklyn Industrial Business Zone into a neighborhood of mural art. The Phun Phactory was founded in 1993 by founders Pat DiLillo and the late and pioneering aerosol artist Michael “Iz The Wiz” Martin. The original project occupied an industrial zone in Long Island City, directly across from the MoMA/PS1 museum and provided more than 200,000 sq. ft. of public space to showcase works of aerosol artists from around the globe. The new Phun Phactory will headquarter in Williamsburg, Brooklyn and will make available more than 500,000 sq. ft. of public space for artists of ALL mural mediums to showcase their artwork.

On June 19^th 2010, The Phun Phactory will kick-off commemorating the anniversary of co- founder “IZ THE WIZ” with Ole Tymers Day. This event will take place on Wythe Ave. & N. 15^th St. and will begin at 10AM. Ole Tymers Day will bring together the most celebrated aerosol

artists of the 1960’s, 70’s and 80’s, those that were painting in the train yards before their art

made it to the galleries. BLADE and 2IL, names recognized around the globe as pioneers in graffiti art will curate this event. On this day, The Phun Phactory will also feature dozens of mural artists from all parts of the world. This project has received unprecedented support from artists, city officials and business partners who will be present for the event.

The Phun Phactory Kick- Off Event

Date: Saturday, June 19^th 2010

Loc: N. 15^th St, & Wythe Ave Brooklyn

Time: 10 am- 8pm

Saturday, June 19th
rain date: Sat., June 26
10 am
Wythe ave & N. 15th st

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Brooklyn Skyline. (photo © Jaime Rojo)

Stylized Leaders of the Computerized Electronic Revolution at MoMA

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Kraftwerk. Museum of Modern Art, NYC. (photo © Jaime Rojo)

Rafmögnuð Náttúra: The Hallgrimskirkja Church in Reykjavik, Iceland

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan on the back of their box truck. (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” – Chris at work on his live creations. (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra”. Mission control trailer. (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

LNY (photo © Jaime Rojo)

Who is Charlie? (photo © Jaime Rojo)

Stikman says go put your records on (photo © Jaime Rojo)

Dan Witz was recently in Los Angeles and Daniel LaHoda from LA Freewalls Project took him around to visit some walls. This and the following images are of his series WTF in The Arts District, The Warehouse District and the Manufacturing District. (photo © Dan Witz)

Dan Witz (photo © Dan Witz)

Dan Witz (photo © Dan Witz)

Dan Witz (photo © Dan Witz)

Swoon, Royce Bannon and a Polaroid shot of an amorous couple complete this snap shot of the dialogue on the streets of NYC. (photo © Jaime Rojo)

Read (photo © Jaime Rojo)

PK (photo © Jaime Rojo)

Miyok (photo © Jaime Rojo)

German duo Various & Gould spotted this box/crate free standing on the streets of Berlin. The crate was built to protect a very old iron gate from the harsh German winter weather. Then they got thinking… (photo courtesy of © Various & Gould)

Various & Gould. Back at their place they build a horse head with a wooden frame and covered it with cardboard. (photo courtesy of © Various & Gould)

Various & Gould. And with the help of BRONCO and Studio Nura they transformed the box into an Art Deco Trojan Horse! (photo courtesy of © Various & Gould)

Various & Gould. “Trojan”, Berlin 2012 (photo courtesy of © Various & Gould)

We are very excited about the great, talented and hugely influential artist Cindy Sherman current exhibition at MoMA. (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

MONIKER in London

CASH FOR YOUR WARHOL with Garage

Cash For Your Warhol. (photo © Jaime Rojo)

Dabs & Myla with Shea&Ziegler from London

Image from Dabs and Myla in Los Angeles at ThinkSpace Gallery 2011 (photo © Jaime Rojo)

D*Face with Stolen Space

Stolen Space Gallery will be having a print release of ‘Going Nowhere Fast’ By D*Face on Saturday 15th at 11 am at Moniker Art Fair.

Image of D*Face in Los Angeles 2011 (photo © Jaime Rojo)

Able and Baker Gallery from Cologne: Ben Aine. ROA. Pure Evil. Herakut. Rero.

Image of Herakut in Los Angeles, CA (photo © Jaime Rojo)

AIKO with Andenken Gallery from Amsterdam

Image of Aiko in downtown Los Angeles, 2011 with LA Freewalls Project. (photo © Jaime Rojo)

AIKO Solo Show at PURE EVIL (London)

AIKO’S solo show “Unstoppable Ways” at Pure Evil Gallery opens today from 6 to 9 pm

Aiko at work on a wall in Los Angeles Arts District for LA Freewalls Project (photo © Jaime Rojo)

For more details regarding this show click on the link below:

Word to Mother solo show “Essence of Adolescence” Friday Stolen Space Gallery

Word to Mother. Los Angeles 2011. (photo © Jaime Rojo)

Rania Attieh and Daniel Garcia will be on hand to answer questions when they screen their new film “Ok, Enough, Goodbye” at The Museum of Modern Art in New York City this weekend.

Rania Attieh and Daniel Garcia. “Ok, Enough, Goodbye” Still from the movie.

How and Nosm solo show “Achtung!” Saturday at Known Gallery (LA)

How and Nosm in NYC 2011 (photo © Jaime Rojo)

WRONA at Pandemic Saturday (Brooklyn)

Okay, Enough, Goodbye

Skewville and Bast did this new Brooklyn boom box for Bushwick Open Studios last week (photo © Jaime Rojo)

And this week Skewville was picked as a clue for the “Great Urban Race” a marathon-cum-treasure-hunt dress up in a costume and jog through New York event. (photo © Jaime Rojo)

Skewville and Bast from a slightly different angle. (photo © Jaime Rojo)

Looks like Bast tried his hand with the fire extinguisher (photo © Jaime Rojo)

Well known graffiti artist Mare 139 created this sculpture for El Museo’s Bienal: The (S) Files 2011 at El Museo del Barrio. This window installation is right across the street from MOMA (photo © Jaime Rojo)

Mare 139 entry for El Museo’s Bienal: The (S) Files 2011 at El Museo del Barrio. (photo © Jaime Rojo)

Dark Clouds (photo © Jaime Rojo)

David Flores work in progress in Los Angeles. (photo © Carlos Gonzalez)